Charlie Steiner
Footballguy
Just so long as there's no slapping or controversially Shatner-esque acting in it.The double feature for September will be posted today. Bring your Kleenex.
Just so long as there's no slapping or controversially Shatner-esque acting in it.The double feature for September will be posted today. Bring your Kleenex.
I haven’t seen either of them so I can neither confirm nor denyJust so long as there's no slapping or controversially Shatner-esque acting in it.
One of my all-time top 20.September Movie Club Double Feature
This month we did something a little different. @KarmaPolice picked a movie and then I was tasked with picking something that I thought would compliment it for a logical double feature. He picked the first film
1997: The Sweet Hereafter
A bus crash in a small town brings a lawyer to the town to defend the families, but he discovers that everything is not what it seems.
Streaming on Amazon Prime
Spoiler discussion for the movies will open up 10/7.
That’s exciting- it’s new to me. I can’t wait to hear your thoughts on it.One of my all-time top 20.
The slap is during the greenhouse scene- tough to miss and probably a top 20 all time movie moment imo.Haven't seen either of the two newer picks. That The Sweet Hereafter made a top twenty sounds promising.
Looks like good discussion this month. Did not watch the end of In The Heat Of The Night (got to the first greenhouse scene -- musta missed the slap) or re-watch Bonnie and Clyde.
Oh, wow. I stopped it right when he's manipulating the flower and comparing it to "The Negro..."The slap is during the greenhouse scene- tough to miss and probably a top 20 all time movie moment imo.
Yeah it was all set up for the moment black characters/actors were first given an equal place on the movie screen. Black audiences apparently cheered like it was a Jackie Robinson homerun when Poitier smacked him.Oh, wow. I stopped it right when he's manipulating the flower and comparing it to "The Negro..."
I sort of stopped it because I didn't like where the soliloquy was heading and it was late night/early morning. Didn't want to get agitated. Funny.
Oh, Poitier slapped him? I just gleaned the last page so I might not be encumbered with any spoilers, figured that endeavor useless, and read Eephus's comment about rural/urban America and settings and the attendant slap/Shatner comments.Yeah it was all set up for the moment black characters/actors were first given an equal place on the movie screen. Black audiences apparently cheered like it was a Jackie Robinson homerun when Poitier smacked him.
Sure. No doubt.And the slap has to be viewed through the lens of 1967. Civil Rights, MLK assassination that postpone the Oscars (which In the Heat of the Night wins Best Picture against a loaded field).
The slapOh, Poitier slapped him? I just gleaned the last page so I might not be encumbered with any spoilers, figured that endeavor useless, and read Eephus's comment about rural/urban America and settings and the attendant slap/Shatner comments.
I'm glad this seemed to go well.
On to this iteration of Movie Club. I hope to be two for four.
I actually put together an all-time top 10 maybe 15 years ago, which you can imagine was as difficult as ranking all the Beatles songs. At that time, The Sweet Hereafter was in my top 10. I figure it’s slipped down into 11-20 by now but haven’t actually made a list. I’ll watch it again for this, and I’m excited to see the discussion!That’s exciting- it’s new to me. I can’t wait to hear your thoughts on it.
an old firm where I worked got hired by him and annette to do their main LA house. we were the 7th firm they hired (firing the previous 6). warren would call my boss ALL the time, at all hours, expecting him to not only pick up but get #### done (middle of the night on a sunday). sounds like that's just how he rolled- extremely high expectations of the people around him getting stuff done, and at his behest. we lasted a little less than a month before they went on to firm #8.He wouldn't have gotten as much tail in the 40s.
Beatty is an interesting guy who benefited tremendously from the breakup of the studio system. He was good looking enough to have been a star in an earlier era but he would have been typecast and eventually shuffled out for younger studs. In the New Hollywood which he helped create, Beatty became the star as auteur able to control all aspects of a production. He's in his 80s now and known now for announcing the wrong winner at the Oscars but he's a guy who changed the industry.
His critics fault Beatty for his limited acting chops but as Clyde he carried the picture. I can't think of any other 60s stars who could have filled the role. Maybe James Coburn but he would have brought a more sinister edge that might have disturbed the audience's relationship with the antiheroes.
no surprise, it's way up there for me too.One of my all-time top 20.September Movie Club Double Feature
This month we did something a little different. @KarmaPolice picked a movie and then I was tasked with picking something that I thought would compliment it for a logical double feature. He picked the first film
1997: The Sweet Hereafter
A bus crash in a small town brings a lawyer to the town to defend the families, but he discovers that everything is not what it seems.
Streaming on Amazon Prime
Spoiler discussion for the movies will open up 10/7.
I can't remember it at all.... I thought I did, but now wondering if I ever even saw it.I’m interested to watch Ordinary People again. It’s been absolutely ages since I saw it. Thought it was fantastic at the time, but I know some consider it a snoozer.
I thought Felicia’s Journey was still tippy top, but I agree with you after that. Haven’t seen the last 2-3, though.no surprise, it's way up there for me too.
after exotica and this, (and the adjuster, iirc) I thought egoyan was on a tippy top level... some of the stuff since then ... not so much.
I seem to recall your saying you wouldn’t participate in the last discussion because you didn’t like either movie, either, but you just can’t quit us.well, i get a month off. seen both, liked neither, delighted in tormenting folks who thought any cinephile should love both (i do remember coming up with a phrase talking about OP that i used A LOT castigating the Oprah gestalt - "the better to simmer in the rendered fat of their misfortunes" - later on), but do not remember them well enough to debate their merits in a forum. only way i re-watch either is if basic cable shows OP in the next month. neither is on Netflix. i'll miss the jabberjabber, but i'll be glad not to have to watch either again.
I liked, not loved that one... but definitely liked it.I thought Felicia’s Journey was still tippy top, but I agree with you after that. Haven’t seen the last 2-3, though.
well, i didn't have much to say about B&C, before or after rewatching, and didn't think i'd get to re-watch ITHOTN but it was on TCM. i got a lot of mileage out of how much i hate the Deep South - and no one even drew me into how much great literature & cinema i disqualify purely on southernness - so i was able to keep a hand in...I seen to recall your saying you wouldn’t participate in the last discussion because you didn’t like either movie, either, but you just can’t quit us.
i *loved* Exotica at the time. the trouble for me with "Sweet..." was that I read the novel beforehand. I am a fan of Russell Banks and this did a so-so job of telling this story. "Affliction" was another of his novel adapted and Nolte got jobbed for the Oscar there. Regardless, Egoyan has had a string of missteps following "Where the Truth Lies" with "Adoration", "Chloe" and everything else.no surprise, it's way up there for me too.
after exotica and this, (and the adjuster, iirc) I thought egoyan was on a tippy top level... some of the stuff since then ... not so much.
my small town, deeply racist small town Southern grandmother told me once that she'd shoot any black man that slapped her like that. hell, she told me that she'd shoot any black man who called her a "white #####" like Eddie Murphy did on SNL in the "Prose and Cons" sketch. We were gobsmacked. My dad was like "uh, time to go to bed boys..."And the slap has to be viewed through the lens of 1967. Civil Rights, MLK assassination that postpone the Oscars (which In the Heat of the Night wins Best Picture against a loaded field).
Love me some Tim Hutton. Need a pole on his signature roll.I’m interested to watch Ordinary People again. It’s been absolutely ages since I saw it. Thought it was fantastic at the time, but I know some consider it a snoozer.
It’s stellar. MTM shocked everybody with an outstanding dramatic performance.I’m interested to watch Ordinary People again. It’s been absolutely ages since I saw it. Thought it was fantastic at the time, but I know some consider it a snoozer.
Taps for meLove me some Tim Hutton. Need a pole on his signature roll.
like a rabid polecat under the porch, man - no more thought than thatmy small town, deeply racist small town Southern grandmother told me once that she'd shoot any black man that slapped her like that. hell, she told me that she'd shoot any black man who called her a "white #####" like Eddie Murphy did on SNL in the "Prose and Cons" sketch. We were gobsmacked. My dad was like "uh, time to go to bed boys..."
I can scarcely imagine her response to Poitier doing that.
She's dead serious in it. And very believable.Ilov80s said:I don’t think I’ve ever seen Mary Tyler Moore do anything serious before. Given the awards the movie got, I assume she does it well. She was the ultimate package. What’s everyone else think about MTM? I’m quite smitten.
It was a gutsy call to cast America's Sweetheart totally against type but she did a great job with the role.Both are very good movies. Strong chance you will dislike MTM's character in Ordinary People.
She was very odd to follow as a hottie.for someone my age. On the #### Van Dyke Show, she was rockin' those Capri pants and being all girlie, but she was also a mom and her son on the show was only a coupla yrs younger than i was, so i was feeling gooey & wrong at the same time. Then she'd been diagnosed as very diabetic just before the MTM Show and, from week to week her appearance would change. She'd be all rosy & round one week and gaunt & drawn the next. Weird. But that smile. That smile was what enjoying life was all about. Everybody wanted a girl as real & nice as her.Ilov80s said:I don’t think I’ve ever seen Mary Tyler Moore do anything serious before. Given the awards the movie got, I assume she does it well. She was the ultimate package. What’s everyone else think about MTM? I’m quite smitten.
I’ve been so busy with new job, football season and all kinds of weekend events that I haven’t seen any movie in awhile. I’m looking forward to these 2.Watched Ordinary People the other night. I forgot how powerful this film is. There’s a lot to think about in it.
I was halfway in already so I finished this one off last night. It was a very odd sequel with little of what made ITHOTN great. Tibbs was like an alternate universe doppelganger of the character in the original film.I made it through about 45 minutes of "The Call Me MISTER Tibbs", the 1970 sequel to ITHOTN. Without any reference to the backstory of the original, Tibbs has relocated to San Francisco where he's made Lieutenant on the SFPD. The Tibbs character is written with more of a biting sense of humor.
The racial tension that permeated ITHOTN is nowhere to be found. The police procedural is still there, this time involving the murder of a prostitute. Suspects include Martin Landau as a politically active minister, a sleazy Anthony Zerbe and Edward Asner in a ridiculous toupee.
The filmmakers have filled space by inserting Tibbs' wife and two children into the story. They've also managed to cram a large soundstage apartment into a North Beach building. Poitier's domestic struggles remind me of Danny Glover's similar issues in the Lethal Weapon series.
The production values are much lower than ITHOTN. It looks like a 70s TV cop show with a slightly higher budget. I'm probably more interested in the location footage of SF than you will be but even with that, I'm not sure I'll finish it off before it disappears from TCM.com at the end of the month. The third film of the Tibbs trilogy "The Organization" is there as well but I'm pretty sure I've seen that one before.
ETA: In case you're wondering , they haven't managed to work the sequel's title into the dialog yet.
Watched the Slender Thread on this recommendation.that flick is specifically why i put in the 1970 qualifier. actually, to be fair, my two favorite Poitier moves - The Slender Thread & To Sir With Love - had little to do w racial politics. i'm not sure if that's why theyre my favorites or not.
Just finished Bedford.Poitier is very good in the Cold War thriller The Bedford Incident. I don't recall his race being a significant part of his character but he definitely plays an outsider on Richard Widmark's Navy ship.
Double-post, sorry...Poitier is very good in the Cold War thriller The Bedford Incident. I don't recall his race being a significant part of his character but he definitely plays an outsider on Richard Widmark's Navy ship.