-OZ-
Footballguy
I’d imagine others feel the same but my top ten - 31 songs for any artist will change on any given day. Some stay near the top but I have already moved one song that was ~20 to #4.Fantasy Football - Footballguys Forums
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MAD - Artist - Round 4 - #15's have been posted (4 Viewers)
- Thread starter Zegras11
- Start date
I’d imagine others feel the same but my top ten - 31 songs for any artist will change on any given day. Some stay near the top but I have already moved one song that was ~20 to #4.
Mrs. Rannous
Footballguy
How about now? Still a couple of days left, you know.
KarmaPolice
Footballguy
@kupcho1, you haven't been peeking at my 100s of random playlists I am working on have you? Just keep it to the MAD31s?
Sorry to be late on the joke - It didn't register who posted this. To answer honestly, I listen to a boatload of music now and I am having a blast going through albums and artists. If I think something looks interesting enough I start a playlist for it and add stuff as I go randomly. As I started doing extras I thought to myself if it ever got to the point that I had enough playlists that I could do one myself I might actually do that, but I wouldn't until I got to 30+.
As of today, (not counting Lord Huron and Journey), I have:
16 other playlists that are at 31+ songs, BUT some have already been used (Thin Lizzy and Talking Heads), and some I wouldn't use in this format (the previously mentioned King Diamond).
About 10 that are about 1/2 filled.
A folder of 11 artists that I bumped to the top of my listening queue that are in the heavier listening rotation.
Probably 70-80 playlists total of random bands and ideas that I had. Some I drop and then maybe thing of something else.
I have a pretty boring and unimportant job that allows me at least 2 hours of listening time in the morning with earbuds before we open, and I probably listen to 4-5 hours of music a day total now that I mostly dropped listening to movie podcasts. I am not doing these for any other reason than it gives me a good outline and structure to listen to a bunch of stuff and learn more about bands. They are also good size playlists for an intro to artists and I have used them to share a few bands with people IRL too. My lone goal is to listen to at least 1 album a day that I hadn't listened to before, or at least in a very long time.
I thought about listing some that I have done, but I also don't want to step on other people's toes and take artists that others have more love and way more knowledge about either.
Eephus
Footballguy
@kupcho1, you haven't been peeking at my 100s of random playlists I am working on have you? Just keep it to the MAD31s?
Sorry to be late on the joke - It didn't register who posted this. To answer honestly, I listen to a boatload of music now and I am having a blast going through albums and artists. If I think something looks interesting enough I start a playlist for it and add stuff as I go randomly. As I started doing extras I thought to myself if it ever got to the point that I had enough playlists that I could do one myself I might actually do that, but I wouldn't until I got to 30+.
As of today, (not counting Lord Huron and Journey), I have:
16 other playlists that are at 31+ songs, BUT some have already been used (Thin Lizzy and Talking Heads), and some I wouldn't use in this format (the previously mentioned King Diamond).
About 10 that are about 1/2 filled.
A folder of 11 artists that I bumped to the top of my listening queue that are in the heavier listening rotation.
Probably 70-80 playlists total of random bands and ideas that I had. Some I drop and then maybe thing of something else.
I have a pretty boring and unimportant job that allows me at least 2 hours of listening time in the morning with earbuds before we open, and I probably listen to 4-5 hours of music a day total now that I mostly dropped listening to movie podcasts. I am not doing these for any other reason than it gives me a good outline and structure to listen to a bunch of stuff and learn more about bands. They are also good size playlists for an intro to artists and I have used them to share a few bands with people IRL too. My lone goal is to listen to at least 1 album a day that I hadn't listened to before, or at least in a very long time.
I thought about listing some that I have done, but I also don't want to step on other people's toes and take artists that others have more love and way more knowledge about either.
KarmaPolice
Footballguy
Great post. I agree I think people put too much pressure on themselves to provide big write-ups, try to keep up with the playlists, and get the rankings right. We are all here for the music, bad puns, and good company with fellow music
s. Journey is in "ranked" order, but even when I do them this way it's more like tiers vs. actual correct rankings. That is impossible.
Lord Huron is in "other" because I thought spreading out the albums would be better, otherwise my top 15 probably would have been 11 or 12 from the main two albums.
KarmaPolice
Footballguy
@kupcho1, you haven't been peeking at my 100s of random playlists I am working on have you? Just keep it to the MAD31s?
Sorry to be late on the joke - It didn't register who posted this. To answer honestly, I listen to a boatload of music now and I am having a blast going through albums and artists. If I think something looks interesting enough I start a playlist for it and add stuff as I go randomly. As I started doing extras I thought to myself if it ever got to the point that I had enough playlists that I could do one myself I might actually do that, but I wouldn't until I got to 30+.
As of today, (not counting Lord Huron and Journey), I have:
16 other playlists that are at 31+ songs, BUT some have already been used (Thin Lizzy and Talking Heads), and some I wouldn't use in this format (the previously mentioned King Diamond).
About 10 that are about 1/2 filled.
A folder of 11 artists that I bumped to the top of my listening queue that are in the heavier listening rotation.
Probably 70-80 playlists total of random bands and ideas that I had. Some I drop and then maybe thing of something else.
I have a pretty boring and unimportant job that allows me at least 2 hours of listening time in the morning with earbuds before we open, and I probably listen to 4-5 hours of music a day total now that I mostly dropped listening to movie podcasts. I am not doing these for any other reason than it gives me a good outline and structure to listen to a bunch of stuff and learn more about bands. They are also good size playlists for an intro to artists and I have used them to share a few bands with people IRL too. My lone goal is to listen to at least 1 album a day that I hadn't listened to before, or at least in a very long time.
I thought about listing some that I have done, but I also don't want to step on other people's toes and take artists that others have more love and way more knowledge about either.
. I need something to keep my mind occupied or I go crazy. Podcasts and audiobooks weren't doing it.
Tau837
Footballguy
Intro to Eddie Vedder:
Eddie Vedder is one of the most iconic and influential rock musicians of his generation. Best known as the lead singer and primary lyricist for Pearl Jam, Eddie’s distinctive deep voice, passionate performances, and introspective songwriting have made him a central figure in the alternative rock and grunge movements of the 1990s.
After his mother remarried, Eddie moved to San Diego, California, where he picked up the guitar and started immersing himself in music. Artists like The Who, The Ramones, The Doors, and Bruce Springsteen were major influences on his early musical style.
Eddie's journey to Pearl Jam began when he moved back to San Diego in the late 1980s and became part of the local music scene. In 1990, Jack Irons, former drummer of the Red Hot Chili Peppers, passed on a demo tape from Seattle-based musicians Stone Gossard and Jeff Ament, who were looking for a lead vocalist for their new band. Eddie recorded his vocals on three songs—later known as the "Mamasan Trilogy" ("Alive," "Once," and "Footsteps"). His unique voice and storytelling ability won him the position as Pearl Jam's frontman.
Pearl Jam's debut album, "Ten," released in 1991, was a massive success, becoming one of the defining albums of the grunge era. Songs like "Alive," "Jeremy," and "Black" showcased Eddie's deep, emotional lyrics and powerful voice. His lyrics often dealt with heavy topics like personal identity, depression, loss, and social alienation, resonating deeply with the youth of the time. The album sold over 13 million copies in the U.S. alone, and Vedder’s emotionally charged performances helped solidify Pearl Jam’s place as one of the leading bands of the 1990s.
Eddie's voice is a key aspect of his appeal—deep, resonant, and filled with emotion. His style often combines a raw intensity with moments of quiet introspection, and his lyrics reflect this duality. Themes of social justice, personal struggle, and self-reflection run throughout his work. Songs like "Alive" (about dealing with difficult family revelations), "Jeremy" (about a troubled youth), and "Better Man" (about escaping an abusive relationship) are prime examples of his powerful narrative style.
Eddie is known for his strong political and social views, often using his platform to speak out on issues ranging from gun control, environmentalism, and human rights, to pro-choice advocacy. I don't intend to focus much on this.
However, I will relay a personal story. There was a time in the mid 1990s when Pearl Jam took a stand against Ticketmaster, and they played a tour at non-TM venues. My wife, BIL, his girlfriend, and I went to a Pearl Jam show in Charlotte at some American Legion Memorial Staidum (a football stadium) in 1996. It was outdoors in early October, so it was cool, but it was an awesome venue and concert. Carolina Panthers QB Kerry Collins was there in a box above where we were. Good memory.
In addition to his work with Pearl Jam, Eddie has had a successful solo career. One of his most acclaimed projects is the soundtrack for the 2007 film "Into the Wild," directed by Sean Penn. Eddie's raw, acoustic songs perfectly complemented the film’s themes of isolation and self-discovery. His work on this soundtrack earned him a Golden Globe Award.
Eddie has also released two solo albums, "Ukulele Songs" (2011) and "Earthling" (2022). "Ukulele Songs" is a more stripped-down, intimate project, showcasing his versatility as a songwriter. "Earthling," on the other hand, features a range of guest artists and explores various musical styles, expanding his sonic palette.
Eddie's influence extends beyond music — his activism, commitment to authenticity, and refusal to conform to the commercial demands of the music industry have earned him immense respect. Pearl Jam was inducted into the Rock and Roll Hall of Fame in 2017, a testament to Eddie's enduring influence on rock music and his generation.
Eddie Vedder is one of the most iconic and influential rock musicians of his generation. Best known as the lead singer and primary lyricist for Pearl Jam, Eddie’s distinctive deep voice, passionate performances, and introspective songwriting have made him a central figure in the alternative rock and grunge movements of the 1990s.
After his mother remarried, Eddie moved to San Diego, California, where he picked up the guitar and started immersing himself in music. Artists like The Who, The Ramones, The Doors, and Bruce Springsteen were major influences on his early musical style.
Eddie's journey to Pearl Jam began when he moved back to San Diego in the late 1980s and became part of the local music scene. In 1990, Jack Irons, former drummer of the Red Hot Chili Peppers, passed on a demo tape from Seattle-based musicians Stone Gossard and Jeff Ament, who were looking for a lead vocalist for their new band. Eddie recorded his vocals on three songs—later known as the "Mamasan Trilogy" ("Alive," "Once," and "Footsteps"). His unique voice and storytelling ability won him the position as Pearl Jam's frontman.
Pearl Jam's debut album, "Ten," released in 1991, was a massive success, becoming one of the defining albums of the grunge era. Songs like "Alive," "Jeremy," and "Black" showcased Eddie's deep, emotional lyrics and powerful voice. His lyrics often dealt with heavy topics like personal identity, depression, loss, and social alienation, resonating deeply with the youth of the time. The album sold over 13 million copies in the U.S. alone, and Vedder’s emotionally charged performances helped solidify Pearl Jam’s place as one of the leading bands of the 1990s.
Eddie's voice is a key aspect of his appeal—deep, resonant, and filled with emotion. His style often combines a raw intensity with moments of quiet introspection, and his lyrics reflect this duality. Themes of social justice, personal struggle, and self-reflection run throughout his work. Songs like "Alive" (about dealing with difficult family revelations), "Jeremy" (about a troubled youth), and "Better Man" (about escaping an abusive relationship) are prime examples of his powerful narrative style.
Eddie is known for his strong political and social views, often using his platform to speak out on issues ranging from gun control, environmentalism, and human rights, to pro-choice advocacy. I don't intend to focus much on this.
However, I will relay a personal story. There was a time in the mid 1990s when Pearl Jam took a stand against Ticketmaster, and they played a tour at non-TM venues. My wife, BIL, his girlfriend, and I went to a Pearl Jam show in Charlotte at some American Legion Memorial Staidum (a football stadium) in 1996. It was outdoors in early October, so it was cool, but it was an awesome venue and concert. Carolina Panthers QB Kerry Collins was there in a box above where we were. Good memory.
In addition to his work with Pearl Jam, Eddie has had a successful solo career. One of his most acclaimed projects is the soundtrack for the 2007 film "Into the Wild," directed by Sean Penn. Eddie's raw, acoustic songs perfectly complemented the film’s themes of isolation and self-discovery. His work on this soundtrack earned him a Golden Globe Award.
Eddie has also released two solo albums, "Ukulele Songs" (2011) and "Earthling" (2022). "Ukulele Songs" is a more stripped-down, intimate project, showcasing his versatility as a songwriter. "Earthling," on the other hand, features a range of guest artists and explores various musical styles, expanding his sonic palette.
Eddie's influence extends beyond music — his activism, commitment to authenticity, and refusal to conform to the commercial demands of the music industry have earned him immense respect. Pearl Jam was inducted into the Rock and Roll Hall of Fame in 2017, a testament to Eddie's enduring influence on rock music and his generation.
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Tau837
Footballguy
Eddie Vedder top 31 breakdown by album:
- 7 Ten (Pearl Jam, 1991) - one of the best albums of all time IMO
- 3 Vs (Pearl Jam, 1992)
- 3 Vitalogy (Pearl Jam, 1994)
- 3 Pearl Jam (Pearl Jam, 2006)
- 2 Yield (Pearl Jam, 1998)
- 2 Binaural (Pearl Jam, 2000)
- 2 Riot Act (Pearl Jame, 2002)
- 2 Into the Wild (Eddie Vedder, 2007)
- 2 Backspacer (Pearl Jam, 2009)
- 1 Temple of the Dog (Temple of the Dog, 1991)
- 1 Singles: Original Motion Picture Soundtrack (Pearl Jam, 1992)
- 1 Lost Dogs (Pearl Jam, 2003)
- 1 Ukulele Songs (Eddie Vedder, 2011)
- 1 Gigaton (Pearl Jam, 2020)
jwb
Footballguy
I did try more random lists, twice (ELO and Doors). There were a lot of "should be higher" comments, even though I made it a point to say "these are random" many times in the threads. I guess we're just conditioned to countdowns being that way. So Crüe is more or less my favorites, in a general order. I'm assuming 1 in the sheet was the #1/best (last to be posted).
Three cover songs for the Crüe too.
KarmaPolice
Footballguy
-OZ-
Footballguy
Glad to see this. I was wondering if we’d get a lot of his later works which I avoid.
Totally agree that Ten is among the great albums. I burned through that tape in high school.
jwb
Footballguy
It better feature the one I new from the spectacular movie Like Father, Like Son. Kirk Cameron and Dudley Moore at their peak!!
Looks like they have 2 in that movie, and one is definitely in the list (not hard to pick which one - it's one of their bigger hits).
My list is pretty chalky. I tried to get some later albums in but besides maybe a token track, the fifth best song on a mid 80's album is better than their post 2000 stuff.
KarmaPolice
Footballguy
Oh, yeah!It better feature the one I new from the spectacular movie Like Father, Like Son. Kirk Cameron and Dudley Moore at their peak!!
Looks like they have 2 in that movie, and one is definitely in the list (not hard to pick which one - it's one of their bigger hits).
My list is pretty chalky. I tried to get some later albums in but besides maybe a token track, the fifth best song on a mid 80's album is better than their post 2000 stuff.
I think one is him watching a music video or during montage at home and the other is the one I was referring to. To be clear, I haven't seen this movie in decades and I can't remember what I did the day before 1/2 the time. This is the crap that fills my memory banks.
Raging weasel
Footballguy
Same here. Riot Act was their last CD I purchased and haven't heard much of their stuff after that one.
titusbramble
Footballguy
A button has been pressed. Here is the "it's good, but it's not right" 32-46 motherload in no particular order:
titusbramble
Footballguy
I will add that while I have submitted in "1 = best, 31 = 31st best" order, there is a pretty huge caveat as to what I have done. Those who have watched previous countdowns might be able to work out what that is, but I'll make it crystal once the 31s are revealed
Tau837
Footballguy
25 of 31 songs in my top 31 are from 2002 (Riot Act) or earlier. And I expect you will like some of the post-2002 choices.
Tau837
Footballguy
A button has been pressed. Here is the "it's good, but it's not right" 32-46 motherload in no particular order:
Wow, Everything in its Right Place would absolutely be in my top 31. Probably in my top 10.
Pip's Invitation
Footballguy
Let’s not use the word “dominate” in this context since Rolling Stone accused Triumph of being fascists.That run will dominate this event!
Pip's Invitation
Footballguy
Hey, I’ll keep feeding you suggestions via PM…@kupcho1, you haven't been peeking at my 100s of random playlists I am working on have you? Just keep it to the MAD31s?
Sorry to be late on the joke - It didn't register who posted this. To answer honestly, I listen to a boatload of music now and I am having a blast going through albums and artists. If I think something looks interesting enough I start a playlist for it and add stuff as I go randomly. As I started doing extras I thought to myself if it ever got to the point that I had enough playlists that I could do one myself I might actually do that, but I wouldn't until I got to 30+.
As of today, (not counting Lord Huron and Journey), I have:
16 other playlists that are at 31+ songs, BUT some have already been used (Thin Lizzy and Talking Heads), and some I wouldn't use in this format (the previously mentioned King Diamond).
About 10 that are about 1/2 filled.
A folder of 11 artists that I bumped to the top of my listening queue that are in the heavier listening rotation.
Probably 70-80 playlists total of random bands and ideas that I had. Some I drop and then maybe thing of something else.
I have a pretty boring and unimportant job that allows me at least 2 hours of listening time in the morning with earbuds before we open, and I probably listen to 4-5 hours of music a day total now that I mostly dropped listening to movie podcasts. I am not doing these for any other reason than it gives me a good outline and structure to listen to a bunch of stuff and learn more about bands. They are also good size playlists for an intro to artists and I have used them to share a few bands with people IRL too. My lone goal is to listen to at least 1 album a day that I hadn't listened to before, or at least in a very long time.
I thought about listing some that I have done, but I also don't want to step on other people's toes and take artists that others have more love and way more knowledge about either.
KarmaPolice
Footballguy
Love the differences in people's lists when we do these. This list contains 3 of my top 5 songs.
KarmaPolice
Footballguy
I am all for it, but you did already open 2 cans of worms this morning.Hey, I’ll keep feeding you suggestions via PM…@kupcho1, you haven't been peeking at my 100s of random playlists I am working on have you? Just keep it to the MAD31s?
Sorry to be late on the joke - It didn't register who posted this. To answer honestly, I listen to a boatload of music now and I am having a blast going through albums and artists. If I think something looks interesting enough I start a playlist for it and add stuff as I go randomly. As I started doing extras I thought to myself if it ever got to the point that I had enough playlists that I could do one myself I might actually do that, but I wouldn't until I got to 30+.
As of today, (not counting Lord Huron and Journey), I have:
16 other playlists that are at 31+ songs, BUT some have already been used (Thin Lizzy and Talking Heads), and some I wouldn't use in this format (the previously mentioned King Diamond).
About 10 that are about 1/2 filled.
A folder of 11 artists that I bumped to the top of my listening queue that are in the heavier listening rotation.
Probably 70-80 playlists total of random bands and ideas that I had. Some I drop and then maybe thing of something else.
I have a pretty boring and unimportant job that allows me at least 2 hours of listening time in the morning with earbuds before we open, and I probably listen to 4-5 hours of music a day total now that I mostly dropped listening to movie podcasts. I am not doing these for any other reason than it gives me a good outline and structure to listen to a bunch of stuff and learn more about bands. They are also good size playlists for an intro to artists and I have used them to share a few bands with people IRL too. My lone goal is to listen to at least 1 album a day that I hadn't listened to before, or at least in a very long time.
I thought about listing some that I have done, but I also don't want to step on other people's toes and take artists that others have more love and way more knowledge about either.
Also, I realized much of above doesn't include my metal adventures or what I was thinking about trying with that.
Mister CIA
Footballguy
Change of heart. I'm going to pass on participation this go round. My enthusiasm, it's missing. A little break ought to restore things.
www.youtube.com
- YouTube
Auf YouTube findest du die angesagtesten Videos und Tracks. Außerdem kannst du eigene Inhalte hochladen und mit Freunden oder gleich der ganzen Welt teilen.
www.youtube.com
zamboni
Footballguy
That would actually be a good artist to use next time.Change of heart. I'm going to pass on participation this go round. My enthusiasm, it's missing. A little break ought to restore things.
- YouTube
Auf YouTube findest du die angesagtesten Videos und Tracks. Außerdem kannst du eigene Inhalte hochladen und mit Freunden oder gleich der ganzen Welt teilen.
Pip's Invitation
Footballguy
Zegras11
Footballguy
exactly.
I give all my songs a score like how we were graded in school
90+ = A
80+ = B
70+ =C
My #7-29 on this next list were rated 79-85. That's so close. They could all change and will like you said any given day.
My #2-4 are rated 94, 94.5, and 95.
ETA: My 8-24 songs scored between 81.2 and 84.0
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-OZ-
Footballguy
I found my favorite songs on Vs were up there with Ten but there were fewer. Which seems to mesh with Tau.
Pip's Invitation
Footballguy
Everything, Pyramid and Punch Up would definitely be in my top 31 if I ranked Radiohead songs.A button has been pressed. Here is the "it's good, but it's not right" 32-46 motherload in no particular order:
Zegras11
Footballguy
randomize you sweet *******.Change of heart. I'm going to pass on participation this go round. My enthusiasm, it's missing. A little break ought to restore things.
- YouTube
Auf YouTube findest du die angesagtesten Videos und Tracks. Außerdem kannst du eigene Inhalte hochladen und mit Freunden oder gleich der ganzen Welt teilen.
New Binky the Doormat
Footballguy
I'm old enough to remember when a
* 96/95 was an A-
* 94/93 was a B+/ B ended at 86
* 87/86 was a C+/C ended at 80
* 79/78 was a D+/ D ended at 70
* 69 and below was a F
it before everybody gets a trophy days. Our pee-wee football team practiced in 90 degree heat with full pads and just took those yellow "water" pills, we also had "bull-in-the-ring" drills where a kid in in a circle of about 10 guys and he has to repeated run into the circle at various points of his choosing and try and break out. We were taught to lower our heads and use the helmet. The coaches would entertain themselves by keeping a kid in there until they gave up - then laugh and call him names.
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Raging weasel
Footballguy
I only like 5 Radiohead songs and one is on this list(Subterranean...)
Raging weasel
Footballguy
I remember all that too.
Mrs. Rannous
Footballguy
I'm glad at least some of the a##holery had stopped. Institutionalized bullying gives me ick.
Mt. Man
Footballguy
List (all 32 tracks, you'll see) Submitted.
Last Five Out:
Rain
"Rain" was in there and plausibly should still be. But at the end, I made the executive decision to limit songs from their first album to 6. Which, to be fair, is 2 more than any other album (see also below). So "Rain" can also stand in for all the songs off "Candlebox" that didn't make it.
Blinders
This one was also in heavy consideration. Obviously, at this current point, it just wasn't quite enough. It's a song about personal growth, about being overly focused on one path and (thanks to metaphorically having blinders on) not seeing other, possibly more 'risky', paths.
Surrendering
It was near a coin flip between this and another song from Into the Sun. A mellow and comforting song, about loneliness and self-isolation. But also finding someone worthy of, well, surrendering to, of confiding in.
Featherweight
"Featherweight" never appeared on an album, being only released as a B-side single.
The Bridge
Hello. I've waited here for you. Okay, the similarities stop after a few seconds, with Candlebox going their own way. But it's still a taste of their (later) influences and style.
--
Breakdown of 31 songs:
Candlebox - 6
Lucy - 4
Happy Pills - 4
Into the Sun - 3
Love Stories & Other Musings - 2
Disappearing In Airports - 4 (Includes one song from Disappearing Live)
Wolves - 3
A Little Longer Goodbye - 3 (Two of them also on The Long Goodbye)
Misc - 2
Includes one cover. Though I don't know what chance there is of having heard the original. Or any of the other 13 versions.
Last Five Out:
Rain
"Rain" was in there and plausibly should still be. But at the end, I made the executive decision to limit songs from their first album to 6. Which, to be fair, is 2 more than any other album (see also below). So "Rain" can also stand in for all the songs off "Candlebox" that didn't make it.
Blinders
This one was also in heavy consideration. Obviously, at this current point, it just wasn't quite enough. It's a song about personal growth, about being overly focused on one path and (thanks to metaphorically having blinders on) not seeing other, possibly more 'risky', paths.
Surrendering
It was near a coin flip between this and another song from Into the Sun. A mellow and comforting song, about loneliness and self-isolation. But also finding someone worthy of, well, surrendering to, of confiding in.
Featherweight
"Featherweight" never appeared on an album, being only released as a B-side single.
The Bridge
Hello. I've waited here for you. Okay, the similarities stop after a few seconds, with Candlebox going their own way. But it's still a taste of their (later) influences and style.
--
Breakdown of 31 songs:
Candlebox - 6
Lucy - 4
Happy Pills - 4
Into the Sun - 3
Love Stories & Other Musings - 2
Disappearing In Airports - 4 (Includes one song from Disappearing Live)
Wolves - 3
A Little Longer Goodbye - 3 (Two of them also on The Long Goodbye)
Misc - 2
Includes one cover. Though I don't know what chance there is of having heard the original. Or any of the other 13 versions.
Scoresman
Footballguy
Same.A button has been pressed. Here is the "it's good, but it's not right" 32-46 motherload in no particular order:
Wow, Everything in its Right Place would absolutely be in my top 31. Probably in my top 10.
MAC_32
Footballguy
Vs is by far my favorite Peal Jam effort and any less than 2 from Lost Dogs is grounds for a paddlin', so Tau and I are not off to a good start again
Hope you picked the right ukelele too!In all seriousness, I am happy to see a sprinkling in beyond Yield. They've got some good work throughout their catalog. You listen to Dark Matter yet?
KarmaPolice
Footballguy
Tau, no medals for you!!!Vs is by far my favorite Peal Jam effort and any less than 2 from Lost Dogs is grounds for a paddlin', so Tau and I are not off to a good start again
In all seriousness, I am happy to see a sprinkling in beyond Yield. They've got some good work throughout their catalog. You listen to Dark Matter yet?
MAC_32
Footballguy
I'm guilty of this and it's 100% a me problem. When I'm engaged and keeping pace I both enjoy the music / banter and litter my library with new music. When I'm not I get easily distracted while spinning, smash less hearts, and eventually lose interest.Great post. I agree I think people put too much pressure on themselves to provide big write-ups, try to keep up with the playlists, and get the rankings right. We are all here for the music, bad puns, and good company with fellow music
Journey is in "ranked" order, but even when I do them this way it's more like tiers vs. actual correct rankings. That is impossible.
Lord Huron is in "other" because I thought spreading out the albums would be better, otherwise my top 15 probably would have been 11 or 12 from the main two albums.
The only part of my list I obsess over is the beginning of it - need the attention grabber. I also put singles most people have heard before at the top. If I have a lesser known that's also a favorite then the best it can be ranked is about #3. I over analyze the rest of it, trying to ensure there aren't runs of ballads / bangers / or songs from the same album when no one will notice, but I've done a better job the last two times limiting that to only about a week. I justify it because I've weeded out a couple needing pulled and add in others I didn't seriously think about until a 5th or 6th listen.
MAC_32
Footballguy
They're all winners in our heartsTau, no medals for you!!!Vs is by far my favorite Peal Jam effort and any less than 2 from Lost Dogs is grounds for a paddlin', so Tau and I are not off to a good start again
In all seriousness, I am happy to see a sprinkling in beyond Yield. They've got some good work throughout their catalog. You listen to Dark Matter yet?
Zegras11
Footballguy
| The Walkmen | Scoresman |
| The Clash | kupcho1 |
| Ryan Star | Yambag |
| Yes | Yo Mama |
| Built To Spill | The Dreaded Marco |
| Johnny Marr | Eephus |
| The Pretty Reckless | Raging Weasel |
| Jeff Tweedy | Dr. Octopus |
| Journey | KarmaPolice |
| Lindsey Stirling | -oz- |
| Triumph | Pip's Invitation |
| Our Lady Peace | MAC |
| Mötley Crüe | JWB |
| The Airborne Toxic Event | Zegras11 |
| Annie Lennox | Mrs. Rannous |
| Whitney Houston | Charlie Steiner |
| My Morning Jacket | landrys hat |
| Robyn | John Maddens Lunchbox |
| R.E.M. | Tuffnutt |
| Tim Maia | Don Quixote |
| Parliament Funkadelic | Uruk-Hai |
| Lord Huron | KarmaPolice |
| R.E.M. | Tuffnutt |
| Radiohead | Titusbramble |
| Candlebox | Mt.Man |
Tau837
Footballguy
Vs is a truly great album for sure. Just not on the same level as Ten for me.
Tau837
Footballguy
Vs is by far my favorite Peal Jam effort and any less than 2 from Lost Dogs is grounds for a paddlin', so Tau and I are not off to a good start again
In all seriousness, I am happy to see a sprinkling in beyond Yield. They've got some good work throughout their catalog. You listen to Dark Matter yet?
I admit I have not. I have it but just have not had the time to listen to it more than one time. And I really haven't listened to Gigaton a lot either. Those two albums may havve gotten shorted in my ranking.
Mrs. Rannous
Footballguy
Gee. And I thought I spent a lot of time on this. Live in the now, dude.I'm guilty of this and it's 100% a me problem. When I'm engaged and keeping pace I both enjoy the music / banter and litter my library with new music. When I'm not I get easily distracted while spinning, smash less hearts, and eventually lose interest.Great post. I agree I think people put too much pressure on themselves to provide big write-ups, try to keep up with the playlists, and get the rankings right. We are all here for the music, bad puns, and good company with fellow music
Journey is in "ranked" order, but even when I do them this way it's more like tiers vs. actual correct rankings. That is impossible.
Lord Huron is in "other" because I thought spreading out the albums would be better, otherwise my top 15 probably would have been 11 or 12 from the main two albums.
The only part of my list I obsess over is the beginning of it - need the attention grabber. I also put singles most people have heard before at the top. If I have a lesser known that's also a favorite then the best it can be ranked is about #3. I over analyze the rest of it, trying to ensure there aren't runs of ballads / bangers / or songs from the same album when no one will notice, but I've done a better job the last two times limiting that to only about a week. I justify it because I've weeded out a couple needing pulled and add in others I didn't seriously think about until a 5th or 6th listen.
Tau837
Footballguy
Second to last 5 out for Eddie Vedder (next 5 out to follow soon):
41. No Way (Pearl Jam, "Yield," 1998)
Pearl Jam's song "No Way" appears on their 1998 album "Yield." "No Way" was written by guitarist Stone Gossard, one of Pearl Jam’s founding members. Gossard was responsible for many of the band's heavier and riff-driven tracks early in their career, but with "No Way," he crafts a song that’s more relaxed, featuring a hypnotic rhythm and laid-back groove. The repetitive nature of the music, combined with the introspective lyrics, gives the song a meditative quality.
Eddie’s vocals on the track are laid-back, almost conversational, as he delivers the lyrics in a way that feels personal and reflective. The tone of the song is more subdued compared to Pearl Jam's more anthemic hits, but it fits well within the album's contemplative, mature atmosphere.
In "No Way," Pearl Jam delivers a song that encapsulates the feelings of weariness and disillusionment that many people experience. The song's mellow groove contrasts with its introspective, almost melancholic lyrics, making it a quiet standout on Yield. Stone Gossard’s simple but effective songwriting allows Eddie Vedder's voice to convey the sense of frustration and yearning for a way out, adding depth to the track. "No Way" is a reflection on personal limits, societal expectations, and the internal struggle to stay engaged in a world that feels increasingly overwhelming.
40. Life Wasted (Pearl Jam, "Pearl Jam," 2006)
"Life Wasted" is the second track on Pearl Jam’s self-titled 2006 album. The song is a hard-hitting, fast-paced track that blends themes of existential awakening and renewal, dealing with overcoming grief and embracing life’s fleeting nature.
Eddie wrote "Life Wasted" following a difficult period in his life, specifically the death of his close friend, punk rock legend Johnny Ramone (of the Ramones), in 2004. Ramone's death profoundly impacted Vedder, and the song reflects his realization that life is short and precious, and wasting it by living passively is not an option.
The song’s raw energy and straightforward rock sound capture Pearl Jam’s return to a more aggressive musical style after some of the more experimental albums earlier in the 2000s. Mike McCready's powerful guitar work and Matt Cameron’s driving drumming complement Vedder’s lyrics, delivering a cathartic and anthemic rock song.
"Life Wasted" reflects a personal awakening, where the speaker realizes that life is short and must be actively lived rather than squandered. The song expresses regret for the past but also a sense of empowerment, with the speaker vowing to make the most of their time going forward.
The punk influence, stemming from Eddie's connection to Johnny Ramone, is evident in the song’s straightforward structure and aggressive energy. While Pearl Jam is known for its diversity in musical styles, "Life Wasted" harks back to the band’s earlier, more grunge-driven days with a raw, unpolished feel.
39. Man of the Hour (Pearl Jam, "Big Fish: Music from the Motion Picture," 2003)
"Man of the Hour" is a song by Pearl Jam written by Eddie Vedder. It was released in 2003 as part of the soundtrack for the film Big Fish, directed by Tim Burton. The song was nominated for a Golden Globe Award for Best Original Song, and it holds a special place in the band’s discography due to its poignant subject matter and connection to Burton's deeply emotional film.
The song was specifically written for Big Fish, a film that deals with themes of life, death, and the complex relationships between fathers and sons. Tim Burton approached Eddie Vedder and asked Pearl Jam to contribute a song that would play during the film’s final scenes. Vedder watched the movie and quickly wrote "Man of the Hour", which perfectly captured the tone of the film, reflecting its themes of loss, reconciliation, and the transition between life and death.
Musically, "Man of the Hour" is restrained and somber, with a reflective, almost folk-like quality. The song opens with delicate fingerpicked guitar, creating a calm and introspective mood. Matt Cameron’s drumming is subtle and understated, giving the song space to breathe. Eddie Vedder’s vocals are emotional yet controlled, conveying the weight of the song’s themes without overwhelming the listener.
The gentle instrumentation complements the song’s reflective tone, enhancing its meditative atmosphere. There’s no bombast or dramatic climax—just a quiet, heartfelt farewell, mirroring the peaceful acceptance of death in the lyrics.
"Man of the Hour" is played during the film's closing scene, where Edward Bloom passes away. The song beautifully captures the bittersweet feelings of loss and the enduring impact a parent has on their child, even after death. Vedder's lyrics perfectly encapsulate the film's themes of mortality, legacy, and the reconciliation between father and son.
38. Of the Girl (Pearl Jam, "Binaural," 2002)
"Of the Girl" is a song by Pearl Jam from their 2000 album Binaural. Written by the band's guitarist Stone Gossard, it stands out for its brooding atmosphere and layered instrumentation. The song is known for its haunting, bluesy sound, and its cryptic lyrics, which leave much open to interpretation.
"Of the Girl" is one of the quieter and more atmospheric tracks on Binaural, an album that saw Pearl Jam experimenting with production techniques, notably the use of binaural recording for certain tracks (though not this one). The song was written by Stone Gossard, who has contributed many of the band's darker, more reflective songs throughout their career.
In contrast to some of Pearl Jam's more politically charged or anthemic songs, "Of the Girl" is introspective and subtle. Its moody tone and minimalist lyrics reflect emotional complexity, leaving room for interpretation. Gossard’s songwriting here is focused less on big statements and more on creating a feeling of melancholy and reflection.
37. Dissident (Pearl Jam, "Vs," 1993)
"Dissident" is a song by Pearl Jam from their 1993 album Vs. It was the fourth single released from the album and became a notable track during the band’s rise in the grunge movement. Written primarily by Eddie Vedder, the song deals with themes of guilt, betrayal, and moral conflict, set against the backdrop of the band's raw, hard-hitting rock sound. It peaked at #3 on the Billboard Mainstream Rock Tracks and #2 on the Modern Rock Tracks, showcasing its popularity on alternative rock radio stations.
The song is a story of someone who betrays their own principles or a cause, leading to deep regret. Although its narrative is somewhat ambiguous, Vedder has described it as focusing on a woman who offers shelter to someone in trouble (perhaps a political dissident or rebel), but later turns him over, consumed by guilt and the inability to live up to her ideals.
The word “dissident” itself refers to someone who opposes authority or the established order, making the title a perfect fit for the song's exploration of moral and ethical struggle. Thematically, "Dissident" was noted for its exploration of moral conflict and personal guilt, echoing the internal struggles many people face when forced to compromise their ideals. Some critics interpreted the song as an allegory for larger societal and political betrayals, while others viewed it as a more personal, internal narrative. This flexibility in interpretation was seen as one of the song's strengths.
41. No Way (Pearl Jam, "Yield," 1998)
Pearl Jam's song "No Way" appears on their 1998 album "Yield." "No Way" was written by guitarist Stone Gossard, one of Pearl Jam’s founding members. Gossard was responsible for many of the band's heavier and riff-driven tracks early in their career, but with "No Way," he crafts a song that’s more relaxed, featuring a hypnotic rhythm and laid-back groove. The repetitive nature of the music, combined with the introspective lyrics, gives the song a meditative quality.
Eddie’s vocals on the track are laid-back, almost conversational, as he delivers the lyrics in a way that feels personal and reflective. The tone of the song is more subdued compared to Pearl Jam's more anthemic hits, but it fits well within the album's contemplative, mature atmosphere.
In "No Way," Pearl Jam delivers a song that encapsulates the feelings of weariness and disillusionment that many people experience. The song's mellow groove contrasts with its introspective, almost melancholic lyrics, making it a quiet standout on Yield. Stone Gossard’s simple but effective songwriting allows Eddie Vedder's voice to convey the sense of frustration and yearning for a way out, adding depth to the track. "No Way" is a reflection on personal limits, societal expectations, and the internal struggle to stay engaged in a world that feels increasingly overwhelming.
40. Life Wasted (Pearl Jam, "Pearl Jam," 2006)
"Life Wasted" is the second track on Pearl Jam’s self-titled 2006 album. The song is a hard-hitting, fast-paced track that blends themes of existential awakening and renewal, dealing with overcoming grief and embracing life’s fleeting nature.
Eddie wrote "Life Wasted" following a difficult period in his life, specifically the death of his close friend, punk rock legend Johnny Ramone (of the Ramones), in 2004. Ramone's death profoundly impacted Vedder, and the song reflects his realization that life is short and precious, and wasting it by living passively is not an option.
The song’s raw energy and straightforward rock sound capture Pearl Jam’s return to a more aggressive musical style after some of the more experimental albums earlier in the 2000s. Mike McCready's powerful guitar work and Matt Cameron’s driving drumming complement Vedder’s lyrics, delivering a cathartic and anthemic rock song.
"Life Wasted" reflects a personal awakening, where the speaker realizes that life is short and must be actively lived rather than squandered. The song expresses regret for the past but also a sense of empowerment, with the speaker vowing to make the most of their time going forward.
The punk influence, stemming from Eddie's connection to Johnny Ramone, is evident in the song’s straightforward structure and aggressive energy. While Pearl Jam is known for its diversity in musical styles, "Life Wasted" harks back to the band’s earlier, more grunge-driven days with a raw, unpolished feel.
39. Man of the Hour (Pearl Jam, "Big Fish: Music from the Motion Picture," 2003)
"Man of the Hour" is a song by Pearl Jam written by Eddie Vedder. It was released in 2003 as part of the soundtrack for the film Big Fish, directed by Tim Burton. The song was nominated for a Golden Globe Award for Best Original Song, and it holds a special place in the band’s discography due to its poignant subject matter and connection to Burton's deeply emotional film.
The song was specifically written for Big Fish, a film that deals with themes of life, death, and the complex relationships between fathers and sons. Tim Burton approached Eddie Vedder and asked Pearl Jam to contribute a song that would play during the film’s final scenes. Vedder watched the movie and quickly wrote "Man of the Hour", which perfectly captured the tone of the film, reflecting its themes of loss, reconciliation, and the transition between life and death.
Musically, "Man of the Hour" is restrained and somber, with a reflective, almost folk-like quality. The song opens with delicate fingerpicked guitar, creating a calm and introspective mood. Matt Cameron’s drumming is subtle and understated, giving the song space to breathe. Eddie Vedder’s vocals are emotional yet controlled, conveying the weight of the song’s themes without overwhelming the listener.
The gentle instrumentation complements the song’s reflective tone, enhancing its meditative atmosphere. There’s no bombast or dramatic climax—just a quiet, heartfelt farewell, mirroring the peaceful acceptance of death in the lyrics.
"Man of the Hour" is played during the film's closing scene, where Edward Bloom passes away. The song beautifully captures the bittersweet feelings of loss and the enduring impact a parent has on their child, even after death. Vedder's lyrics perfectly encapsulate the film's themes of mortality, legacy, and the reconciliation between father and son.
38. Of the Girl (Pearl Jam, "Binaural," 2002)
"Of the Girl" is a song by Pearl Jam from their 2000 album Binaural. Written by the band's guitarist Stone Gossard, it stands out for its brooding atmosphere and layered instrumentation. The song is known for its haunting, bluesy sound, and its cryptic lyrics, which leave much open to interpretation.
"Of the Girl" is one of the quieter and more atmospheric tracks on Binaural, an album that saw Pearl Jam experimenting with production techniques, notably the use of binaural recording for certain tracks (though not this one). The song was written by Stone Gossard, who has contributed many of the band's darker, more reflective songs throughout their career.
In contrast to some of Pearl Jam's more politically charged or anthemic songs, "Of the Girl" is introspective and subtle. Its moody tone and minimalist lyrics reflect emotional complexity, leaving room for interpretation. Gossard’s songwriting here is focused less on big statements and more on creating a feeling of melancholy and reflection.
37. Dissident (Pearl Jam, "Vs," 1993)
"Dissident" is a song by Pearl Jam from their 1993 album Vs. It was the fourth single released from the album and became a notable track during the band’s rise in the grunge movement. Written primarily by Eddie Vedder, the song deals with themes of guilt, betrayal, and moral conflict, set against the backdrop of the band's raw, hard-hitting rock sound. It peaked at #3 on the Billboard Mainstream Rock Tracks and #2 on the Modern Rock Tracks, showcasing its popularity on alternative rock radio stations.
The song is a story of someone who betrays their own principles or a cause, leading to deep regret. Although its narrative is somewhat ambiguous, Vedder has described it as focusing on a woman who offers shelter to someone in trouble (perhaps a political dissident or rebel), but later turns him over, consumed by guilt and the inability to live up to her ideals.
The word “dissident” itself refers to someone who opposes authority or the established order, making the title a perfect fit for the song's exploration of moral and ethical struggle. Thematically, "Dissident" was noted for its exploration of moral conflict and personal guilt, echoing the internal struggles many people face when forced to compromise their ideals. Some critics interpreted the song as an allegory for larger societal and political betrayals, while others viewed it as a more personal, internal narrative. This flexibility in interpretation was seen as one of the song's strengths.
Tau837
Footballguy
First 5 out for Eddie Vedder:
36. I Got ID (Pearl Jam, "Merkin Ball," 1995)
"I Got Id" (sometimes referred to as "I Got ****") is a song by Pearl Jam, written by lead vocalist Eddie Vedder. It was released in 1995 as part of the Merkin Ball EP, a companion to Neil Young’s Mirror Ball album, which Pearl Jam collaborated on. "I Got Id" is an emotional and introspective song, characterized by Eddie's vulnerable lyrics and the band’s raw, powerful instrumentation.
"I Got Id" was written during the sessions for Neil Young’s Mirror Ball album, which featured Pearl Jam as the backing band. This collaboration stemmed from mutual respect between the artists. After completing the recording of Mirror Ball, Eddie wrote "I Got Id" and another song, "Long Road", which were released together on the Merkin Ball EP. Neil Young contributed lead guitar on "I Got Id", adding a distinctive texture to the song with his characteristic sound.
The song is notable for its blend of Neil Young's influence and Pearl Jam's signature grunge style. It reflects both Eddie's introspective lyricism and Young’s raw, organic approach to rock music.
35. Society (Eddie Vedder, "Into the Wild," 2007)
"Society" is a song by Eddie Vedder from the soundtrack of the 2007 film Into the Wild. It stands out as a contemplative piece that critiques materialism and the pressures of modern society, while expressing a desire for a simpler, more authentic way of living.
The film tells the story of Christopher McCandless, a young man who gives up his possessions, donates his savings to charity, and embarks on a journey across America, eventually living in the Alaskan wilderness, seeking freedom from societal expectations.
Eddie's work on the Into the Wild soundtrack reflects the film's themes of individualism, freedom, and questioning societal norms. The music is acoustic, raw, and introspective, much like McCandless' journey, with "Society" acting as one of the key tracks that encapsulates the film’s core message.
Musically, "Society" is simple and acoustic, reflecting the minimalist lifestyle that McCandless sought. Eddie's voice is accompanied by gentle strumming, creating an intimate, reflective atmosphere. The stripped-down arrangement allows the lyrics to take center stage, emphasizing the personal and philosophical themes of the song. The folk-rock style evokes a sense of timelessness, echoing classic protest songs of the 1960s and 70s, while also fitting seamlessly into the broader themes of Into the Wild.
34. Thumbing My Way (Pearl Jam, "Riot Act," 2002)
"Thumbing My Way" is a song by Pearl Jam from their 2002 album Riot Act. Written by lead vocalist Eddie Vedder, the song is a reflective, acoustic ballad that deals with themes of loss, regret, and the journey toward emotional healing. It stands out on Riot Act for its gentle, stripped-down arrangement, offering a moment of introspection amid the album's heavier, more politically charged tracks.
"Thumbing My Way" was written by Eddie during a period of introspection following a series of personal and societal challenges. Riot Act itself was shaped by significant events in his life, including the tragic deaths of nine fans at the Roskilde Festival in 2000, as well as the political climate in the U.S. following the September 11 attacks. While the album addresses political anger and frustration, "Thumbing My Way" is much more personal and introspective.
Musically, "Thumbing My Way" is minimalist, centered around Eddie's acoustic guitar. The simplicity of the instrumentation highlights the introspective, reflective nature of the lyrics. Eddie's vocal delivery is restrained, emphasizing the personal and vulnerable nature of the song. The soft, delicate arrangement allows listeners to focus on the emotional weight of the lyrics, creating an intimate and meditative atmosphere.
Compared to other songs on Riot Act, which lean more toward political and social commentary, "Thumbing My Way" is deeply personal and understated. The acoustic style is reminiscent of Eddie's solo work, especially his contributions to the Into the Wild soundtrack, where he explored similar themes of introspection and emotional journeys.
33. Footsteps (Pearl Jam, "Lost Dogs," 2003)
"Footsteps" is a song by Pearl Jam that holds a unique place in the band’s early history, being one of the first tracks written with vocalist Eddie Vedder. The song was recorded during the sessions for Temple of the Dog and later became part of Pearl Jam’s early releases. Known for its emotional intensity and stripped-down acoustic arrangement, "Footsteps" is a poignant reflection on guilt, loss, and existential despair.
"Footsteps" originated during Pearl Jam's formative years when Stone Gossard and Jeff Ament, former members of the band Mother Love Bone, were searching for a new vocalist. Gossard had written instrumental demos, including one known as "Dollar Short," which would later evolve into "Footsteps." This demo was part of what became known as the Mamasan Trilogy—a collection of three songs sent to Eddie to audition for the band. Alongside "Alive" and "Once," the trilogy loosely follows a narrative of trauma, violence, and regret.
Lyrically, Eddie developed the themes in "Footsteps" after receiving the instrumental demo. The song is part of a sequence in which the protagonist, introduced in "Alive", becomes consumed by inner turmoil and makes tragic choices, continuing into "Once" and "Footsteps."
In the chorus, the speaker hears footsteps in the hall, a haunting reminder of the person who influenced their life. The repetition of "it was you" suggests an unresolved emotional conflict or fixation on this person. The "pictures on my chest" could symbolize memories or emotional burdens that they carry with them, which are tied to the other person's impact on their life.
The acoustic nature of the song gives it a raw, intimate feel, which contrasts with the heavier, electric sound Pearl Jam is often known for. This simplicity makes the song feel more personal, as if the listener is hearing a private confession or a moment of deep introspection.
Eddie's vocal delivery is restrained yet powerful, with a haunting, almost mournful quality that perfectly matches the song's themes of regret and loss. The harmonica, which Vedder plays toward the end, adds a touch of melancholy, evoking feelings of solitude and emotional weariness.
32. Porch (Pearl Jam, "Ten," 1991)
"Porch" is one of Pearl Jam’s most intense and energetic songs, featured on their 1991 debut album, Ten. Written by Eddie Vedder, the song is known for its raw power, high energy, and Eddie's impassioned vocal performance. "Porch" touches on themes of frustration, separation, and freedom, and has become a live staple, often turning into a dramatic centerpiece during Pearl Jam concerts.
"Porch" deals with personal and emotional conflict. While Eddie has not provided a specific narrative for the song, it is widely interpreted as being about separation—potentially from a loved one—and the emotional intensity that comes with it. Some interpretations also suggest it explores feelings of abandonment, frustration, and even societal criticism.
Musically, "Porch" is fast-paced and driven by aggressive guitar riffs and pounding drums, which match the intensity of the lyrics. The song begins with a fierce, charging rhythm, and builds to an explosive instrumental section in the middle, where Pearl Jam often extends it into an extended jam during live performances.
Mike McCready’s guitar work is a highlight, delivering a searing solo that emphasizes the song’s raw emotion and intensity. The combination of McCready’s frenetic soloing, Jeff Ament’s driving bassline, and Dave Krusen’s tight drumming gives the song an urgent and cathartic feel.
Critics and fans alike have praised the song for its raw, unpolished power and its emotional immediacy. "Porch" stands out on Ten as one of the most direct and aggressive songs, contrasting with the more melodic tracks like "Alive" and "Black". Over time, "Porch" has become one of Pearl Jam’s signature live songs, celebrated for its intensity and Vedder’s impassioned performance.
This 10 out for Eddie would be an amazing album!
36. I Got ID (Pearl Jam, "Merkin Ball," 1995)
"I Got Id" (sometimes referred to as "I Got ****") is a song by Pearl Jam, written by lead vocalist Eddie Vedder. It was released in 1995 as part of the Merkin Ball EP, a companion to Neil Young’s Mirror Ball album, which Pearl Jam collaborated on. "I Got Id" is an emotional and introspective song, characterized by Eddie's vulnerable lyrics and the band’s raw, powerful instrumentation.
"I Got Id" was written during the sessions for Neil Young’s Mirror Ball album, which featured Pearl Jam as the backing band. This collaboration stemmed from mutual respect between the artists. After completing the recording of Mirror Ball, Eddie wrote "I Got Id" and another song, "Long Road", which were released together on the Merkin Ball EP. Neil Young contributed lead guitar on "I Got Id", adding a distinctive texture to the song with his characteristic sound.
The song is notable for its blend of Neil Young's influence and Pearl Jam's signature grunge style. It reflects both Eddie's introspective lyricism and Young’s raw, organic approach to rock music.
35. Society (Eddie Vedder, "Into the Wild," 2007)
"Society" is a song by Eddie Vedder from the soundtrack of the 2007 film Into the Wild. It stands out as a contemplative piece that critiques materialism and the pressures of modern society, while expressing a desire for a simpler, more authentic way of living.
The film tells the story of Christopher McCandless, a young man who gives up his possessions, donates his savings to charity, and embarks on a journey across America, eventually living in the Alaskan wilderness, seeking freedom from societal expectations.
Eddie's work on the Into the Wild soundtrack reflects the film's themes of individualism, freedom, and questioning societal norms. The music is acoustic, raw, and introspective, much like McCandless' journey, with "Society" acting as one of the key tracks that encapsulates the film’s core message.
Musically, "Society" is simple and acoustic, reflecting the minimalist lifestyle that McCandless sought. Eddie's voice is accompanied by gentle strumming, creating an intimate, reflective atmosphere. The stripped-down arrangement allows the lyrics to take center stage, emphasizing the personal and philosophical themes of the song. The folk-rock style evokes a sense of timelessness, echoing classic protest songs of the 1960s and 70s, while also fitting seamlessly into the broader themes of Into the Wild.
34. Thumbing My Way (Pearl Jam, "Riot Act," 2002)
"Thumbing My Way" is a song by Pearl Jam from their 2002 album Riot Act. Written by lead vocalist Eddie Vedder, the song is a reflective, acoustic ballad that deals with themes of loss, regret, and the journey toward emotional healing. It stands out on Riot Act for its gentle, stripped-down arrangement, offering a moment of introspection amid the album's heavier, more politically charged tracks.
"Thumbing My Way" was written by Eddie during a period of introspection following a series of personal and societal challenges. Riot Act itself was shaped by significant events in his life, including the tragic deaths of nine fans at the Roskilde Festival in 2000, as well as the political climate in the U.S. following the September 11 attacks. While the album addresses political anger and frustration, "Thumbing My Way" is much more personal and introspective.
Musically, "Thumbing My Way" is minimalist, centered around Eddie's acoustic guitar. The simplicity of the instrumentation highlights the introspective, reflective nature of the lyrics. Eddie's vocal delivery is restrained, emphasizing the personal and vulnerable nature of the song. The soft, delicate arrangement allows listeners to focus on the emotional weight of the lyrics, creating an intimate and meditative atmosphere.
Compared to other songs on Riot Act, which lean more toward political and social commentary, "Thumbing My Way" is deeply personal and understated. The acoustic style is reminiscent of Eddie's solo work, especially his contributions to the Into the Wild soundtrack, where he explored similar themes of introspection and emotional journeys.
33. Footsteps (Pearl Jam, "Lost Dogs," 2003)
"Footsteps" is a song by Pearl Jam that holds a unique place in the band’s early history, being one of the first tracks written with vocalist Eddie Vedder. The song was recorded during the sessions for Temple of the Dog and later became part of Pearl Jam’s early releases. Known for its emotional intensity and stripped-down acoustic arrangement, "Footsteps" is a poignant reflection on guilt, loss, and existential despair.
"Footsteps" originated during Pearl Jam's formative years when Stone Gossard and Jeff Ament, former members of the band Mother Love Bone, were searching for a new vocalist. Gossard had written instrumental demos, including one known as "Dollar Short," which would later evolve into "Footsteps." This demo was part of what became known as the Mamasan Trilogy—a collection of three songs sent to Eddie to audition for the band. Alongside "Alive" and "Once," the trilogy loosely follows a narrative of trauma, violence, and regret.
Lyrically, Eddie developed the themes in "Footsteps" after receiving the instrumental demo. The song is part of a sequence in which the protagonist, introduced in "Alive", becomes consumed by inner turmoil and makes tragic choices, continuing into "Once" and "Footsteps."
In the chorus, the speaker hears footsteps in the hall, a haunting reminder of the person who influenced their life. The repetition of "it was you" suggests an unresolved emotional conflict or fixation on this person. The "pictures on my chest" could symbolize memories or emotional burdens that they carry with them, which are tied to the other person's impact on their life.
The acoustic nature of the song gives it a raw, intimate feel, which contrasts with the heavier, electric sound Pearl Jam is often known for. This simplicity makes the song feel more personal, as if the listener is hearing a private confession or a moment of deep introspection.
Eddie's vocal delivery is restrained yet powerful, with a haunting, almost mournful quality that perfectly matches the song's themes of regret and loss. The harmonica, which Vedder plays toward the end, adds a touch of melancholy, evoking feelings of solitude and emotional weariness.
32. Porch (Pearl Jam, "Ten," 1991)
"Porch" is one of Pearl Jam’s most intense and energetic songs, featured on their 1991 debut album, Ten. Written by Eddie Vedder, the song is known for its raw power, high energy, and Eddie's impassioned vocal performance. "Porch" touches on themes of frustration, separation, and freedom, and has become a live staple, often turning into a dramatic centerpiece during Pearl Jam concerts.
"Porch" deals with personal and emotional conflict. While Eddie has not provided a specific narrative for the song, it is widely interpreted as being about separation—potentially from a loved one—and the emotional intensity that comes with it. Some interpretations also suggest it explores feelings of abandonment, frustration, and even societal criticism.
Musically, "Porch" is fast-paced and driven by aggressive guitar riffs and pounding drums, which match the intensity of the lyrics. The song begins with a fierce, charging rhythm, and builds to an explosive instrumental section in the middle, where Pearl Jam often extends it into an extended jam during live performances.
Mike McCready’s guitar work is a highlight, delivering a searing solo that emphasizes the song’s raw emotion and intensity. The combination of McCready’s frenetic soloing, Jeff Ament’s driving bassline, and Dave Krusen’s tight drumming gives the song an urgent and cathartic feel.
Critics and fans alike have praised the song for its raw, unpolished power and its emotional immediacy. "Porch" stands out on Ten as one of the most direct and aggressive songs, contrasting with the more melodic tracks like "Alive" and "Black". Over time, "Porch" has become one of Pearl Jam’s signature live songs, celebrated for its intensity and Vedder’s impassioned performance.
This 10 out for Eddie would be an amazing album!
John Maddens Lunchbox
Socialism for Dummies
Robyn
List has been fully submittedRobin Miriam Carlsson (Robyn) was born in Sweden in1979. Maybe @Eephus can tell us who is younger in this group of artists.
She was a child star of sorts in Sweden and secured a recording deal at the age of 14.
The start of her career also coincided with the rise of early collaborator Max Martin.
If you don’t know the name Max Martin. You havent listened to pop music in the last 30 years
He has written more number ones than anyone outside Paul McCartney, recently surpassing John Lennon with 27.
More about him later.
Robyn found that white r&b sound that was very popular in the mid 90s and secured 2 top 10 US singles as a result.
The future is bright? Not so fast.
The second album My Truth, didn’t do as well and Robyn was frustrated at the lack of creative control.
Third album Don’t Stop the Music had too many fingers in the pie as well.
Robyn had had enough, so started her own music label, Konitichiwa Records. The self titled album Robyn, was an expression of artistic control. The next 3 years were spent touring, promoting and preparing her next move.
Her artistic peak is the Body Talk trilogy. Three albums released within a few months of each other.
Exhaustion followed and side project EPs with Royksopp and La Bagatelle Magique followed in 2014/2015.
Her most recent album was 2018s Honey. A great set of songs without many standouts.
Since her early days, Robyn has collaborated with a variety of artists and that will be highly represented in this list.
She has been highly influential on younger female acts coming through in the 00s, 10s and 20s
“When Lorde and her co-producer Jack Antonoff performed on Saturday Night Live last year, they placed a framed photograph of Robyn on the piano. “Robyn has definitely been part of paving the way for pop stars who fall a little to the left of the Top 40 norm,” says British star Charli XCX, who has followed Robyn in pushing pop beyond mainstream norms.”
“When NME crowned Robyn Songwriter of the Decade at this year’s NME Awards, many of the other artists in attendance credited her enormous influence. “Robyn, you inspire every single artist doing pop music right now,” Taylor Swift said, collecting Best Solo Act In The World. “She has paved the way for pop artists who don’t play by the rules,” Charli XCX explained, speaking alongside Christine and The Queensafter presenting Robyn with her prize. “She never compromised with how she wanted to exist as a woman,” Chris added. “She grew older, wiser, and she kept being around without being smoothed out or shying away from deep issues. I think this is really powerful as a woman. It’s multi-faceted and I love it.”
The Stats
Robyn is Here - 4
My Truth - 1
Don’t Stop the Music - 2
Robyn - 4
Body Talk 1 - 3
Body Talk 2 - 4
Body Talk 3- 2
Honey - 1
Collaborations - 12 (2 are on the albums above)
-OZ-
Footballguy
I like covers early on for this reason. Familiar enough but hopefully with the musician’s personal touch.
Dr. Octopus
Footballguy
So would “The Bends” for me.A button has been pressed. Here is the "it's good, but it's not right" 32-46 motherload in no particular order:
Wow, Everything in its Right Place would absolutely be in my top 31. Probably in my top 10.
Dr. Octopus
Footballguy
I don’t know who Max Martin is and…
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