Binky The Doormat
Footballguy
same here - not intended.Amen.
Sorry for my part in downing the thread.
same here - not intended.Amen.
Sorry for my part in downing the thread.
Imagine you are 64!Mostly I'm just tired; I'll get over it.
I’ve wondered this, too.Is there a story as to why Paul and George frequently shared a mic and John got his own? Why not just three mic's?
https://upload.wikimedia.org/wikipedia/en/f/fe/MeetTheResidents1.jpgBest haircut on a Beatles cover?
Money was tight.Is there a story as to why Paul and George frequently shared a mic and John got his own? Why not just three mic's?
Sharing with Paul vs John would be because Paul was left handed so it was easier for both to lean in without adjusting their guitar necks.Is there a story as to why Paul and George frequently shared a mic and John got his own? Why not just three mic's?
Stop it! No more apologies, please! (Unless you want to apologize for apologizing, but then we're going to spiral out of control.)
Also, Binky, I specifically excluded you because it's your schtick now, and it's funny.
I'm going Paul on "Let It Be" Ringo on Abbey Road was lookin' pretty good as well.Best haircut on a Beatles cover?
These days i take that sound for a Hannibal Lecter ssssip , which, if i were a woman, would take it way past irritating. Nevertheless, I never listen to it without a nice chianti....73. Girl (Rubber Soul, 1965)
Beatles version: Spotify YouTube
It's a rare John song that John actually liked! This goes higher or lower on my list daily based on how irritating I find the spliff-sucking sounds that particular day, but I always find them at least mildly irritating. I've read that maybe they were supposed to be intakes of breath from love or lust for this "girl," but it doesn't make it any less irritating. Aside from that, I love the song, and it's a favorite of my cat, The Squirrel (featured in a photo earlier in this thread), since I sing it to him substituting "Squirr-r-r-rel" for "gir-r-r-rl." Perhaps I shouldn't have admitted that.
Damn straight. You deserve everything you get, and then some. #86, my ###.Stop it! No more apologies, please!
I'm going Paul on "Let It Be" Ringo on Abbey Road was lookin' pretty good as well.
That's the spirit!Damn straight. You deserve everything you get, and then some. #86, my ###.
No, seriously. This whole thing is ruined now. You should probably stop.
I didn't mean it. It's not you, it's me. I can do better. I'll change.
OH GOD I'M SO SORRY PLEASE DON'T STOP
Not many know this but Markie Post & Pete Best had the same stylist for many yearsPaul's Let It Be hair reminds me too much of this.
It might be a lascivious ssssip, which would be an 8.5 on the irritation scale, or simply an admiring one, which would be a 4.These days i take that sound for a Hannibal Lecter ssssip , which, if i were a woman, would take it way past irritating. Nevertheless, I never listen to it without a nice chianti....
Why can't it be a maniacal sip of cannibalistic anticipation?! You ruin everything........It might be a lascivious ssssip, which would be an 8.5 on the irritation scale, or simply an admiring one, which would be a 4.
I hit "From Me to You" already, too, which should be in your first group.You’re starting to mention some pretty classic songs here, but it seems to me that with 71 songs left you’re already at the point where the lesser known song will be the odd man out. From here on in every song you rank had better be sublime.
And I think that “Eight Days A Week”and “You Can’t Do That” fall into that category. The first of these falls into what I regard as the “Beatlemania” group- the Billboard #1 songs that dominated the charts in 63-64. I’m thinking of 5 songs in particular (6 if you count “Please Please Me”) of which you’ve already mentioned 2: “Eight Days A Week” and “Love Me Do”. The other 3 are among the best popular songs ever produced so hopefully they’re much higher on your list.
“You Can’t Do That” is from what I would call the early to mid Middle Beatles era (consisting of the albums A Hard Days Night, Help!, and Rubber Soul along with any singles released at that time) and I would argue, contrary to many critics who love late Beatles more, that this is their very best period of music. “You Can’t Do That” is on the lower end of the amazing songs from this era, but still representative, still incredibly excellent.
:( It can be. That's a 2 on the irritation scale (but quite high on the terror scale).Why can't it be a a homicidal sip of cannibalistic anticipation?! You ruin everything........
Tied with Binky for best schtick.Anyhow you’re getting better, Krista. For all your earlier mistakes it’s starting to be a pretty good list.
I don’t think “From Me to You†was a #1, was it? Maybe it was...ÂI hit "From Me to You" already, too, which should be in your first group.
It's become clear in these rankings (or should be by now) that I'm a middle Beatles gal: Â Help!, Rubber Soul, and Revolver, with the ones just before and after those (Sgt. Pepper's and A Hard Day's Night) coming in next.
1. I don't speak Russian.I don’t think “From Me to You†was a #1, was it? Maybe it was...Â
We all do, but Tim comes in once a week, reads three posts and starts with the Russian.1. I don't speak Russian.
2. DOES NO ONE READ MY WRITE-UPS?
Thank you for being so open-minded. Should we ever dine together, i won't order soup so as not to trigger you.:( It can be. That's a 2 on the irritation scale (but quite high on the terror scale).
AFTER, a lecturing post about what the "correct" interpretation/analysis should look like.We all do, but Tim comes in once a week, reads three posts and starts with the Russian.
O.k., don't want to make this effort more of a chore for you than it needs to be:He basically stated something to that effect. I have no problem with the 22.
Yeah, Billy's cover was solid.Speaking of Russian:
71. Back in the U.S.S.R. (White Album, 1968)
Beatles version: Spotify YouTube
Written by Paul as a parody of Chuck Berry's "Back in the U.S.A." My favorite part of this song is the whooshing jet sounds and tire screeches. When your favorite part of a song is jet sounds, maybe you'd think it would be ranked lower, but no, this is a great thundering rocker that gets me dancing. It's silly and tongue-in-cheek and a rocking blast. George is an absolute standout on lead guitar here. Like every sentient human, I also like the little Beach Boys tribute in the middle, which was suggested by Mike Love himself while they were all hanging at the Maharishi's joint. And not to get too political but any song that pisses off the apparently-unaware-of-parody John Birch Society is A-OK in my book.
The song is notable for the absence of Ringo, with Paul filling in on most of the drum parts. It could have used some Ringo, as I find the drums slight behind-the-beat and muddy, but this is one of two songs (the other being "Dear Prudence") recorded while Ringo had temporarily quit the band. Some have blamed Ringo's departure on Paul's constantly complaining about how he played the toms, but Ringo tells it more diplomatically: "I left because I felt two things: I felt I wasn't playing great, and I also felt that the other three were really happy and I was an outsider. I went to see John...I said, 'I'm, leaving the group because I'm not playing well and I feel unloved and out of it, and you three are really close.' And John said, 'I thought it was you three!' So then I went over to Paul's and knocked on his door. I said the same thing: 'I'm leaving the band. I feel you three guys are really close and I'm out of it.' And Paul said, 'I thought it was you three!' I didn't even bother going to George then. I said, 'I'm going on holiday.' I took the kids and we went to Sardinia."
By the way, why is Paul always singing about "JoJo"?
WHOOOOSH! SCREECH!
Mr. krista: ""It’s like California Girls but about the Soviet Union. I think it's funny. Obviously tongue-in-cheek. Tight little rocker. I like the jet sounds and the Beach Boy ooo-eeee-ooos".
Suggested covers: Not great sound quality but gotta show how much better this is with a drummer: Beach Boys & Ringo. Special delivery for @Yankee23Fan: Billy Joel. Personal favorite: Dead Kennedys
I've always thought this song needed better drumming to make it really rock to its full potential, but listening to those covers drove it home for me. The drumming wasn't bad, but the song deserved better. This isn't because of my Ringo love; I don't feel the same way about "Dear Prudence."Yeah, Billy's cover was solid.
I've heard him do it in concert. He had a drummer. That was a good thing.About USSR, my favorite part of this song is:
>>Let me hear you balalaikas ringing out
Come and keep your comrade warm
I'm back in the USSR<<
- I think this is one of the greatest modulating bridges in rock history. It’s like a home run writing wise, and I say that because writing is heard. It’s rhythm. This is a beauty. I’ve heard McCartney in concert I think 4 (?) times and the sunnuvagun still hits it out the park. Better that 71 IMO.
Post it!I think I know no. 1. Like a good mystery novel I’m just gonna read.
I'm good. No, I'm good.Speaking of Russian:
71. Back in the U.S.S.R. (White Album, 1968)
Beatles version: Spotify YouTube
Written by Paul as a parody of Chuck Berry's "Back in the U.S.A." My favorite part of this song is the whooshing jet sounds and tire screeches. When your favorite part of a song is jet sounds, maybe you'd think it would be ranked lower, but no, this is a great thundering rocker that gets me dancing. It's silly and tongue-in-cheek and a rocking blast. George is an absolute standout on lead guitar here. Like every sentient human, I also like the little Beach Boys tribute in the middle, which was suggested by Mike Love himself while they were all hanging at the Maharishi's joint. And not to get too political but any song that pisses off the apparently-unaware-of-parody John Birch Society is A-OK in my book.
The song is notable for the absence of Ringo, with Paul filling in on most of the drum parts. It could have used some Ringo, as I find the drums slight behind-the-beat and muddy, but this is one of two songs (the other being "Dear Prudence") recorded while Ringo had temporarily quit the band. Some have blamed Ringo's departure on Paul's constantly complaining about how he played the toms, but Ringo tells it more diplomatically: "I left because I felt two things: I felt I wasn't playing great, and I also felt that the other three were really happy and I was an outsider. I went to see John...I said, 'I'm, leaving the group because I'm not playing well and I feel unloved and out of it, and you three are really close.' And John said, 'I thought it was you three!' So then I went over to Paul's and knocked on his door. I said the same thing: 'I'm leaving the band. I feel you three guys are really close and I'm out of it.' And Paul said, 'I thought it was you three!' I didn't even bother going to George then. I said, 'I'm going on holiday.' I took the kids and we went to Sardinia."
By the way, why is Paul always singing about "JoJo"?
WHOOOOSH! SCREECH!
Mr. krista: ""It’s like California Girls but about the Soviet Union. I think it's funny. Obviously tongue-in-cheek. Tight little rocker. I like the jet sounds and the Beach Boy ooo-eeee-ooos".
Suggested covers: Not great sound quality but gotta show how much better this is with a drummer: Beach Boys & Ringo. Special delivery for @Yankee23Fan: Billy Joel. Personal favorite: Dead Kennedys
great call on the Dead Kennedys cover.Also I just poured my first glass of wine, so my write-ups should get better.
71? 71!
This sounds entirely plausible. I was going to go with the simpler theory of “John was kind of a ####.”Sharing with Paul vs John would be because Paul was left handed so it was easier for both to lean in without adjusting their guitar necks.
As far as why no 4th mic (Ringo also had one)? maybe a combination of money (especially early on), aesthetics (Paul and John on the flanks opposite handed meant George could roam the middle of the stage), and maybe even timing of harmonies with screaming fans