wikkidpissah
Footballguy
tada
Way to sell this month's movies for us LOLGood. I'll have motivation to plow through Snowpiercer. Dystopian sci-fi isn't my jam; I started watching it twice but switched over to sports about 20 minutes in.
The best part of the move IMO is the magical realism that never bends to magical outcomes. Wonderful blurring of reality and parable. I don't think it tells any story about trespassing be right or wrong. There actually aren't many moral lessons in it. The ultimate statement of the movie comes near the end as a couple of wealthy young women who are new to the city begin trashing it and talking of how much they hate San Fran. The protagonist tells her “You don't get to hate San Francisco. You don't get to hate it unless you love it.” What a message.Nice. I got a hint about one of them. Perhaps I am mistaken.
Awesome write-ups. I couldn't make it through the first fifteen of TLBMISF. I was instantly turned off by the character who kept trespassing. I was like Walking Boot, in a sense, I just never let it play out. Weird. I've always thought the first issue in politics is property. As Bill Buford notes about soccer riots, "the first thing to go....property." Always kept that in mind. I also didn't like the disjointed pacing and that magical realism quality about it. I figured I'd really have not much to add here, either, so I stopped watching.
I wasn't worried about what they thought about trespassing, just notably, that he was. But that is a nice ending. Only those who hold a thing dear can see fit to criticize and be broken-hearted about.The best part of the move IMO is the magical realism that never bends to magical outcomes. Wondeful blurring of reality and parable. I don't think it tells any story about trespassing be right or wrong. There actually aren't many moral lessons in it. The ultimate statement of the movie comes near the end as a couple of wealthy young women who are new to the city being trashing it and talking of how much they hate San Fran. The protagonist tells her “You don't get to hate San Francisco. You don't get to hate it unless you love it.” What a message.
Hmmm...some of the movies I love the most have some of the characters and acts that I find most despicable and distasteful. Seeing actions I dislike in art never turned me off from the art but to each their own. I am glad we agree on the the moral lesson of the relationship of love and hate.I wasn't worried about what they thought about trespassing, just notably, that he was. But that is a nice ending. Only those who hold a thing dear can see fit to criticize and be broken-hearted about.
I suppose that deep down I saw a melancholy or sad ending coming to put the kibosh on his dreams and didn't really want that ride.Seeing actions I dislike in art never turned me off from the art but to each their own.
Just wanted to say that the discussion of the January movies was by far the best of the club so far, IMO. Thank you guys for that. I never got around to American Factory but still intend to.Smart conversations here
Imagine you're a Hollywood producer, and someone pitches that to you. Would you actually greenlight something like that?Ilov80s said:2013- Snowpiercer In a future where a failed climate-change experiment has killed all life except for the lucky few who boarded the Snowpiercer, a train that travels around the globe, a new class system emerges.
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much Tilda?
LOL very true. I guess that is why it was South Korean producers behind it! They must be more adventurous.Imagine you're a Hollywood producer, and someone pitches that to you. Would you actually greenlight something like that?
Fair point, and I can only imagine how 'out there' other foreign movie premises are, but then how did he snag high-profile actors like Evans and Swinton?LOL very true. I guess that is why it was South Korean producers behind it! They must be more adventurous.
Don’t forget Ed Harris and the polar bearFair point, and I can only imagine how 'out there' other foreign movie premises are, but then how did he snag high-profile actors like Evans and Swinton?
My assumption is his reputation. Before he did these 2 mostly English movies, I think Bong Joon Ho was a really acclaimed filmmaker among South Koreans and those Americans deep in the movie know. That's just my understanding of it- Parasite was my introduction to him and I haven't seen either of these movies.Fair point, and I can only imagine how 'out there' other foreign movie premises are, but then how did he snag high-profile actors like Evans and Swinton?
I think you have to accept the victimless trespassing as one of the fabulist elements of Last Black Man. The script needs to stay close to the house almost as much as Jimmy does.Ilov80s said:Hmmm...some of the movies I love the most have some of the characters and acts that I find most despicable and distasteful. Seeing actions I dislike in art never turned me off from the art but to each their own. I am glad we agree on the the moral lesson of the relationship of love and hate.rockaction said:I wasn't worried about what they thought about trespassing, just notably, that he was. But that is a nice ending. Only those who hold a thing dear can see fit to criticize and be broken-hearted about.
Great points and his interaction with the owners/former owners is essential to the movie. He turns out not to be the only one who comes back to house after they have lost the house. In the end, the real trespasser seems to be the real estate agent...but at least he was born in San Fran, right?I think you have to accept the victimless trespassing as one of the fabulist elements of Last Black Man. The script needs to stay close to the house almost as much as Jimmy does.
GIt doesn't work nearly as well if the house is abandoned. The exposition in those few scenes with the old couple is replaceable but they establish Jimmy's character in a way that a straightforward squat would not.
The line where the realtor said he went to high school at St. Ignatius got a big laugh in the theater when we saw it here.Great points and his interaction with the owners/former owners is essential to the movie. He turns out not to be the only one who comes back to house. after they have lost the house. In the end, the real trespasser seems to be the real estate agent...but at least he was born in San Fran, right?
I liked it a lot, and it’s not a genre I generally enjoy.Geez - Snowpiercer looking like it might be about as popular as Hateful Eight around here.
We might need a review from you this monthI liked it a lot, and it’s not a genre I generally enjoy.
I’ve really been slacking. Couldn’t have competed with several of the LBMISF reviews. Two of them actually made it a little dusty.We might need a review from you this month
How dare you, sir!!Same. Feared it'd be some kind of Michael Moore propaganda, ended up actually being reasonable and fair. Don't see that much in the documentary world.
I’m a bit curious to see the “prequel” of American Factory by the same team — “The Last Truck: The Closing of a GM Plant.” It involves the same factory.Same. Feared it'd be some kind of Michael Moore propaganda, ended up actually being reasonable and fair. Don't see that much in the documentary world.
I am curious about this part though. I honestly cant think of many docs I've seen where I thought they were heavy handed or propaganda. Maybe I avoid them or maybe because of my leanings I don't view them as such.Don't see that much in the documentary world.
They lean left. There's almost no doubt. It's like an evenhanded Soc/Anthro 101 course sometimes.I am curious about this part though. I honestly cant think of many docs I've seen where I thought they were heavy handed or propaganda. Maybe I avoid them or maybe because of my leanings I don't view them as such.
not leaning right is decidedly not leaning left. it is due north for creativity & storytelling. such a tired angle, esp since y'all started the phenomenonThey lean left. There's almost no doubt. It's like an evenhanded Soc/Anthro 101 course sometimes.
We'll have to agree to really disagree on this. Michael Moore and his acolytes and his influence on the uptick of documentaries certainly came from the left and made no apologies about it.not leaning right is decidedly not leaning left. it is due north for creativity & storytelling. such a tired angle, esp since y'all started the phenomenon
Michael Moore is a polemicist. That he makes films is incidental.We'll have to agree to really disagree on this. Michael Moore and his acolytes and his influence on the uptick of documentaries certainly came from the left and made no apologies about it.
If you can't see the politics in the framework or the focus, then that's on you. Not much more I can say about it.Michael Moore is a polemicist.
Being interested enough in the human dilemma to spotlight it on film does not make one a leftist, merely baseline human. Yours is the artifice.
because there's nothing to say. i worked with significant practitioners of reportage and documentation and they invariably saw truth as their only master. that artificial viewpoints were not served is the bugaboo of the right.If you can't see the politics in the framework or the focus, then that's on you. Not much more I can say about it.
And denying implicit bias in the structural element of it all is the bugaboo of the left. Another day.because there's nothing to say. i worked with significant practitioners of reportage and documentation and they invariably saw truth as their only master. that artificial viewpoints were not served is the bugaboo of the right.
Could you provide some examples besides Mr. Moore? Like I said, I am having trouble thinking of any.They lean left. There's almost no doubt. It's like an evenhanded Soc/Anthro 101 course sometimes.
https://en.wikipedia.org/wiki/Documentary_film#Political_weaponsCould you provide some examples besides Mr. Moore? Like I said, I am having trouble thinking of any.
Also, I guess IMO "lean left" is not quite what Boot was talking about. Propaganda is a pretty strong word he used.
going inland to screw, they lean left. to the right when they leave the herd to eatMarch of the Penguins.
You see that big commune of penguins? Damn dirty hippies.going inland to screw, they lean left. to the right when they leave the herd to eat
aside from say, Morgan Spurlock, who would you say is an "acolyte" of Moore's? Also, where is the "uptick" you mention here?We'll have to agree to really disagree on this. Michael Moore and his acolytes and his influence on the uptick of documentaries certainly came from the left and made no apologies about it.
I am guessing that that counter would be that it's not all of the POVs that get the accolades and the box office numbers (what little of this there is - I can't imagine more than a couple make any huge dent at the box office), it's just the one side. I haven't sat down and really look at the historical Oscar nominees. Dunno, but this discussion is interesting.This seems like a low rent variation on the tired old complaint about the liberal media except instead of being parts of giant corporations, the subject is a filmmaker trying to get a passion project funded and distributed.
I'm normally not a fan of both sides arguments but it holds true in this case. Using the broadest definition of documentary film, there are hundreds of them on Amazon and tens of thousands on YouTube expressing every point of view on the spectrum. Some make more of effort to appear objective but all art is subjective (using the broadest definition of art).
The biggest box office success for a documentary that I can think of recently was a restoration of WW1 footage paying tribute to the veterans of the war.I am guessing that that counter would be that it's not all of the POVs that get the accolades and the box office numbers (what little of this there is - I can't imagine more than a couple make any huge dent at the box office), it's just the one side. I haven't sat down and really look at the historical Oscar nominees. Dunno, but this discussion is interesting.
Top of the list was Michael Jackson - This is It.The biggest box office success for a documentary that I can think of recently was a restoration of WW1 footage paying tribute to the veterans of the war.
I always forget about the concert movies. I am sure Bieber and a bunch of other pop stars have some of the highest grossing docs ever. The top 10 grossing 2019 docs were about Apollo 11, WW1, Penguins, rock climbing, BTS, Pavarotti, Aretha Franklin, farmers, Linda Ronstadt and the 60s Laurel Canyon music scene.Top of the list was Michael Jackson - This is It.
Here is the list of the Oscar winners of the decade:
Free Solo, Icarus, OJ: Made in America, Amy, Citizenfour, 20 Feet From Stardom, Searching for Sugar Man, Undefeated, Inside Job