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Ed Sabol, founder of NFL Films passes away at age 98 (1 Viewer)

Raider Nation

Devil's Advocate
This may sound strange, but there is no single person more responsible for bringing joy to my life than Ed Sabol.

Ed Sabol, innovative founder of NFL Films, died Monday in his Scottsdale, Arizona, home at the age of 98.

A member of the Pro Football Hall of Fame's Class of 2011, Sabol was the visionary force who revolutionized sports on camera and mythologized football at its highest level of competition.

"Through his determination and innovative spirit, Ed Sabol transformed how America watched football and all sports," NFL Commissioner Roger Goodell said Monday. "Ed ignited the fire at NFL Films and was the Keeper of the Flame with a remarkable vision and dedication to telling the stories of the people who played, coached and loved the game.

"He earned the ultimate recognition by being selected in 2011 to the Pro Football Hall of Fame where he will forever be remembered alongside the men he so greatly cared about. Ed's memory will live forever in the hearts and minds of fans around the world whenever they see the work of NFL Films and of the many people he inspired."

Sabol's impact on the NFL's ascendance to the summit of America's professional sports landscape cannot be overstated.

Pro Football's Longest Day, Sabol's film of the 1962 NFL Championship Game between the Giants and Packers at Yankee Stadium, helped convince the NFL of the need for its own motion picture company to promote the game and preserve its history.

When he was a frustrated overcoat salesman in the early 1960s, the 14-team NFL was overshadowed by Major League Baseball and ranked behind college football and boxing in popularity. Propelled by Sabol's work with NFL Films, pro football vaulted to the top in television ratings and revenue by the end of the decade, embedding itself in the national consciousness.

Before Sabol, the NFL's fanbase consisted of a small but devoted segment of connoisseurs. As the television age introduced the game to a wider audience, Sabol taught America how to watch football.

Under his artful direction, the camera captured the game's intimacy, brutality, drama and graceful athleticism. Sabol took viewers inside the huddle, providing an opportunity to hear the high-speed collisions while following along with the coaches' strategies.

NFL Films was born of a desire to be a part of the game," Sabol explained. "The techniques we used were born out of the passion for football, and the desire to bring the game to life in film."

His impact was so important to pro football's preeminence that Sports Illustrated once deemed NFL Films "perhaps the most effective propaganda organ in the history of corporate America."

Sports fans growing up in the 1970s and 1980s were indoctrinated by Vince Lombardi's "What the hell is going on out here?", Hank Stram's "matriculate the ball down the field" and narrator John Facenda, the Voice of God, telling us in stentorian tones that "the autumn wind is a Raider."

Sabol and his more artistic son, Steve, "sold the beauty of the game," former Cleveland Browns owner Art Modell once said.

"Big Ed" became the official historian of the NFL. He spent 32 years as NFL Films president and then chairman before retiring in 1995, collecting 52 Emmy Awards during his tenure. Among his innovations were the first use of a microphone on coaches, referees and players, adding popular music to footage, and of course, the blooper video. He also brought us slow motion, the extreme close-up and the omniscient voice-over.

Bolstered by Sabol's romanticism of football as a heroic and beautiful gridiron battle, the NFL has grown into a $10 billion entertainment juggernaut featuring 1,800 players and 32 teams. The Sabols rank with Pete Rozelle and Tex Schramm as the most valuable pioneers of the modern NFL.

"My dad has a great expression," Steve Sabol said when his father's 2011 Hall of Fame induction was announced. "Tell me a fact, and I'll learn. Tell me a truth, and I'll believe. But tell me a story, and it will live in my heart forever. And now my Dad's story will be in Canton and hopefully that will live forever, too."
RIP, Ed. 98 was a helluva run.

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This may sound strange, but there is no single person more responsible for bringing joy to my life than Ed Sabol.

RIP, Ed. 98 was a helluva run.

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.

.

.
I hear you Raider. If you added up all the time I spent as a kid re-enacting those slow-mo video replays it would add up to probably a few weeks. I think my parents were starting to worry about me.Years later, when digital video editing came to the masses in the late 90's, I volunteered to do a little highlight video for a friend whose son was playing for a local high school. It turned into a side business for me and I ended up creating my own company. I did wedding videos and other stuff, but my true passion was football. I would have done it for free I loved it so much. Even had one of my videos make ESPN's top ten Plays of the Week, sandwiched right between Brett Favre and Jerry Rice.

One thing I learned to appreciate during those years is the incredible skill those cameramen have. They make it look so easy, but I can assure you that capturing in fast motion a tight shot of a football flying through the area coming right at you, and then going wide to capture the receiver coming down with it, is one of the hardest things to do. Those guys are the best of the best, just like the players they are covering.

Ed and his son Steve have done as much for the NFL as anyone ever. They knew way before everyone else what made football such a visually stunning sport.

 
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Bringing slow motion highlights to the public was unheard of before Ed took charge. Those amazing shots of tight spirals, which took forever to reach the receiver's hands, are something we all took for granted growing up. I loved the story Ed and Steve always told about how much money slow motion cost... I believe the analogy was like water pouring out of a spigot, but they didn't care.

The "Ghost to the Post" play in Baltimore, with Stabler hitting Dave Casper is my favorite slo-mo highlight ever.

 
Ed Sabol's camera lens and John Facenda's voice; didn't get any better than that.

Still get chills watching "The Autumn Wind".

 
Ed Sabol's camera lens and John Facenda's voice; didn't get any better than that.

Still get chills watching "The Autumn Wind".
"The autumn wind is a raider"..,

What a brilliant line. It boggles my mind that the meanest, baddest football team had its own poem!! And it was written by Steve Sabol.

Football was so fortunate to have the Sabols.

 
Bringing slow motion highlights to the public was unheard of before Ed took charge. Those amazing shots of tight spirals, which took forever to reach the receiver's hands, are something we all took for granted growing up. I loved the story Ed and Steve always told about how much money slow motion cost... I believe the analogy was like water pouring out of a spigot, but they didn't care.

The "Ghost to the Post" play in Baltimore, with Stabler hitting Dave Casper is my favorite slo-mo highlight ever.
I like the Steve Largent catch in St. Louis.
 
So few replies and showing of respect on a site that wouldnt exist if not for ed sabol. NFL Football wouldnt matter to anyone if it was not for him.

THANK YOU ED AND MAY YOU REST IN PEACE FOR BRINGING THE NFL TO LIGHT.

Many others might not but i sure appreciate it.

 
I believe that Ed & Steve Sabol, along with Pete Rozelle are the single most responsible individuals for the unmatched popularity of the NFL. Others certainly have a hand in making it the marketing giant that it is, but nobody is even close to these three.

I don't get why there was ever a debate in electing Ed to the HOF.........and Steve should have joined him the following year.

I SERIOUSLY LOVE THESE GUYS.

 
Bringing slow motion highlights to the public was unheard of before Ed took charge. Those amazing shots of tight spirals, which took forever to reach the receiver's hands, are something we all took for granted growing up. I loved the story Ed and Steve always told about how much money slow motion cost... I believe the analogy was like water pouring out of a spigot, but they didn't care.

The "Ghost to the Post" play in Baltimore, with Stabler hitting Dave Casper is my favorite slo-mo highlight ever.
I love that play also.

My favorite is the "Sea of Hands" with Stabler stumbling and still getting a throw to Clarence Davis through a sea of Dolphin defenders. And of course Marcus Allen's reverse field run in Super Bowl XVIII.

God, we were awesome in those days.

 
The Sabols are IMO, the single biggest reason for the NFLs success more then any other persons(s) or entity. I don't think anybody could convince me otherwise.

 

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