Known and liked songs from the #23s include Ferry (I received the Taxi album from a friend in my early 20s because he thought it would help me with the ladies), Beach Boys, Doors (one of my favorites from them), EWF (also one of my favorites from them) and April Wine (I had this album, from which this was the first single; I believe it was their most popular LP in the US because some of its tracks got in heavy rotation on MTV).
Thoughts about
some all(!) of the others:
The Blue October song breezes along memorably until the piano interlude at the end. To my ears the Mitski song has similar atmosphere and production.
Turn the Lamp Down Low, especially its first half, sounds like something from
Josh Homme's Desert Sessions.
Am I Ever Gonna See Your Face Again is a barnburner. It would certainly work as well in US pubs as in Australian ones.
Perfect System is Danny Elfman's most unique (weirdest?) vocal so far. I can see the Devo comparison. I also hear a little of early XTC in there.
Step into My Office, Baby matches happy, at times angelic, music to a very dark subject matter. I don't think we get an arrangement like this without the work of Brian Wilson decades before.
Some bands in this countdown have had songs that could pass for a ZZ Top tune. Slambovia's Holy Rollers is another one.
I have heard most Moody Blues singles from the '60s, but not Voices in the Sky, which was ignored by the FM stations I listened to growing up. Interesting choice to make it the first single from Lost Chord over Ride My See-Saw. It's mellow and melodic, kind of like a more relaxed version of Tuesday Afternoon.
Too Cool Queenie is indeed cool. It's got an excellent structure and is different from the standard STP sound.
Wild Wind sounds like something from an Elvis movie. He did Westerns, yes?
Right on for the Darkness is absolutely haunting.
Wait for Love is stark and intense.
Big Eyed Fish is soaring -- its music and lyrics go well together.
California has a gravitas to it in the singing and the guitar playing.
Thinkin' Bout is one of Chesney's most lyrical and introspective songs. He's not a one-trick-Buffet-esque-pony. The DMB/Mazzy/Chesney songs segue well together on the playlist due to their acoustic guitar-based arrangements.
The Bangles tune is a great slice of power pop.
Ram It Down is a true rager. I wasn't playing much attention to Judas Priest after their early '80s peak, but I definitely missed out on this one.
Slow down How Beautiful You Are and add some brooding keyboards. This is Lovesong, two years earlier.
The finger fretting sounds of the Iron and Wine song that simey was talking about give it an intimate feel.
Gypsy Songman is a fine example of "troubadour music".
This Chvrches song gives me Debbie Gibson vibes. Also 1989-era Taylor Swift vibes.
Hey, Snow White is a dynamic powerhouse. It reminds me of the best Modest Mouse songs from the MAD 1 countdown.
The Andrew Bird song sounds like something from one of David Byrne's solo albums.
Yep, more ZZ Top-isms with Shellac's Killers. This is "indie boogie rock".
The Dio song is very dramatic-sounding. You can tell why it was selected for a mini-movie-style video. If Meat Loaf sang metal, he would probably sound like this. Did Steinman write this?