...Will this still have a chilling effect on political satire?
Of course. Political satire is rare in Hollywood to begin with and the idea that a country or even a radical group in this country could make meaningful threats might be the final straw. Best to throw the occasional, veiled barb into a superhero picture and leave it at that. Not enough people have pointed out, though, that this was more than an attack on the U.S. Sony is a Japanese company, and any chance North Korea has to stick it to the Japanese, they’ll take — probably in concert with China. And given Japan’s actions in the early part of the 20th century, who can entirely blame them?
Finally, about those Sony hacks: Would you have printed the emails if you were in charge of the media?
Without question, no. I’d have done everything to suppress them. Stealing them was a crime and this wasn’t about larger political questions. I’d have certainly published Snowden’s and Assange’s revelations, for example. Having said that, I am, like many other self-appointed ethicists, torn in two directions. Once the emails were out there I read them avidly. And in general — apart from those moronic, racist exchanges about Obama’s taste in movies and the pay disparity between women and men — the level of discourse was higher than I expected. These weren’t just businesspeople. They cared about the art, too. If Amy Pascal loses her job over this, it will be an outrage. The only thing about which we disagree is The Interview. She hated it; I think it’s a blast.