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Consensus Top 350 Albums of All-Time: 185. Odelay – Beck (159 Viewers)

Please to the people who keep throwing out acronyms I don’t understand. I don’t know all of these bands and albums, but I really do want to learn without having to look stuff up. Please Just spell it out.
 
234 (tie). The Blues Brothers: Music From The SoundtrackVarious Artists (113 points)

@Dwayne_Castro #5
@Val Rannous #24

The Blues Brothers: Original Soundtrack Recording (later rereleased as The Blues Brothers: Music from the Soundtrack) is the Blues Brothers Band's second album. Released on June 20, 1980, it was a followup to their debut live album, Briefcase Full of Blues. The band toured the same year to promote the film, later releasing a second live album, Made in America, which featured the Top 40 track "Who's Making Love".
The bar band I play in loves to incorporate Blues Brothers music into our gigs, and as a bassist, Donald “Duck” Dunn is probably my greatest influence. The music in this soundtrack is infectious, and the musicians are top notch. John Belushi and Dan Aykroyd, despite their Hollywood bona fides, were and are extremely respectful of the blues.

Although the movie flopped, I also encourage everybody to check out the soundtrack to Blues Brothers 2000. That is also a nice selection of songs with a great group of musicians.
What's our playlist selection? I'm partial to She Caught the Katy, but there's so much good here. Aretha? Ray? Cab? Sweet Home Chicago?
I gotta go with “Sweet Home Chicago”, but I would definitely be okay with “She Caught the Katy”.
Not the highest ranker, but this is good with me.
 
Leftoverture, which is what some probably think is ****ty prog, was more of a legacy pick than anything for me. I almost never listen to Kansas anymore, but this album was too much of a favorite for too many years for me not to give it its due. It would have been borderline top 10 for me 20 years ago; I had it 28th now.
@Ghost Rider What are you picking for the playlist? My favorite, as ever, is "Cheyenne Anthem", but I love all the selections. You could always go for the eight minute "Magnum Opus".
I think that got lost in the translation with so many posts. Am I supposed to pick a song and why?
The person who rated the album highest gets to add one song from it to the playlist.

We have a lot of playlists.
Ahhhh, okay.

Miracles out of Nowhere would be my pick.
So be it.
 
Please to the people who keep throwing out acronyms I don’t understand. I don’t know all of these bands and albums, but I really do want to learn without having to look stuff up. Please Just spell it out.
Most of the bands and albums are mentioned in full somewhere. OH, on the other hand, is Mr Krista. He's Oliver Humanzee.
 
Please to the people who keep throwing out acronyms I don’t understand. I don’t know all of these bands and albums, but I really do want to learn without having to look stuff up. Please Just spell it out.
Most of the bands and albums are mentioned in full somewhere. OH, on the other hand, is Mr Krista. He's Oliver Humanzee.
Oh well. I tried. 🤷

Could you give examples of what you’re seeing that’s hard to follow? I’m not sure but would try to avoid this if I can!
 
227 (tie). Check Your Head – Beastie Boys (117 points)

@SayChowda #6 :headbang:
@Yo Mama #19

Check Your Head is the third studio album by the American hip hop group Beastie Boys, released on April 21, 1992, by Grand Royal and Capitol Records. Three years elapsed between the releases of the band's previous studio album Paul's Boutique (1989) and Check Your Head, which was recorded at the G-Son Studios in Atwater Village in 1991 under the guidance of producer Mario Caldato Jr., the group's third producer in as many albums. Less sample-heavy than their previous records, the album features instrumental contributions from all three members: Adam Horovitz on guitar, Adam Yauch on bass guitar, and Mike Diamond on drums.
 
227 (tie). Making Movies – Dire Straits (117 points)

@BrutalPenguin #23
@Tau837 #39
@Mookie Gizzy #54
@Mister CIA #56
@kupcho1 #66

Making Movies is the third studio album by British rock band Dire Straits, released on 17 October 1980 by Vertigo Records internationally, Warner Bros. Records in the United States and Mercury Records in Canada. The album includes the single "Romeo and Juliet", which reached number 8 on the UK Singles Chart, as well as "Tunnel of Love", featured in the 1982 Richard Gere film An Officer and a Gentleman.

Making Movies reached number one on the album charts in Italy and Norway, number 19 in the United States and number 4 in the United Kingdom. Making Movies was later certified platinum in the United States and double-platinum in the United Kingdom by the Recording Industry Association of America (RIAA) and the British Phonographic Industry (BPI) respectively.
 
227 (tie). Making Movies – Dire Straits (117 points)

@BrutalPenguin #23
@Tau837 #39
@Mookie Gizzy #54
@Mister CIA #56
@kupcho1 #66

Making Movies is the third studio album by British rock band Dire Straits, released on 17 October 1980 by Vertigo Records internationally, Warner Bros. Records in the United States and Mercury Records in Canada. The album includes the single "Romeo and Juliet", which reached number 8 on the UK Singles Chart, as well as "Tunnel of Love", featured in the 1982 Richard Gere film An Officer and a Gentleman.

Making Movies reached number one on the album charts in Italy and Norway, number 19 in the United States and number 4 in the United Kingdom. Making Movies was later certified platinum in the United States and double-platinum in the United Kingdom by the Recording Industry Association of America (RIAA) and the British Phonographic Industry (BPI) respectively.

I love most of this album but there's one song that drags it down a little, imo, when I listen to the full album.
 
227 (tie). Check Your Head – Beastie Boys (117 points)

@SayChowda #6 :headbang:
@Yo Mama #19

Check Your Head is the third studio album by the American hip hop group Beastie Boys, released on April 21, 1992, by Grand Royal and Capitol Records. Three years elapsed between the releases of the band's previous studio album Paul's Boutique (1989) and Check Your Head, which was recorded at the G-Son Studios in Atwater Village in 1991 under the guidance of producer Mario Caldato Jr., the group's third producer in as many albums. Less sample-heavy than their previous records, the album features instrumental contributions from all three members: Adam Horovitz on guitar, Adam Yauch on bass guitar, and Mike Diamond on drums.

This album and Dr. Dre's The Chronic were functions of copyright law changing. Gone were the sound collages by the Bomb Squad of Public Enemy and the Dust Brothers of Beasties' fame; now we got either the band themselves or one-song samples throughout a song. This totally changed hip hop because of one judge's ruling (and the subsequent adoption of that ruling as a national precedent) in the Grand Upright Music, Ltd. vs. Warner Bros. Records, Inc. case that made artists clear every sample (pay the original artist for the publishing rights and sound recording part of the "bundle of rights" in copyright law). Never has a judicial decision changed music quite as much as the ruling against Biz Markie with the imploring language of "Thou shalt not steal."

Check Your Head, maybe even more than the Beasties' experimentalism, was fueled by this change in the law.

And a welcome change and excellent album it was!
 
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224 (tie). Undertow – Tool (118 points)

@Dan Lambskin #15
@Mt. Man #35
@Long Ball Larry #46

Undertow is the debut studio album by the American rock band Tool, released on April 6, 1993, by Zoo Entertainment. Produced by the band and Sylvia Massy and recorded from October to December 1992 at Sound City Studios in Van Nuys and Grandmaster Recorders in Hollywood, the album includes some tracks omitted from the band's debut EP Opiate and is their only album to feature original bassist Paul D'Amour.
 
231 (tie). Oh Brother, Where Art Thou? (soundtrack) Various Artists (115 points)

@BrutalPenguin #18
@Dennis Castro #31
@Dwayne_Castro #49

O Brother, Where Art Thou? is the soundtrack album of music from the 2000 American film of the same name, written, directed and produced by the Coen Brothers and starring George Clooney, John Turturro, Tim Blake Nelson, and John Goodman.

The film is set in Mississippi during the Great Depression. The soundtrack, produced by T-Bone Burnett, uses bluegrass, country, gospel, blues, and Southern folk music appropriate to the time period. With the exception of a few vintage tracks (such as Harry McClintock's 1928 single "Big Rock Candy Mountain"), most tracks are modern recordings.
I grew up the son of two West Virginian parents. My grandfather sang in the church choir, and also sang in a harmonizing group that sang a lot of the songs on this soundtrack. It's music from my past that I haven't heard elsewhere and it's nostalgic. While Man of Constant Sorrow was featured the most, I'd pick Down to the River to Pray as the song of the album.
 
224 (tie). Undertow – Tool (118 points)

@Dan Lambskin #15
@Mt. Man #35
@Long Ball Larry #46

Undertow is the debut studio album by the American rock band Tool, released on April 6, 1993, by Zoo Entertainment. Produced by the band and Sylvia Massy and recorded from October to December 1992 at Sound City Studios in Van Nuys and Grandmaster Recorders in Hollywood, the album includes some tracks omitted from the band's debut EP Opiate and is their only album to feature original bassist Paul D'Amour.

Forgot I rated it that high. I remember Sober from MTV and then I was hanging out at some friends getting baked and they put the entire CD on and I ended up getting my own copy shortly after

Always though the bonus track Disgustipated being track 69 was a nice Easter egg (especially as a teenager), tempted to go with that one for the playlist but not sure what version is on Spotify because the album track “ends at 6:45. Sounds of crickets chirping can be heard for 7 minutes and 5 seconds, then at 13:50 a hidden message plays while the crickets continue until the end”

Sober was their first hit and I think Swamp Song and Intolerance are both great (all the songs are good and no interludes like some of their other albums) but I’ll go with Prison Sex for the setlist.
 
224 (tie). Close to the Edge – Yes (118 points)


@Ghost Rider #20
@Yo Mama #26
@Pip's Invitation #49


Close to the Edge is the fifth studio album by the English progressive rock band Yes, released in the UK on 8 September 1972 and in the US on 13 September 1972, by Atlantic Records. It is their last album until Union (1991) to feature original drummer Bill Bruford, who found the album particularly laborious to make and felt unable to contribute better ideas, which influenced his decision to join King Crimson once recording had finished.

Close to the Edge became the band's greatest commercial success at the time of release, reaching No. 4 in the UK and No. 3 in the US, where it sold over one million copies.
 
227 (tie). Check Your Head – Beastie Boys (117 points)

@SayChowda #6 :headbang:
@Yo Mama #19

Check Your Head is the third studio album by the American hip hop group Beastie Boys, released on April 21, 1992, by Grand Royal and Capitol Records. Three years elapsed between the releases of the band's previous studio album Paul's Boutique (1989) and Check Your Head, which was recorded at the G-Son Studios in Atwater Village in 1991 under the guidance of producer Mario Caldato Jr., the group's third producer in as many albums. Less sample-heavy than their previous records, the album features instrumental contributions from all three members: Adam Horovitz on guitar, Adam Yauch on bass guitar, and Mike Diamond on drums.
I'm not a big hip hop fan, never have been. But when "So What Cha Want" came out, it was obvious that the Beastie Boys were taking hip hop to a whole new level. This video marked a turning point in my perspective on rap, and my appreciation that there could be true genius and artistry in a genre that I had never really given credit to before this. Not that I didn't love some earlier rap, but it never really rose to the level of artistic endeavor in my mind. More like beat box cultural or rhythmic experimentation. This was every bit as innovative and groundbreaking as the Run-DMC/Aerosmith collaboration had been 6 years earlier, at least from this layman's perspective looking at it from the outside in.
 
224 (tie). Close to the Edge – Yes (118 points)


@Ghost Rider #20
@Yo Mama #26
@Pip's Invitation #49


Close to the Edge is the fifth studio album by the English progressive rock band Yes, released in the UK on 8 September 1972 and in the US on 13 September 1972, by Atlantic Records. It is their last album until Union (1991) to feature original drummer Bill Bruford, who found the album particularly laborious to make and felt unable to contribute better ideas, which influenced his decision to join King Crimson once recording had finished.

Close to the Edge became the band's greatest commercial success at the time of release, reaching No. 4 in the UK and No. 3 in the US, where it sold over one million copies.

Great album - saw them play it in its entirety (along with their first album and Going for the One) at the Beacon theater. Great show.
 
224 (tie). Close to the Edge – Yes (118 points)


@Ghost Rider #20
@Yo Mama #26
@Pip's Invitation #49


Close to the Edge is the fifth studio album by the English progressive rock band Yes, released in the UK on 8 September 1972 and in the US on 13 September 1972, by Atlantic Records. It is their last album until Union (1991) to feature original drummer Bill Bruford, who found the album particularly laborious to make and felt unable to contribute better ideas, which influenced his decision to join King Crimson once recording had finished.

Close to the Edge became the band's greatest commercial success at the time of release, reaching No. 4 in the UK and No. 3 in the US, where it sold over one million copies.
I get that many dislike the excess of prog rock, but Close to the Edge was as good as it got in the early 70s for full-blown prog rock.

And You And I is on my short list of favorite songs ever (and my playlist pick, if I am doing it right haha).
 
224 (tie). Close to the Edge – Yes (118 points)


@Ghost Rider #20
@Yo Mama #26
@Pip's Invitation #49


Close to the Edge is the fifth studio album by the English progressive rock band Yes, released in the UK on 8 September 1972 and in the US on 13 September 1972, by Atlantic Records. It is their last album until Union (1991) to feature original drummer Bill Bruford, who found the album particularly laborious to make and felt unable to contribute better ideas, which influenced his decision to join King Crimson once recording had finished.

Close to the Edge became the band's greatest commercial success at the time of release, reaching No. 4 in the UK and No. 3 in the US, where it sold over one million copies.
I get that many dislike the excess of prog rock, but Close to the Edge was as good as it got in the early 70s for full-blown prog rock.

And You And I is on my short list of favorite songs ever (and my playlist pick, if I am doing it right haha).
This and Genesis’ Selling England by the Pound (a pick of mine that surfaced earlier) are as good as early ‘70s prog gets.

This record actually achieved what a lot of the proggers of the era aspired to: a seamless, majestic and beautiful recording, with no filler, that holds up to the best classical and jazz records.
 
224 (tie). Close to the Edge – Yes (118 points)


@Ghost Rider #20
@Yo Mama #26
@Pip's Invitation #49


Close to the Edge is the fifth studio album by the English progressive rock band Yes, released in the UK on 8 September 1972 and in the US on 13 September 1972, by Atlantic Records. It is their last album until Union (1991) to feature original drummer Bill Bruford, who found the album particularly laborious to make and felt unable to contribute better ideas, which influenced his decision to join King Crimson once recording had finished.

Close to the Edge became the band's greatest commercial success at the time of release, reaching No. 4 in the UK and No. 3 in the US, where it sold over one million copies.
I get that many dislike the excess of prog rock, but Close to the Edge was as good as it got in the early 70s for full-blown prog rock.

And You And I is on my short list of favorite songs ever (and my playlist pick, if I am doing it right haha).
This and Genesis’ Selling England by the Pound (a pick of mine that surfaced earlier) are as good as early ‘70s prog gets.

This record actually achieved what a lot of the proggers of the era aspired to: a seamless, majestic and beautiful recording, with no filler, that holds up to the best classical and jazz records.
And You And I has been added to the playlist.
 
224 (tie). Close to the Edge – Yes (118 points)


@Ghost Rider #20
@Yo Mama #26
@Pip's Invitation #49


Close to the Edge is the fifth studio album by the English progressive rock band Yes, released in the UK on 8 September 1972 and in the US on 13 September 1972, by Atlantic Records. It is their last album until Union (1991) to feature original drummer Bill Bruford, who found the album particularly laborious to make and felt unable to contribute better ideas, which influenced his decision to join King Crimson once recording had finished.

Close to the Edge became the band's greatest commercial success at the time of release, reaching No. 4 in the UK and No. 3 in the US, where it sold over one million copies.
I get that many dislike the excess of prog rock, but Close to the Edge was as good as it got in the early 70s for full-blown prog rock.

And You And I is on my short list of favorite songs ever (and my playlist pick, if I am doing it right haha).
Excellent choice!
 
224 (tie). Close to the Edge – Yes (118 points)


@Ghost Rider #20
@Yo Mama #26
@Pip's Invitation #49


Close to the Edge is the fifth studio album by the English progressive rock band Yes, released in the UK on 8 September 1972 and in the US on 13 September 1972, by Atlantic Records. It is their last album until Union (1991) to feature original drummer Bill Bruford, who found the album particularly laborious to make and felt unable to contribute better ideas, which influenced his decision to join King Crimson once recording had finished.

Close to the Edge became the band's greatest commercial success at the time of release, reaching No. 4 in the UK and No. 3 in the US, where it sold over one million copies.
I get that many dislike the excess of prog rock, but Close to the Edge was as good as it got in the early 70s for full-blown prog rock.

And You And I is on my short list of favorite songs ever (and my playlist pick, if I am doing it right haha).
This and Genesis’ Selling England by the Pound (a pick of mine that surfaced earlier) are as good as early ‘70s prog gets.

This record actually achieved what a lot of the proggers of the era aspired to: a seamless, majestic and beautiful recording, with no filler, that holds up to the best classical and jazz records.
I think several things led to the decline of '70s prog: running out of ideas, in-band squabbles, dope, Lee Abrams, and others.

In my opinion, Eno took a really smart route by doubling down on sounds and saying "screw hit records". Tangerine Dream did the same.

It may sound odd, but disco actually took a lot of art rock and used it just as well as the originators.
 
227 (tie). Check Your Head – Beastie Boys (117 points)

@SayChowda #6 :headbang:
@Yo Mama #19

Check Your Head is the third studio album by the American hip hop group Beastie Boys, released on April 21, 1992, by Grand Royal and Capitol Records. Three years elapsed between the releases of the band's previous studio album Paul's Boutique (1989) and Check Your Head, which was recorded at the G-Son Studios in Atwater Village in 1991 under the guidance of producer Mario Caldato Jr., the group's third producer in as many albums. Less sample-heavy than their previous records, the album features instrumental contributions from all three members: Adam Horovitz on guitar, Adam Yauch on bass guitar, and Mike Diamond on drums.
As rockaction mentioned earlier, the IP laws threw hip-hop into a pretty seismic shift at the time. I was curious and a bit concerned how Beastie Boys was going to adjust at the time since they were so sample heavy in their 80s albums.

Check Your Head is definitely one of those “remember where you were” albums when I first listened to it. It was such a new, refreshing sound that perfectly blended their hip-hop bonafides with their punk roots, with the band members providing the instrumental backing throughout the album.

Check Your Head as an album was an incredible mix of a rock album (with songs flowing seamlessly together, hard rocking jams and instrumental interludes) and a hip-hop album (with skits and massive hits).

Here were the songs from this album on my MAD countdown:
3- So What’cha Want
6- Pass the Mic
8- Jimmy James
11- Stand Together
15- Finger Lickin’ Good
27- Gratitude
(With Professor Booty and Groove Holmes near misses)

Incredible album.
 
224 (tie). Close to the Edge – Yes (118 points)


@Ghost Rider #20
@Yo Mama #26
@Pip's Invitation #49


Close to the Edge is the fifth studio album by the English progressive rock band Yes, released in the UK on 8 September 1972 and in the US on 13 September 1972, by Atlantic Records. It is their last album until Union (1991) to feature original drummer Bill Bruford, who found the album particularly laborious to make and felt unable to contribute better ideas, which influenced his decision to join King Crimson once recording had finished.

Close to the Edge became the band's greatest commercial success at the time of release, reaching No. 4 in the UK and No. 3 in the US, where it sold over one million copies.
All my MAD artists are showing up! Nothing to add about this awesome album from what was already said beyond where I ranked the songs from my Yes countdown:

3- And You and I
8- Close to the Edge
12- Siberian Khatru
20- America (single version that was on an extended album release)
 
224 (tie). Abraxas – Santana (118 points)

@Atomic Punk #29
@Snoopy @48
@Chaos34 #48
@Pip's Invitation #50
@Mister CIA #62

Abraxas is the second studio album by American Latin rock band Santana. It was released on September 23, 1970, by Columbia Records and became the band's first album to top the Billboard 200 in the United States. In 2020, Rolling Stone magazine ranked the album number 334 on its list of the "500 Greatest Albums of All Time"
 
222 (tie). Station to Station – David Bowie (119 points)

@Eephus #8 :headbang:
@Mookie Gizzy #15

Station to Station is the tenth studio album by the English musician David Bowie, released on 23 January 1976 through RCA Records. Regarded as one of his most significant works, the album was the vehicle for Bowie's performance persona the Thin White Duke. Co-produced by Bowie and Harry Maslin, Station to Station was mainly recorded at Cherokee Studios in Los Angeles, California, in late 1975, after Bowie completed shooting the film The Man Who Fell to Earth; the cover art featured a still from the film. During the sessions, Bowie was suffering from various drug addictions, most prominently cocaine, and later said that he recalled almost nothing of the production.
 
222 (tie). Station to Station – David Bowie (119 points)

@Eephus #8
@Mookie Gizzy #15

Station to Station is the tenth studio album by the English musician David Bowie, released on 23 January 1976 through RCA Records. Regarded as one of his most significant works, the album was the vehicle for Bowie's performance persona the Thin White Duke. Co-produced by Bowie and Harry Maslin, Station to Station was mainly recorded at Cherokee Studios in Los Angeles, California, in late 1975, after Bowie completed shooting the film The Man Who Fell to Earth; the cover art featured a still from the film. During the sessions, Bowie was suffering from various drug addictions, most prominently cocaine, and later said that he recalled almost nothing of the production.

If you ever wondered what cocaine sounds like, just throw this album on.
 
Starting to realize just how chalky my list is.

Only 4 albums in your Top 25 did not make the Countdown and one of those albums just missed out at sitting at 360.

Most of your Top 25 albums ended up in the Top 50 overall - so yes you're one of the chalkier lists.

ETA: One of those Top 25 albums was a greatest hits album that did not qualify and thus no one else selected.
 
Starting to realize just how chalky my list is.

Only 4 albums in your Top 25 did not make the Countdown and one of those albums just missed out at sitting at 360.

Most of your Top 25 albums ended up in the Top 50 overall - so yes you're one of the chalkier lists.

ETA: One of those Top 25 albums was a greatest hits album that did not qualify and thus no one else selected.
:penalty:
 
222 (tie). The Concert in Central Park – Simon and Garfunkel (119 points)

@Psychopav #8 :headbang:
@simey #41
@jwb 26 #45

The Concert in Central Park is the first live album by American folk rock duo Simon & Garfunkel, released on February 16, 1982, by Warner Bros. Records. It was recorded on September 19, 1981, at a free benefit concert on the Great Lawn in Central Park, New York City, where the pair performed in front of 500,000 people. A film of the event was shown on TV and released on video. Proceeds went toward the redevelopment and maintenance of the park, which had deteriorated due to lack of municipal funding. The concert and album marked the start of a three-year reunion of Paul Simon and Art Garfunkel.
 
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222 (tie). The Concert in Central Park – Simon and Garfunkel (119 points)

@Psychopav #8
@simey #41
@jwb 26 #45

The Concert in Central Park is the first live album by American folk rock duo Simon & Garfunkel, released on February 16, 1982, by Warner Bros. Records. It was recorded on September 19, 1981, at a free benefit concert on the Great Lawn in Central Park, New York City, where the pair performed in front of 500,000 people. A film of the event was shown on TV and released on video. Proceeds went toward the redevelopment and maintenance of the park, which had deteriorated due to lack of municipal funding. The concert and album marked the start of a three-year reunion of Paul Simon and Art Garfunkel.

I was at the second one (with just Paul Simon) - we were nowhere near the stage so could see nothing but there were speakers all over the park, so you could hear everything fine. It was such a fun day.
 
220 (tie). Ghosts of the Great Highway – Sun Kil Moon (120 points)

@KarmaPolice #14
@shuke #19
@Eephus #60

Ghosts of the Great Highway is the debut studio album by San Francisco quartet Sun Kil Moon, led by Red House Painters' founder Mark Kozelek, who composed all of the lyrics and music on this album. The other members are Anthony Koutsos (former drummer for Red House Painters), Geoff Stanfield, and Tim Mooney.
 
227 (tie). Check Your Head – Beastie Boys (117 points)

@SayChowda #6 :headbang:
@Yo Mama #19

Check Your Head is the third studio album by the American hip hop group Beastie Boys, released on April 21, 1992, by Grand Royal and Capitol Records. Three years elapsed between the releases of the band's previous studio album Paul's Boutique (1989) and Check Your Head, which was recorded at the G-Son Studios in Atwater Village in 1991 under the guidance of producer Mario Caldato Jr., the group's third producer in as many albums. Less sample-heavy than their previous records, the album features instrumental contributions from all three members: Adam Horovitz on guitar, Adam Yauch on bass guitar, and Mike Diamond on drums.
I'm not a big hip hop fan, never have been. But when "So What Cha Want" came out, it was obvious that the Beastie Boys were taking hip hop to a whole new level. This video marked a turning point in my perspective on rap, and my appreciation that there could be true genius and artistry in a genre that I had never really given credit to before this. Not that I didn't love some earlier rap, but it never really rose to the level of artistic endeavor in my mind. More like beat box cultural or rhythmic experimentation. This was every bit as innovative and groundbreaking as the Run-DMC/Aerosmith collaboration had been 6 years earlier, at least from this layman's perspective looking at it from the outside in.

I saw them back to back nights at the Roseland Ballroom (R.I.P.) in NYC on the tour for this album. They played instruments for most of the show.

The Rollins Band opened - two magical nights in a row back when I was young and beautiful.
 
Starting to realize just how chalky my list is.

Only 4 albums in your Top 25 did not make the Countdown and one of those albums just missed out at sitting at 360.

Most of your Top 25 albums ended up in the Top 50 overall - so yes you're one of the chalkier lists.

ETA: One of those Top 25 albums was a greatest hits album that did not qualify and thus no one else selected.
I'm guessing those were Indian Summer (already recognized), Squeeze - Singles (as previously noted) and my #15 & #25 selections.

Trying to guess which one I'll see next. My guesses are #40, #48, #50 #58 or #61 (any of which could also miss the countdown completely, but not all of them)
 
222 (tie). Station to Station – David Bowie (119 points)

@Eephus #8 :headbang:
@Mookie Gizzy #15

Station to Station is the tenth studio album by the English musician David Bowie, released on 23 January 1976 through RCA Records. Regarded as one of his most significant works, the album was the vehicle for Bowie's performance persona the Thin White Duke. Co-produced by Bowie and Harry Maslin, Station to Station was mainly recorded at Cherokee Studios in Los Angeles, California, in late 1975, after Bowie completed shooting the film The Man Who Fell to Earth; the cover art featured a still from the film. During the sessions, Bowie was suffering from various drug addictions, most prominently cocaine, and later said that he recalled almost nothing of the production.
I didn't really come around on this album in a big way until the last few years; I am a big fan now, though!

Two Bowie albums made my list and this wasn't one of them, but had I been able to go 3 or 4 deep, it would have made it. Word on a Wing and Stay are both absolutely incredible.
 
222 (tie). The Concert in Central Park – Simon and Garfunkel (119 points)

@Psychopav #8
@simey #41
@jwb 26 #45

The Concert in Central Park is the first live album by American folk rock duo Simon & Garfunkel, released on February 16, 1982, by Warner Bros. Records. It was recorded on September 19, 1981, at a free benefit concert on the Great Lawn in Central Park, New York City, where the pair performed in front of 500,000 people. A film of the event was shown on TV and released on video. Proceeds went toward the redevelopment and maintenance of the park, which had deteriorated due to lack of municipal funding. The concert and album marked the start of a three-year reunion of Paul Simon and Art Garfunkel.
It would be hard for me to overstate the impact this album had on me. I am a child of the 70s and 80s, and Simon & Garfunkel did this reunion concert when I was only 10 years old. My mom was an S&G fan and had all 5 of their albums. She was a big fan of this concert tape as well and listened to it a lot in the years after it came out.

As for me, I was more than happy to make fun of the duo. It was too easy really - the name "Garfunkel", Art's hair, the artsy album covers, folkiness of the music, and just the allure of being a contrarian (aka snotnosed brat). But then about 5 years after this concert, Paul came out with a solo album that was a pretty big hit. It got my attention, and caused me to listen to S&G in earnest with fresh ears. I played this tape over and over over the next few years and developed a deep, deep appreciation for Paul Simon and both his solo and especially the Simon and Garfunkel catalogues. I've seen Paul Simon live 4 or 5 times since then, including taking my mom to see the Old Friends tour which was a great experience in itself that I'll probably write more about later. One thing about Paul Simon is that he was always rearranging, tweaking, adding to and taking away from the album versions of his songs, and as a result his concerts have always had a freshness and liveliness that goes beyond the typical rehashing of greatest hits that you normally get out of a performer who's been doing it for as long as he has.

As far as a song from this album, I'm definitely open to whatever @simey and @jwb have to say. My initial thought was to pick from among "Homeward Bound", "America", and "American Tune". If I have to pick one, I'd go with the first - both because the arrangement and harmonies are better than the album version imo and also because it's one of the only tracks where you can hear Simon addressing the crowd after the song ends, thanking the police department, the fire department, the parks commissioner, the mayor, and "the guys who are selling loose joints".
 
As far as a song from this album, I'm definitely open to whatever @simey and @jwb have to say. My initial thought was to pick from among "Homeward Bound", "America", and "American Tune". If I have to pick one, I'd go with the first - both because the arrangement and harmonies are better than the album version imo and also because it's one of the only tracks where you can hear Simon addressing the crowd after the song ends, thanking the police department, the fire department, the parks commissioner, the mayor, and "the guys who are selling loose joints".
"Homeward Bound" is my favorite song by them, so it's fine by me to choose that one. I also like "The Boxer" version with the added verse.

Now the years are rolling by me
They are rocking evenly
And I am older than I once was
And younger than I'll be
That's not unusual
No, it isn't strange
After changes upon changes
We are more or less the same
After changes we are more or less the same
 
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229 (tie). Tre Hombres – ZZ Top (116 points)

Jeb #11
@Mister CIA #21
@Val Rannous #65


Tres Hombres (Spanish for "three men") is the third studio album by the American rock band ZZ Top, released on July 26, 1973, by London Records. It was the band's first collaboration with engineer Terry Manning. The album was ZZ Top's commercial breakthrough in the United States, peaking at number 8 on the Billboard 200 chart in 1974. Lead single "La Grange" reached number 41 on the Billboard Hot 100. It was the first of many of the band's albums to incorporate the use of Spanish terminology in its branding.
I have a feeling this would have made my theoretical top 70. I have often said ZZ Top walked so SRV could run. I understand the hyperbole, but the groundswell of Texas blues rock originated here (in my mind). I find my way back to this album often and then weave my way back to Stevie with the same thread.
 
222 (tie). The Concert in Central Park – Simon and Garfunkel (119 points)

@Psychopav #8
@simey #41
@jwb 26 #45

The Concert in Central Park is the first live album by American folk rock duo Simon & Garfunkel, released on February 16, 1982, by Warner Bros. Records. It was recorded on September 19, 1981, at a free benefit concert on the Great Lawn in Central Park, New York City, where the pair performed in front of 500,000 people. A film of the event was shown on TV and released on video. Proceeds went toward the redevelopment and maintenance of the park, which had deteriorated due to lack of municipal funding. The concert and album marked the start of a three-year reunion of Paul Simon and Art Garfunkel.
It would be hard for me to overstate the impact this album had on me. I am a child of the 70s and 80s, and Simon & Garfunkel did this reunion concert when I was only 10 years old. My mom was an S&G fan and had all 5 of their albums. She was a big fan of this concert tape as well and listened to it a lot in the years after it came out.

As for me, I was more than happy to make fun of the duo. It was too easy really - the name "Garfunkel", Art's hair, the artsy album covers, folkiness of the music, and just the allure of being a contrarian (aka snotnosed brat). But then about 5 years after this concert, Paul came out with a solo album that was a pretty big hit. It got my attention, and caused me to listen to S&G in earnest with fresh ears. I played this tape over and over over the next few years and developed a deep, deep appreciation for Paul Simon and both his solo and especially the Simon and Garfunkel catalogues. I've seen Paul Simon live 4 or 5 times since then, including taking my mom to see the Old Friends tour which was a great experience in itself that I'll probably write more about later. One thing about Paul Simon is that he was always rearranging, tweaking, adding to and taking away from the album versions of his songs, and as a result his concerts have always had a freshness and liveliness that goes beyond the typical rehashing of greatest hits that you normally get out of a performer who's been doing it for as long as he has.

As far as a song from this album, I'm definitely open to whatever @simey and @jwb have to say. My initial thought was to pick from among "Homeward Bound", "America", and "American Tune". If I have to pick one, I'd go with the first - both because the arrangement and harmonies are better than the album version imo and also because it's one of the only tracks where you can hear Simon addressing the crowd after the song ends, thanking the police department, the fire department, the parks commissioner, the mayor, and "the guys who are selling loose joints".
Ok maybe I'll suggest a different direction. What if we went with "Wake Up Little Susie"? Here's my story:

Paul Simon was always a big Everly Brothers fan. They even included "Bye Bye Love" on the Bridge Over Troubled Water album (their final studio album before disbanding). When I took my mom to the Old Friends tour at the Rosemont Horizon in 2003, the Everly Brothers toured with S&G. At one point in the show, they joined S&G on stage. The four sang "Bye Bye Love" together, then S&G left the stage and the Everly Brothers sang a few more of their originals on their own.

The cool thing was that because of the way the stage was built, the "back stage" area was behind the stage and down some stairs, and covered by a curtain access. During the Everly Brothers' set, Art was nowhere to be seen (don't get me started), but Paul was clearly having the time of his life. After he and Art left the stage, he stood at the bottom of those steps leaning up against the stage and watched the Everly Brothers throughout their set. It was so cool to see Paul Simon fan boy'ing out and he obviously had a great appreciation for their music. It always was obvious that the Everly Brothers had a huge impact on Simon and Garfunkel's music, and it was awesome seeing Paul Simon acknowledging that both by giving them stage time and also seeing his face light up as he became an audience member for a few songs.

eta: Simon and Garfunkel's version of "Wake Up Little Susie" was released as a single in 1987 and reached #27 on the billboard chart - making it their last top 40 hit.
 
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220 (tie). Lost Souls – Doves (120 points)

@titusbramble #13
@Dreaded Marco #35
@landrys hat #45

Lost Souls is the debut studio album by British indie rock band Doves, released by Heavenly Recordings on 3 April 2000. The album was recorded over a period of several years, following the dissolution of Doves' original musical incarnation as house music act Sub Sub. Lost Souls was a moderate chart success in the UK; the album peaked at number 16, while the three singles taken from the album charted in the Top 40.
 
217 (tie). From the Cradle – Eric Clapton (121 points)

@Psychopav #6 :headbang:
@Dwayne_Castro #15

From the Cradle is the twelfth solo studio album by Eric Clapton, released on 12 September 1994 by Warner Bros. Records. A blues cover album and Clapton's follow-up to his successful 1992 live album, Unplugged, it is his only UK number-one album to date.

Although he had long been associated with the blues, From the Cradle was Clapton's first attempt at an all-blues album. He would subsequently record Riding with the King with B. B. King; a tribute to Robert Johnson, Me and Mr. Johnson; and a collaboration with J. J. Cale, The Road to Escondido.
 
222 (tie). Station to Station – David Bowie (119 points)

@Eephus #8 :headbang:
@Mookie Gizzy #15

Station to Station is the tenth studio album by the English musician David Bowie, released on 23 January 1976 through RCA Records. Regarded as one of his most significant works, the album was the vehicle for Bowie's performance persona the Thin White Duke. Co-produced by Bowie and Harry Maslin, Station to Station was mainly recorded at Cherokee Studios in Los Angeles, California, in late 1975, after Bowie completed shooting the film The Man Who Fell to Earth; the cover art featured a still from the film. During the sessions, Bowie was suffering from various drug addictions, most prominently cocaine, and later said that he recalled almost nothing of the production.
I didn't really come around on this album in a big way until the last few years; I am a big fan now, though!

Two Bowie albums made my list and this wasn't one of them, but had I been able to go 3 or 4 deep, it would have made it. Word on a Wing and Stay are both absolutely incredible.
I like Bowie a lot but never got too deep into his stuff. Also got into him in the music piracy era so i was usually listening to songs not albums

Need to see what’s in my library and probably add some stuff
 
222 (tie). Station to Station – David Bowie (119 points)

@Eephus #8 :headbang:
@Mookie Gizzy #15

Station to Station is the tenth studio album by the English musician David Bowie, released on 23 January 1976 through RCA Records. Regarded as one of his most significant works, the album was the vehicle for Bowie's performance persona the Thin White Duke. Co-produced by Bowie and Harry Maslin, Station to Station was mainly recorded at Cherokee Studios in Los Angeles, California, in late 1975, after Bowie completed shooting the film The Man Who Fell to Earth; the cover art featured a still from the film. During the sessions, Bowie was suffering from various drug addictions, most prominently cocaine, and later said that he recalled almost nothing of the production.
I didn't really come around on this album in a big way until the last few years; I am a big fan now, though!

Two Bowie albums made my list and this wasn't one of them, but had I been able to go 3 or 4 deep, it would have made it. Word on a Wing and Stay are both absolutely incredible.
I’m afraid to see how much @kupcho1 and @Dr. Octopus had to deal with on the one Bowie album I have on my list. Hoping I did it correctly but I’m sure I probably messed it up.
 
217 (tie). Chairs Missing – Wire (121 points)

@rockaction #7 :headbang:
@Barry2 #14

Chairs Missing is the second studio album by the English rock band Wire. It was released on 8 September 1978 through Harvest Records. It uses more developed song structures than the minimalist punk rock of the group's first album. The record was met with widespread critical acclaim.

The album peaked at number 48 in the UK Albums Chart. The single "Outdoor Miner" was a minor hit, peaking at number 51 in the UK singles chart.
 

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