Season 3 info:
http://variety.com/2015/tv/news/fargo-season-3-cast-details-noah-hawley-1201662128/
Fargo Season 3 To Premiere In 2017, With New Cast and Setting
Fargo showrunner Noah Hawley doesnt expectSeason 3 of the acclaimed anthology to be ready before 2017.
Hawley revealed that and a few other details about his plans for the third season during a postmortem conference call for the second season of the FX drama.
The reality is you wont see it in 2016, Hawley said. Its a winter show for better or worse. There is not time to shoot another year before this winter is over."
Hawley also wants to ensure as much of the third season is written before shooting begins. Its also very important to me and the otherproducers that we separate the writing from production. We take our time and break the whole story, write eight of the 10 hours at least and we end up knowing exactly what were doing and exactly what the whole story is. Were going through the writing process now. Ive written the first hour, were about halfway through breaking the season. Well be writing over the next few months with the idea well go into production, much like our first year, in November and be back on the air in spring of 2017.
Despite the shows success, FX has shown patience with the unique demands of its anthology format. There was a year and a half gap between the premieres of Season 1 and 2. One of the great joys of working with FX is the idea that were making these 10 hour movies and theres going to be some kind of event quality to them, Hawley said. We can take our time and get them right and put them on the air, whether thats 12 months or 15 months or 18 months after the last one. I think that really makes it an event. I think the minute youre hitting the same airdate every year youre just making a television show.
The third season will be set in 2010, four years after Season 1, but will not include any of the first season regulars as primary players in the action. Thats not to say that one of our stories might not intersect with characters weve seen before for a certain period of time, Hawley allowed.
As fans of the first season noted, the second season ends with Zahn McClarnons now-fugitive Hanzee assuming the new identity of Moses Tripoli. Mr. Tripoli was the mob boss who employed Sam Hess, the bully who pestered Martin Freemans Lester Nygaard in Season 1 that helped set off that chain of bloody events. Mr. Tripoli also had two henchmen, Mr. Wrench and Mr. Numbers one who is hearing impaired just like one of the boys playing in the field the last time we see Hanzee at the end of Season 2.
Hawley said the writers decided to add this twist as we were breaking the second half of the season.
Theres always a kind of gut check with these things, he said. Are we being clever just to be clever or is there a really compelling character reason to add a twist like that in the end? The idea is that we will connect each story to the other stories in the canon, including the film. I think the idea with the Mr. Tripoli evolution was I like the idea that Hanzee emerges from this story as a winner, on some level, and this is really an origin story for him as much as it is an origin story for [Allison Tolmans] Molly, whos six years old [in Season 2].
As for what happened to Allan Dobrescus Charlie, the last surviving member of the Gerhardt family whose fate is not resolved onscreen, Hawley said he served about four years in prison and got out as the sole surviving Gerhardt and had to make a life for himself. On a lot of levels, hes left behind as the last man standing of the Gerhardt family. Im sure he took a long hard look at himself and the fact that his nature, which was much more gentle, was in such conflict with his upbringing. If hes out there, Id love to get a letter from him someday.
That said, Hawley said Season 3 is more contemporary story and thats exciting.
Our first year was set in 2006, but we didnt really deal with what its like to be in that region in a more contemporary world, he said. I like the idea that were now living in a very selfie-oriented culture people photograph what theyre eating and put it up for other people to see it feels like a social dynamic that is very antithetical to the Lutheran pragmatism of the region. So much of our crime stories are based around the difficulty people have expressing themselves and communicating.
Hawley warned against looking for clues to the focus of Season 3 within the second season. (And that reference to events in Rapid City wont come into play, but may form the seed of a future season.)
We didnt really do what we did in our first year, Hawley said. We didnt tee up the story of Season 3 within the body of Season 2. That said, I think its very exciting to now think once more, What else can you do with Fargo?
In the third year the question becomes, structurally and stylistically: Whats left to say? What do we do that feels similar, but different so were not repeating ourselves? Were always looking for connections and things that fit into the larger body of work were building, hopefully without ever seeming twee or precious or too clever by far.