Love Eddie Van Halen.Eruption - Eddie Van Halen
I have to disagree......it is such an integral part of the climax of that song......it's overrrated because the song is so overplayed. The emotion that pours out of that guitar solo and the passion of the rhythm section behind him.....it's magic. To me the best guitar solo's are not the techically great ones nor the speed and the sheer amount of notes etc.Stairway is an incredible song but the solo is overrated in my very humble opinion.
add Kid Charlemagne - Steely DanImpossible to answer.......but Sweet Child of Mine? It is a great solo. But I do not have it ranked as high as you.
Some fantastic solo's in no particular order
1) Comfortably Numb (live)
2) Shine on You Crazy Diamond (live)
3) Stairway to Heaven
4) Limelight
5) La Villa Strangiato (live on Exit Stage Left)
6) Hotel California
7) Freebird
8) Alive
9) Crazy Train
10) The Trooper
11) Holy Diver
12) Don't Talk to Strangers
These jump right off the top of my head.
Pearl Jams early early stuff (Ten in particular) has some incredible emotional guitar playing. I agree about Yellow Ledbetter....great solo indeed.I always think of Yellow Ledbetter - Pearl Jam
I liked when the devil told him to "wank on - wank off".Ralph Macchio in Crossroads.
Agree 100%. EVH's riffs & rhythms are his best work. It seems like he/they changed tempos a lot for his solos which kind of derail otherwise awesome grooves. Unchained is a prime example.Love Eddie Van Halen.But I think the OP is looking for inside an actual song....not just a guitar solo per se.Eruption - Eddie Van Halen
Eruption is of course an all time classic.
I think Eddies rhythm work is even better than his actual guitar solos.
Yup. OP had the right guitar player but the wrong song.The best Slash solo is at the end of Paradise City, imo.
EVH's best solo may well have been on Michael Jackson's "Beat It".Love Eddie Van Halen.
But I think the OP is looking for inside an actual song....not just a guitar solo per se.
Eruption is of course an all time classic.
I think Eddies rhythm work is even better than his actual guitar solos.
EVH stays locked in throughout his "Beat It" sollo, which is why I rank it pretty high.Agree 100%. EVH's riffs & rhythms are his best work. It seems like he/they changed tempos a lot for his solos which kind of derail otherwise awesome grooves.
Good call on Stone in Love!EVH's best solo may well have been on Michael Jackson's "Beat It".Love Eddie Van Halen.
But I think the OP is looking for inside an actual song....not just a guitar solo per se.
Eruption is of course an all time classic.
I think Eddies rhythm work is even better than his actual guitar solos.
A few more to throw in:
Neal Schon's coda to "Stone in Love"
The whole Escape album has some great guitarGood call on Stone in Love!EVH's best solo may well have been on Michael Jackson's "Beat It".Love Eddie Van Halen.
But I think the OP is looking for inside an actual song....not just a guitar solo per se.
Eruption is of course an all time classic.
I think Eddies rhythm work is even better than his actual guitar solos.
A few more to throw in:
Neal Schon's coda to "Stone in Love"
It's not even close to the same. Check out the one on the Pulse DVD for a great example.Comfortably Numb live and studio are essentially the same, no? Gilmour didn't improvise much with the latter era Floyd stuff. But yeah, CN has to be in any discussion like this. Hendrix's Watchtower solo. SRV's Life Without You solo was always great. Slash's second solo in Sweet Child O Mine is fantastic. As much as I love me some Izzy, Slash's emotive playing was probably the most integral component of the x-factor in that band. Always love Ira's freakouts in Yo La Tengo's We're An American Band. Lifeson's solo in Limelight is a work of art. I remember being blown away by one of the Machine Guns on the Band of Gypsies Fillmore release.
There is no shortage of depressing material in the Waters songbook, but that might be the cream of the crop for me. And yeah, great stuff from Gilmour. Time and One of My Turns are the two that immediately come to mind when thinking about Waters depressive streak.In terms of Gilmour, I think "Time" is his best. May not be his most technically proficient solo, but the tone and emotion there are just otherworldly.
I like the dual solo Frank and Steve Vai do "Stevie's Spanking" on YCDTOSA vol. 4 (or 5?). Epic.The best Slash solo is at the end of Paradise City, imo.
The GOAT is Frank Zappa, Muffin Man, live at Armadillo World Headquarters. May they both RIP.
So you're talking about the outro solo on Pulse?It's not even close to the same. Check out the one on the Pulse DVD for a great example.Comfortably Numb live and studio are essentially the same, no? Gilmour didn't improvise much with the latter era Floyd stuff. But yeah, CN has to be in any discussion like this. Hendrix's Watchtower solo. SRV's Life Without You solo was always great. Slash's second solo in Sweet Child O Mine is fantastic. As much as I love me some Izzy, Slash's emotive playing was probably the most integral component of the x-factor in that band. Always love Ira's freakouts in Yo La Tengo's We're An American Band. Lifeson's solo in Limelight is a work of art. I remember being blown away by one of the Machine Guns on the Band of Gypsies Fillmore release.
Alsoat people bringing Pearl Jam into this discussion.
Me too.I think the best Slash GnR solo is November Rain,
It just feels real emotional, and comes off as an extension of the lyrics.
Great solo. Shame its in the middle of such a horse#### song.Me too.I think the best Slash GnR solo is November Rain,
It just feels real emotional, and comes off as an extension of the lyrics.
Clapton on While my Guitar Gently Weeps makes the song.
Schon is underrated. Journey is a little soft for me but I can listen to Schon's guitar work all day.The whole Escape album has some great guitarGood call on Stone in Love!EVH's best solo may well have been on Michael Jackson's "Beat It".Love Eddie Van Halen.
But I think the OP is looking for inside an actual song....not just a guitar solo per se.
Eruption is of course an all time classic.
I think Eddies rhythm work is even better than his actual guitar solos.
A few more to throw in:
Neal Schon's coda to "Stone in Love"
The solo is worth the wait of trudging through the song though.Great solo. Shame its in the middle of such a horse#### song.Me too.I think the best Slash GnR solo is November Rain,
It just feels real emotional, and comes off as an extension of the lyrics.
It's not even close to the same. Check out the one on the Pulse DVD for a great example.Comfortably Numb live and studio are essentially the same, no? Gilmour didn't improvise much with the latter era Floyd stuff. But yeah, CN has to be in any discussion like this. Hendrix's Watchtower solo. SRV's Life Without You solo was always great. Slash's second solo in Sweet Child O Mine is fantastic. As much as I love me some Izzy, Slash's emotive playing was probably the most integral component of the x-factor in that band. Always love Ira's freakouts in Yo La Tengo's We're An American Band. Lifeson's solo in Limelight is a work of art. I remember being blown away by one of the Machine Guns on the Band of Gypsies Fillmore release.
Alsoat people bringing Pearl Jam into this discussion.
That is the problem with music discussions. Too much variable in taste. For example, I hear Jerry Garcia was a great guitar player. I cannot listen to 10 seconds of the Dead.So you're talking about the outro solo on Pulse?It's not even close to the same. Check out the one on the Pulse DVD for a great example.Comfortably Numb live and studio are essentially the same, no? Gilmour didn't improvise much with the latter era Floyd stuff. But yeah, CN has to be in any discussion like this. Hendrix's Watchtower solo. SRV's Life Without You solo was always great. Slash's second solo in Sweet Child O Mine is fantastic. As much as I love me some Izzy, Slash's emotive playing was probably the most integral component of the x-factor in that band. Always love Ira's freakouts in Yo La Tengo's We're An American Band. Lifeson's solo in Limelight is a work of art. I remember being blown away by one of the Machine Guns on the Band of Gypsies Fillmore release.
Alsoat people bringing Pearl Jam into this discussion.
I'm not the biggest PJ fan in the world, but what's funny about McCready being mentioned?
Are you a musician and or guitarist?It's not even close to the same. Check out the one on the Pulse DVD for a great example.Comfortably Numb live and studio are essentially the same, no? Gilmour didn't improvise much with the latter era Floyd stuff. But yeah, CN has to be in any discussion like this. Hendrix's Watchtower solo. SRV's Life Without You solo was always great. Slash's second solo in Sweet Child O Mine is fantastic. As much as I love me some Izzy, Slash's emotive playing was probably the most integral component of the x-factor in that band. Always love Ira's freakouts in Yo La Tengo's We're An American Band. Lifeson's solo in Limelight is a work of art. I remember being blown away by one of the Machine Guns on the Band of Gypsies Fillmore release.
Alsoat people bringing Pearl Jam into this discussion.
Exactly.....music is subjective....it's art. And not everyone finds it pretty....or get's it.That is the problem with music discussions. Too much variable in taste. For example, I hear Jerry Garcia was a great guitar player. I cannot listen to 10 seconds of the Dead.So you're talking about the outro solo on Pulse?It's not even close to the same. Check out the one on the Pulse DVD for a great example.Comfortably Numb live and studio are essentially the same, no? Gilmour didn't improvise much with the latter era Floyd stuff. But yeah, CN has to be in any discussion like this. Hendrix's Watchtower solo. SRV's Life Without You solo was always great. Slash's second solo in Sweet Child O Mine is fantastic. As much as I love me some Izzy, Slash's emotive playing was probably the most integral component of the x-factor in that band. Always love Ira's freakouts in Yo La Tengo's We're An American Band. Lifeson's solo in Limelight is a work of art. I remember being blown away by one of the Machine Guns on the Band of Gypsies Fillmore release.
Alsoat people bringing Pearl Jam into this discussion.
I'm not the biggest PJ fan in the world, but what's funny about McCready being mentioned?
The Alive solo is outstanding.
This is easily one of my favorites for a variety of reasons. But "best" is really hard and subjective. I don't have a problem with this one being the best, but I have lots of other bests I would add (including a bunch of others by Slash).I say Sweet Child of Mine....Slash?
McCready is good, but not in the discussion for greatest guitar solo of ALL TIME.Are you a musician and or guitarist?It's not even close to the same. Check out the one on the Pulse DVD for a great example.Comfortably Numb live and studio are essentially the same, no? Gilmour didn't improvise much with the latter era Floyd stuff. But yeah, CN has to be in any discussion like this. Hendrix's Watchtower solo. SRV's Life Without You solo was always great. Slash's second solo in Sweet Child O Mine is fantastic. As much as I love me some Izzy, Slash's emotive playing was probably the most integral component of the x-factor in that band. Always love Ira's freakouts in Yo La Tengo's We're An American Band. Lifeson's solo in Limelight is a work of art. I remember being blown away by one of the Machine Guns on the Band of Gypsies Fillmore release.
Alsoat people bringing Pearl Jam into this discussion.
If you are and can't appreciate some of McCready's great guitar work on Ten and Temple of the Dog....you have me scratching my head a little.
But he most certainly is in a discussion as one hell of a gutarist. Guitar driven rock music was still going strong for a lot of us well through the 90's.......and even today with some great bands still around (Porcupine Tree, Muse, Dream Theatre). Early Pearl Jam (first two albums to be exact) and Temple of the Dog has some incredible, emotive, ripping, grooving guitar work.
Fantastic stuff.
McCready was a serviceable guitar player. He should not be even sniffing any "greatest" lists.McCready is good, but not in the discussion for greatest guitar solo of ALL TIME.Are you a musician and or guitarist?It's not even close to the same. Check out the one on the Pulse DVD for a great example.Comfortably Numb live and studio are essentially the same, no? Gilmour didn't improvise much with the latter era Floyd stuff. But yeah, CN has to be in any discussion like this. Hendrix's Watchtower solo. SRV's Life Without You solo was always great. Slash's second solo in Sweet Child O Mine is fantastic. As much as I love me some Izzy, Slash's emotive playing was probably the most integral component of the x-factor in that band. Always love Ira's freakouts in Yo La Tengo's We're An American Band. Lifeson's solo in Limelight is a work of art. I remember being blown away by one of the Machine Guns on the Band of Gypsies Fillmore release.
Alsoat people bringing Pearl Jam into this discussion.
If you are and can't appreciate some of McCready's great guitar work on Ten and Temple of the Dog....you have me scratching my head a little.
But he most certainly is in a discussion as one hell of a gutarist. Guitar driven rock music was still going strong for a lot of us well through the 90's.......and even today with some great bands still around (Porcupine Tree, Muse, Dream Theatre). Early Pearl Jam (first two albums to be exact) and Temple of the Dog has some incredible, emotive, ripping, grooving guitar work.
Fantastic stuff.