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Middle Aged Dummies!! Artists #1's have been posted!! (2 Viewers)

If anyone ever asks you define “the Jersey Shore Sound” just point them to Sherry Darling.
Although it’s a pretty unlikely scenario.

it's a damn goodt tune, but invokes more of the City feel for me - my old Hell's Kitchen hood, to be exact - great driving tune.

i'd nominate Soufside Johnny as being more emblematic of Salt Water Taffy, Lucky Leo's, Jenkinsons, LBI, etcetc

but both work in context.
 
If anyone ever asks you define “the Jersey Shore Sound” just point them to Sherry Darling.
Although it’s a pretty unlikely scenario.

If somebody asks about the Jersey Shore sound this century, they're probably thinking more along the lines of these chooches

 
Soufside Johnny
Sure - my second choice would be “I Don’t Wanna Go Home” by Johnny as written by Little Steven.

I was sitting at an outside bar in Asbury once and an older couple sat down next to me. I struck up a conversation and found out they were from Cleveland. They were part of some Southside Johnny club that tours around the country with him (like Dead Heads) - and seeing him at the Stone Pony was on their bucket list - they were there to see him that Saturday night. Go figure.
I actually went to that show. It was fun - like one giant party. It helped Charlie Watts had just passed so they played five Stones songs but it was a good show overall.
I also know why he’s called Southside - because Asbury has a North and Southside - broken up by Convention Hall. I’m on the Northside. Northside Sally.
 
Soufside Johnny
Sure - my second choice would be “I Don’t Wanna Go Home” by Johnny as written by Little Steven.

I was sitting at an outside bar in Asbury once and an older couple sat down next to me. I struck up a conversation and found out they were from Cleveland. They were part of some Southside Johnny club that tours around the country with him (like Dead Heads) - and seeing him at the Stone Pony was on their bucket list - they were there to see him that Saturday night. Go figure.
I actually went to that show. It was fun - like one giant party. It helped Charlie Watts had just passed so they played five Stones songs but it was a good show overall.
I also know why he’s called Southside - because Asbury has a North and Southside - broken up by Convention Hall. I’m on the Northside. Northside Sally.

or, my favorite, "Talk to Me" ... maybe even "Trapped Again" - no shortage of prime cuts outta SSJ.

how long have you been in AP? the reno, in earnest, started about 20 yrs ago?

btw, very cool story about the SSJ & the Pony - do you remember summer of 2001(?), when "Holidays in the Sun" festival played there? punx from all over the world hit the boardwalk that weekend - was a riot ... kinda for real.
 
Keith was mostly the rhythm guitarist - and song writer.

Actually crossed my mind as I was writing it down (that Keith wrote songs that included rhythm and he played rhythm) but I don't know the Stones well enough, so I went with the traditional "better/more established guitar player played lead," etc., though that is maybe a shot at Brian Jones -- so who knows?

I'm certainly not a Stones expert, as you know. That's why I liked your countdown so much. :)
 
Keith was mostly the rhythm guitarist - and song writer.

Actually crossed my mind as I was writing it down (that Keith wrote songs that included rhythm and he played rhythm) but I don't know the Stones well enough, so I went with the traditional "better/more established guitar player played lead," etc., though that is maybe a shot at Brian Jones -- so who knows?

I'm certainly not a Stones expert, as you know. That's why I liked your countdown so much. :)
In the Jones era there wasn’t much soloing or anything to really distinguish lead/rhythm. He probably played some lead then (on Sympathy most famously) but a lot of early songs featured the slide guitar and that was Jones, and they relied more on Jones generally- with his eclectic experimental instruments.

With Mick Taylor, he took a back seat. Really there was no choice. Mick was just better.
 
Kevin Haskins (drumner) has been his usual solid self ... cat has a very distinct style of playing, both sonically & physically - reminds me a ton of Charlie Watts in those respects (so maybe not as distinct, but rare enuff) - not a big banger or a pounder or a sledge - but can groove and swing and duck and fill with deft precision - achingly versatile, if not understated, for the most part.

much like Charlie, he keeps impeccable time, answers every shape shift - and, most importantly, keeps that bass well within reach at all times.

the Haskins are a criminally unsung backbone in the annals of all music, not just the goff genre, of which they were the kings.

The apple doesn't fall frherom from the tree. Haskins' daughter Lola Dompe plays the drums for LA girl group Automatic.

another daughter, Diva, took to the bass for the Poptones gigs a few years back ... she name dropped her sister's project in this interview, and also spoke of her own work.

the 'haus universe are pretty neat, eh? the lads look great, btw, all things considered (circa 5 or so yrs ago)
 
Today I learned that my blues guitarist cousin was nominated for a Grammy at some point. He posted a gig flyer on Facebook promoting him as “Grammy-nominated blues guitarist [stage name]”.

He played with Junior Wells for a few years in the ‘90s until Wells’ death, so it might’ve been from that, but I don’t know because he doesn’t tell the family much of anything. I didn’t learn he had fathered a daughter until a few years after she was born. :laugh:
 
18's PLAYLIST

#18-
Todd RundgrenNew Binky the DoormatTime Heals
Jorge Ben JorDon QuixoteMinha Teimosia, uma Arma pra te Conquistar

Brandi CarlileJB Breakfast ClubHarder to Forgive - By the Way, I Forgive You
https://open.spotify.com/track/3FaEoHRnoDkK32rWTdkbyv
The PoliceZegras11Driven To Tears
Modest MouseThe Dreaded MarcoInterstate 8
GenesisYo MamaMad Man Moon
Stevie Ray VaughanSullieLife Without You
The Decemberistskupcho1The Mariner's Revenge Song
...And You Will Know Us By The Trail Of DeadplinkoCatatonic
Lost Songs (2012)
The KinksGalileoDestroyer (1981 - Give the People What They Want)
RushhigginsWorking Man
Sigur RósScoresmanOlsen Olsen - Ágætis byrjun - 1999
Donald FagenCharlie SteinerThe Nightfly
Green DayMAC_32American Eulogy: Mass Hysteria/Modern World
Big ThiefIlov80sTime Escaping
Daft Punk rockactionTechnologic (Radio Edit)
Taylor SwiftJpalmerconey island
Elliott SmithTuffnuttPitseleh

ChicagoPip's InvitationDialogue Parts I & II
The StranglersJohn Maddens LunchboxStrange Little Girl
Ryan AdamsDr. OctopusThis Is It
Stevie WonderUruk-HaiWhat's That You're Doing
SladeMrs. RannousDapple Rose
PhishshukeFuego
Electgric Light Orchestra (ELO)jwbSo Fine
Frank BlackMister CIAIn The Time Of My Ruin
Clutch Raging Weasel Nero's Fiddle
Dinosaur Jr. KarmaPolice I Want You to Know
Warren ZevonworrierkingCharlie's Medicine
Allegedly a true story. WZ claims he actually did pay his bill to Charlie's sister.
Alice in ChainsMt. ManThem Bones
QueensnellmanYou're My Best Friend
AC/DCfalguyCan't Stand Still
The Hold SteadscorchyUnpleasant Breakfast
Damon AlbarnEephusGorillaz (feat. Adeleye Omotayo) --- Silent Running
Ray Charlessimey
Doveslandrys hat10:03
SpoonHov34The Hardest Cut

Foo FightersJust Win BabyMiracle
Simon & Garfunkelzamboni"At the Zoo"
Bruce SpringsteenDrIanMalcolmTunnel of Love
The ProdigytitusbrambleOne Love (12" Mix)
Bauhausotb_liferThe Three Shadows Part II
HeartDoug BCity's Burning
The Tragically HipNorthern VoiceLooking for a Place to Happen
deadmau5zazaleSuckfest9001
Elton JohntimschochetHonky Cat
 
Ryan AdamsDr. OctopusThis Is It
@otb_lifer commented on another song that the song reminded him of Paul Westerberg.

I was big into alt-country in the 90s, as I’ve said, but somehow Whiskey Town escaped me. I read about Adams and decided to give his new album a try and purchased my first Ryan Adams CD “Rock N Roll”.

I came for the alt-country and stayed for The Replacements. This album greatly departed from his roots and had an indie feel and there was some clear channeling of Mr. Westerberg thru the album. We’ll get two more songs coming up to further “prove” it.
 
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Genesis #18 - Mad Mad Moon

Album - A Trick of the Tail
Year - 1976


Such a beautiful song - with powerful and sorrowful vocals from Phil, and with Tony Banks traveling to another planet halfway through.

This is a song about leaving something good in the search of “better”, and that the want for more is of our own creation and follows us no matter how green the grass is.


Was it summer when the river ran dry,
Or was it just another dam.
When the evil of a snowflake in June
Could still be a source of relief.
O how I love you, I once cried long ago,
But I was the one who decided to go.
 
I was walking along minding my own business grooving to the funky funky bassline in Chicago's Dialogue Pt. I getting myself warmed up for the yeah yeah yeahs in Pt. II when it segued in the Decemberists' sea shanty song. Nothing against the Decemberists or sea shantys but it was very abrupt.

Shuffle with care people.
 
18. Them Bones (off Dirt, 1992)

Dust rise right on over my time
Empty fossil of the new scene


Official Video Alice In Chains - Them Bones
Live Version

Ah! Checking in at a shade shy of two and a half minutes, Them Bones has to grab you early or not at all. Appropriate to put this as Dirt’s opener, as a partial taste of what’s to come. High tempo, highly charged, and surprisingly catchy for a song about (accepting) one’s mortality.

Them Bones has proven to be a song that requires the right mood (maybe the right… enhancements, too? I don’t know. I’ve largely been straight edge). It fluctuated from me considering it for the top ten to pondering if it would make the top 31 (though it was never out). It’s hard to pin down exactly why it took such a rollercoaster ride, but it did.

And yes, this is the shortest song on this countdown. Sorry to anyone hoping that Iron Gland would make my Top 31. Or even really Top 90 (of 94).

Next on the countdown, a song I hope those sitting at their desks aren’t upset about.
 
18 Sigur Ros - Olsen Olsen - 1999

A Sigur Ros song you can pronounce! It's funny. Sigur Ros writes these dreamy, epic sounding songs and for a lot of them there really isn't much meaning behind the song title or lyrics. This one is named after a street policeman. Olsen Olsen is also the name of a candy bar. This is another where a lot of fans have used it as a wedding song. If they only knew it was written about a cop or a snack.

Anyway, this is a song of two parts. The first part is dreamy, ethereal with a cool bass line and will make you say "Oh hey yeah this is a Sigur Ros song!" The second part then comes in with great drumming backing a local men's choir belting out the song's main tune, a tune that you may be whistling for the rest of the day after hearing it. The song is typical of early Sigur Ros , no lyrics, no fuzz, just a feel-good atmosphere.
 
the lads look great, btw, all things considered (circa 5 or so yrs ago)

Peter went back into rehab last year

works of art
with a minimum of steel
pure sensation
my beautiful downgrade - going to hell again


^ above from #21 "Silent Hedges", wherein Huxley rubs elbows with smack.

we love ya, Petey - been a long and harrowing road.

STAY UP! 🤘
 
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18.
Pitseleh- Elliott Smith
From XO album

The first time I saw you
I knew it would never last
I'm not half what I wish I was
I'm so angry
I don't think it'll ever pass
And I was bad news for you just because
I never meant to hurt you


Pitseleh is a Yiddish word that means Little one. I like to think that the theme of this song is an homage to Lennon's Jealous Guy (which he often covered) Its a song, not so much about unrequited love, but about being loved by someone who loves you, but knowing they’re only in love with who they think you are. And that you can only ever fail them and hurt them. Its a song that Elliott rarely played life... it called it too long and boring. But I find it amazing... in fact I'm questioning my ranking of it this low. when he says "no one deserves it" and the piano comes in... that just hits.
 
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I was walking along minding my own business grooving to the funky funky bassline in Chicago's Dialogue Pt. I getting myself warmed up for the yeah yeah yeahs in Pt. II when it segued in the Decemberists' sea shanty song. Nothing against the Decemberists or sea shantys but it was very abrupt.

Shuffle with care people.
There is a combined Spotify track but it's the single version that shaves 2 minutes off: https://open.spotify.com/track/6FYcpCjvjTFlKRSSmh13lX?si=1ddd4d98463848b6
 
18. Dialogue (Pt. I & II)
Album: Chicago V (1972)
Writer: Robert Lamm
Lead vocals: Terry Kath and Peter Cetera
Released as a single: Yes (US #24; both parts were fused together and about 2 minutes were cut)

Robert Lamm wrote a number of political songs in Chicago's early years, and this one may be the most overt. The first part of "Dialogue" is what it says it is: A conversation between two college students, one played by Terry Kath, who is obsessed about all the ills of the world and how to fix them, and one played by Peter Cetera, who thinks that "everything is fine" and likes to get high. They share their perspectives and then come to an understanding, where Kath says the talk "eased my mind" and Cetera says "if you had my outlook, your feelings would be numb". This sets up the second part, where basically everyone holds hands and sings kumbaya, with up-with-people-type lyrics such as "we can make it happen," "we can change the world now," "we can save the children," etc. This is all set to a musical arrangement that is very easy to digest -- Part I sounds like a Jackson 5 outtake, while Part II is a wave of sound driven by electric piano, bass and horns that you just want to ride. The guitar solo halfway through Part II is as good an example as any of Kath's unique style.
The song hit #24 on the Billboard charts, which reflect sales and airplay, and #17 on the Cashbox charts, which reflect sales only, which suggests that some radio programmers avoided it because of the political and/or drug content. But perhaps because of the message, the song has appeared in live sets consistently throughout the band's career (including in their shows this year). And it was one of only three songs discussed in-depth in Robert Lamm and Lee Loughnane's interview with Dan Rather, in which all agreed that the song's lyrics are still relevant today.
Chicago V was the band's first single album and its first to hit #1. Between this and the presence of Saturday in the Park, the band's biggest and most radio-friendly hit up to that point, the perception is that it is the point where the band became more commercial and less experimental. But that's not really true. Most of the rest of the album is musically complex and jazz-oriented. Saturday in the Park is the exception, not the rule. There's a reason why for the album's second single, the label edited down a seven-minute two-part suite to five minutes: Absolutely nothing else on the record after Saturday in the Park and Dialogue is even remotely AM radio-friendly. In that way, plus the writing being dominated by Robert Lamm (who penned seven of the nine songs), it may have more in common with the debut album than any other. Chicago's '70s formula began with VI, not this album.
Live version from 1972: https://www.youtube.com/watch?v=ofu-CSJ0UN8
Leonid and Friends version: https://www.youtube.com/watch?v=PHUf2VRNA7M

At #17, a song about winter from a band whose songs often evoke summer.
 
Random thoughts about some of the #18s I already know:

Time Heals is the one pop song from one of Todd's odder albums*, the spacey and spiritual Healing. It's notable for having a music video that was very innovative for its time (but looks totally cheesy today).
Driven to Tears is another banger from Zenyatta Mondatta, and has what may be Andy Summers' best guitar solo (there weren't many of them).
Mad Man Moon has very much the same vibe as Ripples -- if you liked that one, you'll like this one.
Destroyer is one of the Kinks' most energetic tracks and ended a frenetic sequence at the show I saw in 1990: State of Confusion -> (Wish I Could Fly Like) Superman -> Destroyer.
Working Man is the best example of early Rush's Zeppelinisms. There was great controversy when Ghost Rider left it out of his top 50 in his Rush countdown.
The Nightfly is Donald Fagen playing a character in a way he rarely did on Steely Dan albums, and doubles as an homage to the jazz records he loves.
Fuego may be Phish's best post-reunion song. It has the epic sweep of their most ambitious early material but the discipline of a veteran band.
Them Bones is a fist-pumper and one of the major reasons why I got into AIC.
You're My Best Friend has an incredible melody and sentiment. And the blasts of guitar from Brian May at the end are just triumphant.
Hit the Road Jack may be the best example of how Ray's personality shone through in his music.
Tunnel of Love is one of my favorite Springsteen songs. Great melody and arrangement, and few Bruce-isms that get on my nerves.
City's Burning is a ferocious rocker. It was one of the first Heart songs I was exposed to, as its video was played on MTV in its early years.
Honky Cat's biggest strength is the way the horns play off Elton's piano.

* - Eephus would say it's not from Healing, as it was not included on the LP but was the A-side of a 45 that was packaged with it. It (and the B-side, Tiny Demons) do appear on the cassette and CD versions.
 
Foo FightersJust Win BabyMiracle

Miracle is the fourth song I chose from the In Your Honor album, which I described in a previous post. This song is the second I chose from the acoustic disc of that double album.

In addition to the regular band members (Grohl, Mendel, Shiflett, and Hawkins), John Paul Jones (yes, that JPJ) plays piano on the song, and Petra Haden plays violin.

In 2023, Consequence of Sound ranked what they characterized as all 156 Foo Fighters songs up to that point, ranking Miracle #16. Here is an excerpt from their writeup:

Just because a song is quiet doesn’t mean it can’t have forward motion, and that’s why “Miracle” works so much better than many of the other tracks on In Your Honor’s second disc. Much of the credit goes to John Paul Jones. By bringing in Led Zeppelin’s bassist, the Foo Fighters add an extra bit of drive. So what if he’s playing piano and not bass? This is a man who, to put it lightly, obviously knows a thing or two about rhythm, which translates to several different instruments. His presence gives “Miracle” a quiet power.

In 2014, the Foos spent a week long residency on the Late Show with David Letterman. Here is an article about one night during that residency when they choked him up with this song. Here is a video of that performance.

Here is a cool video where the song is paired with scenes from The Man Who Was Never Born, an episode of The Outer Limits.

Here is the Foos list revealed so far:

RankSongAlbumYear
18MiracleIn Your Honor2005
19Skin And BonesSkin And Bones2006
20WalkWasting Light2011
21What If I Do?In Your Honor2005
22Stranger Things Have HappenedEchoes, Silence, Patience, And Grace2007
23I Should Have KnownWasting Light2011
24Learn To FlyThere Is Nothing Left To Lose1999
25Best Of YouIn Your Honor2005
26AuroraThere Is Nothing Left To Lose1999
27End Over EndIn Your Honor2005
28What Did I Do / God As My WitnessSonic Highways2014
29Let It DieEchoes, Silence, Patience, And Grace2007
30RunConcrete And Gold2017
31Iron RoosterSaint Cecilia EP2015
 
The Nightfly is the title track to Donald's first solo album and is the second song from it to appear on my list.

Thanks to the previous entry from this album, I.G.Y., we know we've taken a trip back to young Donnie Fagen's childhood, smack dab in the middle of those feel good about America and positive about the future Eisenhower years. In that song, we also learned that Donnie was imbued with a sense of optimism about the future, and I think having a character like Lester the Nightfly filling his nights with glimpses of America's whacky and offbeat side was pivotal in shaping the young man's dualistic outlook on life.

At first, I thought of the great Jean Shepherd as the inspiration for this character, but with a little digging, I also found another possible source: one Long John Nebel. Never heard of him before so I can't make a firm connection, but the time frame and lyrics make it at least plausible. Maybe our resident silverback @otb_lifer has heard of him?
 
So Fine

One of my favorite ELO tunes. After a false start or two, it turns into a jaunty little number with a nice bass line. Then, because it's ELO, halfway through it completely shifts gears and becomes (literally) jungle bongos with strings, before going back to the jaunty song. On the album, the ending keyboard fade goes right into the violin on Livin' Thing, which is awesome.
 
#18 - The Stranglers - Strange Little Girl


Year - 1982
Album - The Collection 1977-1982
UK Chart position - #7
Vocals - Hugh Cornwell
Key Lyric - She didn't know how to live in a town that was rough
It didn't take long before she knew she had enough
Walking home in her wrapped up world
She survived but she's feeling old
And she found
All things cold

Interesting Points

1- There is a 5th songwriter credited here called Hans Wärmling. He was the keyboardist before Dave Greenfield. He co-wrote 3 songs, but this was the only one to see the light of day. It didnt see the light until the band needed a song for their greatest hits collection, 1977-1982. This one was dug up and redone.

2- Wärmling, who was a Nurse, met Hugh Cornwell while he was doing his Post Grad in Sweden. Wärmling needed 500 songs translated into English and he and Cornwell became close friends.

3- Wärmling left the band in 1975. The band had to do covers to get gigs and he drew the line at having to learn TIe a Yellow Ribbon Round the Old Oak Tree. He returned to Sweden immediately. Dave Greenfield answered an ad in Melody Maker and the rest is history. Wärmling died in a boating accident in 1995.

4- Tori Amos released a cover of this and named her concept album Strange Little Girls. Many big name artists were covered on this album such as Depeche Mode, Neil Young, the Beatles, Eminem, Slayer, Tom Waits, 10cc and Lloyd Cole

5- The 1982 video features girls walking around London dressed as Punks. A far cry from 1977

Summary to date
Year


1977 - 4
1978 - 3
1979 - 2
1980 - 0
1981 - 1
1982 - 1
1983 - 0
1984 - 2
1985 - 0
1986 - 0
1987 - 0
1988 - 1
1989 - 0
1990 onwards - 0

Where to find
Rattus Norvegicus - 4/9
No More Heroes - 0/11
Black and White - 1/12
The Raven - 2/11
The Gospel According to the Meninblack - 0/10
La Folie - 1/11
Feline - 0/9
Aural Sculpture - 2/11
Dreamtime - 0/10
All Live and All of the Night - 1/13
10 - 0/10
1991 onwards - 0
B Sides - 0
Greatest Hits - 1
Standalone Single - 2

Running Vocal Count
Hugh Cornwell - 8
Jean-Jacques Burnel - 6
Other - 0

Rundown
#31 - Walk on By
#30 - Ugly
#29 - All Day and All of the Night
#28 - Meninblack
#27 - Goodbye Toulouse
#26 - Princess of the Streets
#25 - Sweden (All Quiet on the Eastern Front)
#24 - Duchess
#23 - Sometimes
#22 - La Folie
#21 - North Winds
#20 - No Mercy
#19 - 5 Minutes
#18 - Strange Little Girl

Next we have a B-Side. Why is it this high? Find out soon
 
Time Heals is the one pop song from one of Todd's odder albums*, the spacey and spiritual Healing. It's notable for having a music video that was very innovative for its time (but looks totally cheesy today).
Indeed - the 8th video played on MTV on opening day of August 1, 1981. For the trivia buffs:

1 "Video Killed the Radio Star" - The Buggles
2 "You Better Run" - Pat Benatar
3 "She Won't Dance With Me" - Rod Stewart
4 "You Better You Bet" - The Who
5 "Little Suzi's on the Up" - Ph.D.
6 "We Don't Talk Anymore" - Cliff Richard
7 "Brass in Pocket" - The Pretenders
8 "Time Heals" - Todd Rundgren
 
At first, I thought of the great Jean Shepherd as the inspiration for this character, but with a little digging, I also found another possible source: one Long John Nebel. Never heard of him before so I can't make a firm connection, but the time frame and lyrics make it at least plausible. Maybe our resident silverback @otb_lifer has heard of him?

my Uncle Nicky were a huge fan ...

but, yeah ... as kids, we felt like this were the most subversive s*** we could be exposed to - it were very hard commandeeering the radio for me, what with three brothers and mom in a 4 room apt ... was too young to buy my own transistor, though i did finally get one for Christmas - but the battery drain made that very tough to upkeep - one of my best buddies had 5 older brothers, all kookier than the next, and one of 'em would tape the show intermittently ... we group listened to the cassettes only a handful of times, as LJN shuffled off while we were very young.

when i finally discovered Art Bell i felt like it were a sort of homecoming (oh ... hai, Bono) - all love for MiTD rooted back in that 48th St. apartment - always remembered.

Cousin Brucie, Ron Lundy, Dan Ingram, Allison Steele, Dennis Elsas - them NY radio folk were golden back then.
 
Time Heals is the one pop song from one of Todd's odder albums*, the spacey and spiritual Healing. It's notable for having a music video that was very innovative for its time (but looks totally cheesy today).
Indeed - the 8th video played on MTV on opening day of August 1, 1981. For the trivia buffs:

1 "Video Killed the Radio Star" - The Buggles
2 "You Better Run" - Pat Benatar
3 "She Won't Dance With Me" - Rod Stewart
4 "You Better You Bet" - The Who
5 "Little Suzi's on the Up" - Ph.D.
6 "We Don't Talk Anymore" - Cliff Richard
7 "Brass in Pocket" - The Pretenders
8 "Time Heals" - Todd Rundgren

Have a guess what the first video played on MTV Europe was. It's fairly obvious if you think about it.
 
Time Heals is the one pop song from one of Todd's odder albums*, the spacey and spiritual Healing. It's notable for having a music video that was very innovative for its time (but looks totally cheesy today).
Indeed - the 8th video played on MTV on opening day of August 1, 1981. For the trivia buffs:

1 "Video Killed the Radio Star" - The Buggles
2 "You Better Run" - Pat Benatar
3 "She Won't Dance With Me" - Rod Stewart
4 "You Better You Bet" - The Who
5 "Little Suzi's on the Up" - Ph.D.
6 "We Don't Talk Anymore" - Cliff Richard
7 "Brass in Pocket" - The Pretenders
8 "Time Heals" - Todd Rundgren

Have a guess what the first video played on MTV Europe was. It's fairly obvious if you think about it.
Good trivia question - don't know. I'm going to guess Thomas Dolby's Europa and the Pirate Twins.
 

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