PIK95
Footballguy
No idea what this is, but I dig it.
No idea what this is, but I dig it.
Thought about this one for a mid-rounder.Drugs are better, drugs are better with
Friends are better, friends are better with
Drugs are better, drugs are better with
Friends are better, friends are better with
Drugs are better, drugs are better with
Friends are better, friends are better with
Drugs are better, drugs are better with
Friends are better, friends are better with
1.19 - (Joe Gets Kicked Out of School for Using) Drugs With Friends (But Says This Isn't a Problem) - Car Seat Headrest
@Ilov80s is up
never heard of this guy... like a more metal version of Fridge.
Sure, I still need to peruse the thread and figure out what we're doing here.I'm willing to partner up. I will be out of the loop a lot next week anyway.
Forgot all about these guys, good pick.
I agree with Ee here. I never felt the CCR version. I am gonna possibly snipe you with an ole timey jam later in the draft Ee.I guess we're going to have to agree to disagree on the Marvin Gaye/CCR thing. Fogerty is a terrific songwriter and an underrated singer but the songs where he stretches out on guitar are (for me) the weakest items in the band's catalog. His solos are heavy on riffs and (for me) just aren't interesting enough to carry a track for 8-12 minutes. There is a single edit of Grapevine that fades before the solo that's better (for me).
If you look at CCR's discography, the need for filler and jams is obvious. They released six LPs of original material in 2 1/2 years between mid-1968 and the end of 1970. That's a ridiculous pace.
Agreed. Nothing against CCR, but them trying to "jam band" like the Allmans or even (God forgive me) The Grateful Dead doesn't play to their strengths. CCR, at their best, took their cues from bands like Booker T & the MGs, the Rascals, Paul Revere & the Raiders, and the Funk Brothers - find the point, get to it quickly, and release it for the next point. I like the edited version of "Grapevine" they did, but the loooooooooong middle section is not their best moment. So, I'll thumbs-up this selection thinking of the radio edit.I guess we're going to have to agree to disagree on the Marvin Gaye/CCR thing. Fogerty is a terrific songwriter and an underrated singer but the songs where he stretches out on guitar are (for me) the weakest items in the band's catalog. His solos are heavy on riffs and (for me) just aren't interesting enough to carry a track for 8-12 minutes. There is a single edit of Grapevine that fades before the solo that's better (for me).
If you look at CCR's discography, the need for filler and jams is obvious. They released six LPs of original material in 2 1/2 years between mid-1968 and the end of 1970. That's a ridiculous pace.
1.21 - I'm Here To Get My Baby Out Of Jail - Everly Brothers - Songs Our Daddy Taught us.
Link
Not enough Everly Brothers, ever. Thought of a different duo, but this is the one.
I think my punk rock leanings led me to the Everlys in the nineties, frankly. There was a major pop-punk/50's confluence back then. Yeah, it doesn't make sense. My ex-girlfriend had an optometrist father that was one of the Everlys eye doctors. "i love the Everlys, said me."![]()
Wow. I did not see this coming from you. I don't mean that in a negative way, just didn't picture this on your radar.
Billy Joe Armstrong & Norah Jones did an Everly's tribute a few minutes ago that is pretty damned good.
Going to try to get at least one of each song with a number out to about 15 (I have most of them, just missing a couple). Figured I'd start with a more well known one...
R.E.M. - It's the End of the World as We Know It (And I Feel Fine) - (1987) 14 Words.
I think I'm going to have to turn down the self-imposed nerdiness for this draft and allow myself to pick songs from artists already drafted. The title restrictions reduce the number of possible choices a lot. I've searched the catalogs of some artists who've released dozens of albums and ended up with just a handful of (mostly) unremarkable deep cuts. This is true even for bands that I remember as having a bunch of long song names. I go through them and see lots of 5s but very few 6+.1st round
Don't Think Twice, It's All Right- Bob Dylan
Long title without the parentheses!Going to try to get at least one of each song with a number out to about 15 (I have most of them, just missing a couple). Figured I'd start with a more well known one...
R.E.M. - It's the End of the World as We Know It (And I Feel Fine) - (1987) 14 Words.![]()
I assumed this would be a 1st rounder.
There are definitely certain acts that have an affinity for wordy titles.I think I'm going to have to turn down the self-imposed nerdiness for this draft and allow myself to pick songs from artists already drafted. The title restrictions reduce the number of possible choices a lot. I've searched the catalogs of some artists who've released dozens of albums and ended up with just a handful of (mostly) unremarkable deep cuts. This is true even for bands that I remember as having a bunch of long song names. I go through them and see lots of 5s but very few 6+.
On the other hand, there are people like Dylan who have a decent selection of songs with long titles.
I think part of the reason the punks adored them was that the Everlys' voices were only about 1/8 an octave apart - just different enough, but close to the same that it could sound like unison singing. Unfortunately for many of the punk singers, what made their records so good was that difference and the punk singers couldn't match the finesse.I think my punk rock leanings led me to the Everlys in the nineties, frankly. There was a major pop-punk/50's confluence back then. Yeah, it doesn't make sense. My ex-girlfriend had an optometrist father that was one of the Everlys eye doctors. "i love the Everlys, said me."
"I know. Everybody does."
I should have said, "well not on this campus." Too funny.
eta* I should edit this. I like the Billie Joe and Norah Jones song...Just...can't do the Everlys like the Everlys did. Heavenly vocals.
Love me some sweet soul music and Motown parentheses would have been a biiiig part of my draft here, but i'm kinda with Hov here. No, the musicianship doesnt match the great jam bands, but the groove does - especially for a lot of anachronistic activities of the time. Great tune to smuggle a 15yo hippie chick out of her 2nd-floor bedroom to....I guess we're going to have to agree to disagree on the Marvin Gaye/CCR thing. Fogerty is a terrific songwriter and an underrated singer but the songs where he stretches out on guitar are (for me) the weakest items in the band's catalog. His solos are heavy on riffs and (for me) just aren't interesting enough to carry a track for 8-12 minutes. There is a single edit of Grapevine that fades before the solo that's better (for me).
If you look at CCR's discography, the need for filler and jams is obvious. They released six LPs of original material in 2 1/2 years between mid-1968 and the end of 1970. That's a ridiculous pace.
It's me, I'll take care of it in a minute. 'Country Bot?' Never heard of that version before!1.23 the Devil Went down to Georgia, the Charlie Daniels band
2.01 thank god I'm a county bot, John Denver
Out at lunch, who's next?
Berkeley is weirdI also prefer the CCR take to the Gaye version. I do wonder where Fogerty got that accent though. What part of California talks like that?
All synths version.It's me, I'll take care of it in a minute. 'Country Bot?' Never heard of that version before!![]()
Dang! I almost took that first but figured it would come back. Love it.Going to try to get at least one of each song with a number out to about 15 (I have most of them, just missing a couple). Figured I'd start with a more well known one...
R.E.M. - It's the End of the World as We Know It (And I Feel Fine) - (1987) 14 Words.
Two of my nephews love these two songs.1.23 the Devil Went down to Georgia, the Charlie Daniels band
2.01 thank god I'm a county bot, John Denver
Got the ol' worm, spam on the griddle-OZ- said:2.01 thank god I'm a county bot, John Denver
Mr. Ected said:My 13 word title is one many have never heard, so I'm going with my 12.
Joe Jackson - You Can't Get What You Want ('Til You Know What You Want) (1984) - 12 Words
@rockaction - It's all you.
"i heard Cathedral bells/tripping down the alley ways/as i walked on"2.03 (?) - For Emily, Whenever I May Find Her - Simon and Garfunkel Greatest Hits
I can't even do this justice with a write-up. Total emo. Total favorite band. Perfect for a mixtape.
Oh, I love you, girl."i heard Cathedral bells/tripping down the alley ways/as i walked on"
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