And i'm not sure who said it.. but I don't get why the others (especially after finding the manifest) couldn't have just gone up to the survivors nicely and said.. "Hi, we live here and stuff, and you don't. In exchange for Jack graciously doing this surgery on Ben we'll just ship you right back to the USA via Sub. Keep it real dudes"The motivations of many of these characters is completely irrational... and without knowing why they were doing what they were doing, the story leaves me with little meaning.
The "others" were following Ben. What Ben didn't realize is that he was following the smoke monster. He thought he was following Jacob, but Jacob wasn't communicating with them because he had been trapped in the cabin. Remember Ben saying that he thought he was summoning the smoke, when actually the smoke was summoning him? That was a pivotal moment. The "others" had been told that people who come to the island were bad, and that they were supposed to protect the island. We don't know what else they were told, but there was a whole mythology that we got glimpses of throughout the show. I'm willing to live with the fact that we don't get an answer to why the others acted so mysteriously because it was consistent with how Jacob and the MIB interacted with people throughout time. I'm OK with a lot of the mysteries in the show being vague. I was pretty negative about the show during this season, but I thought the finale did a very good job of closing out the series. They established the beginning, middle and end of the real plot - which was some combination of the battle between Jacob and the MIB, or you can substitute "the island" for Jacob, and it turns out the others and Ben Linus worked for MIB for most of the show, whether they realized it or not. Time travel wasn't really a necessary part of the show for me, but I thought someone made a good point earlier that it was a plot device to get a deeper understanding of this iteration of the island, its protectors, and the people who wanted to steal its secrets. We learned a lot about Widmore and Hawkins and Farraday and Ben Linus and Richard Alpert, about Dharma, and about the hatch and the other stations, among other things. And this seems to have been just one iteration of the many times that a group came to the island, except this time, it didn't "always end the same". This was the story about Jack, the man who saved the world, and the people who helped him along the way. We got to see him arrive at the island, and the people he landed with, and we learned their deep dark secrets. We saw Jack have crises of faith. We saw at the lighthouse that Jacob had been watching Jack for a long time and knew that he was going to be the one. We saw the group of Others that stood in his way, and he was tested, like a hero should be. We don't know everything about the Others, but we learned a lot about their leader and their history and how they came to be, going all the way back to the 70s. We learned about good and evil, Jacob and Locke, the island and the people who would do it harm. And like a lot of hero stories, we started with a huge crisis - their plane falling apart in midair. But unlike those other stories, we got a hugely complete picture of their interrelationships, and their flaws, and their individual storylines. We got snippets of their past, and how they came to be on the plane together, we saw what could have happened if they just left the island and gave up instead of trying to protect it, and we not only followed them all the way to their death, we went past it. Eloise was one of the most fascinating characters in the show. She killed her son before she gave birth to him, then had to give birth to him and raise him so that she could kill him. That's just a fascinating tragedy. But we also got to see it from the father's perspective, and from the son's, and see how it warped all of them. We watched Charlie go from a man with very little substance and a drug addiction, to a wannabe husband, father and savior of the island. As annoying as I found his storyline, it was interesting watching the transformation from the guy who was smuggling balloons filled with heroin back to camp to the guy who sacrificed himself for the team when he wrote Not Penny's Boat. We watched a lot of flawed people go through these transformations, some successfully dealing with their issues, and moving on to the afterlife together, and others not. When you look at the show in that context, and start wondering why Eloise and Widmore weren't in the church, and wondering what would have happened if the MIB got off the island, and whether the bomb actually went off, and if the afterlife they were going to was "heaven" or something else, those become topics for discussion, instead of the important answers from the show. I'm cool with that. If I were going to draw a comparison to this show, it would be to movies like Signs and Contact. I loved both of those movies. I don't care that the aliens sucked, but a lot of people were livid with the Signs aliens with their huge fatal flaw and the Contact alien that you never really get to see. I was OK with those things because they fit in the context of the movies. I might be a little disappointed with the Signs aliens, but the movie turned that on its ear and said, it's not about the aliens. Similarly, I am a little disappointed that they left a lot of the mythology questions unanswered, and I think a lot of the plot devices they used were unnecessarily complicated. I don't agree with all of the mythology questions they answered and which ones they left open. I still want to know how Jacob could grant Richard Alpert eternal life and how his wife could appear on the island and why Hurley could see dead people and Miles could hear them and how all kinds of other stuff worked, too. But the further removed I am from the show, the more I realize that it did the things it set out to do really well. They created an epic in a made up world like the island with a battle between good and evil and a hero and his counterparts and told the story from before the beginning to after the end. That's audacious, and looking back, they nailed it.