I've been meant for years to go on a Hitchcock marathon and it looks like I am finally about to get to it. I have already seen Psycho and bits of others as a kid but would it be best to start with any one movie of his? I have Rear Window and Vertigo ready to go, but thought some of you more informed fans might have a suggestion?
north by northwestshadow of a doubt
rope
strangers on a train
dial m for murder
Rebecca
great list... along with the two you already have lined up.
For years, I thought Hitchcock's Notorious (Cary Grant, Ingrid Bergman and Claud Rains) was the critical darling that made the prestigious Sight and Sound once-a-decade international top 10 poll*, but it was Vertigo. They are my two favorites (I'd put Vertigo in my top 5-10 movies period, with movies like Blade Runner and Seven Samurai), but he had so many great ones. Rear Window
(shot claustrophobically from broken legged Jimmy Stewart's apartment) and Rope (also with Stewart, shot like a live play, as if it was a continuous, unbroken take, only about seven cuts, and those just to account for the necessary camera reel changes, cleverly done in a way it was hard to tell) were masterpieces as exercises in style. Same with Lifeboat (he appeared in cameo every movie, so here had to be in a newspaper ad!

). All the others mentioned by KarmaPolice were great, too (N by NW probably my next favorite, with regular Grant, James Mason an urbane villain and young Martin Landau as henchman). I'd add a few others. Spellbound (Bergman and Gregory Peck) is a masterful psychological thriller with a surreal Dali dream sequence on the bonus plan. The Man Who Knew Too Much (regular Stewart and Doris Day) was done twice, I preferred the remake, revisits his recurring theme of a common person being pulled into extraordinary events, in this case a mild mannered doctor spending some time after a medical conference vacationing with his wife and child in North Africa, when he is forced into the middle of a swirling espionage conspiracy. Foreign Correspondent was well done and had a similar theme. Criterion recently released three early ones (from England, before he became an international superstar in Holywood - one of the few/only where the movie title would be preceded by the director's name), his acknowledged early masterpieces, and The 39 Steps and The Lady Vanishes, along with the original Man Who Knew Too Much, had similar plots/themes. I wouldn't start with them, but if you like the later Hictchcock, you should like these, they hold up extremely well, IMO, highly recommended. Saboteur was in this vein, but IMO not as great. To Catch a Thief (Grant and Grace Kelly, also in Rear Window) was more light hearted, but entertaining. The Birds was probably his last great movie.
I envy you, being able to see so many Hitchcock movies for the first time.
*
http://en.wikipedia.org/wiki/Sight_%26_Sound