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Fargo TV series on FX - season 3 starts TONIGHT 4/19!!! (1 Viewer)

JZilla said:
This is a sensible ending away from kicking the crap out of True Detective
My wife and I were just discussing this same comparison and came to the same conclusion.
the problem with having a good ending to a great show is you dont want it to end...so no ending is good
Movies end. :shrug:
a lot of endings are disappointing
Sure. True Detective's ending was reasonably disappointing, and you always want a show to stick the landing. But everything's gotta end.

 
The story that BBT was telling at the table in Vegas as if it was something that happened to him was actually the Tim Conway dentist skit from the Carol Burnett show.

 
In a way it is. The show will go on but the storyline and characters/actors will be "one and done" apparently. All new next time.

 
While the elevator scene was intense, I thought the diner scene with Malvo and Molly's dad was even more tense. While it was obvious what was going to happen in the elevator, I thought for sure Malvo was going to kill the dad. Great transition into the next scene.

I also kept feeling like someone was going to slam into Lester's car as they were driving to go to the airport.

Great episode.

 
While the elevator scene was intense, I thought the diner scene with Malvo and Molly's dad was even more tense. While it was obvious what was going to happen in the elevator, I thought for sure Malvo was going to kill the dad. Great transition into the next scene.

I also kept feeling like someone was going to slam into Lester's car as they were driving to go to the airport.

Great episode.
Definitely. I thought it was gonna go down right there.

 
While the elevator scene was intense, I thought the diner scene with Malvo and Molly's dad was even more tense. While it was obvious what was going to happen in the elevator, I thought for sure Malvo was going to kill the dad. Great transition into the next scene.

I also kept feeling like someone was going to slam into Lester's car as they were driving to go to the airport.

Great episode.
Definitely. I thought it was gonna go down right there.
I wonder if the mass killing dad was talking about had anything to do with malvo?

 
While the elevator scene was intense, I thought the diner scene with Malvo and Molly's dad was even more tense. While it was obvious what was going to happen in the elevator, I thought for sure Malvo was going to kill the dad. Great transition into the next scene.

I also kept feeling like someone was going to slam into Lester's car as they were driving to go to the airport.

Great episode.
Definitely. I thought it was gonna go down right there.
I wonder if the mass killing dad was talking about had anything to do with malvo?
It has to at this point, right?

 
While the elevator scene was intense, I thought the diner scene with Malvo and Molly's dad was even more tense. While it was obvious what was going to happen in the elevator, I thought for sure Malvo was going to kill the dad. Great transition into the next scene.

I also kept feeling like someone was going to slam into Lester's car as they were driving to go to the airport.

Great episode.
Definitely. I thought it was gonna go down right there.
I wonder if the mass killing dad was talking about had anything to do with malvo?
It has to at this point, right?
The way he was looking at Malvo, it sure seems that way.

 
While the elevator scene was intense, I thought the diner scene with Malvo and Molly's dad was even more tense. While it was obvious what was going to happen in the elevator, I thought for sure Malvo was going to kill the dad. Great transition into the next scene.

I also kept feeling like someone was going to slam into Lester's car as they were driving to go to the airport.

Great episode.
Definitely. I thought it was gonna go down right there.
I wonder if the mass killing dad was talking about had anything to do with malvo?
It has to at this point, right?
The way he was looking at Malvo, it sure seems that way.
ya but how would he make that connection? this show is deep man ...deep

 
The season finale of the FX TV series Fargo airs Tuesday. The series is an "original adaptation" of Joel and Ethan Coen's 1996 film, a dark comedy set in the wintry landscape of rural Minnesota. Nearly 20 years ago, the film won Oscars for best screenplay and best actress.

The 10-episode TV series has a different story and characters, but critics agree that it captured the look and tone of the film, mixing eccentric characters and deadpan humor with sudden and savage violence.

 
Wondering aloud, would other movies, especially Coen Brother films, lend themselves to 10 hour mini-series?

No Country For Old Men certainly, Miller's Crossing too and Blood Simple. Big Lebowski, probably not.

 
Fargo' finale stuns and satisfiesWith one final, breathtaking blast, Fargo (FX, 10 ET/PT) ends its run Tuesday with a stunner that solidifies its place, not just as the year's best miniseries, but as one of the most satisfying ever made. And for viewers who have been burnt elsewhere, part of that satisfaction will no doubt stem from the happy fact that the story actually does conclude, without feint or cliffhanger or extra-mystery padding.

If for no other reason, embrace this conclusion as time well spent with a fabulous quartet of actors and characters. The driving force is Billy Bob Thornton as the impishly satanic Lorne Malvo, but there's equally irresistible work here from Martin Freeman as his increasingly morally unhinged foil, Lester Nygaard, and from Allison Tolman and Colin Hanks as the now happily married Molly and Gus, our heroes and links to a better world.

Obviously, it would be unfair to tell you how their story ends. But ultimately, their fate isn't the issue; what matters is that creator Noah Hawley, who wrote every episode, has made us care about these characters and kept us uncertain as to whether they'll survive. That was his job, and he has done it spectacularly well.

Tonight's last hour and a half charges ahead at a relentless pace, while still offering fans the pleasure of a few season-long callbacks, including Malvo's message to Gus about the nature of predators and the wisdom of staying out of their way. Cross the wrong path, as Lester and Malvo both did, and you come to regret it.

There are touches of humor, as you'd expect from a show based on a movie by Ethan and Joel Coen — and a great deal of bloodshed, as you'd also expect. This constant upping of TV's violence ante is troubling, but where Game of Thrones increasingly seems to use graphic violence as an enticement for a young male audience, Fargouses it to make an artistic point. There's a line between the "moral" world and a world cut loose from civilization, and you can trace it with a sharp knife.

Nowhere is that difference more clearly articulated than in a speech from Bob Odenkirk's bumbling sheriff, Bill Oswalt. Up until now, he's mainly been used as a comic-relief fool and obstacle, but as he expresses his horror at "seeing the things people are capable of," you begin to wonder who's really the fool.

It's a lovely, small moment in a show where nothing is off pitch or out of place, from the actors, to the music, to the way director Matt Shakman intensifies the action without obscuring what's happening. Because with Fargo, you don't want to miss a moment.

If it has to go, rejoice that it's going out on top.

:towelwave:



 
Sepinwall said this, but it was what I was thinking at the time....a civilian hides in Malvo's house, doesn't call the cops, kills him unarmed, execution style and he gets a citation for bravery?

 
Sepinwall said this, but it was what I was thinking at the time....a civilian hides in Malvo's house, doesn't call the cops, kills him unarmed, execution style and he gets a citation for bravery?
a former cop who took down a cop killer and a mass murderer...pin that medal right to his chest

 
2 things...

1- im assuming he let the car dealer go free ,his car was not in Lesters driveway .

2 - I liked the story about the gloves and the train...im also guessing it meant ''do the right thing'' Lester

 
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"If he throws up, I will too."

:lmao:

I don't care what anyone say, Bob Odenkirk was great in this.
Agreed

Wishing the ending was a little darker... especially with all the foreshadowing they dropped about preggers getting it... but that was so heavy handed you knew they'd go a different direction. Would've been nice if Malvo snuck one last kill in (Hanks Jr.) before he was taken out. He was a great villain.

 
Sepinwall said this, but it was what I was thinking at the time....a civilian hides in Malvo's house, doesn't call the cops, kills him unarmed, execution style and he gets a citation for bravery?
I'm guessing that you didn't pay attention to the rest of the series... This didn't take place in New York, Chicago, LA or other places where serial killers (or more importantly cop killers) are revered by lawyers. Honestly, how deep do you think that the police and FBI would dig into this after losing a few of their own?

 
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So this show is like True Detective in that it's only a season at a time with the same actors?

What do the masses say about this show, is it good and worth the watch?

TIA

 
2 things...

1- im assuming he let the car dealer go free ,his car was not in Lesters driveway .

2 - I liked the story about the gloves and the train...im also guessing it meant ''do the right thing'' Lester
I was expecting her story to be a morality or a warning story, but I didn't get it from that. I wasn't sure what the purpose of the story was.

Other than that, I thought it was a great ending.

 
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Sepinwall said this, but it was what I was thinking at the time....a civilian hides in Malvo's house, doesn't call the cops, kills him unarmed, execution style and he gets a citation for bravery?
They didn't show it specifically, but I'm pretty sure Gus put Malvo's gun beside him or in his hand. They showed Malvo putting the gun down on the desk beside the briefcase with the tapes, and it wasn't there when Molly showed up. Obviously, it could've been taken by the cops before then, but I thought the implication was that Gus put it by Malvo (because it would've been stupid not to).

Also not shown, but could've been done: Gus called the police station after the shooting to say he followed Malvo to the cabin (either saw randomly or was going by Lester's place to check on things). They say just stay there, and he says okay. Between the call and the cops showing up, he just says he saw trail of blood, was worried, and went in (to find Malvo with a gun in his hand).

 
Sepinwall said this, but it was what I was thinking at the time....a civilian hides in Malvo's house, doesn't call the cops, kills him unarmed, execution style and he gets a citation for bravery?
They didn't show it specifically, but I'm pretty sure Gus put Malvo's gun beside him or in his hand. They showed Malvo putting the gun down on the desk beside the briefcase with the tapes, and it wasn't there when Molly showed up. Obviously, it could've been taken by the cops before then, but I thought the implication was that Gus put it by Malvo (because it would've been stupid not to).

Also not shown, but could've been done: Gus called the police station after the shooting to say he followed Malvo to the cabin (either saw randomly or was going by Lester's place to check on things). They say just stay there, and he says okay. Between the call and the cops showing up, he just says he saw trail of blood, was worried, and went in (to find Malvo with a gun in his hand).
Basically Gus makes up a lie and the cops don't try very hard to disprove it, because they have little incentive to do so. Even in the real world, that doesn't seem entirely implausible.

 
Sepinwall said this, but it was what I was thinking at the time....a civilian hides in Malvo's house, doesn't call the cops, kills him unarmed, execution style and he gets a citation for bravery?
They didn't show it specifically, but I'm pretty sure Gus put Malvo's gun beside him or in his hand. They showed Malvo putting the gun down on the desk beside the briefcase with the tapes, and it wasn't there when Molly showed up. Obviously, it could've been taken by the cops before then, but I thought the implication was that Gus put it by Malvo (because it would've been stupid not to).

Also not shown, but could've been done: Gus called the police station after the shooting to say he followed Malvo to the cabin (either saw randomly or was going by Lester's place to check on things). They say just stay there, and he says okay. Between the call and the cops showing up, he just says he saw trail of blood, was worried, and went in (to find Malvo with a gun in his hand).
that would make sense. I noticed Gus took the knife out of Malvo's hand and I couldn't figure out why. Maybe he replaced it with a gun.

 
Sepinwall said this, but it was what I was thinking at the time....a civilian hides in Malvo's house, doesn't call the cops, kills him unarmed, execution style and he gets a citation for bravery?
They didn't show it specifically, but I'm pretty sure Gus put Malvo's gun beside him or in his hand. They showed Malvo putting the gun down on the desk beside the briefcase with the tapes, and it wasn't there when Molly showed up. Obviously, it could've been taken by the cops before then, but I thought the implication was that Gus put it by Malvo (because it would've been stupid not to).

Also not shown, but could've been done: Gus called the police station after the shooting to say he followed Malvo to the cabin (either saw randomly or was going by Lester's place to check on things). They say just stay there, and he says okay. Between the call and the cops showing up, he just says he saw trail of blood, was worried, and went in (to find Malvo with a gun in his hand).
Basically Gus makes up a lie and the cops don't try very hard to disprove it, because they have little incentive to do so. Even in the real world, that doesn't seem entirely implausible.
Happens every day in America.

 

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