(born Jan. 22, 1561, London, Eng. — died April 9, 1626, London) British statesman and philosopher, father of modern scientific method. He studied at Cambridge and at Gray's Inn. A supporter of the Earl of Essex, Bacon turned against him when Essex was tried for treason. Under James I he rose steadily, becoming successively solicitor general (1607), attorney general (1613), and lord chancellor (1618). Convicted of accepting bribes from those being tried in his court, he was briefly imprisoned and permanently lost his public offices; he died deeply in debt. He attempted to put natural science on a firm empirical foundation in the Novum Organum (1620), which sets forth his scientific method. His elaborate classification of the sciences inspired the 18th-century French Encyclopedists (see Encyclopédie), and his empiricism inspired 19th-century British philosophers of science.
Bacon was the first writer to try to delineate the proper methods of successful science, to enable science to become a craft or industry producing benefits for humanity rather than the haphazard pursuit of occasional eccentrics. Although the ‘Baconian method’ is sometimes identified with simple induction by enumeration (the generalizing from instances of phenomena to experimental laws), in fact Bacon provided a sophisticated taxonomy of scientific methods, in most respects anticipating such later results as Mill's methods, and certainly including an understanding that the search for laws was an imaginative and intellectual rather than a mechanical empirical exercise. His work included a running battle against the false approaches of metaphysics, and against superstition (his own attitude to religion certainly included some sceptical elements, and he regarded the whole matter as unimportant compared to science: ‘the research into final causes, like a virgin dedicated to God, is barren and produces nothing’). Diderot said of Bacon that his work amounted to a map of what men had to learn; he has often been described in terms of a prophet standing on the edge of the promised land of scientific knowledge.
Bacon's late writings laid the foundation for a new scientific culture, as he had hoped. Any great step in humanity's progress has to be imagined in an almost mystical vision of what could be, before people are motivated to realize it. In Novum Organum, Bacon outlined the new scientific method (organum); in New Atlantis, he described scientific culture in idealized, utopian fashion. The vision had to wait for forty years until a group of scientists, philosophers and philanthropists inspired by Bacon's ideas, founded the Royal Society in 1667. In the last five years of his life, Bacon had written almost exclusively in Latin, and translated certain English writings into what was then the Universal Language. As a result, he was known and admired on the continent; thus were the seeds sown for a pan-European scientific movement.
During his final years Bacon became a near legendary figure, admired by his peers for his writings and his life. His death in 1626 was mourned in a set of learned elegies, the Manes Verulaminani (available at Penn Leary's website), which show a degree of admiration far surpassing the conventional, sycophantic tributes commonly given to deceased dignitaries. The superlative regard in which Bacon was held led to the phenomenon of Baconianism, which has continued in almost unbroken form to this day. The veneration of great men is a two-edged sword: the Francis Bacon Society is an heir to the difficult but worthwhile task of attempting to maintain awareness of Bacon's universal talent and contribution, without lapsing into hero-worship and the cult mentality that often ensues.
In the Enlightenment era, Bacon became a symbol for science and reason: reduced to a symbol, his actual philosophy was misunderstood and frequently unread. His classical learning and poetic, imagistic use of language were forgotten, as was the comprehensive, harmonious scheme of his Great Instauration. In the 19th century Romantic reaction against Enlightenment-era rationalism, Bacon-as-symbol was re-evaluated as a mere precursor of scientific rationalism. In line with this prejudice was seen as unpoetic and materialistic. In contrast, the Romantic era projected its positive pre-occupations onto Shakespeare, believed to be a naive but inspired rustic, producing great poetry by pure inspiration.