72. Steely Dan- Can’t Buy A Thrill (1972)
Classic rock radio hits: Reelin’ In The Years, Do It Again, Dirty Work
Steely Dan’s debut album brought a level of sophistication and jazz to rock music that was largely new at the time. But on this record they also produced some of the best hits of the era.
Note: Steely Dan is one of those bands appearing on this list with an extremely devoted fan base very well educated in their music. I am not one of them; at best I am a casual fan. So if in my review I write something completely wrong or ignorant, apologies beforehand.
Do It Again
A really brilliant single. I might have selected a different instrument than organ for the bridge; otherwise it’s almost perfect.
Dirty Work
Is this the only hit by the band not sung by Donald Fagan? I know he was concerned about his vocals on this album (though I really like them.) In any case this is a really good hit of the era.
Kings
Jazz rock and I find the bridge nearly unlistenable. Not a fan.
Midnite Cruiser
I like this. Im pretty sure I’ve heard it on the radio. Perhaps I should have included it on the hit list?
Only A Fool Would Say That
So I’ve listened to this album 4-5 times in preparation for this write up, and this short tune has really grown on me. At first I thought, “meh, just filler” but now I think it’s a very good deep cut.
Reelin’ In The Years
For me this band’s best ever song. Love the lyrics, and especially the love the guitar by “Skunk” Baxter, a fascinating character who in later years became a missile specialist who has worked with the Pentagon and Department of Defense.
Fire In The Hole
Starts out with a great piano solo. But this sort of jazz rock is just not something I can enjoy for very long.
Brooklyn (Owes the Charmer Under ‘Me)
This is the other song not sung by Fagan. More palatable to me than the really jazzy stuff. A good deep cut.
Change of the Guard
Pretty standard pop. It’s fine.
Turn That Heartbeat Over Again
More jazz but better than Kings or Fire In the Hoke in terms of accessibility (at least for me).
Excellent record and very different from their others because they weren't STEELY DAN yet.
Skunk was a band member on this album, but the lead guitar in Reelin' in the Years was played by session player Elliott Randall. They were using session players from the very beginning, even when they were a "real" band that toured.
This is their only album that had non-Fagen lead vocals until their final record, Everything Must Go, which has one song sung by Walter Becker.
The vocals/touring thing wasn't just to do with stage fright. Fagen and Becker never wanted to be in a "real" band in the first place. They hated touring because of a disastrous experience in the '60s as members of the backing band for Jay and the Americans, and wanted to be songwriters-for-hire*. They signed with a publishing company and sent out demos. But few were interested in recording their songs because, while catchy, they were so damn weird. And they were really best suited for Fagen's unconventional but distinct voice. Since outsiders weren't really interested in recording their songs, they decided to record them themselves, and answered an ad by guitarist Denny Dias (who plays the electric sitar solo on Do It Again and stayed with them through Aja) to put a band together. Fagen did not want to be frontman, not only because he hated touring and being in the spotlight, but because he didn't think his voice had any appeal. So they hired David Palmer to be lead singer, but it became apparent that, except for Dirty Work, Midnite Cruiser, Brooklyn and Dallas (their first single, which did not appear on any album), the songs sounded better when Fagen sang them. Since he wasn't needed as much as he thought he would be, Palmer left after their first tour, and Fagen became the sole lead singer after that. They toured after their second and third albums as well, because they felt they had to, but hated every second of it, and stopped going on the road when they got big enough to not need to.
Ironically, after they reformed in the '90s, they did most of their work on the road. I think it had a lot to do with venue PA systems having advanced enough that they could sound the way they wanted to in concert. But also because it paid much better than records by that point. I saw them four times between 2006 and Walter Becker's death, and each time Fagen seemed perfectly content as frontman.
* - One of my concerts was a "rarities" show in 2010. One of the rarities they performed was a tune they wrote in the songwriters-for-hire era called American Lovers, which was recorded by Thomas Jefferson Kaye.