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krista4

In this thread I rank my favorite Beatles songs: 204-1.

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12 hours ago, krista4 said:

121.  Glass Onion (White Album, 1968)

I was just recovering from the song-shaming of Savoy Truffle - now this. Oh the humanity...

 

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48 minutes ago, rockaction said:

It was a Radiohead cover (or reference?) for the song and in the write-up you used the word creep, IIRC.  

So...that maybe what he's thinking. 

 

Oh...somehow I missed that I'd used the word creep.  I'd like to take credit for being clever enough to slide that in there, but it wasn't intentional.

38 minutes ago, ManOfSteelhead said:

I was just recovering from the song-shaming of Savoy Truffle - now this. Oh the humanity...

 

Thought of you when I posted that one.  :lol: 

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13 hours ago, krista4 said:

Speaking of the White Album, and I know I will get some "OMG how could you" on these:

122.  Sexy Sadie (White Album, 1968)

Beatles version:  Spotify  YouTube

I just don't connect as well with this song as many people seem to.  Musically I enjoy it, but the contempt with which John is addressing the Maharishi is too acerbic for me to enjoy this more than I do.  

Let me back up in case anyone doesn't know the story.  This song was written in the waning hours of John's India visit (Paul and Ringo had already left, so only John, George, and various others remained).  A rumor started, most likely propagated by "Magic Alex" Alexis Mardas, who was concerned that his influence over John was ceding to the Maharishi's, that the Maharishi had made a pass at one of the female guests, possibly Mia Farrow or possibly not.  It's all very, "My best friend’s sister’s boyfriend’s brother’s girlfriend heard from this guy who knows this kid who’s going with a girl who saw Ferris pass-out at 31 Flavors last night," but I guess it was a tipping point for John, who left and wrote this caustic piece, which was originally called "Maharishi" until George convinced John to change it.

I like sarcasm, but this song is full of so much venom, even in the manner of John's vocal.  And the lyrics...well, look up some of the original lyrics that John sang to this.  If I posted them this thread and my username would be no more - there's a "c" word and a "t" word or two and some "f" words.  Still, the song is so musically clever that I'm fascinated by it.  The progressions and chord changes are stunning, and I'm enamored of the "wah wah wah"s (for lack of better term) and the cranky piano.

Mr. krista:  "[Reads a bunch of terrible alternative titles for the song.]  I 100% would have liked that song better.  I like a “#### you” song that’s sung really sweetly, with those high harmonies and pretty piano.  Sounds like it’d be a spacey type band like Radiohead.  Or Verve or Spiritualized."

Suggested cover, kinda:  Funny that Mr. krista should mention Radiohead, since the chorus of their "Karma Police" sounds suspiciously like the opening bars of this song.  Check out a comparison here.  Can't fault Radiohead too much, though, since John himself cribbed some of the lyrics - or closely followed them - from another Smokey Robinson song, "I've Been Good to You."

121.  Glass Onion (White Album, 1968)

Beatles version:  Spotify  YouTube

As we creep toward the top half, I'm highlighting some songs that, while I think they're great, have one glaring issue for me.  In "Sexy Sadie," the issue is that it's too acerbic even for me.  In this one, it is those godawful, inexcusable, makes-me-want-to-turn-the-song-off-except-it's-otherwise-so-good...call-backs to their own damn songs.  It's so lame I can't ####### stand it.  You're out of ideas and you've decided that abusing your audience with these condescending references is the way to go.  It feels like it's sung with disgust rather than being tongue-in-cheek.  Therefore, despite this being an otherwise great rock song with a fab bass line, wonderful cello arrangement, and clearly a FBG favorite, I just can't rank it higher, and in fact I have at times had it ranked much, much lower.  

On the other hand, here's an interesting bit from John about this song explaining one of those callbacks itself:  "That's me, just doing a throwaway song. I threw the line in 'the walrus was Paul' just to confuse everyone a bit more.  ... At that time I was still in my love could with Yoko.  I thought, 'Well, I'll just say something nice to Paul, that it's all right and you did a good job over these few years, holding us together.' ... The line was put in partly because I was feeling guilty because I was with Yoko and I was leaving Paul.  It's a very perverse way of saying to Paul, 'Here, have this crumb, this illusion, this stroke - because I'm leaving.'"

More Badfinger trivia:  "Glass Onion" was the name that John had intended to give to The Iveys, who became Badfinger instead.

Mr. krista:  "Bass playing sounds too boring.  Strings are the best part.  They had such a hard time just writing a song.  I think after Revolver, it seemed like each one had to be an event.  The stakes were so high.  That’s how you get #### like that.  It’s so pretentious."

Suggested cover, also kinda:  With sincere apologies to @zamboni, I dig the Danger Mouse "Encore" remake.

It's interesting - i dont know if you would love the Beatles as much or more if you were old enough to have heard their work contemporarily and, since you're loving them so wonderfully for all of us, i don't wanna know. But these are two songs that play differently if you were "there".

For the first, because right-wing media and pundithood in general has sullied its name, polemics are now a dirty word when they were quite the opposite back in the day when the extreme left was the overpowering noise of the era. Snarky was how inroads were made, words remembered, and savaging individuals got true purchase for those advancing an unpopular cause. That Lennon - an excellent if unorthodox, polemicist - targeted a darling of counterculture, something the left is still more sensitive about than the right - gave truth a better name.

Glass Onion as low as #121 on any list but "digestible vegetables" seems wrong but, again, you weren't there to feel how manic Beatlemania was. John took his fame more to heart than the others anyway and, when he commented on it with "bigger than Jesus", the misinterpretation of the quote got 121x bigger than the phenomenon he was addressing. That's unprecedented stuff, so the chance to play with the "Paul is dead" hysteria as a followup comment on their fame was juicier than,say, if Peter Dinklage decimated GoT on SNL or the Louis CK bit on his misdeeds those who loved him before he was outed need to hear from him. Too much for a writer to resist and pretty well done, actually, even if one hasn't a taste for it.

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57 minutes ago, rockaction said:

It was a Radiohead cover (or reference?) for the song and in the write-up you used the word creep, IIRC.  

So...that maybe what he's thinking. 

 

Yep, I assumed it was an intentional Radiohead reference.

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2 minutes ago, pecorino said:

Yep, I assumed it was an intentional Radiohead reference.

Now if I could only use "might" and "may" correctly, I wouldn't sound illiterate. I remember you from the Infinite Jest thread, pecorino - we have to have our DFW discussion about the structure of Infinite Jest someday. I just need the impetus to read it again, which I will, I'm sure.  

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I like Glass Onion a lot, one of the catchier dittys on the white album. And don't worry, I am not planning on linking that female jazz singer doing her sit down version of it.

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120.  Lady Madonna (single, 1968)

Beatles version:  Spotify  YouTube

As a piano player, I probably rate the songs with good piano higher than other might.  Love the piano in this, though I'm not usually a fan of too much boogie-woogie style.  Overall the song's a great groovy-bluesy number that catches you immediately with that hook.  The main reason it doesn't get to the top half of my rankings is the lyrics.  Paul has said it's a tribute to working-class mothers, or all mothers, or all women, and I've no reason to think he's not sincere, but...the lyrics just sound condescending to me.  It might be the "Did you think that money was heaven sent" line.  I'm not sure; I know that the lyrics fall flat to me.  If this were mostly an instrumental with only the "Seeeee how they ruuuun" vocal part, I'd rate it higher.

Mr. krista:  "I don’t know.  I don’t like that song that much.  I’m not sure I know why.  It’s the brahpbrahpbrahpbrahp.  Try typing that.   It’s annoying."

Suggested covers:  Fats Domino.  Junior Parker.  Since we had a Beatles cover of a Buck Owens song earlier, seems fair to post the Buck Owens cover of this one.  I think Paul sounds like Elvis in this vocal, so I'll also post Elvis stumbling all over it.

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28 minutes ago, wikkidpissah said:

It's interesting - i dont know if you would love the Beatles as much or more if you were old enough to have heard their work contemporarily and, since you're loving them so wonderfully for all of us, i don't wanna know. But these are two songs that play differently if you were "there".

For the first, because right-wing media and pundithood in general has sullied its name, polemics are now a dirty word when they were quite the opposite back in the day when the extreme left was the overpowering noise of the era. Snarky was how inroads were made, words remembered, and savaging individuals got true purchase for those advancing an unpopular cause. That Lennon - an excellent if unorthodox, polemicist - targeted a darling of counterculture, something the left is still more sensitive about than the right - gave truth a better name.

Glass Onion as low as #121 on any list but "digestible vegetables" seems wrong but, again, you weren't there to feel how manic Beatlemania was. John took his fame more to heart than the others anyway and, when he commented on it with "bigger than Jesus", the misinterpretation of the quote got 121x bigger than the phenomenon he was addressing. That's unprecedented stuff, so the chance to play with the "Paul is dead" hysteria as a followup comment on their fame was juicier than,say, if Peter Dinklage decimated GoT on SNL or the Louis CK bit on his misdeeds those who loved him before he was outed need to hear from him. Too much for a writer to resist and pretty well done, actually, even if one hasn't a taste for it.

All good stuff, and getting a Peter Dinklage reference in any post gets an A+ from me.  :)  One small quibble:  the "Paul is dead" hysteria didn't start until 1969, after this had been recorded and released.  But I might be misreading what you're saying on that.

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5 minutes ago, krista4 said:

120.  Lady Madonna (single, 1968)

Beatles version:  Spotify  YouTube

As a piano player, I probably rate the songs with good piano higher than other might.  Love the piano in this, though I'm not usually a fan of too much boogie-woogie style.  Overall the song's a great groovy-bluesy number that catches you immediately with that hook.  The main reason it doesn't get to the top half of my rankings is the lyrics.  Paul has said it's a tribute to working-class mothers, or all mothers, or all women, and I've no reason to think he's not sincere, but...the lyrics just sound condescending to me.  It might be the "Did you think that money was heaven sent" line.  I'm not sure; I know that the lyrics fall flat to me.  If this were mostly an instrumental with only the "Seeeee how they ruuuun" vocal part, I'd rate it higher.

Mr. krista:  "I don’t know.  I don’t like that song that much.  I’m not sure I know why.  It’s the brahpbrahpbrahpbrahp.  Try typing that.   It’s annoying."

Suggested covers:  Fats Domino.  Junior Parker.  Since we had a Beatles cover of a Buck Owens song earlier, seems fair to post the Buck Owens cover of this one.  I think Paul sounds like Elvis in this vocal, so I'll also post Elvis stumbling all over it.

Ouch.  That hits the gut a little.

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4 minutes ago, krista4 said:

All good stuff, and getting a Peter Dinklage reference in any post gets an A+ from me.  :)  One small quibble:  the "Paul is dead" hysteria didn't start until 1969, after this had been recorded and released.  But I might be misreading what you're saying on that.

My bad. Playing into it, if that was the case, then, or the self-referential stuff in any extent. I'm a man, after all, and can't be wrong. And you didn't even say anything about my vegetable joke... *pout*

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2 minutes ago, wikkidpissah said:

My bad. Playing into it, if that was the case, then, or the self-referential stuff in any extent. I'm a man, after all, and can't be wrong. And you didn't even say anything about my vegetable joke... *pout*

Your overall point still stands and isn’t lost on me.  Our difference might be that I don’t find his references playful so much as mean.  I’ve probably read too much about what a nearly psycho such-and-such he was during this period.  And it’s harder to “forgive” when it was directed at fans, which I expect I would have been if I’d been a sentient being at the time.

If I commented on each of your excellent jokes, herbaceous or otherwise, I wouldn’t have time to hold down a job. ;) 

 

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10 minutes ago, krista4 said:

120.  Lady Madonna (single, 1968)

I have never liked this song. It just gets on my nerves. I do like Glass Onion.

 

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37 minutes ago, krista4 said:

120.  Lady Madonna (single, 1968)

Beatles version:  Spotify  YouTube

As a piano player, I probably rate the songs with good piano higher than other might.  Love the piano in this, though I'm not usually a fan of too much boogie-woogie style.  Overall the song's a great groovy-bluesy number that catches you immediately with that hook.  The main reason it doesn't get to the top half of my rankings is the lyrics.  Paul has said it's a tribute to working-class mothers, or all mothers, or all women, and I've no reason to think he's not sincere, but...the lyrics just sound condescending to me.  It might be the "Did you think that money was heaven sent" line.  I'm not sure; I know that the lyrics fall flat to me.  If this were mostly an instrumental with only the "Seeeee how they ruuuun" vocal part, I'd rate it higher.

Mr. krista:  "I don’t know.  I don’t like that song that much.  I’m not sure I know why.  It’s the brahpbrahpbrahpbrahp.  Try typing that.   It’s annoying."

Suggested covers:  Fats Domino.  Junior Parker.  Since we had a Beatles cover of a Buck Owens song earlier, seems fair to post the Buck Owens cover of this one.  I think Paul sounds like Elvis in this vocal, so I'll also post Elvis stumbling all over it.

This one might be top 25 for me, if only because 12 year old me had a stunning musical awakening listening to the Hey Jude album about 25 times over the course of a family vacation week in the Berkshires.  I swore the brahpbrahpbrahpbrahp were The Muppets Chickens.  But I can see where you're coming from.  I seem to recognize it regularly when I consider introducing songs from "my music" to my 14 year old daughter.  

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24 minutes ago, munga30 said:

This one might be top 25 for me, if only because 12 year old me had a stunning musical awakening listening to the Hey Jude album about 25 times over the course of a family vacation week in the Berkshires.  I swore the brahpbrahpbrahpbrahp were The Muppets Chickens.  But I can see where you're coming from.  I seem to recognize it regularly when I consider introducing songs from "my music" to my 14 year old daughter.  

Oh god I love the Muppets chickens!  :lol: 

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OK, I lied....

A tiny bit under the weather and not working today.

There are 39 songs on the Composite List from the first two Top 25's submitted.

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7 minutes ago, Getzlaf15 said:

OK, I lied....

A tiny bit under the weather and not working today.

There are 39 songs on the Composite List from the first two Top 25's submitted.

Wow

Would you mind posting again how this works? 

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12 minutes ago, Getzlaf15 said:

OK, I lied....

A tiny bit under the weather and not working today.

There are 39 songs on the Composite List from the first two Top 25's submitted.

What's this now?

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14 hours ago, Getzlaf15 said:

Knee is back to 80%, so I've been back to work after 7 weeks of no weight at all on my left leg.

So, I ran this idea by Krista this morning and she told me to give it a shot....


So here goes:
1) Anyone that wants to can give me their TOP 25 Rankings via PM.  Give it to me now, give it to me before Krista picks her #25.   I'm not going to look at anyone's list and start compiling them until Krista gets to #30. ( I lied, spreadsheet is all set up)

2) I will put them all on a google spreadsheet and do a composite ranking of everyone's picks.
Your #25 gets 1 point.  #24 gets 2 points, #1 gets 25 points.

3) After Krista reveals her #25, I will then post everyone's #25 in a following post and post updated standings after every pick until we get to #1. Krista's picks will be part of the composite total also.  (this is going to be very cool)

My guess is we get 40-50 songs on the list.  (I'm know thinking we wind up with 65-80)  It would be awesome if we could get at least ten to do this.  I think it will be awesome to see everyone's lists as a countdown also. 
If there is a huge pushback against doing 25 songs, we could do less, but let's shoot for 25 please. 

 

14 hours ago, krista4 said:

I :heart: this idea.  I have some ideas of what I think will be at the top, based on some of the posts here, but very much want to see how this shakes out.  Hope people can do it!  Several have posted a top 10 or so already so it's not that much more...

 

6 minutes ago, Uruk-Hai said:

Wow

Would you mind posting again how this works? 

 

2 minutes ago, Yankee23Fan said:

What's this now?

 

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Ok, so we're doing a composite "favorite Beatles record" among those who submit Top 25s. Not a points-comparison against krista's list, right?

 

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Sent.  I could probably change it 50 gazillion times, but having said that the top 3 will never change.

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15 minutes ago, Uruk-Hai said:

Ok, so we're doing a composite "favorite Beatles record" among those who submit Top 25s. Not a points-comparison against krista's list, right?

 

A composite of those that submit Top 25 lists.   Krista's list will be in the composite.  This isn't a comparison and I hope no one goes there with that.

And I just received a 3rd Top 25 list.

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1 minute ago, Getzlaf15 said:

A composite of those that submit Top 25 lists.   Krista's list will be in the composite.  This isn't a comparison and I hope no one goes there with that.

And I just received a 3rd Top 25 list.

And it's the best so far.... I'm guessing.

If I had to guess.

Just guessing.

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1 minute ago, Getzlaf15 said:

A composite of those that submit Top 25 lists.   Krista's list will be in the composite.  This isn't a comparison and I hope no one goes there with that.

And I just received a 3rd Top 25 list.

Thanks, G15. I'll get you mine this weekend.

Theoretically, my top 25 could all be songs krista has already listed and it wouldn't screw this up.

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9 minutes ago, Uruk-Hai said:

 

Theoretically, my top 25 could all be songs krista has already listed and it wouldn't screw this up.

correct.  

and...  3 lists in....  46 songs on the composite .  :lmao:

When all done, I'll post a list by points, and then a list with # of times a song was on a top 25.

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2 hours ago, Leroy Hoard said:

I like Glass Onion a lot, one of the catchier dittys on the white album. And don't worry, I am not planning on linking that female jazz singer doing her sit down version of it.

I like Glass Onion a lot as well.   It's one of the songs that I don't skip on the album.   Lady Madonna is in my top 75 for sure.  I have loved that song from the first time that I heard it.   

Krista is very difficult to predict.   

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I've had three other songs written up here and changed my mind.

119.  Don't Pass Me By (White Album, 1968)

Beatles version:  Spotify  YouTube

I might be the only person in the world who loves this song, and I'll admit that it took me a long while to appreciate it as well.  I dunno, maybe Ringo's mom did at the time or something.  The song lacks coherent structure, it meanders, and the lyrics aren't compelling.  For a long time I considered this song "plodding," and I guess I still do.  My love for this is 100% about the violin parts.  They are all off-kilter and almost disturbing to listen to, which makes me so intrigued that it's all I hear.  I'd love an entire album just of that violin.  It doesn't even sound like part of the song, as if the guy were wandering around playing something else entirely.  This is a song for which my enjoyment builds every time I listen.  That ####### violin. What is he doing?

Mr. krista:  [In response to plodding comment.]  "It’s great.  I love plodding.  It’s a marching song!  Who gives a ####, that’s a mint jam."

Suggested cover:  Sounds like an entirely different song and is missing my favorite meandering violin, but I like this one by the Georgia Satellites anyway.

Edited by krista4
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6 minutes ago, krista4 said:

I've had three other songs written up here and changed my mind.

119.  Don't Pass Me By (White Album, 1968)

Beatles version:  Spotify  YouTube

I might be the only person in the world who loves this song, and I'll admit that it took me a long while to appreciate it as well.  I dunno, maybe Ringo's mom did at the time or something.  The song lacks coherent structure, it meanders, and the lyrics aren't compelling.  For a long time I considered this song "plodding," and I guess I still do.  My love for this is 100% about the violin parts.  They are all off-kilter and almost disturbing to listen to, which makes me so intrigued that it's all I hear.  I'd love an entire album just of that violin.  It doesn't even sound like part of the song, as if the guy were wandering around playing something else entirely.  This is a song for which my enjoyment builds every time I listen.  That ####### violin. What is he doing?

Mr. krista:  [In response to plodding comment.]  "It’s great.  I love plodding.  It’s a marching song!  Who gives a ####, that’s a mint jam."

Suggested cover:  Sounds like an entirely different song and is missing my favorite meandering violin, but I like this one by the Georgia Satellites anyway.

Was never a fan of this one and would definitely be in the bottom 25 or 30 but maybe a little higher since it was Ringo's first composition.     Some of the "Paul is dead" crowd assumed the line "you were in a car crash, and you lost your hair"   was about Paul's death.

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6 minutes ago, krista4 said:

I've had three other songs written up here and changed my mind.

119.  Don't Pass Me By (White Album, 1968)

Beatles version:  Spotify  YouTube

I might be the only person in the world who loves this song, and I'll admit that it took me a long while to appreciate it as well.  I dunno, maybe Ringo's mom did at the time or something.  The song lacks coherent structure, it meanders, and the lyrics aren't compelling.  For a long time I considered this song "plodding," and I guess I still do.  My love for this is 100% about the violin parts.  They are all off-kilter and almost disturbing to listen to, which makes me so intrigued that it's all I hear.  I'd love an entire album just of that violin.  It doesn't even sound like part of the song, as if the guy were wandering around playing something else entirely.  This is a song for which my enjoyment builds every time I listen.  That ####### violin. What is he doing?

Mr. krista:  [In response to plodding comment.]  "It’s great.  I love plodding.  It’s a marching song!  Who gives a ####, that’s a mint jam."

Suggested cover:  Sounds like an entirely different song and is missing my favorite meandering violin, but I like this one by the Georgia Satellites anyway.

Well it's about time you listed this clunker. I pass it by every time I listen to the white album. 😖

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36 minutes ago, Yankee23Fan said:

Sent.  I could probably change it 50 gazillion times, but having said that the top 3 will never change.

I made a list that ended up with about 50 songs on it, with about 7 flagged as top ten material, and another 7~8 flagged as top 20.   After those it was a total crapshoot.  Definitely some songs crept in there for balance.

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118.  Dig a Pony (Let It Be, 1970)

Beatles version:  Spotify  YouTube

Speaking of the rooftop concert (well, we were yesterday)...the take used on Let It Be was the live version from that concert.  The "false start" at the beginning was because Ringo wasn't ready - he had only one drumstick, with a cigarette in the other hand - but then the song kicks in ferociously with that fantastic hook.  It's another where my ranking is likely higher than where most people would put it, and that's A-OK since this is my damn list.  This song suffers from some non-sensical lyrics, but I've never understood why that's all right for "Come Together" or "I Am the Walrus" but criticized in this one.  Taking out the nonsense lyrics, I love pretty much everything else about this song, including George's guitar work, Ringo's fills, and especially Billy Preston on electric piano.  Any track with Billy Preston on it is automatically bumped up ten slots.  It's another terrific John vocal with a stunning amount of emotion, and the transitions are marvelous, reaching their peak IMO with the "beeeecause" near the end.

Mr. krista:  "I dig Dig a Pony.  I like the lyrics a lot.  That being nonsense that almost means something.  The music’s great.  I love how all of it sounds really good.  Like a plain Jane recording showing off what a great band they are.  Not a bunch of studio ####ery.  Just a great rock band."

Suggested cover:  St. Vincent

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2 hours ago, krista4 said:

120.  Lady Madonna (single, 1968)

Beatles version:  Spotify  YouTube

As a piano player, I probably rate the songs with good piano higher than other might.  Love the piano in this, though I'm not usually a fan of too much boogie-woogie style.  Overall the song's a great groovy-bluesy number that catches you immediately with that hook.  The main reason it doesn't get to the top half of my rankings is the lyrics.  Paul has said it's a tribute to working-class mothers, or all mothers, or all women, and I've no reason to think he's not sincere, but...the lyrics just sound condescending to me.  It might be the "Did you think that money was heaven sent" line.  I'm not sure; I know that the lyrics fall flat to me.  If this were mostly an instrumental with only the "Seeeee how they ruuuun" vocal part, I'd rate it higher.

Mr. krista:  "I don’t know.  I don’t like that song that much.  I’m not sure I know why.  It’s the brahpbrahpbrahpbrahp.  Try typing that.   It’s annoying."

Suggested covers:  Fats Domino.  Junior Parker.  Since we had a Beatles cover of a Buck Owens song earlier, seems fair to post the Buck Owens cover of this one.  I think Paul sounds like Elvis in this vocal, so I'll also post Elvis stumbling all over it.

I like Lady Madonna quite a bit but I think the 50s throwback style wasn't well received at the time.  It only made #4 in the charts which for any other band would have been a smash hit but it was considered a flop for the Beatles.

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2 hours ago, krista4 said:

120.  Lady Madonna (single, 1968)

Beatles version:  Spotify  YouTube

As a piano player, I probably rate the songs with good piano higher than other might.  Love the piano in this, though I'm not usually a fan of too much boogie-woogie style.  Overall the song's a great groovy-bluesy number that catches you immediately with that hook.  The main reason it doesn't get to the top half of my rankings is the lyrics.  Paul has said it's a tribute to working-class mothers, or all mothers, or all women, and I've no reason to think he's not sincere, but...the lyrics just sound condescending to me.  It might be the "Did you think that money was heaven sent" line.  I'm not sure; I know that the lyrics fall flat to me.  If this were mostly an instrumental with only the "Seeeee how they ruuuun" vocal part, I'd rate it higher.

Mr. krista:  "I don’t know.  I don’t like that song that much.  I’m not sure I know why.  It’s the brahpbrahpbrahpbrahp.  Try typing that.   It’s annoying."

Suggested covers:  Fats Domino.  Junior Parker.  Since we had a Beatles cover of a Buck Owens song earlier, seems fair to post the Buck Owens cover of this one.  I think Paul sounds like Elvis in this vocal, so I'll also post Elvis stumbling all over it.

reaction.

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1 minute ago, krista4 said:

118.  Dig a Pony (Let It Be, 1970)

Beatles version:  Spotify  YouTube

Speaking of the rooftop concert (well, we were yesterday)...the take used on Let It Be was the live version from that concert.  The "false start" at the beginning was because Ringo wasn't ready - he had only one drumstick, with a cigarette in the other hand - but then the song kicks in ferociously with that fantastic hook.  It's another where my ranking is likely higher than where most people would put it, and that's A-OK since this is my damn list.  This song suffers from some non-sensical lyrics, but I've never understood why that's all right for "Come Together" or "I Am the Walrus" but criticized in this one.  Taking out the nonsense lyrics, I love pretty much everything else about this song, including George's guitar work, Ringo's fills, and especially Billy Preston on electric piano.  Any track with Billy Preston on it is automatically bumped up ten slots.  It's another terrific John vocal with a stunning amount of emotion, and the transitions are marvelous, reaching their peak IMO with the "beeeecause" near the end.

Mr. krista:  "I dig Dig a Pony.  I like the lyrics a lot.  That being nonsense that almost means something.  The music’s great.  I love how all of it sounds really good.  Like a plain Jane recording showing off what a great band they are.  Not a bunch of studio ####ery.  Just a great rock band."

Suggested cover:  St. Vincent

Great song.  Curiously Phil Spector edited out the "All I want is you" intro and outro.  I thought for sure it would be included on the Let it Be, Naked LP but it was edited out as well.  I was a little disappointed cause I always dug it (pun intended).

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Lady Madonna perfectly placed. I absolutely love the word play especially with “see how they run.” 

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This is tough.  I have 15 songs before I get to the top half, and I look at the rest and don't think more than a couple of them "deserve" to be in the bottom half even though I have them listed there.  Guess I know how you guys with 100 songs that are "definitely in my top 20" feel.  I'm going to work out for a while and think about it some more.

Edited by krista4

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21 minutes ago, krista4 said:

This is tough.  I have 15 songs before I get to the top half, and I look at the rest and don't think more than a couple of them "deserve" to be in the bottom half even though I have them listed there.  Guess I know how you guys with 100 songs that are "definitely in my top 20" feel.  I'm going to work out for a while and think about it some more.

My crappy little list of 30-40 changes every time I look at it.  I can't even get to a settled top 30.

And forget about trying to provide reasons behind ranking those 30.  I just close it down for a couple of hours and go back ...move a few around on how I'm feeling at the moment.  

I'm not built for this.  

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50 minutes ago, krista4 said:

Suggested cover:  Sounds like an entirely different song and is missing my favorite meandering violin, but I like this one by the Georgia Satellites anyway.

I was all ready to post this cover when this song finally appeared in your countdown.

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Lady Madonna is so awesome. Dig a Pony might be even better. This list has turned into a train wreck. 

I still remember that your greatest movie of all time turned about to be some 2 hour Italian art film about a donkey. I don’t know but I’m starring to sense a pattern here. Is your number one song going to be some b side nobody’s ever heard of? Maybe some Yoko chant? Wouldn’t surprise me at this point. 

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1 hour ago, Dr. Octopus said:

I was all ready to post this cover when this song finally appeared in your countdown.

I'll sheepishly admit that I thought I got this from you, but then questioned myself and thought it could have been DocHolliday because I just had "Doc" written down.  Think you posted it in the tim thread?  Anyway, thank you for that - it's not only great but saved my having to dig around for a cover on that one.

24 minutes ago, timschochet said:

Lady Madonna is so awesome. Dig a Pony might be even better. This list has turned into a train wreck. 

I still remember that your greatest movie of all time turned about to be some 2 hour Italian art film about a donkey. I don’t know but I’m starring to sense a pattern here. Is your number one song going to be some b side nobody’s ever heard of? Maybe some Yoko chant? Wouldn’t surprise me at this point. 

If tim doesn't like the list, then I'm confident I'm doing things right.  :)

And it was a French film about a donkey.  And my favorite movie is not that one - it's a German art film about a circus.

Edited by krista4
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18 minutes ago, timschochet said:

 

I still remember that your greatest movie of all time turned about to be some 2 hour Italian art film about a donkey. 

LOL

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117.  I Will (White Album, 1968)

Beatles version:  Spotify  YouTube

Beautiful and hummable, stuck-in-your-head song with a fabulous guitar line from Paul that sounds more George-like than George does.  Readers of my first post in this thread, which is none of you, will note my statement that I'm not sentimental or sappy.  As a result, this lovely song from the Paul McCartney automatic-song-generator gets high points for all of that plus its absolutely gorgeous harmonies but is docked compared to other songs due to its hokey lyrics:

Love you forever and forever
Love you with all my heart
Love you whenever we're together
Love you when we're apart.

:X 

Mr. krista:  "THAT sounds like a song that was written in 1964.  It’s a lovely little Beatles tune.  They were in India when he wrote it so they were probably feeling particularly decent.  McCartney is best when he seems vulnerable."

Suggested cover:  Allison Krauss holy hell

Edited by krista4
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24 minutes ago, timschochet said:

Lady Madonna is so awesome. Dig a Pony might be even better. This list has turned into a train wreck. 

I still remember that your greatest movie of all time turned about to be some 2 hour Italian art film about a donkey. I don’t know but I’m starring to sense a pattern here. Is your number one song going to be some b side nobody’s ever heard of? Maybe some Yoko chant? Wouldn’t surprise me at this point. 

It would be good shtick if Krista is playing the long con and names Rocky Raccoon #1 just to watch everyone here lose their minds.

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17 minutes ago, krista4 said:

 

Suggested cover:  Allison Krauss holy hell

There's very little Allison Krauss does that doesnt make me weepy, so a Paul McCartney ballad and my first pre-makeover look at her has me positively soggy

ETA: Dig a Donkey (in French) would have been a better song....

Edited by wikkidpissah
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33 minutes ago, krista4 said:

117.  I Will (White Album, 1968)

Beatles version:  Spotify  YouTube

Beautiful and hummable, stuck-in-your-head song with a fabulous guitar line from Paul that sounds more George-like than George does.  Readers of my first post in this thread, which is none of you, will note my statement that I'm not sentimental or sappy.  As a result, this lovely song from the Paul McCartney automatic-song-generator gets high points for all of that plus its absolutely gorgeous harmonies but is docked compared to other songs due to its hokey lyrics:

Love you forever and forever
Love you with all my heart
Love you whenever we're together
Love you when we're apart.

:X 

Mr. krista:  "THAT sounds like a song that was written in 1964.  It’s a lovely little Beatles tune.  They were in India when he wrote it so they were probably feeling particularly decent.  McCartney is best when he seems vulnerable."

Suggested cover:  Allison Krauss holy hell

One of my favorites off of The White Album. Love Paul's guitar on this one! Interesting that George was not part of this recording.

I'm also shocked at the following:

In the mind of Charles Manson, this song was a message from the Beatles that they were looking for him:

For if at last I find you
Your song will fill the air

Manson took to mean that he should release an album. This along with many others were part of his deranged Helter Skelter plan.

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18 hours ago, krista4 said:

Where is @Atomic Punk?

It's been a long busy week. Mrs. Punk and I plan on catching up on the list and commentary tomorrow while making dinner.

I'm not looking until then!

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