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Middle Aged Dummies - Artist - Round 3 - #1's have been posted! (8 Viewers)

Ghost Song

Oh man, I dropped the ball the last few rounds. Busy at work, new cat, etc etc... anyways, I'll try to catch up, but let's talk about Ghost Song because it's interesting.

Before he died Jim had some of his poetry recorded (this is captured in the movie's opening scene - fun fact, the engineer in that scene is drummer John Densmore). In 1978, the other three Doors reunited to do something with this spoken word poetry. They put some of it to music, which is where this song comes from. It's quite good too.

The album (An American Prayer) also has the live version of Roadhouse Blues that kicked off this list. The rest is more or less spoken word, some set to music, some not. The album itself is pretty decent but this song (and Roadhouse) are definitely the highlights. The band's old producer called it a "Rape of Jim Morrison", but all three of his bandmates were very satisfied with the effort and felt Jim would have loved it - I trust their judgement.
 
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Just barely got through the 19's and it took a 2nd spin as I was way too distracted on my first attempt. High probability this is it til Thursday, but we'll see if things break unexpectedly well between now and then.

The 19's

Medal Stand
Gold The Slambovian Circus of Dreams- A Very Unusual Head, I think someone else wrote it over the weekend, but I felt like I was in a circus, and for the first time in my life that wasn't a bad thing
Silver Tea Party- Apathy, rock music without just guitars and big transitions is usually a big hit with me
Bronze DMB- 2 Step, it was going to be a very tall order to one-up this on the medal stand, but we had willing participants
Honorable Mention- the whole stretch from Tea Party through Moody Blues (including Oingo Boingo @KarmaPolice ) was so enjoyable I went back and listened to it a 3rd 2nd time.

Medal Count
Tea Party - 2 gold, 1 silver, 2 bronze
The Slambovian Circus of Dreams - 2 gold, 1 silver, 1 bronze
The Doors - 2 gold, 1 silver
Blue October - 2 gold, 1 bronze
STP - 1 gold, 3 bronze
DMB- 2 silver, 2 bronze
The Beach Boys - 1 gold, 1 silver
Susanna Hoffs - 1 gold, 1 bronze
Fanny - 1 gold, 1 bronze
Mazzy Star - 1 gold
Ronnie Dio - 1 silver
Iron & Wine- 1 silver
Belle & Sebastian - 1 silver
Judas Priest - 1 silver
Roxy Music - 1 silver
Mitski - 1 silver
Steve Albini - 1 silver
Stray Cats - 1 bronze
EWF- 1 bronze
 
By the time we hit the #18s, I have to feel like I know the playlist artists pretty well. Even the ones that I didn’t really know when we started. That said, this round had a few times where I had to see who was doing the song because it was such a change of pace.

Selected (and shuffled) #18s
Some Devil - Dave Matthews
Racer-X - Big Black (/Steve Albini)
Kiss & Tell - Bryan Ferry
A Touch of Evil - Judas Priest
Sail On, Sailor - The Beach Boys
Cat Fever - Fanny
L.A. Freeway - Jerry Jeff Walker
Dress Up in You - Belle and Sebastian
Gypsy - The Moody Blues
Boys Don’t Cry - The Cure

Shuffle Adventures:

About 2/3rds of the way through, shuffle hit the Oingo Boingo /Stray Cats/ EW&F combo that all flowed into each other well. A similar type of groove throughout, too!
 
19s

Going to start reducing my list of favorite songs each round cause there are usually just too many.

Top n songs from the 19s...

Don't Say It Wasn't love - Blue October
You're The One - Fanny
Apathy - Tea Party (especially the verses -reminds me of the theme to Peaky Blinders.) Cool sound.
Slave To Love - Ferry - I don't know many Ferry Songs. This is one I am familiar with and like.

Happy - Mazzy Star
 
ACDC obviously refers to someone who is bisexual, which is where the band who uses that title also got it from. This is when Bon Scott used to dress in drag on the Australian pub tours. Funny how that sort of gets erased from the deification the band gets now.
Not sure this is true. Wiki has this which is the common answer

"Upon formation, Malcolm and Angus developed the band's name after their sister Margaret pointed out the symbol "AC/DC" on the AC adapter of her sewing machine.[7] A.C./D.C. is an abbreviation for alternating current/direct current electricity. The brothers felt that this name symbolised the band's raw energy and the power-driven performances of their music"

I do see this also "
Unbeknownst to the band, however, was the fact that "AC/DC" was also a slang term for bisexuality. According to Martin Huxley's book, AC/DC: The World's Heaviest Rock, this caused some pretty interesting misunderstandings during the group's early career. While they initially denied that their band name had any sexual undertones, they eventually just rolled with it. In fact, they even got a few extra gigs because of their name, seeing as they were booked to play at several "gay-themed events."

Read More: https://www.grunge.com/201150/the-real-meaning-behind-acdcs-name/

Bon wasn't their singer when the band was formed.

Anyway, I like this tune. Too bad AC/DC didn't cover it.
 
Selected favorites from the 18's

The Weatherman - Blue October.
A.C.D.C. Sweet. I owned this album, forgot about this song. Good tune (better band :) )
Dress Up In You - Belle and Sebastian 🥇
Please Don't Touch - Stray Cats
Muddy Hymnal - Iron & Wine. beautiful song
The Eyes - Dio - pretty sure this is my first Dio tune


Don't Push Me Around - Another new-to-me April Wine tune that I couldn't stop tapping my toe to. Dug the bass in this one. The fade-out solo is pretty decent too.
 
Some quick thoughts on the 1’8”s before the next round drops.

The Blue October / Fanny / Tea Party start was really strong
Moody Blues - loving this playlist so far
Kiss & Tell is my favorite Ferry solo work
Strand of Oaks - I keep enjoying them more every round
Really enjoying the Mazzy Star songs so far
EWF - totally brings me back, loved this album
 
15 uneducated observations on a few playlist 18 tunes. I already commented on "I Put A Spell On You."

- I think "Some Devil" is a nice slow song by DM. I like his vocals and lyrics in this one.
- "Sail On, Sailor" by The Beach Boys is a great song, and different sounding than a lot of their songs.
- "Boys Don't Cry" is another Cure song that is fun to dance to.
- "A Nervous Tick Motion of the Head to the Left" and "Holly Going Lightly" are songs I like the vocals on, and the music is different and good.
- "Muddy Hymnal" is relaxing. Like those lyrics, vocals, and acoustics.
- "Back To Living Again" by Curtis is some smoothy groovy R&B.
- "Don't Push Me Around" by April Wine and "Cat Fever" by Fanny both give off that good ol' rock n roll sound.
- The horns in "Dress Up In You" sound like they would be the theme song for a TV show. Maybe one called The Life Pursuit.
- "No Spill Blood by" Oingo Boingo has a cool guitar in it, and the song has a wildness about it. The lead singer sounds like a metal singer a couple times when he sings house of PAIN.
- "The Weatherman" is good. I liked it all the way through.
- "Racer-X" and "The Eyes" sound good together back to back.
- "A Touch of Evil" by Judas Priest has a great guitar solo.
- "Please Don't Touch" by Stray Cats and "A.C.D.C." by Sweet are frisky songs.
- Dig that bass is "Kiss & Tell" by Bryan Ferry.
- Really like that electric guitar that comes in and out on the song "That Way Again" by Mazzy Starr. It especially comes in on the back end of the song. The guitar has an ABB vibe to it.
 
Time for the 1'7#s!
haha... Sorry for the delay... this might happen now and then the rest of the way. Got approved to sell my investment properties individually (and as me licensed in OK), instead of one whole project, to yield way more., and there has been a lot of ground work to get there and should start the selling process a week from now. #kritaproblems
 
17's PLAYLIST

#17 -
Blue October-OZ-All that we are
FannyPip's InvitationSummer Song
The Tea PartyScoresmanThe River
SweetJohn Maddens ****ing LunchboxFunk it Up (David’s Song)
Oingo BoingoKarmaPoliceNothing to Fear (But Fear Itself)
Belle and Sebastiankupcho1Get Me Away From Here, I'm Dying
Mitski Ilov80sPink in the Night
The Slambovian Circus of DreamsYambagThe Grand Slambovians
The Moody BluesCharlie SteinerQuestion
Stone Temple PilotsYo MamaTumble in the Rough
Brian SetzerMrs. RannousDrive Like Lightning (Crash Like Thunder)
Curtis MayfieldDon QuixoteOn and On, by Gladys Knight & The Pips
Bryan Ferry/Roxy MusicBinkytheDoormat2 H.B.
Strand of OaksEephusJimi & Stan
Dave MatthewsTau837When the World Ends
Mazzy Starlandrys hatIn the Kingdom

Kenny ChesneyMACBetter as a Memory
The Beach Boyszamboni"Here Today"
Susanna HoffsZegras11Be With You
Judas Priest Raging Weasel Rock Hard Ride Free
The CureJuxtatarot Want
Iron and WineTuffnuttSunset Soon Forgotten
Jerry Jeff WalkersimeyCharlie Dunn
The DoorsjwbL.A. Woman
ChvrchesJML’s Terrible, Horrible, No Good, Very Secret IdentityBury It featuring Hayley Williams
Earth, Wind, & FireUruk-HaiBe Ever Wonderful
DestroyerThe Dreaded MarcoBay of Pigs (Detail)
Andrew BirdMister CIATin Foiled
Steve AlbiniOliver HumanzeeRx - Radar Love Lizard
Ronnie James DioMt. ManI Could Have Been A Dreamer
April WineFalguyWanna Rock
 
Time for the 1'7#s!
haha... Sorry for the delay... this might happen now and then the rest of the way. Got approved to sell my investment properties individually (and as me licensed in OK), instead of one whole project, to yield way more., and there has been a lot of ground work to get there and should start the selling process a week from now. #kritaproblems
That’s awesome Z. Congrats.
 
Strand of Oaks #17 - "Jimi and Stan" (2021)

I may have already mentioned this because of my artist's limited lore but the seventh Strand album In Heaven was born from grief. Sue's mother died in a traffic accident and the Showalter's beloved cat passed away in 2019. Then there was that whole pandemic thing you may have heard about.

"Jimi and Stan" is the most joyful song off the album. Jimi is Jimi Hendrix and Stan is that cat, "the buddy who knew me so well". Tim imagines the two of them hanging out in heaven and going out to shows together which is a lovely conception of the afterlife. It's kind of a simple little ditty but Tim's impassioned vocals shows how much Stan meant to him.

 
Curtis MayfieldDon QuixoteOn and On, by Gladys Knight & The Pips
Another special guest appearance in my list. This is from the soundtrack to the movie Claudine. Like Sparkle, Curtis Mayfield wrote, produced, and played guitar on all of the tracks. It was also another one where Curtis Mayfield decided it needed a female singer. The movie is about a single mother taking care of her kids, and dealing with poverty, starring Diahann Carroll in the lead (and also starring James Earl Jones).

One of the hottest female singers at the time was Gladys Knight. “Midnight Train to Georgia” was released in 1973, and Claudine came out in 1974. Pairing up Gladys Knight & The Pips with Mayfield just another great match.

I don’t think this soundtrack gets quite the acclaim of some of Mayfield’s other soundtracks, but it remains a great one. It just fits the movie perfectly. This Criterion article is a pretty good overview of it: How Curtis Mayfield and Gladys Knight Created a Sound for Working-Class Black America

More than anything, Claudine felt like a reprieve; the film, directed by John Berry and released in 1974, gave audiences a compelling alternative depiction of Black life from those about Black drug lords and mafia dons fighting over real estate in the years before gentrification would make such battles even more cartoonish than the films themselves. In the early 1970s, the single Black mother—stereotyped as the “welfare queen,” the lazy woman living off the fat of the land—was already becoming the trope blamed for undoing the Black family and thus the Black community, and the mythical figure would later be cited by conservative politicians like Ronald Reagan as an excuse to roll back public assistance to the poor and working class. Claudine offered refreshing insight into the humanity of those Black women, their children, and their struggles and joys. And the film’s soundtrack, written and produced by Curtis Mayfield and performed by Gladys Knight & the Pips, was a large part of its achievement…

The film opens with the sound of Gladys Knight singing “On and On,” with an urgency that most single mothers understand, on top of images of Claudine struggling to get her kids dressed, fed, and ready for school—and to catch her bus, which she almost misses. In many ways the authenticity of Claudine pivots on the singing of Knight, whose own vocal earthiness made the character all the more real. Knight, simply, was the female voice of the Black working class in the 1970s. Even when she was at Motown, where her group was relegated to the second tier on the company’s Soulsubsidiary label (read: Blackity-Black), Knight’s grounded persona stood in contrast to the frivolity of Diana Ross, the ethereality of Aretha Franklin, and the understatedness of Roberta Flack, to name just a few of her peers. The hit singles from the group’s definitive Motown album, If I Were Your Woman (1971)—“I Don’t Want to Do Wrong” and the title track—could have been slipped into the film without it missing a beat. Their singing resulted in a soulful soundtrack that elevated Claudine to something more than a portrait of so-called Black pathology…

“On and On” opens the movie and is just funky and fun as all get out. A version of it was actually first recorded by The Impressions after Mayfield went solo (as The Impressions still relied on his songwriting even after he went solo). But Mayfield made some changes to it in between, and Gladys Knight’s voice elevates it to a new level as well.

Up next… Those who know Mayfield and have been following my list may have noticed that I have not had any songs from his two most acclaimed albums yet. Finally get to introduce one of those next.
 
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"Sail On, Sailor" by The Beach Boys is a great song, and different sounding than a lot of their songs.
Indeed - sung by Blondie Chaplin,who joined the band for a couple of years in the early ‘70s. Brian was barely involved at this point and Dennis had to take an extended break due to a broken hand.

I’ve been a bit delinquent on my Beach Boys writeups - will try to pick it up down the stretch.
 
17. Summer Song
Album: Mothers Pride (1973)
Writer: June Millington
Lead vocals: June Millington and Jean Millington

Summer Song is a rare example of a Fanny song known to have appeared in concert before it surfaced on record. As befitting such history, it is represented on the playlist by the Live on Beat-Club version.

We know that it was developed around the time of the Fanny Hill sessions, recorded in December 1971, or perhaps shortly thereafter. A demo version, much bluesier than the finished product, appears on the box set positioned next to the Fanny Hill songs. The Beat-Club version was recorded in November 1972, the same month in which the band recorded what became the studio version released on Mothers Pride. This recording was done at Olympic Studios in London and is the only track from the album not recorded at Todd Rundgren's Secret Sound in January 1973, and the only track Rundgren wasn't involved with at all. The song was released as a single in the UK but not the US -- the UK single sleeve credit credits the production to Fanny and Mark Hammermann (and engineering to Glyn Johns and Andy Johns), but the First Time in a Long Time box set gives production credit to Paul Buckmaster and June Millington, the song's writer. (After Fanny, June went on to produce and engineer records for herself and others in the feminist/lesbian music scene, so this song is her first production credit in a long history of them.)

But its performance and production history is not the only reason Summer Song stands out on the Mothers Pride album. It is one of the record's few uptempo rockers and one of the few with a memorable melody. The blissful, breezy studio version suggests the Beach Boys as performed by rocker chicks. But as with many songs, the stage is where it reached its full potential. The pace is quicker, the tempos crisper and the guitar and organ more stinging in both the Beat-Club version and the 1973 Philadelphia version that appears on the box set; of the seven songs from that show, it is the only original. The Beat-Club version is intense enough to be, I dunno, surfcore, while the Philly version shows off some extra solos. Both are more than 1 minute longer than the studio version.

The studio version and 1972-73 live versions are sung by June and Jean Millington in unison, while the demo version is sung by June alone.

Studio version: https://open.spotify.com/track/0iJkE88DkXQ30hsTfXToa8?si=468e6505b81f49df
Philadelphia 1973 version: https://open.spotify.com/track/6ubpiWAPKCKiYxfpRPGuiV?si=91e47250862e4616
Demo version: https://open.spotify.com/track/1wbU1KlUg7LcX8BKhH0Ijx?si=49154d7493da4fa3

At #16, we begin the songs that I think are truly special, and feature a song whose title is cringeworthy but whose music is definitely not.
 
Charlie Dunn

Jerry Jeff wrote this song about a real life bootmaker named Charlie Dunn. The song first appeared on his 1972 album Jerry Jeff Walker. Charlie Dunn worked for about 80 years. JJ himself sported a pair of Charlie Dunn boots. Bob Livingston of the Lost Gonzo Band said, "When Jerry Jeff walked onstage that night at the Troubadour, I knew this guy was way different. Cowboy hat, a funky velvet jacket and some loose bell-bottom pants. When he sat down to play, his pants came up to reveal the coolest boots I’d ever seen. I’d later come to know they were made by a bootmaker in Austin called Charlie Dunn. He would write about it and told Charlie’s story dead on."

Boots made by Charlie were already selling well pre-song, but when the song came out sells surged, and so did the prices and Charlies popularity. Charlie was the artist and mastermind making the boots, but he wasn't making any money off all of the sales. His boss, “Buck” Steiner, was raking in all the money, which Jerry Jeff touches on in some of the lyrics of the song. In ’74, Charlie was making $3.25 an hour for building boots at Capitol Saddlery, while his boss Buck was buying ranches. Charlie asked for a 5 cent per hour raise and was denied. He retired/quit, but he would be brought out of retirement by a man named Don Counts. Charlie was finally rewarded for his hard work and artistry. He lived to the ripe age of 95. He loved JJ’s song about him, and he requested it be played at his funeral and it was. Charlie has an interesting background.

Charlie Dunn, he's the one to see
Charlie done the boots that are on my feet
It makes Charlie real pleased to see me walkin' with ease
Charlie Dunn, he's the one to see
 
STP #17 - Tumble in the Rough
Album - Tiny Music. . . (1996)

OK, we’re taking a break from the sweet songs about love or fatherhood or stuff like that. This is just a jam. It’s Rockin’, it’s catchy, it’s fun.

Fun fact: this is the only song from their studio albums where Scott Weiland wrote both the lyrics and the music.

:headbang:
 

Sweet​

#17 - Funk It Up (David’s Song)​



Producer - Sweet
Writer - Sweet
Chart Positions - #88 in the US
Album - Off the Record
Year - 1977
Lead Vocal - Brian Connolly
Steve Priest Vocal - Backing Only
Notes - This is the weirdest song in the entire Sweet catalog. But it is a tribute to David Bowie due to the artists chameleon like nature. Sweet thought the best way to pay tribute to that was to do a song that no one expected. The first 3 singles from the album stiffed and some brave soul thought they would give it a release in North America. Well at least it charted.

Heres Andy Scott following the death of Bowie in 2016
To say Bowie was unique is an understatement,” said Andy, who was on the RCA record label at the same time as Bowie.”
“We first met him in early 1971 at RCA’s London office, having signed in late 1970.
“I remember seeing several new albums – Elvis’s greatest hits, a reworking of Neil Sedaka which was brilliant and Bowie’s Hunky Dory.
“I took it home and couldn’t stop playing it.
“I thought: ‘This is phenomenal. Great songs and not exactly over produced.”

The Sweet and Bowie went head to head at the top of the charts in January 1973 – with rival songs that effectively shared the same guitar riff.
But while Blockbuster got to No 1, The Jean Genie peaked at No 2, having first been kept off the top by Jimmy Osmond’s Long Haired Lover From Liverpool.

“In 1972 with Wig Wam Bam, we were in the same make-up room as Bowie who was about to his give his legendary Starman performance.
Our bass player, Steve Priest, began dressing up like a woman, literally, whereas me and drummer Mick Tucker were like the ugly sisters.
“Singer Brian Connolly was less comfortable but we were going completely over the top.

Andy said Bowie’s early sound influenced some of Sweet’s legendary, self-penned heavy rock B-sides to the point they even wrote a song in his honour.
“The sound we had on Rock n Roll Disgrace (B-side to Ballroom Blitz) epitomised early David Bowie,” said Andy.
“I think me and (Bowie’s guitarist) Mick Ronson had similar ideas.
“After Fox On The Run got to No 2 in 1975 we were then looking for what to do next – I now admit that Bowie’s Suffragette City was the inspiration for our 1976 single, Action.
“As I understood it, Bowie had offered the song to Mott the Hoople and they’d turned it down about a year before All The Young Dudes. We would definitely have recorded it!

In 1977, our album Off The Record featured a song called Funk It up (David’s Song) with lyrics like “David was dancin’ with Charley standing in line, in the wings... spotlights are blinding like stars shooting down on the man who fell to earth.”

Next Up - We say goodbye to the post Brian Connolly era with the last MOR sounding song. Its a beautifully structured song, but boy the lyrics suck.
 

Chvrches​

#17 - Bury It (featuring Hayley Williams)​



Producer - Chvrches
Writer - Chvrches
Album - Every Eye Open
Year - 2015
Notes - Every Eye Open proved to be a very successful second album for Chvrches and a tough decision had to be made for the 5th single almost a year after the album was released. Paramore front person Hayley Williams had performed this track with the band as the situation arose live and a remix was worked on with her joining the band on an official release. Film clip is quite interesting too. Not sure theres too much difference between the version with Williams and without, but its a great song

Next Up - We return to the Love is Dead album with a cracking song
 
Blue October-OZ-All that we are

From their ninth album, I Hope You're Happy released on my birthday (August 17), 2018

An exploration of enduring love and the emotional challenges that come with it. The lyrics paint a vivid picture of a journey, both literal and metaphorical, as the protagonist finds themselves on a train, reflecting on their significant other. The imagery of 'charcoal and steam' evokes a sense of nostalgia and a longing for connection, while the recurring thought of their partner underscores the depth of their feelings. The line 'You see, I find you in places like sunsets and melodies' suggests that the presence of their loved one is felt in the beauty of everyday moments, highlighting the profound impact they have on the protagonist's life.

The song delves into the complexities of maintaining a relationship over time and distance. The chorus, with lines like 'But if breathing's harder as we get farther,' captures the struggle of staying connected when physically apart. Despite the challenges, the protagonist's commitment is unwavering, as they express a willingness to endure any hardship for the sake of their love. The repetition of 'I'll take another one for you' signifies a readiness to face any obstacle, emphasizing the strength and resilience of their bond.

I'm back on the train, to find me another one
Charcoal and steam, and you on my mind
You see I find you in places, like sunsets and melodies
I'm cold, when it storms, you're my summer fire

But if breathing's harder
As we get farther
Forecast weather divine
But if waiting's torture
I'll take another one
For you I'll take another one
You're still on my mind

I'm halfway asleep, I feel you right next to me
The sound of your heartbeat, well it keeps me awake
Oh baby, just as you are, God you're a sight to see
And every part of me is wanting you more
 
Belle and Sebastiankupcho1Get Me Away From Here, I'm Dying
Finally, a 2nd selection from an album (in this case, If You're Feeling Sinister)!

Get Me Away From Here, I'm Dying is a cheerful little ditty that seems to bring out the worst in people (at least those brave enough to put an "essay" on-line about it).
During a period of some despair, involving a girlfriend with a drug habit, Midwestern winters and the realization that I didn’t really want to write a PhD dissertation, this wee slip of a song came flitting through my radio.
Fortunately, the song gave him the courage to leave his drug addicted girlfriend (don't panic, although DFW might have opined otherwise, it was only weed). Apparently, his relationship was akin to slavery, and Get Me Away From Here, I'm Dying taught him to "read."
Not to stretch an analogy but I think that slave-owners frequently tried to prevent slaves from learning to read and write because they were afraid that once their chattel was able to articulate their oppression, they would revolt. Upon hearing the line, “Get me away from here, I’m, dying,” I realized I felt that way too, and that the only solution was to flee.

I did find a better read on the song (lyricslayers):
Belle and Sebastian's 'Get Me Away From Here I'm Dying' is a poignant exploration of existential angst and the search for meaning in a seemingly indifferent world. The song opens with a desperate plea for escape, setting the tone for a narrative steeped in melancholy and introspection. The protagonist yearns for a song to set them free, lamenting the loss of the golden age of songwriting, and feeling compelled to fill that void themselves. This sentiment reflects a broader disillusionment with contemporary culture and a longing for a more authentic, emotionally resonant past.

Ooh! Get me away from here I'm dying
Play me a song to set me free
Nobody writes them like they used to
So it may as well be me
 
The Beach Boyszamboni"Here Today"
One of the most ambitious tunes off Pet Sounds, “Here Today” marks another shift to darker lyrical themes written by Brian and Tony Asher. Warns the listener to beware of his newfound love and prepare for the heartbreak that will occur, ultimately revealing himself to be her ex-boyfriend.

The song also has an innovative instrumental middle section that proved to be quite influential. Per Wiki:

Blood, Sweat & Tears founder Al Kooper, whose favorite album of all time is the 1997 box set The Pet Sounds Sessions, said that "Here Today" inspired the organ break in his band's 1969 hit "You've Made Me So Very Happy", as well as his songs "I Can Love a Woman" (1968) and "Lucille" (1969). Motörhead founder Lemmy Kilmister regarded "Here Today" as "quite innovative" and would perform the song at clubs early in his career. Musician Lenie Colacino argued that the bass part was a direct influence on Paul McCartney's bass-playing on "With a Little Help from My Friends" and "Getting Better" from Sgt. Pepper's Lonely Hearts Club Band (1967).
I was so hoping to find a clip of Lemmy performing it, but no dice.
 
18. Question (A Question of Balance, 1970)

While the Moodies were on a roll in the studio, the number of original songs they could play live was dwindling; as a reminder, only one song on their last album, Gypsy, made it to their live act. As a response, they stripped down the high studio production with their next album, A Question of Balance.

The first side of the album sets about asking questions, hence this first track, and the second side sets about finding answers and appropriately ends with a song called 'Balance.' Mike Pinder further elaborated on the band's mindset going into writing the songs: "We were all getting married and having kids. That was really the difference. We'd settled down. These are not songs that we made up out of thin air. These are all songs that we lived. They were all songs about how we can be better, the kinds of things we can leave behind and move forward. The planet earth has its problems, and people live in the left side of their brain. And the right side of the brain is where creativity takes place. Ingenuity, ideas, concepts — all those things come through on the right side of the brain. I've always looked at it that way, from a spiritual point of view, as opposed to a religious point of view. There's a vast, vast difference. And so the emotions were really all about love and peace and everything, but also about intelligence and about consciousness. Trying to wake people up from bad habits. Bad habits in my book are something that hurt other people, innocent people."

Question is the lead-in track of the album and is the product of Justin Hayward, under a deadline, putting together two incomplete compositions written in the same key yet unrelated in theme. The first part is very much a protest song, inspired by the mostly college-aged crowds they interacted with at their shows during their tour of the US. The slower 'love song' segment, per Hayward, works in the song as a reflection on the frustration voiced in the first part as well as expressing hope for the future.
 
Well there are 31 artists in this exercise, but only 29 songs on the Spotify playlist, so I expect a lot of skips to get me to 5 I haven't commented on previously. Also, I think if I do this correctly, there will be one last artist (probably one with the sparsest Spotify presence) that gets its own review.

Start the randomization and ... first up is Belle and Sebastian. Let the skipping begin

The Beach Boyszamboni"Here Today"

I know it's a little obscure, but Pet Sounds is a pretty strong album. Seriously. I'd go so far as to say that there's a few other songs from this album I'd include in my top 31 as well.
Here Today would certainly be one of them.

SweetJohn Maddens ****ing LunchboxFunk it Up (David’s Song)

This is not a sound I expected from Sweet. I almost inadvertantly hit skip too quickly as I was sure it was EW&F. Great groove. I've got to imagine that there were a lot of bitten underlips when this came on back in the day.

Brian SetzerMrs. RannousDrive Like Lightning (Crash Like Thunder)

I've been a huge Setzer/Stray Cats fan since way back, and appreciate his evolution. This is one I was not familiar with and love it. Some very powerful guitar.
Top notch!

Kenny ChesneyMACBetter as a Memory

I'm not much of a country music fan. I like some of the older stuff (e.g., Cash) but most of it just leaves me cold.
This one isn't too bad, other than the twangy voice, it really doesn't sound like a country song. I think a different singer with the exact same musical arrangement would make this something else entirely.
Anyway, I didn't hate it. The lyrics are pretty good.

Susanna HoffsZegras11Be With You

Dodged a bullet here as I was hoping she'd come up with something other than a cover (which seems to be the vast majority of selections so far).
I like the Bangles. I think they're vastly underrated. I'm looking forward to seeing more of them as the digits get smaller.
 
17's PLAYLIST

The Slambovian Circus of DreamsYambagThe Grand Slambovians
NOT ON SPOTIFY PLAYLIST

Playing off the title, here is some background on Joziah, the “lead shaman” of and Grand Slambovian: Born in Philadelphia, PA, Joziah Longo grew up playing traditional country, folk and mummers music with his father. Performing professionally from the age of 13 doing Dylan covers, he eventually moved to New York to pursue his muse. Playing venues ranging from CBGB’s to Carnegie Hall in the 90s, Joziah was also in the first American band invited to perform in mainland China, effectively ending a decade-long ban on Western music. Longo was also commissioned by Broadway’s Circle in The Square Theater in New York City to write songs for 2 original musicals with Broadway's legendary director, Theodore Mann. He is currently working on "The Book of Better Things" - a tribute to Chinese immigrants who came to America, helped build the railroads, and made contributions to our nation's early history.

Here is the Spotify album version: https://open.spotify.com/track/0Mbllf4GG8ChuT5WjOi4eS?si=5958b5df4351449b
 
Tin Foiled live


I think this is the only cover song in my selections, and it's from the album Things Are Really Great Here, Sort Of..., an album exclusively of Handsome Family songs (there's a deep dive waiting to happen).

And more Tift Merritt too. Any recommendations on her work, @simey.

And that sweet, sweet, steel pedal. Can never, ever get enough
 
17.
Sunset Soon Forgotten- Iron and Wine
from Our Endless Numbered Days (2004)


Be this sunset soon forgotten
Your brothers left here shaved and crazy
We’ve learned to hide our bottles in the well
And what's worth keeping, sun still sinking


this is a song that captures, so beautifully, the faint echoing memory of a time you remember simply for its ordinariness, or because for one reason or another it occurred to you that you might someday forget. We don't remember every sunset live through, but there are the occasional that are symbolic to us for some reason or just because it's that damn beautiful
 
Ronnie James Dio #17
Artist: Dio
Song: I Could Have Been a Dreame
r (off Dream Evil, 1987)

(Official Music Video) Dio - I Could Have Been A Dreamer

We take away tomorrow
And never see the end of today
Lock it up and send it away
Forever


I’ll have a few more songs from the Dream Evil album to talk about it, but suffice it to say that I’ve listened to this album a ton. Even compared to most of the 1980s albums that had Dio involved. So #17 almost feels low… until I glance at the mountain ahead.

We have another video for this, though it’s pretty standard 80s fare. Many shots of the band interspersed occasionally with images from some random woman’s dream. The song’s carried well by Jeff Goldy on guitar with support from great drum work by Vinny Appice. Plus of course there’s Dio, right in his stride. The structure’s pretty straightforward and the lyrics feel disjointed in a way that makes you wonder if it’s intentional (talking about dreams/goals, and all). Eh, whatever. It’s a great sound and it sticks with you – or at least me – and that’s what counts.


Next up on the countdown, I could believe it, though the wiki says it was New Hamphsire.
 
Known and liked songs from the #18s include Moody Blues (one of my favorites of theirs), STP, Ferry, Beach Boys, Hoffs (again because I listened to the covers albums recently), Cure and EWF.

Thoughts on some of the others:

The Tea Party's Gyroscope sounds like another MAD 3 band, Stone Temple Pilots.

A.C.D.C. has clever double-entendres just like the band of the same name.

I like how the bass drives No Spill Blood, and the guitar solos are excellent. This version is "live" but there seems to be a hell of a lot of post-production tinkering with the drum sound. Ah, the '80s.

Glide is another example of Mitski sounding like a more lively Lana del Rey.

The Slambovians provide the countdown's second cover of I Put a Spell on You, throwing in a bit of Yer Blues. Both this and Ferry's version are spellbinding in their own ways -- this arrangement is a bit closer to the original.

Back to Living Again does a great job of capturing but updating the classic Mayfield sound, especially the guitar. And Aretha's presence is always welcome.

The synths and vocoder on Strand of Oaks' Communication give me Neil Young Trans vibes. Here's the rub, I think Trans is an underappreciated album.

Some Devil is a good example of how powerful a song can be with just a guitar and a voice if the performance is on.

Touch of Evil is an excellent snapshot of metal circa 1990. Same with Master of the Moon for metal in the early '00s.

An American Prayer is the one Doors-related recording I haven't heard, because I have always been more interested in the Doors as a band than as a vehicle for Morrison's poetry. But I like the groove on Ghost Song, and I especially like what whoever played bass is doing. (Wiki says it's Bob Glaub.)

Out of My Head has a great melody and chorus.

A Nervous Tic Motion of the Head to the Left is quirky and catchy.

The music of Racer-X really does feel like racing.

Don't Push Me Around is a fist-pumping '70s rocker, I can't get enough of those.
 

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