El Floppo
Footballguy
I watched that interview. Awesome. His directorial skill reminds me of Atom Egoyan, who directed the fantastic movie The Sweet Hereafter. I wish every director made films with the care and prep that these two guys use.Phew! You saved me a viewing of Fracture- grassy-as! :removefromqueue:Lives of Others...Catching up on a few:
The Lives of Others - Watched it again. Just as great as the first time. Has been discussed here extensively.
Fast Food Nation - The positives: stunning performances all-around from a fantastic cast. Beautifully directed by Richard Linklater. But it's just puzzling to me why a book that was an expose was made into a fictional movie. It just didn't work, and I didn't understand it. The stories didn't work well together, and the movie as a whole was just not well-constructed. Disappointing.
Jesus Camp - Without making the movie thread into a political debate, this is scary stuff. The documentary is well done in that it does provide some balance in viewpoints and doesn't make the people out to be monsters. In the midst of all of it, there are some laugh-out-loud moments (unintentionally on the part of the protagonists), such as the "rap": "Who's in the house? JC! We're kickin' it for Christ!" Worth seeing, though not as powerful as it could have been.
Fracture - Argh. I knew this wasn't my kind of movie, just wanted something light and easy to watch and didn't expect much, but my low expectations were not even met. Horrible. Why is a great actor like Anthony Hopkins finding roles solely as a poor man's Hannibal Lecter these days? Nothing redeemable that I could see in this one.Did you watch the interview with the director on the "special features"? Holy hell, what a smart, thoughtful cat.
Really wan't/don't want to see Jesus Camp. Incredibly interesting/depressing looking.
I ...I didn't watch the director interview. I was thinking I need to buy this movie anyway, so I'll watch it then.
Atom Egoyan is one of, if not my favorite current directors. A friend in gradschool rented Exotica, thinking it was soft-core prOn... I watched it thinking the same and was completely riveted (once I overcame my disappointment at not seeing any boobies). I know there are one or two I haven't seen- but that and Sweet Hereafter are right up there for me (as is Arrarat, which didn't really get much love). What else has he done?- The Adjuster is him, no?
Did you watch the interview with the director on the "special features"? Holy hell, what a smart, thoughtful cat.
I give it a 4.0/10, will not watch again, but not disappointed that I did the first time.
I give it a 4.0/10, will not watch again, but not disappointed that I did the first time.
Did you watch the interview with the director on the "special features"? Holy hell, what a smart, thoughtful cat.
I wish someone had saved me from seeing Fracture.
all the way around. Hereafter flat out floored me when I saw it in the theater- stunned me silent and motionless until long after the credits had finished. Along with everything you already said- I recall the score being absolutely amazing and perfectly suited for the incredible visuals. IMO, Egoyan has a way of telling a story and playing with typical melodramatic mores- tweaking what we've been pounded into expecting from usual US stuff (he's Canadian, isn't he?), often times turning them on their head. Even his less succesful movies (for the ones I've seen- Felicia and Arrarat) are more satisfying to me than 99.9999% of what I see.And I loved The Hours too- possibly the best ensemble women's acting peformance I think I've ever seen (and Ed Harris... wow). But I'm usually a sucker for the movies that incorporate narrative gimmicry the way that did... thinking about that movie makes me want to see it again.I know another hit or miss movie for most people that I've seen you repeatedly praise is one that I'll
as well- Magnolia.
to everything you said 