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***Official Rush Thread*** (1 Viewer)

Tampa is about as far South as they are coming, tried to snare some tickets online but they were already sold out. The general tickets will go on sale soon, likely have to go thru a ticket broker but I am going to see them come hell or high water this time.

 
The Anarchist is an amazing song.

The Wreckers is an amazing song.

Clockwork Angels is an amazing song.

Seven Cities of Gold is a great song.

The Garden is fantastic.

Caravan still after 2 years is a great song.

BU2B after 2 years and with the new intro is a very good song.

Carnies is a good song.

Halo Effect is a solid short and sweet breather done with a lot of taste.

The entire album is fantastic top to bottom. The first three songs I just mentioned are to my ears.....some of Rush's best stuff in decades.

 
Well, while I don't think more complex music automatically means better musicianship, I can see where you are coming from. But Rush's musicianship has been stellar from 1-3 since the Fly by Night album, so discussing which albums essentially "show off" the best seems rather mundane. ;) Cool to see Caress of Steel in your top 10! It doesn't quite make my top 10, but it is still really, really good; easily my favorite of the first three. :thumbup: :thumbup:
Never said the musicianship in Counterparts isn't good....it just seems more straight ahead power rock than their typical records. Which isn't a bad thing at all. :headbang: Hard to keep Caress of Steel out of my top 10 when The Necromancer and Bastille Day are 2 of my top 30 favorite Rush songs of all time.
 
The Anarchist is an amazing song.The Wreckers is an amazing song.Clockwork Angels is an amazing song.Seven Cities of Gold is a great song.The Garden is fantastic.Caravan still after 2 years is a great song.BU2B after 2 years and with the new intro is a very good song.Carnies is a good song.Halo Effect is a solid short and sweet breather done with a lot of taste.The entire album is fantastic top to bottom. The first three songs I just mentioned are to my ears.....some of Rush's best stuff in decades.
:thumbup: :thumbup: Tons of great stuff on this record. The best four or five songs from this are probably better than everything else since Counterparts.
Hard to keep Caress of Steel out of my top 10 when The Necromancer and Bastille Day are 2 of my top 30 favorite Rush songs of all time.
Those are two favorites of mine as well! And even a lot of The Fountain of Lamneth is really good, although it is ponderous at best as a single epic. No One at the Bridge has one of Alex's best solos ever. :banned:
 
The Anarchist is an amazing song.The Wreckers is an amazing song.Clockwork Angels is an amazing song.Seven Cities of Gold is a great song.The Garden is fantastic.Caravan still after 2 years is a great song.BU2B after 2 years and with the new intro is a very good song.Carnies is a good song.Halo Effect is a solid short and sweet breather done with a lot of taste.The entire album is fantastic top to bottom. The first three songs I just mentioned are to my ears.....some of Rush's best stuff in decades.
:thumbup: :thumbup: Tons of great stuff on this record. The best four or five songs from this are probably better than everything else since Counterparts.
Hard to keep Caress of Steel out of my top 10 when The Necromancer and Bastille Day are 2 of my top 30 favorite Rush songs of all time.
Those are two favorites of mine as well! And even a lot of The Fountain of Lamneth is really good, although it is ponderous at best as a single epic. No One at the Bridge has one of Alex's best solos ever. :banned:
As does the three chord glory of Return of the Prince.
 
I bet they play the entire album.
I don't see them doing that. I could see them playing the majority of it in the next year, and then maybe the rest of it plus some of the ones they play this year on a 2nd leg in the latter half of 2013, but I'd be shocked if they play all of it this year.
 
I gotta admit, after the 1st listen I was like "this is good" but was not honestly THAT excited (at least, in the way I have been with Different Kind of Truth from VH for example, my other life long favorite band). But holy crap I've listened to it all the way through and by the 2nd or 3rd time, I'm ALL IN 100%. I went from appreciating to drooling over this release. Its freaking amazing how good this album is, and how great the riffs are throughout. Go buy it Rush fans, even if you are still stuck in the 70s as a Rush fan (still my all time favorite era and nothing compares to it)

 
Will they ever record a record again that doesn't sound like ####? Great material and performances and it is yet another whiff from a production standpoint. WTF?
On the TheRushform.com, many think that the album sounds "hot" or "loud". At first, I thought the bass was a little too loud and I couldn't hear Neil or some of the guitar parts clearly. All I did was turn down the bass on the car stereo and cranked up the treble. Oh my god it now sounds incredible. So there is nothing wrong with the production, it's how it's mixed, IMO.Unlike Vapor Trails which has a clipping problem, CA's mix can be somewhat altered by adjusting the bass and treble on your stereo. Try reducing the bass if you think the album is too loud. Unfortunately, most engineers today mix hard rock records pretty loud.
 
Yeah, it is mind-boggling how so many rock records are mixed nowadays, but yeah, with a little tweaking of the knobs, this CD does sound better. And I'll take a good-sounding CD with great material any day of the week. It sure beats a CD that sounds great, but has material that is iffy.

 
I bought it yesterday at lunch and I've already listened to it three times. I've been neglecting draft prep for an orphaned dynasty team that I picked up that starts drafting tonight to keep spinning it. I freakin' love this album and can't wait to see them play this stuff live. I've already seen them do "Caravan" and "BU2B" last year, but songs like "Headlong Flight", "Seven Cities Of Gold", "The Garden", and "The Anarchist" would be awesome. I wish they would play the whole thing. What's amazing to me is that when so many bands hit their creative peak early and go downhill, these guys are doing some of their very best work on studio album #20 when they're 60 years old. And I love that this one has some of the heaviest songs they've done. The metalhead in me gets off on that... :headbang:

 
Yeah in the car what I have done is turn the bass down a couple of clicks and turned the treble up a click and also set the fade to the rear by a click. I have a Bose system in my Maxima and it sounds much better just doing a few tweaks.

The album is not so much mastered too hot. Snakes and Arrows also was hot but the mix was much crisper.

Describing CA's mix (not master) I would say Neil's drums are dull. On their best sounding albums his cymbals pop, his toms are clear and his snare pops. On CA his drums are mixed down for the most part.

Just listen to the single version of Caravan and the newly remixed album version. The drums are night and day. The up and down tom roll during the middle jam section sounds awesome on the single mix and on the album you lose the toms...it's like they are not there.

On Carnies when he goes into his trademark bell ride run....you really can't hear it...you know he is doing it, but you don't feel it...like say Subdivisions.

Alex's guitars are not as crunchy in their tonal quality like I am used to. He has some amazing sounds going, on this album and I wish were can clearly hear them like we have in the past.

Geddy sounds sick and his bass got the best treatment of this mix.

Nit picking indeed....but I hear what I hear.

The mix is decent. And overall it's not taking away my sheer enjoyment of this amazing album!

The fans that are flat out crying and such.....whatever...they are audiophile geeks.

But truth be told it is far from their best sonic productions. Snakes and Arrows clearly sounds better from a production value point of view.

But CA's material is stronger indeed. And there is not a single song that is filler.

My top 5 tunes:

1) Clockwork Angels

2) The Wreckers

3) The Anarchist

4) The Garden

5) Seven Cities of Gold

I love all the songs but those 5 are just insane.

 
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I'm not an audiophile, just a music fanatic. And this is the real deal. I don't want to stop listening to it. I really liked Snakes And Arrows, but this to me is on a different level.

 
Again, I am loving this album, but, Todem, I don't think it is fair to call those who are not pleased with the sound audiophile geeks. That implies that they are all high and mighty with their attitudes, which really isn't fair. I don't think it is too much to have asked that they made this CD sound great, especially in light of the Vapor Trails sonical disaster a decade ago. This material is more than great enough that it deserved a great mix, which it didn't get. Steven Wilson, who is a big fan of theirs, is probably listening to this and thinking, "Gah, why didn't they let me mix this?!" :lol:

The biggest WTF is what a big deal Nick Rahshwhatever made about Neil's drumming. If his drumming was so inspired and awesome, why did you bury it so much in the mix?

 
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Again, I am loving this album, but, Todem, I don't think it is fair to call those who are not pleased with the sound audiophile geeks. That implies that they are all high and mighty with their attitudes, which really isn't fair. I don't think it is too much to have asked that they made this CD sound great, especially in light of the Vapor Trails sonical disaster a decade ago. This material is more than great enough that it deserved a great mix, which it didn't get. Steven Wilson, who is a big fan of theirs, is probably listening to this and thinking, "Gah, why didn't they let me mix this?!" :lol:The biggest WTF is what a big deal Nick Rahshwhatever made about Neil's drumming. If his drumming was so inspired and awesome, why did you bury it so much in the mix?
Hey Ghost. I am a long time musician and I am not overly pleased with the mix at all. But some of the posts over on The Rush Forum (where I post as well) are down right venom. I want a better mix as much as the next Rush fan...but this is far from a disaster like Vapor Trails was. Not even close.I would love Steve Wilson to engineer and mix one of their records badly.
 
Ok.....I had run this on rushtour.com back in it's hey day. I always found this a lot of fun.

Predict the set list for the upcoming tour. 2 sets.

But there are strict rules (everyone together....ooooooohh) and I need everyone to respect them.

Here are the set-list guidelines

1) Maximum 30 songs including the encore but not including drum solo.

2) No points for the drum solo but there will be a bonus in that regards (see below)

3) You do not need to put in opening films, second set films etc. Just post songs.

4) When predicting 2112 no matter how many parts they play it is one song.

5) BU2B2 will not count towards the 30 song limit but will get scored if played.

Really simple rules.

So here is the scoring

Pick the opener - 250 points

Pick the first set closer - 500 points

Pick the second set opener - 100 points

Pick the second set closer - 500 points

Pick the Encore opener - 1000 points

Pick the Encore closer - 500 points

Pick what song preceeds the Drum Solo - 2000 points

Pick where in the set the Drum Solo is - 500 points

Song picked in the correct order of the set (not including set openers, closers or first or last encore) - 500 points

Pick a song never played live before - 5000 points for each song

Correct song in the set-list regardless of order - 50 points each song

Correctly predict all songs played from Moving Pictures - 1000 points total

Correctly predict all songs played from Permanent Waves - 1500 points

total

Correctly predict all songs played from Signals - 5000 points total

Bonus points:

100 points - for every pre-1980 song in your set list

100 points - for picking exact number of songs in the set-list including encores but not including the drum solo or an Alex acoustic melody never before heard (like the diddy last tour before CTTH). So for example if Alex plays Broons Bane or Hope or anything that has ever been recorded or released officially it counts as a tune.

Prizes:

I will award the top 2 scores with some rare interviews on CD This will include:

The entire Test For Echo premier where all three members of the band were interviewed as the entire album was premiered on live radio.

I also have a couple of In-The Studio with Red Beard CD's I will give as prizes where the band talks about Power Windows and Hold Your Fire and the making of those two albums.

And your choice of one of some various sound board boots I have. Some of those include:

Hemispheres Tour - SB Boot (The famous Black Forest boot)

Permanent Waves Tour - SB Boot (The Keil Masters)

RTB Tour - SB Boot

CP Tour - SB Boot (Live in NC)

Echos From the Stage - Full Dress Rehersal for the T4E tour on SB.

You can go back and edit your set-list up until 3 days before opening night on the 2012 Leg of the Clockwork Angels Tour.

 
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Ok.....I had run this on rushtour.com back in it's hey day. I always found this a lot of fun.Predict the set list for the upcoming tour. 2 sets.But there are strict rules (everyone together....ooooooohh) and I need everyone to respect them. Here are the set-list guidelines1) Maximum 30 songs including the encore but not including drum solo.2) No points for the drum solo but there will be a bonus in that regards (see below)3) You do not need to put in opening films, second set films etc. Just post songs.4) When predicting 2112 no matter how many parts they play it is one song.5) BU2B2 will not count towards the 30 song limit but will get scored if played.Really simple rules.So here is the scoringPick a song never played live before - 5000 points for each song
Including songs on Clockwork Angels?
 
Yes,

Predict the entire setlist for the upcoming tour including songs from Clockwork Angels.

The "songs never played live before" category will not include the new album. I am talking all previous albums to the new one where a song has never been played live before.

 
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I am, like many others, loving this album. Some initial thoughts on why:

-A lot of bands, after they have commercial success, try to, conciously or unconciously, duplicate that sound on subsequent albums. I think this is what happened to Rush after Permanent Waves and Moving Pictures. The material was still good, but more forced, trying to be commercially relevent while also appealing to their main audience. It seems like on this album they just went ahead and created good, new material. They obviously sound like other Rush songs (because they are Rush) but I didn't get any sense that they were trying to sound like other Rush songs.

-When Rush initially introduced pedals and keyboards, they used them as a way to augment their core sound. I think this was done to perfection on Permanent Waves and Moving Pictures. After that, The keyboards started to get too big a part and some of the core sound was covered up. Initially the keyboard sound was like spicing up meat: it added to the flavor of the meat. When the keyboards got to big they became like gravy, which covered up some of the flavor of the meat. On this album, the keyboards are essentially gone, and some strings are added. The strings are used as the keyboards used to be in that the augmented the sound. The core sound was left intact to be heard.

-I love that Alex used a wah-wah pedal on his solo on "headlong flight". it sounds great, and reminded me about what I liked about early Rush.

-Whether it is because the album is a concept album or not, all the songs seem to have a passion and a purpose. They all fit together really well as part of a bigger story.

-The guys really jam on this album. Hopefully, all of us at age 60, will be able to do our craft as well as they do. You can tell they love and work at what they do.

I am just amazed and surprised that they put out this good of an album. I hope it gets the recognition it deserves.

 
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Actually they do use keyboards on this album...they are just more in the vain of Waves and Pictures with lusher sounds, not the colder sequenced stylings of Power Windows and Hold Your Fire (two brilliant Rush albums I might add).

You have different camps of Rush fans.

The old guard which was with them from the start in 1974 and then lost them after Signals. And then the hardcore 2nd generation of Rush fan (myself) who discovered the band because of Moving Pictures but went back in the catalog and loved all the old stuff but embraced and evoloved with the band through the post Moving Pictures phase of the band.

I remember when Signals was released and there were a lot of fans who really were turned off. Then after Grace Under Pressure there was a mass exidus of Rush fans. They really "jumped the shark" with Grace Under Pressure. For me this why I loved the band so much. They always surprised you and if you watch Beyond The Lighted Stage, Geddy talked about Rush always trying to overreach. It is what has kept everything very interesting and fresh over the last 30 years.

On this new album I hear the return of the bass pedals, mini moogs and lush keyboard flourishes as well as the awesome strings they added for half a dozen tunes.

This album is a return to their prog roots but it also has hints of Counterparts, Grace Under Pressure and lot's of Vapor Trails but much more fleshed out and recorded and mixed better (than VT).

The Bastille Day musings on Headlong Flight are totally on purpose and in good humor for the band.

It is truly amazing they can put out records like Snakes and Arrows and Clockwork Angels at this stage of their career.

It is also pretty awesome how popular they are becoming again. Lot's of nods in movies and pop culture these days for the humble and low profile boy's from Willowdale Toronto.

I popped on Beyond the Lighted Stage again last week and everytime I watch it I have a #### eating grin on my face. It brings back so many memories of growing up with this band. And I am so grateful their music is still a big part of my life and now my son's life. He is 7 and absolutely adores them (Has met them and seen them live twice to boot).

 
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Rolling Stone

By JON DOLAN

JUNE 18, 2012

It's got a dystopian sci-fi plot and lyrics like "All I know is that sometimes the truth is contrary." But the first Rush album in five years isn't just one of the band's Rushiest; it's also very good – frenetic and heavy, low on prog thought puzzles, high on power-trio interplay that could put guys half their age in the burn ward. Nickelback-like meathead modern-rock production actually adds power to these ancient masters' gnomic turgidity: Even the seven-minute tripartite title track burns rubber, and Neil Peart's dragon-tailed paradiddles and Alex Lifeson's helix solos make the koanic hokum of Peart's lyrics feel like a sermon from the peak of Mount Nerd.
:lmao: :lmao: :lmao:
 
Rolling Stone

By JON DOLAN

JUNE 18, 2012

It's got a dystopian sci-fi plot and lyrics like "All I know is that sometimes the truth is contrary." But the first Rush album in five years isn't just one of the band's Rushiest; it's also very good – frenetic and heavy, low on prog thought puzzles, high on power-trio interplay that could put guys half their age in the burn ward. Nickelback-like meathead modern-rock production actually adds power to these ancient masters' gnomic turgidity: Even the seven-minute tripartite title track burns rubber, and Neil Peart's dragon-tailed paradiddles and Alex Lifeson's helix solos make the koanic hokum of Peart's lyrics feel like a sermon from the peak of Mount Nerd.
:lmao: :lmao: :lmao:
Gosh, he must be really smart because he uses lots of words I don't understand.
 
Rolling Stone

By JON DOLAN

JUNE 18, 2012

It's got a dystopian sci-fi plot and lyrics like "All I know is that sometimes the truth is contrary." But the first Rush album in five years isn't just one of the band's Rushiest; it's also very good – frenetic and heavy, low on prog thought puzzles, high on power-trio interplay that could put guys half their age in the burn ward. Nickelback-like meathead modern-rock production actually adds power to these ancient masters' gnomic turgidity: Even the seven-minute tripartite title track burns rubber, and Neil Peart's dragon-tailed paradiddles and Alex Lifeson's helix solos make the koanic hokum of Peart's lyrics feel like a sermon from the peak of Mount Nerd.
:lmao: :lmao: :lmao:
Gosh, he must be really smart because he uses lots of words I don't understand.
He's being obnoxious. And normally I would say #### him and his fixed-gear bike in the face, but the laugh was involuntary. He got me.
 
Disagree dhockster. Rush never tried to be commercially relevant after moving pictures. They incorporated whatever they were influenced by at the time. You should listen to snakes and arrows if you haven't yet. The sound is similar to the new album.

 
They never tried to be commercially relevant, even when they were having commercial success (with their songs that were popular on rock radio, not necessarily on the top 40 charts).

 
This tour is going to kill.

"Our intention is to take strings out on the road," guitarist Alex Lifeson tells Billboard.com. Orchestrations, arranged by David Campbell, feature on several of "Clockwork Angels' " tracks, and Lifeson says Rush will employ a small string ensemble, likely eight to 10 pieces, to recreate those pieces and to be added to some of Rush's older material. "It's just something different for us, and I can't wait to hear what it sounds like."Lifeson says Campbell will be writing arrangements for the tour, which kicks off Sept. 7 in Manchester, N.H., and will likely appear at some of the shows as well. "Certainly in the beginning he'll be out for a bit," the guitarist says. "I think his intention is to use these musicians he's been working with for a long time, who he trusts, and once they're settled in he doesn't have to be around all the time and he can come out whenever he feels like it."Lifeson says the production is "still in a planning stage" but promises that "it's a whole new show. It's new staging, new lighting, everything is new and fresh about it. I would say that it's an evolutionary extension of what the (2010-11) Time Machine Tour was, but we are definitely freshening it up and bringing and there'll be a lot of new video stuff going on." And, of course, Lifeson and his mates expect to dedicate a considerable amount of stage time to "Clockwork Angels," a concept album that will be followed by a novel co-written by drummer/lyricist Neil Peart and Kevin J. Anderson."The set list is quite fluid these days," Lifeson reports. "We're dropping and replacing songs constantly, and that's the way it always goes before we get into rehearsals. There's a great deal of pressure on us now to do the whole record, which we don't anticipate. I think our intention is probably to prepare the whole thing; whether we'll do it or not we're still not sure, especially on the first leg of the tour. There's still a lot of older stuff we want to do, and we've got some great songs lined up from the past. We'd be loathe to drop them to add more of 'Clockwork Angels,' at least on the first leg. It's always nice to switch up on the second leg and make it a little different." ...
 
Disagree dhockster. Rush never tried to be commercially relevant after moving pictures. They incorporated whatever they were influenced by at the time. You should listen to snakes and arrows if you haven't yet. The sound is similar to the new album.
It is interesting that Snakes & Arrows is actually the only Rush album I don't have. Good pick-up.Perhaps I said what I was thinking in the wrong way. I did not mean that Rush were selling out or weren't writing from the heart. I think thatonce a band reaches a big audience they naturally want people to continue to like them. To me, it sounds like they were trying to appeal to this bigger audience with songs like "New World Man" off of Signals, "Kid Gloves" off of GUP, and "Time Stand Still" off of Hold your Fire. Just my Opinion. I actually like all those songs. But when you get down to the core of what Rush is, it is three amazing musicians, who kick ### playing drums, bass, and guitar, all shining on their individual instruments, while at the same time meshing with the other two. I love that they can not only play complicated music at the highest of levels, but that the music is actually appealing. I think that on Clockwork Angels they have gotten back to what their core is. And it is awesome.
 
New World Man was a throw-on at the last minute. They needed one more song for Signals, and they needed it fast, so they wrote it really fast and just threw it on the album. And it turned out to be their biggest hit ever on the top 40 chart. :lol: But back to my main point, I doubt they were writing that thinking, "We need a hit." They wrote it thinking, "We need a song that is 3:57 or shorter to fit on Side 2 of Signals, and we need it now."

The band bringing out a string section for the tour is interesting. I hope they don't use them for the whole show, but there are some new songs where they'll be needed, and older songs like Losing It (never played before, for obvious reasons) and Manhattan Project would benefit greatly by having a string section, not that they couldn't trigger the strings for Manhattan Project, like they did back in the 80s, though.

 
New World Man was a throw-on at the last minute. They needed one more song for Signals, and they needed it fast, so they wrote it really fast and just threw it on the album. And it turned out to be their biggest hit ever on the top 40 chart. :lol: But back to my main point, I doubt they were writing that thinking, "We need a hit." They wrote it thinking, "We need a song that is 3:57 or shorter to fit on Side 2 of Signals, and we need it now." The band bringing out a string section for the tour is interesting. I hope they don't use them for the whole show, but there are some new songs where they'll be needed, and older songs like Losing It (never played before, for obvious reasons) and Manhattan Project would benefit greatly by having a string section, not that they couldn't trigger the strings for Manhattan Project, like they did back in the 80s, though.
Manhattan Project was my first thought.
 
Different Strings could work nicely as well. That song has never been played live, and the band has talked about playing older songs they have never played before (although "playing older songs we've never played before" is often the same thing as "playing older songs we haven't played in a long time" to them ;) ), so it would be sweet to see that one finally get played.

 
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New World Man was a throw-on at the last minute. They needed one more song for Signals, and they needed it fast, so they wrote it really fast and just threw it on the album. And it turned out to be their biggest hit ever on the top 40 chart. :lol: But back to my main point, I doubt they were writing that thinking, "We need a hit." They wrote it thinking, "We need a song that is 3:57 or shorter to fit on Side 2 of Signals, and we need it now." The band bringing out a string section for the tour is interesting. I hope they don't use them for the whole show, but there are some new songs where they'll be needed, and older songs like Losing It (never played before, for obvious reasons) and Manhattan Project would benefit greatly by having a string section, not that they couldn't trigger the strings for Manhattan Project, like they did back in the 80s, though.
IIRC, from the biography written way back in the early 90's, New World Man was originally titled "Project 3:57"
 
Yes! I was hoping someone would catch that reference. :thumbup: :thumbup:
:thumbup: On another note. They had the Coronado bridge closed this morning on my way to work, so It took me just over 67 minutes to get to the base this morning. First time I have been able to listen to CA all the way through without interruption.I always get excited over new Rush material. I liked Vapor Trails when it came out, but it is hard to listen to these days. I am not a "sound snob", but even my ears can tell that it just doesn't come across right. Snakes & Arrows is still awesome to me, but I don't listen to music, in general, as much as I used to.Clockwork Angels has everything that I could ask for in a Rush album. I can't even name a favorite song since I like them all. Usually, there is one song off every album that I have to get used to. I still can't get into "Good News First", but every song on CA is great. I find something new that I like every time I listen. Put it all together straight through, and I think it is the best collective work they have done, possibly ever. I might show too much of the geek in me here, but every time I hear the title track, I think of Final Fantasy X. Anyone else have any mental images brought to mind from any of the new songs?
 
Yes! I was hoping someone would catch that reference. :thumbup: :thumbup:
:thumbup: On another note. They had the Coronado bridge closed this morning on my way to work, so It took me just over 67 minutes to get to the base this morning. First time I have been able to listen to CA all the way through without interruption.

I always get excited over new Rush material. I liked Vapor Trails when it came out, but it is hard to listen to these days. I am not a "sound snob", but even my ears can tell that it just doesn't come across right. Snakes & Arrows is still awesome to me, but I don't listen to music, in general, as much as I used to.

Clockwork Angels has everything that I could ask for in a Rush album. I can't even name a favorite song since I like them all. Usually, there is one song off every album that I have to get used to. I still can't get into "Good News First", but every song on CA is great. I find something new that I like every time I listen. Put it all together straight through, and I think it is the best collective work they have done, possibly ever.

I might show too much of the geek in me here, but every time I hear the title track, I think of Final Fantasy X. Anyone else have any mental images brought to mind from any of the new songs?
:goodposting: I hesitate to say this is their best album ever because it is so new, and they have had such great albums, but as I listen to it more and more (I am listening to "The Anarchist" right now) I am leaning towards exactly what you said in the bolded above. The thing that amazes me about that statement is that their first ten or so albums were done on vinyl and thus limited to about 40 minutes of music. CA is about 66 minutes of music, and yet is consistently good throughout.

 
It is a top 10 Rush album for me after a dozen listens.

I received my double 180 gram vinyl yesterday and it was awesome opening the gatefold album just like in the old days. A beautiful album cover. It sounds even better on record. I also have a code to download the HD audiophile tracks to my computer. So that was a nice surprise.

This is a truly great album. But I can't rank it ahead of:

Permanent Waves

Hemispheres

Moving Pictures

Signals

Power Windows

Grace Under Pressure

2112

Hold Your Fire (yes even this one a I know a lot of fans frown on this brilliant album)

Clockwork Angels

Snakes and Arrows

I have it ranked 9th right now and Snakes and Arrows rounds out the top 10.

I don't see it cracking into the top 8. But that's not to say this is one of their finest albums. It is.

 
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Wait, A Farewell to Kings isn't in your top 10?? :shock: :shock: :shock: And where is Counterparts?? ;)
11) AFTK12) CounterpartsI love Xanadu and the title track. Cygnus X-1 while a sizzling track....has not exactly aged as well for me. Cinderella Man is a solid song and of course Closer to the Heart. But AFTK is not a top 10 album for me anymore.....it used to be.Counterparts is a kick ### record. Sonically it is one of their very best as well.
 
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I think AFTFK is definitely the least best of the Big 5, but it is still a top 7 Rush record, IMO. Power Windows and Counterparts are both in my top 5 along with Permanent Waves, Moving Pictures and 2112.

 
A Farewell to Kings is #4 on my list. Xanadu is one my top 5 favorite Rush songs of all time. And Cygnus X-1 is a killer track....and still is. Still a great album.

I rank the albums as follows:

1) Hemispheres

2) Moving Pictures

3) Permanent Waves

4) A Farewell to Kings

5) 2112

6) Signals

7) Clockwork Angels

8) Caress of Steel

9) Snakes and Arrows

10) Counterparts

11) Fly By Night

12) Grace Under Pressure

13) Power Windows

14) Vapor Trails

15) Hold Your Fire

16) Rush

17) Presto

18) Test For Echo

19) Roll The Bones

 
A Farewell to Kings is #4 on my list. Xanadu is one my top 5 favorite Rush songs of all time. And Cygnus X-1 is a killer track....and still is. Still a great album.I rank the albums as follows:1) Hemispheres2) Moving Pictures3) Permanent Waves4) A Farewell to Kings5) 21126) Signals7) Clockwork Angels 8) Caress of Steel9) Snakes and Arrows10) Counterparts11) Fly By Night12) Grace Under Pressure13) Power Windows14) Vapor Trails15) Hold Your Fire16) Rush17) Presto18) Test For Echo19) Roll The Bones
I can't rank them. I think the ones that I listen to the least anymore would be Presto, Fly by Night, and Vapor Trails.I have always loved Hold Your Fire, Hemispheres, Grace Under Pressure, 2112, and now Clockwork Angels.Other than that, change the rest in any order and I will be happy.I once drove from Cincinnati to Orlando playing nothing but Rush and didn't hear the same song twice. Awesome.
 
A Farewell to Kings is #4 on my list. Xanadu is one my top 5 favorite Rush songs of all time. And Cygnus X-1 is a killer track....and still is. Still a great album.I rank the albums as follows:1) Hemispheres2) Moving Pictures3) Permanent Waves4) A Farewell to Kings5) 21126) Signals7) Clockwork Angels 8) Caress of Steel9) Snakes and Arrows10) Counterparts11) Fly By Night12) Grace Under Pressure13) Power Windows14) Vapor Trails15) Hold Your Fire16) Rush17) Presto18) Test For Echo19) Roll The Bones
I can't rank them. I think the ones that I listen to the least anymore would be Presto, Fly by Night, and Vapor Trails.I have always loved Hold Your Fire, Hemispheres, Grace Under Pressure, 2112, and now Clockwork Angels.Other than that, change the rest in any order and I will be happy.I once drove from Cincinnati to Orlando playing nothing but Rush and didn't hear the same song twice. Awesome.
Back in the cassette days I made rush A to Z mixes which were every song they've written in alphabetical order.
 
A couple of Rush news items:

First, a Billboard review:

http://www.billboard.com/new-releases/album-review-rush-clockwork-angels-1007356352.story#/new-releases/album-review-rush-clockwork-angels-1007356352.story

RUSH

Clockwork Angels

Producers: Rush, Nick Raskulinecz

Anthem/Roadrunner Records

Release Date: June 12

It's not exactly a news flash when at the beginning of Rush's latest album, "Clockwork Angels," frontman Geddy Lee proclaims, "I can't stop thinking big." The Canadian trio has always stretched large ideas across an expansive soundscape, blending hard rock, prog and metal. And the five years since the band's last album, "Snakes & Arrows," have given Rush plenty of time to create a lot of new music. "Clockwork Angels" weighs in at a formidable 66 minutes, time enough for a kitchen-sink's worth of ideas and a weighty conceptual focus by drummer/lyricist Neil Peart about one man's journey to realize his dreams. (Look for the novel soon.) The album's seven-minute opuses range from tight ("Headlong Flight") to the messy title track, while fans of Rush's classic, riff-driven approach and ensemble virtuosity will find aural nirvana in "The Anarchist," "Seven Cities of Gold," "The Wreckers" and "Wish Them Well."

This review is terrible and is rightly lambasted by the commenters. Some great comments.

Second, Clockwork Angels debuts at #2 on the U.S. charts, tied for its highest debut ever:

http://canon.broadcastnewsroom.com/article/Rush-Match-Highest-Charting-of-Their-Career-With-CLOCKWORK-ANGELS--2082335

It looks like this album is going to get a lot of run, which it deserves.

 
Hold Your Fire is the closest thing I have to a guilty pleasure record. Although, I really hate Turn the Page. They can pour on the emo quite a bit from time to time, but never more so than on HYF.

 
Hold Your Fire is the closest thing I have to a guilty pleasure record. Although, I really hate Turn the Page. They can pour on the emo quite a bit from time to time, but never more so than on HYF.
Funny Turn the Page is a top 3 track on that one for me.1) Mission2) Time Stand Still3) Turn the Page4) Force 105) Lock and Key6) Open Secrets7) Prime Mover8) High Water9) Second Nature10) Tai ShanI like every track. Not a weak one. Not even the lambasted Tai Shan and High Water. This album was the last of the truly great, ambitious masterpeices. Then we got Clockwork Angels!!!So yes Clockwork Angels is my favorite since Hold Your Fire.
 
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Hold Your Fire is the closest thing I have to a guilty pleasure record. Although, I really hate Turn the Page. They can pour on the emo quite a bit from time to time, but never more so than on HYF.
Funny Turn the PAge is a top 3 track on that one for me.1) Mission2) Time Stand Still3) Turn the Page4) Force 105) Lock and Key6) Open Secrets7) Prime Mover8) High Water9) Second Nature10) Tai ShanI like ever track. Not a weak one. Not even the lambasted Tai Shan and High Water. This album was the last of the truly great, ambitious masterpeices. Then we got Clockwork Angels!!!So yes Clockwork Angels is my favorite since Hold Your Fire.
HYF might be the last one I liked.
 
It is the last one I liked. And Tai Shan is the mother of all guilty pleasure. What can I say. I've stood at the top of the mountain while China sang to me.

The rap in Roll in the Bones was so repulsive that it single-handedly drove me away from Rush until decided I had to see them perform The Camera Eye last year. I love them, and everything about the way they operate, but that was horrid, as was the whole bones motif on that tour.

 

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