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World's Greatest Draft (2 Viewers)

15.16 - John Milton - Poet

John Milton II (9 December 1608 – 8 November 1674) was an English poet, author, polemicist and civil servant for the Commonwealth of England. He is best known for his epic poem Paradise Lost and for his treatise condemning censorship, Areopagitica.Milton was writing at a time of religious and political flux in England. His poetry and prose reflect deep convictions, often reacting to contemporary circumstances, but it is not always easy to locate the writer in an obvious religious category. His views may be described as broadly Protestant, and he was an accomplished, scholarly man of letters, polemical writer and an official in the government.Paradise LostMain article: Paradise LostMilton’s magnum opus, the blank-verse epic poem Paradise Lost, which appeared in a quarto edition in 1667, was composed by the blind Milton from 1658-1664 through dictation given to a series of aides in his employ. It reflects his personal despair at the failure of the Revolution, yet affirms an ultimate optimism in human potential. Milton encoded many references to his unyielding support for the "Good Old Cause."[24]Milton sold the copyright of this monumental work to his publisher for a seemingly trifling £10; this was not a particularly outlandish deal at the time.[25] Milton followed up Paradise Lost with its sequel, Paradise Regained, published alongside the tragedy Samson Agonistes, in 1671. Both these works also resonate with Milton’s post-Restoration political situation. Just before his death in 1674, Milton supervised a second edition of Paradise Lost, accompanied by an explanation of "why the poem rhymes not" and prefatory verses by Marvell. Milton republished his 1645 Poems in 1673, as well a collection of his letters and the Latin prolusions from his Cambridge days. A 1668 edition of Paradise Lost, reported to have been Milton's personal copy, is now housed in the archives of the University of Western Ontario.In his political writing, Milton addressed particular themes at different periods. The years 1641-42 were dedicated to church politics and the struggle against episcopacy. After his divorce writings, Areopagitica, and a gap, he wrote in 1649-54 in the aftermath of the execution of Charles I, and in polemic justification of the regicide and the existing Parliamentarian regime. Then in 1659-60 he foresaw the Restoration, and wrote to head it off.[28]Milton's own beliefs were in some cases both unpopular and dangerous, and this was true particularly to his commitment to republicanism. In coming centuries, Milton would be claimed as an early apostle of liberalism.[29] According to James Tully:“ ... with Locke as with Milton, republican and contraction conceptions of political freedom join hands in common opposition to the disengaged and passive subjection offered by absolutists such as Hobbes and Robert Filmer.[30]
Very happy to get Milton this late.Keep skipping me.
:lmao: When someone said there was still a top ten poet/playwright left, I assumed this was whom they were talking about. Well, I was, at least.
I said it, but it was not him. This is the world, not the Anglo Saxon Sphere. But Milton is just outside the top 10.
I suspect I know whom you're talking about, and I rank Milton ahead of him. :shrug:
 
I suspect I know whom you're talking about, and I rank Milton ahead of him.

Well, you're the judge, sweet Anglophilia. :lmao:

 
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Sorry. Bad timing and intermittent service. They keep wanting me to do my silly job.

Considering the contentious relationships between Muslims and the rest I'm going to pick a key player in the origins of that ongoing conflict.

Pope Urban II. Religious figure who called for the First Crusade.

 
I'm a bit out of my element here, but I'm taking the guy that sculpted one of the most amazing peices of art I have ever seen with my own eyes. So amazing, in fact, that none other than Michelangelo said that his work was fit to be the Gates of Paradise, and that is how the Baptistry doors in Florence are referred to to this day.

16.14 Lorenzo Ghiberti, Non-Painter Artist

Lorenzo Ghiberti (born Lorenzo di Bartolo) (1378 – December 1, 1455) was an Italian artist of the early Renaissance best known for works in sculpture and metalworking.

Ghiberti was born in Florence. His father was Bartoluccio Ghiberti, a trained artist and goldsmith, who trained his son in the gold trade. Lorenzo Ghiberti then went to work in the workshop of Bartoluccio de Michele, where Brunelleschi also got his training. When the bubonic plague struck Florence in 1400, Ghiberti emigrated to Romagna, where he assisted in the completion of wall frescoes of the castle of Carlo I Malatesta.

Ghiberti first became famous when he won the 1401 competition for the first set of bronze doors for the Baptistery of the cathedral in Florence. (redacted) was the runner up. The original plan was for the doors to depict scenes from the Old Testament, and the trial piece was the sacrifice of Isaac. However, the plan was changed to depict scenes from the New Testament, instead.

To carry out this commission, he set up a large workshop in which many artists trained, including Donatello. Ghiberti had re-invented the lost-wax casting (cire perdute) of bronze-casting as it was used by the ancient Romans. This made his workshop so special to young artists.

When his first set of twenty-eight panels was complete, Ghiberti was commissioned to produce a second set for another doorway in the church, this time with scenes from the Old Testament, as originally intended for his first set. Instead of twenty-eight scenes, he produced ten rectangular scenes in a completely different style. They were more naturalistic, with perspective and a greater idealization of the subject. Michelangelo dubbed these scenes the "Gates of Paradise." "The Gates of Paradise" is known to be a monument to the age of humanism.

He was then commissioned to execute monumental gilded bronze statues to be placed within select niches of the Orsanmichele in Florence, one of Saint John the Baptist for the Arte di Calimala (Wool Merchants' Guild) and one of St. Matthew for the Arte di Cambio (Bankers' Guild). Finally, he also produced a bronze figure of St. Stephen for the Arte della Lana (Wool Manufacturers' Guild).

He was also a collector of classical artifacts and a historian. He was actively involved in the spreading of humanist ideas. His unfinished Commentarii are a valuable source of information about Renaissance art and contain an autobiography, the first of an artist. This work was a major source for Vasari's Vite.

Ghiberti died in Florence at the age of seventy-seven. The Gates of Hell of Auguste Rodin were inspired by the "Gates of Paradise."
 
I'm a bit out of my element here, but I'm taking the guy that sculpted one of the most amazing peices of art I have ever seen with my own eyes. So amazing, in fact, that none other than Michelangelo said that his work was fit to be the Gates of Paradise, and that is how the Baptistry doors in Florence are referred to to this day.

16.14 Lorenzo Ghiberti, Non-Painter Artist

Lorenzo Ghiberti (born Lorenzo di Bartolo) (1378 – December 1, 1455) was an Italian artist of the early Renaissance best known for works in sculpture and metalworking.

Ghiberti was born in Florence. His father was Bartoluccio Ghiberti, a trained artist and goldsmith, who trained his son in the gold trade. Lorenzo Ghiberti then went to work in the workshop of Bartoluccio de Michele, where Brunelleschi also got his training. When the bubonic plague struck Florence in 1400, Ghiberti emigrated to Romagna, where he assisted in the completion of wall frescoes of the castle of Carlo I Malatesta.

Ghiberti first became famous when he won the 1401 competition for the first set of bronze doors for the Baptistery of the cathedral in Florence. (redacted) was the runner up. The original plan was for the doors to depict scenes from the Old Testament, and the trial piece was the sacrifice of Isaac. However, the plan was changed to depict scenes from the New Testament, instead.

To carry out this commission, he set up a large workshop in which many artists trained, including Donatello. Ghiberti had re-invented the lost-wax casting (cire perdute) of bronze-casting as it was used by the ancient Romans. This made his workshop so special to young artists.

When his first set of twenty-eight panels was complete, Ghiberti was commissioned to produce a second set for another doorway in the church, this time with scenes from the Old Testament, as originally intended for his first set. Instead of twenty-eight scenes, he produced ten rectangular scenes in a completely different style. They were more naturalistic, with perspective and a greater idealization of the subject. Michelangelo dubbed these scenes the "Gates of Paradise." "The Gates of Paradise" is known to be a monument to the age of humanism.

He was then commissioned to execute monumental gilded bronze statues to be placed within select niches of the Orsanmichele in Florence, one of Saint John the Baptist for the Arte di Calimala (Wool Merchants' Guild) and one of St. Matthew for the Arte di Cambio (Bankers' Guild). Finally, he also produced a bronze figure of St. Stephen for the Arte della Lana (Wool Manufacturers' Guild).

He was also a collector of classical artifacts and a historian. He was actively involved in the spreading of humanist ideas. His unfinished Commentarii are a valuable source of information about Renaissance art and contain an autobiography, the first of an artist. This work was a major source for Vasari's Vite.

Ghiberti died in Florence at the age of seventy-seven. The Gates of Hell of Auguste Rodin were inspired by the "Gates of Paradise."
What can I say about my favorite city in the whole world? With my favorite art gallery? With my favorite bridge? And, yes, I have spent a long time looking at the doors of the cathedral, even though I believe that what you see is a reproduction.http://en.wikipedia.org/wiki/File:PonteVecchioFirenze.jpg

 
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Clock is off for the weekend. Despite some concern about slow pace, we actually got a lot accomplished today, and everyone is still involved; there have been no skips.

There is every reason to believe that we will finish next week at some point. Category judges should get ready and start to think about your lists: your time is coming!

 
Tim -

you know what you should do for Wildcard judging?

do the 1-20 scale, and just have at least 1 person and no more than 5 people at each number...

That way you are forced to, on some level, actually make decisions about what picks are better than others, but at the same time you have a little leeway for it to be a bit top-heavy...

 
Tim - you know what you should do for Wildcard judging?do the 1-20 scale, and just have at least 1 person and no more than 5 people at each number...That way you are forced to, on some level, actually make decisions about what picks are better than others, but at the same time you have a little leeway for it to be a bit top-heavy...
I like this.
 
Tim - you know what you should do for Wildcard judging?do the 1-20 scale, and just have at least 1 person and no more than 5 people at each number...That way you are forced to, on some level, actually make decisions about what picks are better than others, but at the same time you have a little leeway for it to be a bit top-heavy...
Interesting idea. After all the wildcards have been selected, I'm going to take a look at them and then decide if I need to do something like this.
 
Tim - you know what you should do for Wildcard judging?do the 1-20 scale, and just have at least 1 person and no more than 5 people at each number...That way you are forced to, on some level, actually make decisions about what picks are better than others, but at the same time you have a little leeway for it to be a bit top-heavy...
Interesting idea. After all the wildcards have been selected, I'm going to take a look at them and then decide if I need to do something like this.
Well, you did say if just one drafter was opposed to the first method you outlined...
 
MisfitBlondes said:
Tim - you know what you should do for Wildcard judging?do the 1-20 scale, and just have at least 1 person and no more than 5 people at each number...That way you are forced to, on some level, actually make decisions about what picks are better than others, but at the same time you have a little leeway for it to be a bit top-heavy...
Interesting idea. After all the wildcards have been selected, I'm going to take a look at them and then decide if I need to do something like this.
Well, you did say if just one drafter was opposed to the first method you outlined...
Do I count as a drafter? Can I object? :excited:
You sure can. You have DC Thunder's proxy.
 
Tim - you know what you should do for Wildcard judging?do the 1-20 scale, and just have at least 1 person and no more than 5 people at each number...That way you are forced to, on some level, actually make decisions about what picks are better than others, but at the same time you have a little leeway for it to be a bit top-heavy...
Interesting idea. After all the wildcards have been selected, I'm going to take a look at them and then decide if I need to do something like this.
Well, you did say if just one drafter was opposed to the first method you outlined...
Yep. If you object, I go back to the original method of ranking from 1-10, as previously promised. Are you objecting?
 
Tim - you know what you should do for Wildcard judging?do the 1-20 scale, and just have at least 1 person and no more than 5 people at each number...That way you are forced to, on some level, actually make decisions about what picks are better than others, but at the same time you have a little leeway for it to be a bit top-heavy...
Interesting idea. After all the wildcards have been selected, I'm going to take a look at them and then decide if I need to do something like this.
Well, you did say if just one drafter was opposed to the first method you outlined...
Yep. If you object, I go back to the original method of ranking from 1-10, as previously promised. Are you objecting?
So it's like that huh? Jesus man, no gray? No, Tim, I'm not objecting.
 
I'm going performer here. Again, I was sniped with Queen but that's ok. This guy deserves to be drafted as well because if you are one of the most revered and respected artists on an instrument for a given century, well, then you belong here.

My Musician/Performer = Yo Yo Ma

Yo-Yo Ma (traditional Chinese: 馬友友; simplified Chinese: 马友友; pinyin: Mǎ Yǒuyǒu) (born October 7, 1955) is a French-born Chinese-American[1] virtuoso cellist and composer and winner of multiple Grammy Awards. He is one of the most revered cello players of the 20th and 21st centuries.[2] He is also a highly accomplished musician on the piano, viola, and violin.

At a very young age, Ma began studying violin, and later viola, before taking up the cello in 1960 at age four. The child prodigy began performing before audiences at age five, and performed for President John F. Kennedy when he was seven.[3] At age eight, he appeared on American television in a concert conducted by Leonard Bernstein. By fifteen years of age, Ma had graduated from Trinity School in New York and appeared as a soloist with the Harvard Radcliffe Orchestra in a performance of the Tchaikovsky: Rococo Variations.

Ma studied at the Juilliard School of Music with Leonard Rose and attended Columbia University before ultimately enrolling at Harvard University. But, at some point, he began questioning if he should continue his studies, that is until he was inspired by Pablo Casals's performances in the seventies.[citation needed]

However, even before that time, he had steadily gained fame and had performed with most of the world's major orchestras. His recordings and performances of the Johann Sebastian Bach: Cello Suites recorded in 1983 and again in 1994-1997 are particularly acclaimed. He has also played a good deal of chamber music, often with the pianist Emanuel Ax, with whom he has a close friendship back from their days together at the Juilliard School of Music in New York.

He received his bachelor's degree from Harvard in 1976.[4] In 1991, he received an honorary doctorate from Harvard.[5]

He is married to Jill Horner, a German Language professor.

Ma married his long-time girlfriend Jill Hornor in 1977 and has two children, Nicholas and Emily. They currently reside in Belmont, Massachusetts. Ma's elder sister, Yeou-Cheng Ma, who was also born in Paris, is a violinist married to Michael Dadap, a New York-based guitarist from the Philippines. Together they currently run the Children's Orchestra Society in Manhasset, Long Island, New York.

Ma currently plays with his own Silk Road Ensemble, which has the goal of bringing together musicians from diverse countries all of which are historically linked via the Silk Road, and records on the Sony Classical label.[6]Ma's primary performance instrument is the Domenico Montagnana 1733 cello built in Venice and nicknamed Petunia. This cello, more than 270 years old and valued at US$2.5 million, was lost in the fall of 1999 when Ma accidentally left the instrument in a taxicab in New York City.[7] It was later recovered undamaged. Another of Ma's cellos, the Davidov Stradivarius, was previously owned by Jacqueline du Pré who passed it to him upon her death, and owned by the Vuitton Foundation. Though Du Pré previously voiced her frustration with the "unpredictability" of this cello, Ma attributed the comment to du Pré's impassioned style of playing, adding that the Stradivarius cello must be "coaxed" by the player.[citation needed] It was until recently set up in a Baroque manner, since Ma exclusively played Baroque music on it. He also owns a cello made of carbon fiber by the Luis and Clark company of Boston.[8]

In 1997 he was featured on John Williams' soundtrack to the Hollywood film, Seven Years in Tibet. In 2000, he was heard on the soundtrack of Crouching Tiger, Hidden Dragon. He collaborated with Williams again on the original score for the 2005 film Memoirs of a Geisha. Yo-Yo Ma has also worked with world-renowned Italian composer Ennio Morricone and has recorded Morricone's compositions of the Dollars Trilogy including The Good, the Bad and the Ugly. He also has over 75 albums, 15 of which are Grammy Award winners. Ma is a recipient of The International Center in New York's Award of Excellence.

[edit] Playing style

Ma has been referred to as "omnivorous" by critics, and possesses a more eclectic repertoire than is typical for classical musicians.[9] A sampling of his versatility in addition to numerous recordings of the standard classical repertoire would include his recordings of Baroque pieces using period instruments; American bluegrass music; traditional Chinese melodies including the soundtrack to the film Crouching Tiger Hidden Dragon; the tangos of Argentinian composer Ástor Piazzolla; an eclectic and unusual collaboration with Bobby McFerrin (where Ma admits to being terrified of the improvisation McFerrin pushes him toward); as well as the music of modern minimalist Philip Glass in such works as the 2002 piece, Naqoyqatsi. In 2006, a soundtrack album was released of the music from the 2005 film, Memoirs of a Geisha. He is known for his smooth, rich tone as well as his considerable virtuosity, including a cello recording of Niccolò Paganini's 24th Caprice for solo violin, Zoltán Kodály's cello sonata, and other demanding works.

[edit] Appearances

Ma plays the cello during the "Presentation of the Crystal Award" at the Annual Meeting 2008 of the World Economic Forum in Davos, Switzerland, January 25, 2008.Ma has appeared in an episode of the animated children's television series, Arthur (though D.W. kept calling him "Yo Ma-Ma"), as well as on The West Wing (episode "Noël", in which he performed the prelude to the Bach Cello Suite No.1 at a Christmas dinner at the White House), Sesame Street and Mister Rogers' Neighborhood, along with an appearance on "American Dad!" in episode 4 of season 4. In The Simpsons episode "Missionary: Impossible," Ma runs after Homer Simpson along with many other frequent guests of PBS. Ma performed a duet with Condoleezza Rice at the presentation of the 2001 National Medal of Arts and National Humanities Medal Awards. He also starred in the visual accompaniment to his recordings of the Bach: Six Suites for Unaccompanied Cello. Ma has also been seen with Apple Computer and former Pixar CEO Steve Jobs. Ma is often invited to press events for Jobs's companies, and has performed on stage during event keynote presentations, as well as appearing in a commercial for the Macintosh computer. Ma was the first performer on September 11, 2002, at the site of the World Trade Center, while the first of the names of the dead were read in remembrance on the first anniversary of the attack on the WTC. He played the Sarabande movement from Bach's Suite in C minor (#5). He performed a special arrangement of Sting's "Fragile" with Sting and the Mormon Tabernacle Choir during the opening ceremonies of the 2002 Winter Olympics in Salt Lake City, Utah. Ma was named Peace Ambassador by United Nations then Secretary-General Kofi Annan in January 2006.[10] Ma was a guest on the Not My Job segment of Wait Wait... Don't Tell Me! on April 7, 2007, where he won for listener Thad Moore. [1] He was occasionally referenced in Seinfeld. Cosmo Kramer would involuntarily exclaim "Yo Yo Ma!" at random intervals after being kicked in the head.[11][12] On October 27, 2008, Ma appeared as a guest and performer on The Colbert Report.[13] Yo Yo is mentioned in Richard Linklater's 2003 film School of Rock, starring Jack Black and written by Mike White.

He performed John Williams' "Air and Simple Gifts" at the inauguration ceremony for Barack Obama on January 20, 2009 along with Itzhak Perlman (violin), Gabriela Montero (piano) and Anthony McGill (clarinet). While the quartet did play live, the music played simultaneously over speakers and on television was a recording made two days prior due to concerns over the cold weather damaging the instruments. Ma was quoted as saying "A broken string was not an option. It was wicked cold." [14]

Awards and recognitions

Avery Fisher Prize

1978

Dan David Prize

2006

Award of Distinction (International Cello Festival)

2007

Grammy Award for Best Chamber Music Performance:

1996 Brahms/Beethoven/Mozart: Clarinet Trios (Sony 57499)

1993 Brahms: Sonatas for Cello & Piano (Sony 48191)

1992 Brahms: Piano Quartets Op. 25, Op. 26) (Sony 45846)

1987 Beethoven: Cello and Piano Sonata No. 4 in C & Variations (CBS 42121)

1986 Brahms: Cello and Piano Sonatas in E Minor Op. 38, and F Op. 99 (RCA 17022)

Grammy Award for Best Instrumental Soloist(s) Performance:

1998 Yo-Yo Ma Premieres - Danielpour, Kirchner, Rouse (Sony Classical 66299)

1995 The New York Album - Works of Albert, Bartók & Bloch (Sony 57961)

1993 Prokofiev: Sinfonia Concertante/Tchaikovsky: Variations on a Rococo Theme (Sony 48382)

1990 Barber: Cello Concerto, Op. 22/Britten: Symphony for Cello and Orchestra, Op. 68 (CBS 44900)

Grammy Award for Best Instrumental Soloist Performance:

1985 Bach: The Unaccompanied Cello Suites (CBS 37867)

Grammy Award for Best Classical Contemporary Composition:

1995 The New York Album, Stephen Albert: Cello Concerto (Sony 57961)

Grammy Award for Best Classical Album:

1998 Yo-Yo Ma Premieres - Danielpour, Kirchner, Rouse (Sony Classical 66299)

Grammy Award for Best Classical Crossover Album:

2004 Obrigado Brazil (Sony 89935)

2001 Appalachian Journey (Sony 66782)

1999 Soul of the Tango - The Music of Ástor Piazzolla (Sony Classical 63122)

Latin Grammy for Best Instrumental Album

2004 Obrigado Brazil (Sony 89935)

Glenn Gould Prize

1999

Doctor of Musical Arts (D.M.A.) (honoris causa)

2005 Princeton University

Honorary Doctorate

2004 American University of Beirut

 
Seem to have stalled a bit.

16. Acer FC

17. FUBAR

18. Arsenal of Doom

19. Larry Boy 44

20. Mario Kart

Round Seventeen

1. Mario Kart

2. Larry Boy 44

3. Arsenal of Doom

4. FUBAR

5. Acer FC

6. Yankee23 Fan

7. Thorn

8. DC Thunder

9. Doug B

10. Mad Sweeney

 
Expanded biography.

16.03 (303rd pick) - John Wycliffe - Religious Figure

Wise and learned men consider that he did more than any other man to change the course of English history. Some consider that he was more responsible than Luther for the Reformation in England. Many believe that Wycliffe's place in history has not received the recognition which it should have done. Some scholars say that without a knowledge of the work done by him and continued by his followers, the Lollards, we could not understand the English Reformation.

--historian John Foxe

JOHN WYCLIFFE (1324–84) was an English theologian, lay preacher, translator and reformist. Wycliffe was an early dissident in the Roman Catholic Church during the 14th century. His followers are known as Lollards, a somewhat rebellious movement which preached a legalistic Gospel. He is considered the founder of the Lollard movement, a precursor to the Protestant Reformation (for this reason, he is called "The Morning Star of the Reformation"). He was one of the earliest opponents of papal authority influencing secular power.

The most prominent of the Reformers before the Reformation, Wycliffe was also an early advocate for translation of the Bible in the common tongue. He completed his translation directly from the Vulgate into vernacular English in the year 1382, now known as the Wycliffe Bible. It is believed that he personally translated the Gospels of Matthew, Mark, Luke, and John; and it is possible he translated the entire New Testament, while his associates translated the Old Testament. Wycliff's Bible appears to have been completed by 1384, with additional updated versions being done by Wycliffe's assistant John Purvey and others in 1388 and 1395.

Wycliffe was born at an important time in the history of England. The country was becoming recognized as a distinctive nation. The Norman Conquest had taken place in 1066, and the Frenchmen who had come to England with William the Conqueror, had been given lands there, and with their vast numbers of servants they had settled down. In consequence, there were people living in one country, but speaking two different languages. Gradually the English language grew out of a mixture of the old Saxon and the Norman French, and eventually by the time of Wycliffe, the two races had become united in one nation, speaking one language.

This was a period when the power of the Papacy was very great. Most people never saw a Bible, let alone one written in English, and, even if they had seen one they probably would not have been able to read it. Most people believed that they were in bondage to the Church and its sacraments. They thought that indulgences (gifts of money) could purchase forgiveness for sins. In every area of life, the Church exercised enormous control. An example of this control is shown by the fact that if a man died without leaving something to the Church in his will, the Church took over his affairs.

Vast sums of money went to the Vatican through direct taxation. As well, many English benefices were being given by the Pope to Italians, which meant that this money also found its way into the Vatican's coffers. A further aggravation to the English in this matter was the strong suspicion that much of the money was being used to help pay the armies of those with whom they were at war.

1348 saw the beginning of that terrible pestilence, known in history as the Black Death. This fearful plague started in Asia and spread westward across Europe. By August of that year it had reached England. There was enormous loss of life in London, and it caused the death of about half the nation's population. Wycliffe was deeply affected by this disaster.

If we remember that in England at that time there was no alternative to the Church of Rome, we begin to have some idea of the bravery of Wycliffe in attacking the institution which controlled the lives of every Englishman. Wycliffe began his attack on the Roman Church by exposing the wicked practices of the "begging friars". They caused much harm to the people and it was this which caused Wycliffe to speak out against them.

Since the time of King John, England had been trying to gain its freedom from Rome. Because of a dispute over the appointment of the Archbishop of Canterbury, King John had been excommunicated by the pope. In the end John had to submit unconditionally to the pope and to pay annually a large sum of money for the right to continue as King of England. This caused England much humiliation and is one of the reasons leading to the barons forcing John to sign the Magna Carta in 1215.

This payment lapsed, but in 1365, the Pope tried to reassert the Church's authority over England and he demanded the payment of this annual 'rental'. By this time, England was becoming more powerful. The enormous tactical defeat by the English Army, against the much larger French forces at the Battle of Crecy, in 1346, was still very much in the minds of Englishmen; so the Pope had chosen an unwise time to demand this money. Adding to the resentment was the well-founded belief that these taxes would be used to pay the armies of England's enemies.

The King called the parliament together and presented the pope's demands to them, and asked for their response. It is apparent from the replies (recorded by Wycliffe), which were given by the various members of parliament in reply to the King, that Wycliffe had already been widely consulted and his ideas were very acceptable to these people. The decision by parliament was to reject totally the Pope's claims. As Wycliffe wrote about this issue: "There cannot be two temporal sovereigns in one country; either XXXXXX is King or XXXXX [the Pope] is king. We make our choice. We accept XXXX of England and refuse XXXXX of Rome."

This struggle gave Wycliffe a wonderful opportunity to express widely his views on the papacy and enabled him to greatly undermine its influence on the English people. However, the battle for authority between England and Rome continued, and at one time John Wycliffe was sent as one of the commissioners to a meeting with the papal delegates to Bruges in the Netherlands. After two years Wycliffe returned to England feeling that mostly the time had been wasted. However, by meeting with those who were closely associated with the Pope, he came to a clearer understanding of the principles and motives which guided these men. He now spoke of the Pope as anti-Christ. The King rewarded his efforts at Bruges by appointing him Rector of Lutterworth.

Wycliffe's influence upon the nation was growing. He was widely respected at Oxford (where he taught), and he was influential with numerous members of parliament. The pope and his supporters were, of course, furious and sought by several means, including the issuing of papal 'bulls', to have Wycliffe imprisoned and punished for his 'heresy'.

In 1377, the Bishop of London summoned Wycliffe to appear before him in St Paul's. Two very powerful friends, the Duke of Lancaster and the Earl Marshall of England were with Wycliffe to lend him their support. A very large crowd had gathered to hear the proceedings, and it was with much difficulty that the three friends were able to make their way into the chapel where the meeting was being held. The bishop was angry when he saw the support Wycliffe was being given and there was a very heated exchange of words between the Bishop and the noblemen. Indeed it became such an uproar that the trial was abandoned and Wycliffe returned home.

Papal bulls were sent to England which allowed the Roman Catholic Church hierarchy the opportunity to call Wycliffe before them. This was done at Lambeth in April, 1378. A large crowd came with Wycliffe at this appearance, and the bishops were very aware of the support he was being given. During the proceedings a message arrived from the queen mother forbidding them to pass sentence on Wycliffe. This caused so much fear among the bishops and their supporters that they did not dare harm Wycliffe. He, however, made his position very clear in a lengthy written paper showing many of the errors of the papacy. He also pointed out the reforms which should be carried out if the Church was to be true to Christ and His commandments.

The pope wished to establish the Papal Inquisition in England. Wycliffe gave such wise advice to the government of his day that the pope was unable to do so. Even though English "heretics" were persecuted over the next 200 years, things would have been much worse if the pope had succeeded in his desire.

It was at this time that the Papal Schism took place with a pope at Avignon, France, and another in Rome. Both claimed to be infallible and each excommunicated the other. Added to all the other things which had been happening, Wycliffe came to see clearly that the whole papal system was anti-Christian.

When he declared his views on the errors of transubstantiation, he was expelled from Oxford and lost the support of the Duke of Lancaster. His political influence waned but his usefulness increased. He retired to Lutterworth. With the death of the Primate in the Peasant's Revolt of 1381, Wycliffe's old enemy, the Bishop of London, became the Primate. In 1382 the new Primate called a synod to try to punish Wycliffe. During the trial, Wycliffe appealed to Parliament and he called for many changes in the way the Catholic Church was administered. He presented his reasons clearly. The Commons supported Wycliffe and when the trial was over, he went back to his parish of Lutterworth to begin translating the Latin Vulgate into the first English language Bible.

Wycliffe only lived another two years but without his work commitments at Oxford, and with the assistance of others, he was able to complete the translation of the Bible into English. It is generally accepted that Wycliffe did the translation work on the New Testament, but Nicholas de Hereford and John Purvey translated the Old Testament under Wycliffe's supervision. (Not only should Wycliffe be recognized for his wonderful efforts in translating the Scriptures but many scholars believe that he should be accepted as the father of English prose.) Besides the work of translation he was enabled to develop, expound and publish his theological views as well as training and sending out his preachers. Despite these great tasks he acted as a true pastor to the congregation at Lutterworth. Copies of some of the sermons he preached there are still in print today.

Today it is taken for granted that we should be able to read the Bible in our own language, but in Wycliffe's day this was certainly not the situation. Until Wycliffe produced his translation, Jerome's Latin Vulgate was the only version of Scripture available for English people to read. Added to this was a prohibition on anyone other than the clergy reading the Scriptures. Wycliffe's work in making the Scriptures available to ordinary people was much opposed by the clergy and some years later the Church passed a decree which virtually prohibited the translation of the Bible.

Even with the translation completed, there still remained the enormous task of publishing. Every word had to be hand-written because the printing press had not yet been invented. Even today, after more than 600 years, there are about one hundred and seventy hand written copies still available. This gives us some idea of the great number of people who worked at this task for the even greater number who wished to have their own copy of the Scriptures. It has been estimated that it would have cost a man six month's wages to pay for a copy of the New Testament!

While all these things were going on, it was inevitable that his enemies would not be content to leave Wycliffe in peace, even though he had retired to Lutterworth. He was summoned to appear before the Pontiff in Rome but he suffered his first stroke and was unable to go. In his reply to the pope he said, among other things, that Christ has "taught me more obedience to God than to man." Despite his physical weakness, he continued with his preaching. During the worship service on December 29, 1384 he suffered his third stroke and died two days later. Over forty years later, by the order of a Church Council, his body and bones were exhumed and publicly burnt. His ashes were cast into the Swift River near Lutterworth with the idea that he would no longer have any influence, but the reverse was true. His teaching lived on and the Church of Rome was not able to silence him. As Thomas Fuller wrote, "And thus the ashes of Wycliffe are the emblem of his doctrine, which now is dispensed all the world over."

Wycliffe came to deny all the distinctive beliefs of the Roman Catholic Church. He wanted the Church of God to be freed from its entanglements with the State - to be separate and not to rely on the financial support of the government. He believed the free will offerings of the people should be the only revenue of the Church. Wycliffe believed that the translation of the Bible was absolutely essential, that people had to be able to read the Bible in a language they could understand.

Nearly a century and a half before Luther nailed his 95 theses to the door of the Castle Church in Wittenberg, the seeds of that great movement had been sewn in England by John Wycliffe, "The Morning Star of the Reformation".
 
When I looked at the categories and saw that celebrity was on the list, this is the first person I thought of in a World draft (apologies to the other great picks that have been chosen). This man can walk in the streets of every continent, in almost any city (OK, a little bit of a generalization but so what) and be recognized which is what being a celebrity is all about. He has had a movie named after him and he single handedly sold out stadiums when he came to the US and I admit to having a slight man crush on him. I could have probably waited a little longer to take him but I wanted him now so I can say he wears the number 10, 7 or 23 shirt for AcerFC (his choice).

16.16 David Beckham- celebrity

David Robert Joseph Beckham[2] OBE[3] (born 2 May 1975) is an English footballer who currently plays in midfield for Italian Serie A club A.C. Milan (on loan from American Major League Soccer club Los Angeles Galaxy)[4] and the England national team. Beckham's stint with Milan, which began on 7 January 2009, is a loan until the end of the Italian season. [5]

Twice runner-up for FIFA World Player of the Year[6] and in 2004 the world's highest-paid footballer,[7] Beckham is the first British footballer to play 100 Champions League matches.[6] He was Google's most searched of all sports topics in both 2003 and 2004.[8] With such global recognition he has become an elite advertising brand and a top fashion icon.[9][10] Beckham was captain of England from 15 November 2000[11] until the 2006 FIFA World Cup finals,[12] during which he played 58 times. Since then he has continued to represent his country and earned his much-publicised hundredth cap for England against France on 26 March 2008.[13] He is currently England's most-capped outfield player with 109 appearances.[14]

Beckham's career began when he signed a professional contract with Manchester United, making his first-team debut in 1992 aged 17.[6] During his time there, United won the Premier League title six times, the FA Cup twice, and the UEFA Champions League in 1999.[6] He left Manchester United to sign for Real Madrid in 2003, where he remained for four seasons[15] , clinching the La Liga championship in his final season with the club.[16]

In January 2007, it was announced that Beckham would leave Real Madrid and sign a five-year contract with Major League Soccer club Los Angeles Galaxy.[17] Beckham's contract with Los Angeles Galaxy became effective on 1 July 2007 and gave him the highest player salary in MLS history.[18] He debuted for the team on 21 July in a friendly versus Chelsea at The Home Depot Center,[19] and on 15 August, he had his first start with the team, scoring his first goal in the 2007 SuperLiga semi-final.[20] His first league start then came on 18 August in front of a record crowd at Giants Stadium.[21]

Beckham is married to former Spice Girl XXXX.[22] The couple have three sons and currently reside in Beverly Hills, California.
 
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:goodposting:

Matsuo Bashō (松尾 芭蕉 ?, 1644 – November 28, 1694) was the most famous poet of the Edo period in Japan. During his lifetime, Bashō was recognized for his works in the collaborative haikai no renga form; today, after centuries of commentary, he is recognized as a master of brief and clear haiku. His poetry is internationally renowned, and within Japan many of his poems are reproduced on monuments and traditional sites.

Bashō was introduced to poetry at a young age, and after integrating himself into the intellectual scene of Edo he quickly became well known throughout Japan. He made a living as a teacher, but renounced the social, urban life of the literary circles and was inclined to wander throughout the country, heading west, east, and far into the northern wilderness to gain inspiration for his writing and haiku. His poems are influenced by his firsthand experience of the world around him, often encapsulating the feeling of a scene in a few simple elements.

Basho Matsuo is known as the first great poet in the history of haikai (and haiku).

He too, wrote poems using jokes and plays upon words in his early stages, as they were in fashion, but began to attach importance to the role of thought in haikai (especially in hokku) from around 1680.

To a leg of a heron

Adding a long shank

Of a pheasant.

Basho

This poem parodied the following text in "The Book of master Tchouang": "When you see a long object, you don't have to think that it is too long if being long is the property given by the nature. It is proved by the fact that a duckling, having short legs, will cry if you try to draw them out by force, and that a crane, having long legs, will protest you with tears if you try to cut them with a knife."

By playing on purpose in this haiku an act "jointing legs of birds by force" which Tchouang denied, he showed the absurdity of this act and emphasized the powerlessness of the human being's intelligence humorously.

Basho's haikus are dramatic, and they exaggerate humor or depression, ecstasy or confusion. These dramatic expressions have a paradoxical nature. The humor and the despair which he expressed are not implements to believe in the possibility of the human being and to glorify it. If anything, the literature of Basho has a character that the more he described men's deeds, the more human existence's smallness stood out in relief, and it makes us conscious of the greatness of nature's power.

The wind from Mt. Fuji

I put it on the fan.

Here, the souvenir from Edo.

*Edo: the old name of Tokyo..

Sleep on horseback,

The far moon in a continuing dream,

Steam of roasting tea.

Spring departs.

Birds cry

Fishes' eyes are filled with tears

Summer zashiki

Make move and enter

The mountain and the garden.

*zashiki: Japanese-style room covered with tatamis and open to the garden.

What luck!

The southern valley

Make snow fragrant.

A autumn wind

More white

Than the rocks in the rocky mountain.

From all directions

Winds bring petals of cherry

Into the grebe lake.

Even a wild boar

With all other things

Blew in this storm.

The crescent lights

The misty ground.

Buckwheat flowers.

Bush clover in blossom waves

Without spilling

A drop of dew.

 
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Skipped Pick

NONE

16.18 Arsenal of Doom - Next Selection

16.19 Larry Boy 44 - On Deck

16.20 Mario Kart - In the Hole

17.01 Mario Kart

17.02 Larry Boy 44

17.03 Arsenal of Doom

17.04 FUBAR

17.05 Acer FC

17.06 Yankee23fan

17.07 Thorn

17.08 DC Thunder/MisfitBlondes

17.09 Doug B

17.10 Mad Sweeney

17.11 Big Rocks

17.12 higgins

17.13 John Madden's Lunchbox

17.14 Usual21

17.15 thatguy

17.16 Andy Dufresne

17.17 Herbert The Hippo

 
:lmao:

Matsuo Bashō
This guy = haiku for much of the world. Basho is the non-European poet I thought krista (or someone?) has been hinting about for a while. We'll see.
:confused: I got mixed up in my categories and was talking about someone who would fit better in novel/short story. And Ozy was talking about someone else in the poet/playwright category. Not that this isn't a good pick--solid but will be very difficult to slot.
 
:lmao:

Matsuo Bashō
This guy = haiku for much of the world. Basho is the non-European poet I thought krista (or someone?) has been hinting about for a while. We'll see.
:confused: I got mixed up in my categories and was talking about someone who would fit better in novel/short story. And Ozy was talking about someone else in the poet/playwright category. Not that this isn't a good pick--solid but will be very difficult to slot.
I agree, but the other poets I considered, just didn't quite measure up to the others. Basho does, if the genre is given proper credit.I think I know who you're talking about and I might draft that person later, but I already have Hugo.

 
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Ludwig Wittgenstein - Philosopher

Ludwig Josef Johann Wittgenstein (pronounced [ˈluːtvɪk ˈjoːzɛf ˈjoːhan ˈvɪtgənʃtaɪn]) (26 April 1889 – 29 April 1951) was an Austrian-British philosopher who worked primarily in logic, the philosophy of mathematics, the philosophy of mind, and the philosophy of language.[1]

Described by xxxxxxxxxx as "the most perfect example I have ever known of genius as traditionally conceived, passionate, profound, intense, and dominating",[2] he helped inspire two of the twentieth century's principal philosophical movements: the Vienna Circle and Oxford ordinary language philosophy. According to an end of the century poll, professional philosophers in Canada and the U.S. rank both his Tractatus Logico-Philosophicus and Philosophical Investigations among the top five most important books in twentieth-century philosophy, the latter standing out as "...the one crossover masterpiece in twentieth-century philosophy, appealing across diverse specializations and philosophical orientations".[3] Wittgenstein's influence has been felt in nearly every field of the humanities and social sciences, yet there are widely diverging interpretations of his thought.

I would paste in more biography, but I'm too lazy to do all the redacting that would be necessary. This page has links to anything and everything you could ever want to know about the great 20th century philosopher.

 
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I'm going performer here. Again, I was sniped with Queen but that's ok. This guy deserves to be drafted as well because if you are one of the most revered and respected artists on an instrument for a given century, well, then you belong here.

My Musician/Performer = Yo Yo Ma

... an eclectic and unusual collaboration with Bobby McFerrin (where Ma admits to being terrified of the improvisation McFerrin pushes him toward);
I'm so happy Ma was selected. He is truly one of the world's greats. I was a fan of both Ma and McFerrin when they partnered up on the album "Hush" back in '91. It remains one of my favorite albums with such an interesting combination of classical, jazz, and folk. Add to that McFerrin's humor (at one point pushing Ma into an improvisation by yelling out "Take it Yo! ... Yo! ... Yooooo!") and improvisation and it is something truly unique.Ma's adventurousness in making that album really blew the doors off the classical music conservatories. I remember reading an article at the time at how that collaboration opened up new avenues for a whole generation of young musicians, pushing them into exploring different genres of music and testing the full range of sounds capable of being produced by the classical instruments. Very cool.

 
:lol:

Matsuo Bashō
This guy = haiku for much of the world. Basho is the non-European poet I thought krista (or someone?) has been hinting about for a while. We'll see.
:rolleyes: I got mixed up in my categories and was talking about someone who would fit better in novel/short story. And Ozy was talking about someone else in the poet/playwright category. Not that this isn't a good pick--solid but will be very difficult to slot.
I agree, but the other poets I considered, just didn't quite measure up to the others. Basho does, if the genre is given proper credit.
I'm in the same boat with Hokusai in the painter department.
 
I'm going to be doing a low budget music video Sunday and Monday in which the amount of work will be inversely proportionate to the pay. I'll be working my ### off basically and won't be able to check in. So Flysack is going to be my proxy for the last picks. I gave him a list but I also gave him power of attorney to put his own stamp on the end of the draft for me. Throughout today I'll work on a writeup of my picks for what I already have and let Flysack add his to that for a Reader's Digest summary for the judging.

 
16.19 Nero Claudius Caesar Augustus Germanicus, Villain

- Nero's rule is associated with tyranny and extravagance

- He is known for many executions, even the executions of his own mother and brother.

- was an early persecutor of Christians

- many historians believe he is the arsonist behind the "Great Fire of Rome" that started in July of 64 AD

- Nero then blamed the fire in Rome on Christians in order to justify persecuting and killing them.

a historian spoke of the event:

Consequently, to get rid of the report, Nero fastened the guilt and inflicted the most exquisite tortures on a class hated for their abominations, called Christians [or Chrestians[93]] by the populace. Christus, from whom the name had its origin, suffered the extreme penalty during the reign of Tiberius at the hands of one of our procurators, Pontius Pilatus, and a most mischievous superstition, thus checked for the moment, again broke out not only in Judaea, the first source of the evil, but even in Rome, where all things hideous and shameful from every part of the world find their centre and become popular. Accordingly, an arrest was first made of all who pleaded guilty; then, upon their information, an immense multitude was convicted, not so much of the crime of firing the city, as of hatred against mankind. Mockery of every sort was added to their deaths. Covered with the skins of beasts, they were torn by dogs and perished, or were nailed to crosses, or were doomed to the flames and burnt, to serve as a nightly illumination, when daylight had expired.
Other Christian traditions regarding Nero:
Early Christian tradition often holds Nero as the first persecutor of Christians and as the killer of Apostles Peter and Paul. There was also a belief among some early Christians that Nero was an Antichrist.

First Persecutor

The non-Christian historian Tacitus describes Nero extensively torturing and executing Christians after the fire of 64.[83] Suetonius also mentions Nero punishing Christians, though he does so as a praise and does not connect it with the fire.

The Christian writer xxxxxxxx (c. 155- 230) was the first to call Nero the first persecutor of Christians. He wrote "Examine your records. There you will find that Nero was the first that persecuted this doctrine". Lactantius (c. 240- 320) also said Nero "first persecuted the servants of God". as doesxxxxxxxxxxxxx. However, xxxxxxx gives that "since the Jews constantly made disturbances at the instigation of Chrestus, he [the emperor Claudius] expelled them from Rome" ("Iudaeos impulsore Chresto assidue tumultuantis Roma expulit"). These expelled "Jews" may have been early Christians, although Suetonius is not explicit. Nor is the Bible explicit, calling Aquila of Pontus and his wife, Priscilla, both expelled from Italy at the time, "Jews."

Killer of Peter and Paul

The first text to suggest that Nero killed an apostle is the apocryphal Ascension of Isaiah, a Christian writing from the 2nd century. It says the slayer of his mother, who himself this king, will persecute the plant which the Twelve Apostles of the Beloved have planted. Of the Twelve one will be delivered into his hands.

The Bishop Eusebius of Caesarea (c. 275- 339) was the first to write that Paul was beheaded in Rome during the reign of Nero. He states that Nero's persecution led to Peter and Paul's deaths, but that Nero did not give any specific orders. Several other accounts have Paul surviving his two years in Rome and traveling to Hispania.

Peter is first said to have been crucified upside down in Rome during Nero's reign (but not by Nero) in the apocryphal Acts of Peter (c. 200). The account ends with Paul still alive and Nero abiding by God's command not to persecute any more Christians.

By the 4th century, a number of writers were stating that Nero killed Peter and Paul.

The Antichrist

Main articles: The Beast (Bible) and Number of the Beast

The Ascension of Isaiah is the first text to suggest that Nero was the Antichrist. It claims a lawless king, the slayer of his mother,...will come and there will come with him all the powers of this world, and they will hearken unto him in all that he desires.

The Sibylline Oracles, Book 5 and 8, written in the 2nd century, speaks of Nero returning and bringing destruction. Within Christian communities, these writings, along with others, fueled the belief that Nero would return as the Antichrist. In 310, Lactantius wrote that Nero suddenly disappeared, and even the burial-place of that noxious wild beast was nowhere to be seen. This has led some persons of extravagant imagination to suppose that, having been conveyed to a distant region, he is still reserved alive; and to him they apply the Sibylline verses.

In 422, Augustine of Hippo wrote about 2 Thessalonians 2:1–11, where he believed Paul mentioned the coming of the Antichrist. Though he rejects the theory, Augustine mentions that many Christians believed that Nero was the Antichrist or would return as the Antichrist. He wrote, so that in saying, "For the mystery of iniquity doth already work," he alluded to Nero, whose deeds already seemed to be as the deeds of Antichrist.;

Some scholars, such as xxxxxxxxxx (xxxxxxxxxxx University) of the American Schools of Oriental Research and the editors of the Oxford & Harper Collins study Bibles, contend that the number 666 in the Book of Revelation is a code for Nero, a view that is also supported in Roman Catholic Biblical commentaries. When treated as Hebrew numbers, the letters of Nero's name add up either to 616 or 666, representing the two devil numbers given in ancient versions of Revelation and the two ways of spelling his name in Hebrew (NERO and NERON).

The concept of Nero as the Antichrist is often a central belief of Preterist eschatology.
 
For Mario Kart:

16.20 - Franklin Delano Roosevelt - Leader

- one of the 20th centuries better leaders. Ushered in a new era for the world before his death.

17.01 - Guglielmo Marconi - Inventor

- invented the radio

 
I wish I hadn't run out of American spaces to draft. I have a guy that MUST be drafted but I can't.

I think that you should be allowed more than 5 Americans if they go into the Flex spots.

 

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