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MAD's ROUND 2!! # 4's have been posted!! (4 Viewers)

I don't want anyone to take this the wrong way, but overall, do we consider Grammy wins (or even nominations) to be a good thing?

Diana Ross, Queen and the Beach Boys never won one. On the other hand, Milli Vanilli and Justin Bieber both have.

I appreciate the write-ups everyone's been doing for their artists, particularly they why you chose them and are passionate about them. More of that please.
(I'd still like John Cougar and the Foo Fighters if they never even got a nomination.)

But that's just me. :wink:

I feel like the Grammys just go by what's popular. Sometimes great musicians/singers are popular and get them, sometimes mediocre ones do. Music can be an art form, but it also could be someone with autotune formulating a hit song to make as much money as possible.
No question Grammys are typically popularity contests and also political.
 
I don't want anyone to take this the wrong way, but overall, do we consider Grammy wins (or even nominations) to be a good thing?

Diana Ross, Queen and the Beach Boys never won one. On the other hand, Milli Vanilli and Justin Bieber both have.

I appreciate the write-ups everyone's been doing for their artists, particularly they why you chose them and are passionate about them. More of that please.
(I'd still like John Cougar and the Foo Fighters if they never even got a nomination.)

But that's just me. :wink:

I feel like the Grammys just go by what's popular. Sometimes great musicians/singers are popular and get them, sometimes mediocre ones do. Music can be an art form, but it also could be someone with autotune formulating a hit song to make as much money as possible.
No question Grammys are typically popularity contests and also political.
How dare you.
 
List done. It’s, not surprisingly, hard to get down to 31 songs.
A few covers which I absolutely love Jimmy’s versions, a couple collaborations.

I didn’t realize it until going through YouTube videos, and a particularly well done documentary, that my favorite song at the time of the documentary had only been done live 11 times. Song 24 had been done 1400. 🤷 🏝️🍹⚓

Btw, I went to the bookmark but it doesn’t show the list. Hopefully @Zegras11 gets it.
 
I don't want anyone to take this the wrong way, but overall, do we consider Grammy wins (or even nominations) to be a good thing?

Diana Ross, Queen and the Beach Boys never won one. On the other hand, Milli Vanilli and Justin Bieber both have.

I appreciate the write-ups everyone's been doing for their artists, particularly they why you chose them and are passionate about them. More of that please.
(I'd still like John Cougar and the Foo Fighters if they never even got a nomination.)

But that's just me. :wink:

I feel like the Grammys just go by what's popular. Sometimes great musicians/singers are popular and get them, sometimes mediocre ones do. Music can be an art form, but it also could be someone with autotune formulating a hit song to make as much money as possible.
No question Grammys are typically popularity contests and also political.
How dare you.
Zamboni is always bringing politics into it.
 
I don't want anyone to take this the wrong way, but overall, do we consider Grammy wins (or even nominations) to be a good thing?

Diana Ross, Queen and the Beach Boys never won one. On the other hand, Milli Vanilli and Justin Bieber both have.

I appreciate the write-ups everyone's been doing for their artists, particularly they why you chose them and are passionate about them. More of that please.
(I'd still like John Cougar and the Foo Fighters if they never even got a nomination.)

But that's just me. :wink:

I feel like the Grammys just go by what's popular. Sometimes great musicians/singers are popular and get them, sometimes mediocre ones do. Music can be an art form, but it also could be someone with autotune formulating a hit song to make as much money as possible.
Depends on the era too. Like Ross, Nina Simone never won one (two nominations). But they were relegated to the R&B category only, and at peak during a time when they gave that one to Aretha Franklin every year (she won the first 8 for R&B female vocal performance, including for a single that was a cover of a Nina Simone song).

(Nothing against Aretha and think she would be awesome here too.)
 
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There are a lot of Grammys awarded these days in a wide variety of categories. Thats A-OK in my book because it's nice recognition for artists recording in non-mainstream genres. But it does skew the stats a bit for more recent artists.

The "Big Four" awards (Album of the Year, Record of the Year, Song of the Year, and Best New Artist) have remained relatively unchanged since the first ceremony in 1959 and are of greater significance.
 
There are a lot of Grammys awarded these days in a wide variety of categories. Thats A-OK in my book because it's nice recognition for artists recording in non-mainstream genres. But it does skew the stats a bit for more recent artists.

The "Big Four" awards (Album of the Year, Record of the Year, Song of the Year, and Best New Artist) have remained relatively unchanged since the first ceremony in 1959 and are of greater significance.
What's the difference between Album of the Year and Record of the Year?
 
There are a lot of Grammys awarded these days in a wide variety of categories. Thats A-OK in my book because it's nice recognition for artists recording in non-mainstream genres. But it does skew the stats a bit for more recent artists.

The "Big Four" awards (Album of the Year, Record of the Year, Song of the Year, and Best New Artist) have remained relatively unchanged since the first ceremony in 1959 and are of greater significance.
What's the difference between Album of the Year and Record of the Year?
Album is album as you know it. Record is for the performer that recorded the single and it’s performance. Song is for the songwriter.
 
There are a lot of Grammys awarded these days in a wide variety of categories. Thats A-OK in my book because it's nice recognition for artists recording in non-mainstream genres. But it does skew the stats a bit for more recent artists.

The "Big Four" awards (Album of the Year, Record of the Year, Song of the Year, and Best New Artist) have remained relatively unchanged since the first ceremony in 1959 and are of greater significance.
What's the difference between Album of the Year and Record of the Year?
Album is album as you know it. Record is for the performer that recorded the single and it’s performance. Song is for the songwriter.
Gracias. Songwriter is the word that escaped me.
 
Had to take some time off from music threads. Been in all the middle age dummies ones, so I needed a break. But with 10 days left, am ready to go. Got 31 CSNY songs chosen, and links found. List will be uploaded in a day or two.

Neil made spotify links impossible for six songs, so youtube will have to do for those. Profile pic has been changed. It was suprisingly hard to get a pic where all four would fit. This one works, with drummer Dallas Taylor being the only guy a little cut off.

It was a pleasure to put the list together. These guys have a lot of great songs, and I'm a big fan. A lot (I'd say most) you've heard, maybe a few you haven't.

The 31 breakdown went as follows:

CSN - 10 songs
CSNY - 9
Solo - 2 each (8 total)
Stills/Young - 1
Crosby/Nash - 1
Buffalo Springfield - 2

I included Springfield because Stills and Young were both there. I did not include the Hollies (Nash) or the Byrds (Crosby) because only one of the four were there. Side note: Crosby played with Springfield at Monterey, replacing Neil. That was supposidly the last straw that got him kicked out of the Byrds.

Looking forqward to everyone's lists. The last one like this was great, as were the three that @krista4 ran.
 
I have my top 31 set for Mike Shinoda, but letting it marinate before entering into the form.

I'm going to rank up to 50 and post those extra songs at some point, so I'm in the process of figuring out those extra 19 and the right order for those now.
 
16 lists are in. I've PM'd everyone the list they submitted. Almost all of them are perfect. (y)
Are you able to see where Faith No More is in the list? I understand some don't listen in playlist order, but for those that do I want to ensure Incubus is nowhere near them since there are similarities in their sound. I don't think I'll be able to find as good of a spot as I did for Green Day the last time around, immediately after Sigur Ros, but maybe I'll get lucky.
 
16 lists are in. I've PM'd everyone the list they submitted. Almost all of them are perfect. (y)
Are you able to see where Faith No More is in the list? I understand some don't listen in playlist order, but for those that do I want to ensure Incubus is nowhere near them since there are similarities in their sound. I don't think I'll be able to find as good of a spot as I did for Green Day the last time around, immediately after Sigur Ros, but maybe I'll get lucky.
I am. I can check tonight
 
@Zegras11 - quick form question (apologies if this has been answered already). If I choose "other", how will the list be revealed? Is #1 revealed first or last?
 
As I was pulling together my album list, I realized I was pulling my 31 from 19 different albums. I was not going for that diversity on purpose, but a lot of my favorites from Nina Simone are pretty spread out. Well, I was not going for 19, but I had another one in my last out; so, I edited it to bring it up to an even 20 albums represented. Apologies to the song knocked out, but It Be’s That Way Sometime (written by Nina Simone’s brother).
  • Little Girl Blue (1959) - 1
  • Nina at Newport (1960) - 1
  • Nina Simone In Concert (1964) - 1
  • Broadway-Blues-Ballads (1964) - 2
  • I Put a Spell on You (1965) - 2
  • Pastel Blues (1965) - 3
  • Let It All Out (1966) - 1
  • Wild is the Wind (1966) - 3
  • High Priestess of Soul (1967) - 1
  • Nina Simone Sings the Blues (1967) - 1
  • Silk & Soul (1967) - 2
  • ‘Nuff Said (1968) - 3
  • Nina Simone and Piano! (1969) - 1
  • To Love Somebody (1969) - 2
  • Black Gold (1970) - 1
  • Here Comes the Sun (1971) - 1
  • Emergency Ward! (1972) - 2
  • It Is Finished (1974) - 1
  • Baltimore (1978) - 1
  • The Montreux Years (2021) - 1
 
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Time for the next installment...

A Short Prehistory of The Seldom Scene

Bonus track #2: Lost
Buzz Busby and the Bayou Boys, 1955

Thanks to the proliferation of radio in the 30s and 40s, bluegrass spread beyond the Appalachians, including to the town of Eros, in northern Louisiana, the birthplace of one Bernarr Graham Busbice, where the sounds of Bill Monroe's mandolin inspired him to take up the instrument himself. Upon graduating high school as class valedictorian, he joined the FBI and moved to DC, where he formed this band. One of its members was the criminally underrated Roy Clark. If you know his name, it's probably from his time as a co-host and comedy relief on the TV show Hee-Haw, but he was a master of many instruments; if it had strings, he pwned it.

Bonus track #3: showcase
Not one song but rather three that let him show off his versatility on an episode of The Odd Couple.

Another member of the band was a guitarist named Charlie Waller, and on a fateful night in 1957, Busby and a couple of his band members were injured in an accident on their way to a gig (@Uruk-Hai , they were on their way to DC from North Beach.), leaving Waller to find replacements to avoid not missing the show. Waller brought in two replacements, with whom he would later form a band of their own, named The Country Gentlemen. One of these replacements was John Duffey, who would later be a founding member of The Seldom Scene.

Through his presence and influence in the DC area, Busby is recognized as 'The Father of DC Bluegrass.'

Bonus track #4: Will the Circle be Unbroken
The Country Gentlemen, 1961

Filling in for Buzz Busby that night in '57 proved to be their launching point, from which they took the bluegrass world by storm, growing in popularity to the point that they toured the country, playing country/folk festivals coast to coast. In the late 60s, just before embarking on a tour of Japan, John Duffey quit the band, citing a fear of flying. Despite his departure and other lineup changes over the years, the band stayed at the forefront as one of the most popular bluegrass bands of all time.

This song should be at least known by name to most, and this version highlights not only Duffey's voice but also his musicianship; the mandolin solo is crisp and he even gave it a little flair toward the end.

Also of note is the presence of bassist Tom Gray, who years later will join Duffey when the 'Scene is founded.
 
Time for the next installment...

A Short Prehistory of The Seldom Scene

Bonus track #2: Lost
Buzz Busby and the Bayou Boys, 1955

Thanks to the proliferation of radio in the 30s and 40s, bluegrass spread beyond the Appalachians, including to the town of Eros, in northern Louisiana, the birthplace of one Bernarr Graham Busbice, where the sounds of Bill Monroe's mandolin inspired him to take up the instrument himself. Upon graduating high school as class valedictorian, he joined the FBI and moved to DC, where he formed this band. One of its members was the criminally underrated Roy Clark. If you know his name, it's probably from his time as a co-host and comedy relief on the TV show Hee-Haw, but he was a master of many instruments; if it had strings, he pwned it.

Bonus track #3: showcase
Not one song but rather three that let him show off his versatility on an episode of The Odd Couple.

Another member of the band was a guitarist named Charlie Waller, and on a fateful night in 1957, Busby and a couple of his band members were injured in an accident on their way to a gig (@Uruk-Hai , they were on their way to DC from North Beach.), leaving Waller to find replacements to avoid not missing the show. Waller brought in two replacements, with whom he would later form a band of their own, named The Country Gentlemen. One of these replacements was John Duffey, who would later be a founding member of The Seldom Scene.

Through his presence and influence in the DC area, Busby is recognized as 'The Father of DC Bluegrass.'

Bonus track #4: Will the Circle be Unbroken
The Country Gentlemen, 1961

Filling in for Buzz Busby that night in '57 proved to be their launching point, from which they took the bluegrass world by storm, growing in popularity to the point that they toured the country, playing country/folk festivals coast to coast. In the late 60s, just before embarking on a tour of Japan, John Duffey quit the band, citing a fear of flying. Despite his departure and other lineup changes over the years, the band stayed at the forefront as one of the most popular bluegrass bands of all time.

This song should be at least known by name to most, and this version highlights not only Duffey's voice but also his musicianship; the mandolin solo is crisp and he even gave it a little flair toward the end.

Also of note is the presence of bassist Tom Gray, who years later will join Duffey when the 'Scene is founded.
I was just looking at upcoming performances at The Birchmere about a mile from me, and saw they had a few performances coming up there (including New Years Eve show, but I’m a bit of a homebody for NYE). I don’t know much about them, but I’m going to have to dig into some of the tracks.
 
Time for the next installment...

A Short Prehistory of The Seldom Scene

Bonus track #2: Lost
Buzz Busby and the Bayou Boys, 1955

Thanks to the proliferation of radio in the 30s and 40s, bluegrass spread beyond the Appalachians, including to the town of Eros, in northern Louisiana, the birthplace of one Bernarr Graham Busbice, where the sounds of Bill Monroe's mandolin inspired him to take up the instrument himself. Upon graduating high school as class valedictorian, he joined the FBI and moved to DC, where he formed this band. One of its members was the criminally underrated Roy Clark. If you know his name, it's probably from his time as a co-host and comedy relief on the TV show Hee-Haw, but he was a master of many instruments; if it had strings, he pwned it.

Bonus track #3: showcase
Not one song but rather three that let him show off his versatility on an episode of The Odd Couple.

Another member of the band was a guitarist named Charlie Waller, and on a fateful night in 1957, Busby and a couple of his band members were injured in an accident on their way to a gig (@Uruk-Hai , they were on their way to DC from North Beach.), leaving Waller to find replacements to avoid not missing the show. Waller brought in two replacements, with whom he would later form a band of their own, named The Country Gentlemen. One of these replacements was John Duffey, who would later be a founding member of The Seldom Scene.

Through his presence and influence in the DC area, Busby is recognized as 'The Father of DC Bluegrass.'

Bonus track #4: Will the Circle be Unbroken
The Country Gentlemen, 1961

Filling in for Buzz Busby that night in '57 proved to be their launching point, from which they took the bluegrass world by storm, growing in popularity to the point that they toured the country, playing country/folk festivals coast to coast. In the late 60s, just before embarking on a tour of Japan, John Duffey quit the band, citing a fear of flying. Despite his departure and other lineup changes over the years, the band stayed at the forefront as one of the most popular bluegrass bands of all time.

This song should be at least known by name to most, and this version highlights not only Duffey's voice but also his musicianship; the mandolin solo is crisp and he even gave it a little flair toward the end.

Also of note is the presence of bassist Tom Gray, who years later will join Duffey when the 'Scene is founded.
I was just looking at upcoming performances at The Birchmere about a mile from me, and saw they had a few performances coming up there (including New Years Eve show, but I’m a bit of a homebody for NYE). I don’t know much about them, but I’m going to have to dig into some of the tracks.
As my list is chronological, I don't say much about the current lineup until the end. On one hand, none of the original members are in the band, and on the other, it's still a fine assembly of talented musicians that carry on in the spirit of the original band. Not sure what kind of crowd follows them any more, but I'm sure the music will be worth it if you decide to go.
 
Time for the next installment...

A Short Prehistory of The Seldom Scene

Bonus track #2: Lost
Buzz Busby and the Bayou Boys, 1955

Thanks to the proliferation of radio in the 30s and 40s, bluegrass spread beyond the Appalachians, including to the town of Eros, in northern Louisiana, the birthplace of one Bernarr Graham Busbice, where the sounds of Bill Monroe's mandolin inspired him to take up the instrument himself. Upon graduating high school as class valedictorian, he joined the FBI and moved to DC, where he formed this band. One of its members was the criminally underrated Roy Clark. If you know his name, it's probably from his time as a co-host and comedy relief on the TV show Hee-Haw, but he was a master of many instruments; if it had strings, he pwned it.

Bonus track #3: showcase
Not one song but rather three that let him show off his versatility on an episode of The Odd Couple.

Another member of the band was a guitarist named Charlie Waller, and on a fateful night in 1957, Busby and a couple of his band members were injured in an accident on their way to a gig (@Uruk-Hai , they were on their way to DC from North Beach.), leaving Waller to find replacements to avoid not missing the show. Waller brought in two replacements, with whom he would later form a band of their own, named The Country Gentlemen. One of these replacements was John Duffey, who would later be a founding member of The Seldom Scene.

Through his presence and influence in the DC area, Busby is recognized as 'The Father of DC Bluegrass.'

Bonus track #4: Will the Circle be Unbroken
The Country Gentlemen, 1961

Filling in for Buzz Busby that night in '57 proved to be their launching point, from which they took the bluegrass world by storm, growing in popularity to the point that they toured the country, playing country/folk festivals coast to coast. In the late 60s, just before embarking on a tour of Japan, John Duffey quit the band, citing a fear of flying. Despite his departure and other lineup changes over the years, the band stayed at the forefront as one of the most popular bluegrass bands of all time.

This song should be at least known by name to most, and this version highlights not only Duffey's voice but also his musicianship; the mandolin solo is crisp and he even gave it a little flair toward the end.

Also of note is the presence of bassist Tom Gray, who years later will join Duffey when the 'Scene is founded.
Awesome post. In all seriousness, I am looking forward to this playlist and learning more about the genre.
 
Time for the next installment...

A Short Prehistory of The Seldom Scene

Bonus track #2: Lost
Buzz Busby and the Bayou Boys, 1955

Thanks to the proliferation of radio in the 30s and 40s, bluegrass spread beyond the Appalachians, including to the town of Eros, in northern Louisiana, the birthplace of one Bernarr Graham Busbice, where the sounds of Bill Monroe's mandolin inspired him to take up the instrument himself. Upon graduating high school as class valedictorian, he joined the FBI and moved to DC, where he formed this band. One of its members was the criminally underrated Roy Clark. If you know his name, it's probably from his time as a co-host and comedy relief on the TV show Hee-Haw, but he was a master of many instruments; if it had strings, he pwned it.

Bonus track #3: showcase
Not one song but rather three that let him show off his versatility on an episode of The Odd Couple.

Another member of the band was a guitarist named Charlie Waller, and on a fateful night in 1957, Busby and a couple of his band members were injured in an accident on their way to a gig (@Uruk-Hai , they were on their way to DC from North Beach.), leaving Waller to find replacements to avoid not missing the show. Waller brought in two replacements, with whom he would later form a band of their own, named The Country Gentlemen. One of these replacements was John Duffey, who would later be a founding member of The Seldom Scene.

Through his presence and influence in the DC area, Busby is recognized as 'The Father of DC Bluegrass.'

Bonus track #4: Will the Circle be Unbroken
The Country Gentlemen, 1961

Filling in for Buzz Busby that night in '57 proved to be their launching point, from which they took the bluegrass world by storm, growing in popularity to the point that they toured the country, playing country/folk festivals coast to coast. In the late 60s, just before embarking on a tour of Japan, John Duffey quit the band, citing a fear of flying. Despite his departure and other lineup changes over the years, the band stayed at the forefront as one of the most popular bluegrass bands of all time.

This song should be at least known by name to most, and this version highlights not only Duffey's voice but also his musicianship; the mandolin solo is crisp and he even gave it a little flair toward the end.

Also of note is the presence of bassist Tom Gray, who years later will join Duffey when the 'Scene is founded.
I was just looking at upcoming performances at The Birchmere about a mile from me, and saw they had a few performances coming up there (including New Years Eve show, but I’m a bit of a homebody for NYE). I don’t know much about them, but I’m going to have to dig into some of the tracks.
As my list is chronological, I don't say much about the current lineup until the end. On one hand, none of the original members are in the band, and on the other, it's still a fine assembly of talented musicians that carry on in the spirit of the original band. Not sure what kind of crowd follows them any more, but I'm sure the music will be worth it if you decide to go.
That is odd.
 
Tropical Storm Ophelia hitting the East Coast today. Been inside with rain all day. So, felt in the mood for sharing this Nina Simone cover of a Randy Newman song: “I Think It’s Going to Rain Today”. Just Nina singing and playing the piano, and just outside my 31.

 
1scorchyAgainst Me!
2Don QuixoteNina Simone
3Ramsay Hunt ExperiencePrince
4Mister CIANeko Case
5snellmanKid Rock
6The Dreaded MarcoDavid Berman
7KarmaPoliceMastodon
8Pip's InvitationThe Jam
9Charlie SteinerThe Seldom Scene
10jwbCSNY
11kupcho1Talking Heads
12juxtatarotblack midi
13ScoresmanSia
14New Binky the DorrmatDavid Bowie
15Mrs. RannousPointer Sisters
16Yo MamaBeastie Boys
17Northern VoiceThe New Pornographers
18titusbrambleJosh Homme
19JMLs Secret IdentityRöyksopp
20zamboniThin Lizzy
21Raging WeaselChris Cornell
22plinkoTanya Donelly
23tuffnuttJohn Mellencamp
24landryshatJohn Prine
25sullieKim Mitchell
26John Maddens LunchboxTears For Fears
27FairWarningCheapTrick
28JB Breakfast ClubFaith No More
29Mt ManRoger Clyne
30Ilov80sSufjan Stevens
31zegas11Tom Petty
32-OZ-Jimmy Buffett
33otb_liferSiouxie
34Hov34Ben Folds
35Dr. OctopusDrive-By Truckers
36Just Win BabyMike Shinoda
37EephusLos Lobos
38MAC_32Incubus
39snevenelevenScott Huthison
40zazalePyotr Ilyich Tchaikovsky
41AAABatteriesNathaniel Rateliff (and the Night Sweats)
42SalterifficNick Cave
43DrianMalcomJohn Lee Hooker
44falguyCollective Soul
45Sam QuentinRainbow
 
So we have 23 in.... Here are the 22 left.

15Mrs. RannousPointer Sisters
17Northern VoiceThe New Pornographers
18titusbrambleJosh Homme
20zamboniThin Lizzy
21Raging WeaselChris Cornell
23tuffnuttJohn Mellencamp
24landryshatJohn Prine
25sullieKim Mitchell
26John Maddens LunchboxTears For Fears
27FairWarningCheapTrick
30Ilov80sSufjan Stevens
31zegas11Tom Petty
33otb_liferSiouxie
34Hov34Ben Folds
36Just Win BabyMike Shinoda
38MAC_32Incubus
39snevenelevenScott Huthison
40zazalePyotr Ilyich Tchaikovsky
41AAABatteriesNathaniel Rateliff (and the Night Sweats)
43DrianMalcomJohn Lee Hooker
44falguyCollective Soul
45Sam QuentinRainbow
 
Time for the next installment...

A Short Prehistory of The Seldom Scene

Bonus track #2: Lost
Buzz Busby and the Bayou Boys, 1955

Thanks to the proliferation of radio in the 30s and 40s, bluegrass spread beyond the Appalachians, including to the town of Eros, in northern Louisiana, the birthplace of one Bernarr Graham Busbice, where the sounds of Bill Monroe's mandolin inspired him to take up the instrument himself. Upon graduating high school as class valedictorian, he joined the FBI and moved to DC, where he formed this band. One of its members was the criminally underrated Roy Clark. If you know his name, it's probably from his time as a co-host and comedy relief on the TV show Hee-Haw, but he was a master of many instruments; if it had strings, he pwned it.

Bonus track #3: showcase
Not one song but rather three that let him show off his versatility on an episode of The Odd Couple.

Another member of the band was a guitarist named Charlie Waller, and on a fateful night in 1957, Busby and a couple of his band members were injured in an accident on their way to a gig (@Uruk-Hai , they were on their way to DC from North Beach.), leaving Waller to find replacements to avoid not missing the show. Waller brought in two replacements, with whom he would later form a band of their own, named The Country Gentlemen. One of these replacements was John Duffey, who would later be a founding member of The Seldom Scene.

Through his presence and influence in the DC area, Busby is recognized as 'The Father of DC Bluegrass.'

Bonus track #4: Will the Circle be Unbroken
The Country Gentlemen, 1961

Filling in for Buzz Busby that night in '57 proved to be their launching point, from which they took the bluegrass world by storm, growing in popularity to the point that they toured the country, playing country/folk festivals coast to coast. In the late 60s, just before embarking on a tour of Japan, John Duffey quit the band, citing a fear of flying. Despite his departure and other lineup changes over the years, the band stayed at the forefront as one of the most popular bluegrass bands of all time.

This song should be at least known by name to most, and this version highlights not only Duffey's voice but also his musicianship; the mandolin solo is crisp and he even gave it a little flair toward the end.

Also of note is the presence of bassist Tom Gray, who years later will join Duffey when the 'Scene is founded.
Awesome post. In all seriousness, I am looking forward to this playlist and learning more about the genre.
I appreciate the compliment; however, the bonus tracks I've posted so far pretty much go into bluegrass as a genre as I'm going to, though I will say that as the list is revealed, what makes them special in the world of bluegrass will become apparent.
 
Time for the next installment...

A Short Prehistory of The Seldom Scene

Bonus track #2: Lost
Buzz Busby and the Bayou Boys, 1955

Thanks to the proliferation of radio in the 30s and 40s, bluegrass spread beyond the Appalachians, including to the town of Eros, in northern Louisiana, the birthplace of one Bernarr Graham Busbice, where the sounds of Bill Monroe's mandolin inspired him to take up the instrument himself. Upon graduating high school as class valedictorian, he joined the FBI and moved to DC, where he formed this band. One of its members was the criminally underrated Roy Clark. If you know his name, it's probably from his time as a co-host and comedy relief on the TV show Hee-Haw, but he was a master of many instruments; if it had strings, he pwned it.

Bonus track #3: showcase
Not one song but rather three that let him show off his versatility on an episode of The Odd Couple.

Another member of the band was a guitarist named Charlie Waller, and on a fateful night in 1957, Busby and a couple of his band members were injured in an accident on their way to a gig (@Uruk-Hai , they were on their way to DC from North Beach.), leaving Waller to find replacements to avoid not missing the show. Waller brought in two replacements, with whom he would later form a band of their own, named The Country Gentlemen. One of these replacements was John Duffey, who would later be a founding member of The Seldom Scene.

Through his presence and influence in the DC area, Busby is recognized as 'The Father of DC Bluegrass.'

Bonus track #4: Will the Circle be Unbroken
The Country Gentlemen, 1961

Filling in for Buzz Busby that night in '57 proved to be their launching point, from which they took the bluegrass world by storm, growing in popularity to the point that they toured the country, playing country/folk festivals coast to coast. In the late 60s, just before embarking on a tour of Japan, John Duffey quit the band, citing a fear of flying. Despite his departure and other lineup changes over the years, the band stayed at the forefront as one of the most popular bluegrass bands of all time.

This song should be at least known by name to most, and this version highlights not only Duffey's voice but also his musicianship; the mandolin solo is crisp and he even gave it a little flair toward the end.

Also of note is the presence of bassist Tom Gray, who years later will join Duffey when the 'Scene is founded.
I was just looking at upcoming performances at The Birchmere about a mile from me, and saw they had a few performances coming up there (including New Years Eve show, but I’m a bit of a homebody for NYE). I don’t know much about them, but I’m going to have to dig into some of the tracks.
As my list is chronological, I don't say much about the current lineup until the end. On one hand, none of the original members are in the band, and on the other, it's still a fine assembly of talented musicians that carry on in the spirit of the original band. Not sure what kind of crowd follows them any more, but I'm sure the music will be worth it if you decide to go.
That is odd.
You'll see how it happened over the course of the list. Felt I needed to mention it to Mr. Quixote ahead of time so that he knew what he was getting into. Again, I hope I'm able to have it make sense as the list goes on that this band was massively infuential and shaped the course of the genre even to this day.
 
Bowie picks are in!

just a ton of beautiful on the cutting room floor ...sniff

it was tough going, I appreciate the input from many of you, I did take it to heart and considered it heavily, it had an impact on what made it and what didn't

I am less on the "Let's Dance" phase that made such an impact in the MTV days - I lean toward the more Ronson guitar heavy years and his prog-ish phase, but it's so good that those tunes make plenty appearances.

most all of it is pretty popular with a few that aren't nearly "deep cuts" but what might not come to mind to someone not as familiar with his work.
 
@Pip's Invitation

Have you listened to the new Teenage Fanclub album yet?

The title Nothing Lasts Forever is foreboding
I have not.

I gave it a spin today. No great stylistic changes after thirty years as a band; they still do what they do. Seemed like the noisier stuff is clustered at the beginning with the more Beatlesque songs afterwards. Definitely a worthwhile listen for fans of the Fannies.
 

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