Movies I watched in August
Oklahoma (1955 - F. Zinnemann)
Meek’s Cutoff (2010 - K. Reichardt)
Darkman (1990 - S. Raimi)
Shanghai Express (1932 - J. von Sternberg)
The Man Who Loved Women (1977 - F. Truffaut)
The Big Trail (1930 - R. Walsh)
Elizabeth Taylor: The Lost Tapes (2024 - N. Burstein)
Happy As Lazzaro (2018 - A. Rohrwacher)
Burnt (2015 - J. Wells)
Bronx, New York, November 2019 / Cal State Long Beach, CA, January 2020 (short) (2021 - K. Reichardt)
A Place in the Sun (1951 - G. Stevens)
Yes, Madam! aka In the Line of Duty II (1985 - C. Yuen)
Le Professionnel (1981 - G. Lautner)
The Bikeriders (2023 - J. Nichols)
A Woman Under the Influence (1974 - J. Cassavetes)
Inside the Mind of a Dog (2024 - A. Mitchell)
Born to Kill (1947 - R. Wise)
Certain Women (2016 - K. Reichardt)
Borsalino (1970 - J. Deray)
White Squall (1996 - R. Scott)
Topkapi (1964 - J. Dassin)
The First Slam Dunk (2022 - I. Takehito)
The Sand Pebbles (1966 - R. Wise)
Horizon: An American Saga - Chapter 1 (2024 - K. Costner)
First Kid (1996 - D. M. Evans)
Rancho Notorious (1952 - F. Lang)
Here's the dump of the 26 movies I watched in August minus the ones already written up already here and in the DotM threads.
We felt like watching an old musical and
Oklahoma hit the spot. Great Rodgers & Hammerstein tunes and Rod Steiger makes a great villain. At the time I thought it would be nice to watch a couple of more musicals so of course I ended up watching zero more in the month. I also had intentions to watch a few movies by Hong Kong action director Corey Yuen (RIP) but only made it through
Yes, Madam! It's a bit dated but the fight scenes cooked with a very young Michelle Yeoh.
I did watch a couple of Marlene Dietrich movies.
Shanghai Express is still amazing over 90 years after it was made. It's more modern in attitude than films made decades later.
Rancho Notorious is an odd little revisionist Western. I'm not sure how Dietrich's character found herself in the old west but she commands the screen whenever she appears. I also watched two films starring Jean Paul Belmondo.
Le Professionnel is a spy movie that managed to be both ridiculous and boring. It's probably the worst thing I watched all month.
Borsalino is a 1930s period piece starring Belmondo and Alain Delon (RIP) as gangsters in Marseilles. It started off in a light mood that was reminiscent of the Sting but it took a turn toward violence and darkness by the end.
The Man Who Loved Women is uneven mid-level Truffaut that rises and falls on its title character. It's better than the American remake with Burt Reynolds though.
Burnt is a forgettable dramedy with Bradley Cooper as a world class chef. When I say forgettable, I mean it literally because I can't remember anything about the plot except that it seemed rather implausible while watching it. I'll probably never be a huge fan of Cassavettes' group improvisation scenes and abrupt transitions but Gena Rowlands (RIP) magnificent performance as
A Woman Under the Influence transcends everything else about the film.
A Place In the Sun is another movie that's very dated because of production code requirements but Montgomery Clift and Elizabeth Taylor's scenes together still hold up.
Inside the Mind of a Dog is a Netflix documentary that was more cute than interesting. We started watching it with the dog but he got bored and fell asleep.
Born to Kill was a delightfully nasty little film noir with a bunch of despicable characters, especially a sociopathic Lawrence Tierney.
Topkapi is one of my all-time favorites which I hadn't seen in a while. It's a stylish 60s heist comedy with great locations in Istanbul. The heist scene is always tense even though I've probably seen the movie at least ten times.
The Sand Pebbles is a grand epic about an American gunboat in 1920s China. I'd seen the ending before but not the entire three hours. Steve McQueen was excellent once I got used to his bizarre accent. The movie didn't need to be that long but the genre is all about the spectacle. Finally,
First Kid was my daughter's choice for a fun, dumb watch. It's a kid's movie about the president's son that she loved back in the day. She was still able to quote big chunks of dialog from it which made me question my parenting skills, although I think we did
better than the child actor who played the title character.