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☞ Official SOPRANOS Thread (6 Viewers)

Any significance to Chase using a Journey song, all of the American Idol talk at Bobby's funeral dinner and Randy Jackson being a member of Journey? Also, for a lot of viewers the finale was just a'ight. Also when AJ's Jeep catches fire, America, we had a hot one right there.

 
videoguy505 said:
Aaron Rudnicki said:
http://drawergeek.blogspot.com/2007/06/sop...y-happened.html



Found this on a message board. If this is all true, I think people who hated that finale might do a 180. Wow.

"OK, at first I was really angry. I mean really, really angry. I can't believe though that no-one has posted by now what happened. The only thing I saw that was right, was that in the last scene we are seeing through Tony's eyes. Remember in the first season when Tony was speaking with Bobby...basically saying that you don't see your death happening?

So here is what I found out. The guy at the bar is also credited as Nikki Leotardo. The same actor played him in the first part of season 6 during a brief sit down concerning the future of Vito. That wasn't that long ago. Apparently, he is the nephew of Phil. Phil's brother Nikki Senior was killed in 1976 in a car accident. Absolutely Genius!!!! David Chase is truly rewarding the true fans who pay attention to detail.

So the point would have been that life continues and we may never know the end of the Sopranos. But if you pay attention to the history, you will find that all the answers lie in the characters in the restaurant. The trucker was the brother of the guy who was robbed by Christopher in Season 2. Remember the DVD players? The trucker had to identify the body. The boy scouts were in the train store and the black guys at the end were the ones who tried to kill Tony and only clipped him in the ear (was that season 2 or 3?).

Absolutely incredible!!!! There were three people in the restaurant who had reason to kill Tony and then it just ends. This was Chase's way of proving that he will not escape his past. It will not go on forever despite that he would like it to "don't stop". Not the fans!!! Tony would like it to keep going but just as we have to say goodbye, so does he. No more Tony and I guess we are supposed to be happy that Meadow didn't get clipped as well (she would have been between the shooter and Tony) since she is the only one worth a crap in that family.

Thank you David Chase for making it so obscure that I feel bad for hating you at first. Absolutely amazing!!!!"

ALSO:

"I feel much better about this finale after watching it a second time. In the split second before the screen goes blank you can see panic rushing over Tony's face and he also seems to be reaching under the table for something."
:banned: Just fan fiction--none of these 3 people cited are correct--the dude in the Members Only jacket was just cast for this scene according to the interview with him before. And all black people don't look alike, these are different guys.

It's just like the jukebox said: "Any Way You Want It"
Any Way You Want It was the bad Journey song used in Caddyshack. Don't Stop Believin' was last night's bad jukebox song.
"Any Way You Want It" was the other song on the jukebox, right below "Don't Stop Believing".In the biz, we call that "quality proppage". It's tiny things like that which really can make a scene. It's intentional and probably hand-picked by Chase (note it's a custom-made insert for the jukebox, it's not a standard one or it would have the code numbers printed like the one above. Also, the coloring is a bit off.). The way it worked is really neat--the name of the band is "Journey", and the names of the two songs really fit the ending.

It's telling us what we're supposed to do--make our own ending, any way we want it.

Screengrab Link

 
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Boo to HBO, and David Chase last night, not giving us "fans" some real closure. Boo on David Chase and his Homo love affair with AJ, what else would explain the series spending soooooo much time on his complaining, suicidal, cry baby, punk ###! I wish Pauly Walnuts would WHACK AJ with the newest cast member ... the cat.

 
Screengrab Link

videoguy505 said:
Aaron Rudnicki said:
http://drawergeek.blogspot.com/2007/06/sop...y-happened.html



Found this on a message board. If this is all true, I think people who hated that finale might do a 180. Wow.

"OK, at first I was really angry. I mean really, really angry. I can't believe though that no-one has posted by now what happened. The only thing I saw that was right, was that in the last scene we are seeing through Tony's eyes. Remember in the first season when Tony was speaking with Bobby...basically saying that you don't see your death happening?

So here is what I found out. The guy at the bar is also credited as Nikki Leotardo. The same actor played him in the first part of season 6 during a brief sit down concerning the future of Vito. That wasn't that long ago. Apparently, he is the nephew of Phil. Phil's brother Nikki Senior was killed in 1976 in a car accident. Absolutely Genius!!!! David Chase is truly rewarding the true fans who pay attention to detail.

So the point would have been that life continues and we may never know the end of the Sopranos. But if you pay attention to the history, you will find that all the answers lie in the characters in the restaurant. The trucker was the brother of the guy who was robbed by Christopher in Season 2. Remember the DVD players? The trucker had to identify the body. The boy scouts were in the train store and the black guys at the end were the ones who tried to kill Tony and only clipped him in the ear (was that season 2 or 3?).

Absolutely incredible!!!! There were three people in the restaurant who had reason to kill Tony and then it just ends. This was Chase's way of proving that he will not escape his past. It will not go on forever despite that he would like it to "don't stop". Not the fans!!! Tony would like it to keep going but just as we have to say goodbye, so does he. No more Tony and I guess we are supposed to be happy that Meadow didn't get clipped as well (she would have been between the shooter and Tony) since she is the only one worth a crap in that family.

Thank you David Chase for making it so obscure that I feel bad for hating you at first. Absolutely amazing!!!!"

ALSO:

"I feel much better about this finale after watching it a second time. In the split second before the screen goes blank you can see panic rushing over Tony's face and he also seems to be reaching under the table for something."
:banned: Just fan fiction--none of these 3 people cited are correct--the dude in the Members Only jacket was just cast for this scene according to the interview with him before. And all black people don't look alike, these are different guys.

It's just like the jukebox said: "Any Way You Want It"
Any Way You Want It was the bad Journey song used in Caddyshack. Don't Stop Believin' was last night's bad jukebox song.
"Any Way You Want It" was the other song on the jukebox, right below "Don't Stop Believing".In the biz, we call that "quality proppage". It's tiny things like that which really can make a scene. It's intentional and probably hand-picked by Chase (note it's a custom-made insert for the jukebox, it's not a standard one or it would have the code numbers printed like the one above. Also, the coloring is a bit off.). The way it worked is really neat--the name of the band is "Journey", and the names of the two songs really fit the ending.

It's telling us what we're supposed to do--make our own ending, any way we want it.
I disagree. I saw the choice of song as having nothing to do with plot and everything to do with the statement he was making in the episode/series.
 
Ya, I agree with the others, Tony was not shot. It was an interesting theory, but does not really stand up

 
It was an interesting theory, but does not really stand up
Why? Maybe the only reason to fade to black was Tony getting whacked. There are many reasons why that theory stands up.
nope. The guy going into the bathroom was an obvious red herring by Chase with a direct Godfather reference, as was all the rest of the scene (the jerky parking by Meadow, the seemingly out of place gang bangers, etc etc).
 
Its has been 24 hours and I still cannot get that damn Journey song out of my head :goodposting: :lmao: :hot: Everytime I go to bar and hear this song played I'm going to think of this craptastic ending.

 
What do you do when your TV world ends? You go to dinner, then keep quiet. Sunday night, "Sopranos" creator David Chase took his wife out for dinner in France, where he's fled to avoid "all the Monday morning quarterbacking" about the show's finale. After this exclusive interview with the Star-Ledger, agreed to well before the season began, he intends to go into radio silence, letting the work -- especially the controversial final scene -- speak for itself."No one was trying to be audacious, honest to god," Chase said. "We did what we thought we had to do. No one was trying to blow people's minds, or thinking, 'Wow, this'll (tick) them off.' People get the impression that you're trying to (mess) with them and it's not true. You're trying to entertain them."Read the full story in Tuesday's Star-Ledger.
 
http://www.patriotledger.com/articles/2007...life/life01.txt

David Chase, all is forgiven. After all those times you left us wondering what you were thinking, after leaving loose ends untied in obvious contempt for those of us who like plot resolution, you gave us an emotionally arresting ending that more or less answered our questions while keeping the same unconventional spirit that made ‘‘The Sopranos’’ one of the best television shows ever.

Chase, the show’s creator and guiding force, left Tony Soprano with his wife, son and daughter in a very ordinary New Jersey diner, listening to Tony’s jukebox selection, Journey’s ‘‘Don’t Stop Believin’’’ and sharing a basket of onion rings.

The ending came so abruptly we thought for a moment that maybe the cable went out. We sat there transfixed and staring into the black, only to see the credits come up and roll in silence. (They usually go along with the final song of the episode; Chase likes using music to make us conjure up theories that inevitably end up being wrong.)

As for the major questions at hand - the ones about Tony’s survival and legal standing - here’s what Chase told us: Tony is safe, or at least as safe as Tony Soprano gets. The No. 1 threat to his life, Lupertazzi family boss Phil Leotardo, was executed in grand and graphic style, with a little bonus moment for those who hate him a lot. Leotardo’s top two men don’t want a mob war. The New York threat that had Team Soprano holed up in a safe house just a week ago is no more. But the threat of RICO indictments seems imminent after news that Carlo Gervasi flipped to the feds.

For sure, much will be made of the episode’s paranoid final sequence: Tony is looking at various restaurant patrons and wondering whether any of them are there to pop him. They’re not, but what’s accomplished in this scene is that for the first time, we get a pretty good idea not of what Tony Soprano is like, but what it’s like to be Tony Soprano.

For the last half of last night’s episode, it looked as though Tony was done for. We braced ourselves as Tony walked through his world like a man about to be executed.

He made amends with his Uncle Junior, institutionalized and suffering from dementia after he put a bullet in Tony’s gut.

He put his clinically depressed, weight-of-the-world-on-his-shoulders son A.J. back on course, setting him up with a job in movies - even if it was just to keep him out of the Army.

He showed rare pride in his daughter Meadow, who had left him disappointed by dropping out of medical school and saying she was going into law to represent Arabs and blacks.

He made sure to provide for his sister Janice, a constant source of drama and tension - and a carbon copy of their mother, Livia, possibly the worst and most vindictive mother in all of television.

His insatiable eye for the ladies was, in one scene in particular, uncharacteristically trained only on Carmela (who, as a friend of mine noticed, was looking at catalogs for beach houses, suggesting that the Sopranos have finally had enough of New Jersey). And after making excuse after excuse, he finally paid a hospital visit to his No. 2 man, Silvio Dante, comatose after being shot by Leotardo’s guys in last week’s episode. No bedside speech, just his hand on Silvio’s. Tony showed some rare humanity, and we started wondering when the bullets would fly.

All this added up to the climactic final scene: Tony sits in a booth at an old-style diner, the kind where every table has a jukebox. He flips through the selections and picks the unlikeliest of songs: Journey’s endlessly optimistic sing-along, ‘‘Don’t Stop Believin.’’’

The audience goes on guard: Happy music means violent ending.

Carmela comes in and joins him. Tony looks around at the guy putting sugar in his coffee. Somebody bursts through the door; Tony nearly jumps, and we do, too. It’s A.J., filing in behind somebody else. He’s not crazy about his job, but he likes his new girl and for the first time in a while seems stable again. Meadow is shown arriving fashionably late and displays the parallel-parking skills of someone raised in the suburbs. Perhaps it’s a metaphor of how her smart, socially conscious character never quite fit into this dysfunctional family.

As she fiddles with the gearshift, we expect to see a loaded .45 creep up into the shot. It does not.

She parks, walks into the restaurant, Tony looks up, and ...scene over.

Instead of a violent ending, Chase exits with a contemplative one in which A.J. reminds his father of a piece of advice he once offered: ‘‘Remember the good times.’’

We most certainly will.

 
As for the major questions at hand - the ones about Tony’s survival and legal standing - here’s what Chase told us: Tony is safe, or at least as safe as Tony Soprano gets.
I guess this is at the heart of the issue for me. We shouldn't need Chase to tell us; the story itself should tell us. This reminds me of "The X-Files" when Scully got pregnant (the storyline that essentially ended the series; but that's another issue). Chris Carter and Frank Spotnitz (the exec producers) played the game of Was Mulder the father or not throughout an entire season. They thought they were being clever when the fact is their ambiguity annoyed the very fans they were trying to entertain. So in the season finale there's a big emotional scene where Mulder and Scully fawn over her baby and the two of them kiss for the first time.Fade to black.When interviewed, Spotnitz said the scene was meant to portray that Mulder was indeed the father of Scully's baby. The problem is, the two of them never acknowledged that fact onscreen. It was all implied. The ambiguity they thought they were being so clever in terms of introducing merely served to piss off a large segment of their fan base.I see a similar reaction here with the ambiguity of the final shot. Now this doesn't mean I need to have every little thing explained to me with a nice little bow on top. I'm fine with allowing for viewer interpretation of events and storylines. But the most important storyline of the series shouldn't end with ambiguity in my opinion. We shouldn't need interviews with David Chase to tell us what the story itself should have clearly presented.
 
A note on Holsteins and the onion ring controversy, the place is right down the block from me, and it's been mobbed(pardon the pun) all day, and they SOLD OUT of Onion Rings at 6pm tonight! Its all over the news here!

 
What do you do when your TV world ends? You go to dinner, then keep quiet. Sunday night, "Sopranos" creator David Chase took his wife out for dinner in France, where he's fled to avoid "all the Monday morning quarterbacking" about the show's finale. After this exclusive interview, agreed to well before the season began, he intends to go into radio silence, letting the work -- especially the controversial final scene -- speak for itself. "I have no interest in explaining, defending, reinterpreting, or adding to what is there," he says of the final scene. "No one was trying to be audacious, honest to god," he adds. "We did what we thought we had to do. No one was trying to blow people's minds, or thinking, 'Wow, this'll (tick) them off.' People get the impression that you're trying to (mess) with them and it's not true. You're trying to entertain them." In that scene, mob boss Tony Soprano waited at a Bloomfield ice cream parlor for his family to arrive, one by one. What was a seemingly benign family outing was shot and cut as the preamble to a tragedy, with Tony suspiciously eyeing one patron after another, the camera dwelling a little too long on Meadow's parallel parking and a man in a Members Only jacket's walk to the men's room. Just as the tension had been ratched up to unbearable levels, the series cut to black in mid-scene (and mid song) with no resolution. "Anybody who wants to watch it, it's all there," says Chase, 61, who based the series in general (and Tony's relationship with mother Livia specifically) on his North Caldwell childhood. Some fans have already assumed that the ambiguous ending was Chase setting up the oft-rumored "Sopranos" movie, but that doesn't seem to be in the cards. "I don't think about (a movie) much," he says. "I never say never. An idea could pop into my head where I would go, 'Wow, that would make a great movie,' but I doubt it. "I'm not being coy," he adds. "If something appeared that really made a good 'Sopranos' movie and you could invest in it and everybody else wanted to do it, I would do it. But I think we've kind of said it and done it." Another problem: over the last season, Chase killed so many key characters. He's toyed with the idea of "going back to a day in 2006 that you didn't see, but then (Tony's children) would be older than they were then and you would know that Tony doesn't get killed. It's got problems." (Earlier in the interview, he notes that his favorite part of the show was often the characters telling stories about the good ol' days of Tony's parents. Just a guess, but if Chase ever does a movie spin-off, it'll be set in Newark in the '60s.) Since Chase is declining to offer his interpretation of the final scene, let me present two more of my own, which came to me with a good night's sleep and a lot of helpful reader e-mails: Theory No. 1 (and the one I prefer): Chase is using the final scene to place the viewer into Tony's mindset. This is how he sees the world: every open door, every person walking past him could be coming to kill him, or arrest him, or otherwise harm him or his family. This is his life, even though the paranoia's rarely justified. We end without knowing what Tony's looking at because he never knows what's coming next. Theory No. 2: In the scene on the boat in "Soprano Home Movies," repeated again last week, Bobby Bacala suggests that when you get killed, you don't see it coming. Certainly, our man in the Members Only jacket could have gone to the men's room to prepare for killing Tony (shades of the first "Godfather"), and the picture and sound cut out because Tony's life just did. (Or because we, as viewers, got whacked from our life with the show.) Meanwhile, remember that 21-month hiatus between Seasons Five and Six? That was Chase thinking up the ending. HBO chairman Chris Albrecht came to him after Season Five and suggested thinking up a conclusion to the series; Chase agreed, on the condition that he get "a long break" to decide on an ending. Originally, that ending was supposed to occur last year, but midway through production, the number of episodes was increased, and Chase stretched out certain plot elements while saving the major climaxes for this final batch of 9. "If this had been one season, the Vito storyline would not have been so important," he says. Much of this final season has featured Tony bullying, killing or otherwise alienating the members of his inner circle. After all those years viewing him as "the sympathetic mob boss," were we supposed to, like his therapist Dr. Melfi, finally wake up and smell the sociopath? "From my perspective, there's nothing different about Tony in this season than there ever was," insists Chase. "To me, that's Tony." Chase has had an ambivalent relationship with his fans, particularly the bloodthirsty whacking crowd who seemed to tune in only for the chance to see someone's head get blown off (or run over by an SUV). So was he reluctant to fill last week's penultimate episode, "The Blue Comet," with so many vivid death scenes? "I'm the Number One fan of gangster movies," he says. "Martin Scorsese has no greater devotee than me. Like everyone else, I get off partly on the betrayals, the retributions, the swift justice. But what you come to realize when you do a series is you could be killing straw men all day long. Those murders only have any meaning when you've invested story in them. Otherwise, you might as well watch 'Cleaver.'" One detail about the final scene that he'll discuss, however tentatively: the selection of Journey's "Don't Stop Believin'" as the song on the jukebox. "It didn't take much time at all to pick it, but there was a lot of conversation after the fact. I did something I'd never done before: in the location van, with the crew, I was saying, 'What do you think?' When I said, 'Don't Stop Believin',' people went, 'What? Oh my god!' I said, 'I know, I know, just give a listen,' and little by little, people started coming around." Whether viewers will have a similar time-delayed reaction to the finale as a whole, Chase doesn't know. ("I hear some people were very angry, and others were not, which is what I expected.") He's relaxing in France, then he'll try to make movies. "It's been the greatest career experience of my life," he says. "There's nothing more in TV that I could say or would want to say." Here's Chase on some other points about the finale and the season: -After all the speculation that Agent Harris might turn Tony, instead we saw that Harris had turned, passing along info on Phil's whereabouts and cheering, "We're going to win this thing!" when learning of Phil's demise. "This is based on an actual case of an FBI agent who got a little bit too partisan and excited during the Colombo wars of the '70s," says Chase of the story of Lindley DeVecchio, who supplied Harris' line. -Speaking of Harris, Chase had no problem with never revealing what -- if anything -- terror suspects Muhammed and Ahmed were up to. "This, to me, feels very real," he says. "The majority of these suspects, it's very hard for anybody to know what these people are doing. I don't even think Harris might know where they are. That was sort of the point of it: who knows if they are terrorists or if they're innocent pistachio salesmen? That's the fear that we are living with now." Also, the apocryphal story -- repeated by me, unfortunately -- that Fox, when "Sopranos" was in development there, wanted Chase to have Tony help the FBI catch terrorists, wasn't true. "What I said was, if I had done it at Fox, Tony would have been a gangster by day and helping the FBI by night, but we weren't there long enough for anyone to make that suggestion." -I spent the last couple of weeks wrapping my brain around a theory supplied by reader Sam Lorber (and his daughter Emily) that the nine episodes of this season were each supposed to represent one of the nine circles of Hell from Dante's "The Divine Comedy." Told of the theory, Chase laughed and said, "No." -Since Butchie was introduced as a guy who was pushing Phil to take out Tony, why did he turn on Phil and negotiate peace with Tony? "I think Butch was an intelligent guy, he began to see that there was no need for it, that Phil's feelings were all caught up in what was esentially a convoluted personal grudge." -Not from Chase, but I feel the need to debunk the e-mail that's making the rounds about all the Holsten's patrons being characters from earlier in the series. The actor playing Member's Only guy had never been on the show before, Tony killed at least, one if not both of his carjackers, and there are about 17 other things wrong with this popular but incorrect theory.
 
My theory is this....Tony's screen didn't go black. Ours did. We got whacked in the end. Prety cool, I think.

Another theory I heard was that the cat was really Christowpha reincarnated, just breaking Paulie's balls one last time. Interesting at least.

 
Don't know if this has been stated yet, but I just saw an interview with the actors and they said that when it was filmed, Meadow actually comes in and sits down. That's who Tony is looking at when the door opens. Chase just cut the scene short.
My Hollywood buddy said the same thing to me today. He was betting that Chase shot 3 endings on the premise of trying to obscure what really happened but intended all along to cut this one off early in the editing room to surprise everybody.
 
videoguy505 said:
Aaron Rudnicki said:
http://drawergeek.blogspot.com/2007/06/sop...y-happened.html



Found this on a message board. If this is all true, I think people who hated that finale might do a 180. Wow.

"OK, at first I was really angry. I mean really, really angry. I can't believe though that no-one has posted by now what happened. The only thing I saw that was right, was that in the last scene we are seeing through Tony's eyes. Remember in the first season when Tony was speaking with Bobby...basically saying that you don't see your death happening?

So here is what I found out. The guy at the bar is also credited as Nikki Leotardo. The same actor played him in the first part of season 6 during a brief sit down concerning the future of Vito. That wasn't that long ago. Apparently, he is the nephew of Phil. Phil's brother Nikki Senior was killed in 1976 in a car accident. Absolutely Genius!!!! David Chase is truly rewarding the true fans who pay attention to detail.

So the point would have been that life continues and we may never know the end of the Sopranos. But if you pay attention to the history, you will find that all the answers lie in the characters in the restaurant. The trucker was the brother of the guy who was robbed by Christopher in Season 2. Remember the DVD players? The trucker had to identify the body. The boy scouts were in the train store and the black guys at the end were the ones who tried to kill Tony and only clipped him in the ear (was that season 2 or 3?).

Absolutely incredible!!!! There were three people in the restaurant who had reason to kill Tony and then it just ends. This was Chase's way of proving that he will not escape his past. It will not go on forever despite that he would like it to "don't stop". Not the fans!!! Tony would like it to keep going but just as we have to say goodbye, so does he. No more Tony and I guess we are supposed to be happy that Meadow didn't get clipped as well (she would have been between the shooter and Tony) since she is the only one worth a crap in that family.

Thank you David Chase for making it so obscure that I feel bad for hating you at first. Absolutely amazing!!!!"

ALSO:

"I feel much better about this finale after watching it a second time. In the split second before the screen goes blank you can see panic rushing over Tony's face and he also seems to be reaching under the table for something."
:thumbup: Just fan fiction--none of these 3 people cited are correct--the dude in the Members Only jacket was just cast for this scene according to the interview with him before. And all black people don't look alike, these are different guys.

It's just like the jukebox said: "Any Way You Want It"
Any Way You Want It was the bad Journey song used in Caddyshack. Don't Stop Believin' was last night's bad jukebox song.
"Any Way You Want It" was the other song on the jukebox, right below "Don't Stop Believing".In the biz, we call that "quality proppage". It's tiny things like that which really can make a scene. It's intentional and probably hand-picked by Chase (note it's a custom-made insert for the jukebox, it's not a standard one or it would have the code numbers printed like the one above. Also, the coloring is a bit off.). The way it worked is really neat--the name of the band is "Journey", and the names of the two songs really fit the ending.

It's telling us what we're supposed to do--make our own ending, any way we want it.

Screengrab Link
When he first opens the song selection list, I noticed the song dead center on the right page was "This Magic Moment"
 
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Johnny Detroit said:
chase's attempt to be brilliant made him look stupid.

tony is the brilliance. here is a guy that killed his best friend, nephew (in name), cousin. regardless of reason, he also tried to kill his mom and uncle. he ruined a childhood friend's life (scatino). dumped asbestos to make money. cheated on his wife. swindled people with stock scams. scammed the government for money meant to rebuild the ghetto (the house scam). the list goes on and on.
:banned: at the bolded part.Tony practically BEGGED Davey not to get into the poker game. You're right about everything else in your post, but Scatino needs to take all of the responsibility for the bust out. Or do you also side with people who sue tobacco companies because they got cancer after smoking for 30 years?

And BTW, Junior was arrested before Tony "tried to kill" him.

 
Ladies and gentlemen, the 2000s version of Alan Alda!

Stereocast for life!
Maybe.But I think Gandolfini has a decent chance at a high-profile movie career. Before the Sopranos he'd done well as a supporting actor in films such as "True Romance", "Get Shorty", "A Civil Action". (Anyone remember him in the remake of "Twelve Angry Men"? Odd that him and William L. Peterson were probably the lowest ranked actors in that film--even behind Tony Danza--but now both lead highly successful tv shows).

At the very least he should be able to continue in that way.

George Clooney starred on a show that had twice as many viewers and he's carved out an A-List movie career. Granted, Gandolfini doesn't look like Clooney. But he's playing Ernest Hemingway in a flick due out next year, and that should do well.

He's got connections with the Cohen Bros., and Sean Penn seems to always put him in his movies.

I predict that Gandolfini is going to do very well in the future.

 
Ladies and gentlemen, the 2000s version of Alan Alda!

Stereocast for life!
Maybe.But I think Gandolfini has a decent chance at a high-profile movie career. Before the Sopranos he'd done well as a supporting actor in films such as "True Romance", "Get Shorty", "A Civil Action". (Anyone remember him in the remake of "Twelve Angry Men"? Odd that him and William L. Peterson were probably the lowest ranked actors in that film--even behind Tony Danza--but now both lead highly successful tv shows).

At the very least he should be able to continue in that way.

George Clooney starred on a show that had twice as many viewers and he's carved out an A-List movie career. Granted, Gandolfini doesn't look like Clooney. But he's playing Ernest Hemingway in a flick due out next year, and that should do well.

He's got connections with the Cohen Bros., and Sean Penn seems to always put him in his movies.

I predict that Gandolfini is going to do very well in the future.
I think you are overvaluing Gandolfini's career prior to the Sopranos, but I agree, he has a chance to carve out a nice career post HBO series.
 
Ladies and gentlemen, the 2000s version of Alan Alda!

Stereocast for life!
Maybe.But I think Gandolfini has a decent chance at a high-profile movie career. Before the Sopranos he'd done well as a supporting actor in films such as "True Romance", "Get Shorty", "A Civil Action". (Anyone remember him in the remake of "Twelve Angry Men"? Odd that him and William L. Peterson were probably the lowest ranked actors in that film--even behind Tony Danza--but now both lead highly successful tv shows).

At the very least he should be able to continue in that way.

George Clooney starred on a show that had twice as many viewers and he's carved out an A-List movie career. Granted, Gandolfini doesn't look like Clooney. But he's playing Ernest Hemingway in a flick due out next year, and that should do well.

He's got connections with the Cohen Bros., and Sean Penn seems to always put him in his movies.

I predict that Gandolfini is going to do very well in the future.
He was better in 8mm.
 
Wheelhouse said:
We're all talking about an ending where there is no clear-cut answer. That alone makes it interesting. Unstatisfying? Maybe for some, but it definitely leaves questions. I have a few questions...

1. What was the reason for creating a delay in Meadow getting to the restaurant?

2. When Tony entered the restaurant, did he see himself sitting there? What does that represent?

3. What was the symbolism/meaning of the Sopranos eating at a meager restaurant that was a far cry from their usual?

At the very end, the last words sung before the blackout were "Don't Stop"

Don't stop what? Your thoughts?
:thumbup: I'm glad I wasn't the only one who noticed that. I thought I was seeing things. WTF was that all about?

 
Also had italian for dinner tonight in honor of episode "last". :hot: Will put the kid to sleep in 20 mins then it's peace and quiet til showtime. Gonna miss this show. Farewell Sopranos :bye:Oh by the way, my wife is 9 months pregnant with our 2nd child and is ready to burst. $50 says her water breaks at 8:57pm. :lmao:
Just to update, my wife went into labor the next day. Our beautiful baby daughter Clare Kristine was born yesterday at 2:56pm, 8 lbs. 11 oz. Wife, baby and I are doing wonderful. :thumbup:
 
Also had italian for dinner tonight in honor of episode "last". :hot: Will put the kid to sleep in 20 mins then it's peace and quiet til showtime. Gonna miss this show. Farewell Sopranos :bye:Oh by the way, my wife is 9 months pregnant with our 2nd child and is ready to burst. $50 says her water breaks at 8:57pm. :lmao:
Just to update, my wife went into labor the next day. Our beautiful baby daughter Clare Kristine was born yesterday at 2:56pm, 8 lbs. 11 oz. Wife, baby and I are doing wonderful. :thumbup:
Congratulations.
 
Wheelhouse said:
We're all talking about an ending where there is no clear-cut answer. That alone makes it interesting. Unstatisfying? Maybe for some, but it definitely leaves questions. I have a few questions...

1. What was the reason for creating a delay in Meadow getting to the restaurant?

2. When Tony entered the restaurant, did he see himself sitting there? What does that represent?

3. What was the symbolism/meaning of the Sopranos eating at a meager restaurant that was a far cry from their usual?

At the very end, the last words sung before the blackout were "Don't Stop"

Don't stop what? Your thoughts?
:kicksrock: I'm glad I wasn't the only one who noticed that. I thought I was seeing things. WTF was that all about?
He didn't see himself sitting in the restaurant. They show Tony walk in and look around the restaurant and they cut back to a shot of Tony at the entrance. The next shot shows Tony sitting at the table. I'd buy this theory if they never cut back to Tony before they show him sitting at the table by himself.
 
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Wheelhouse said:
We're all talking about an ending where there is no clear-cut answer. That alone makes it interesting. Unstatisfying? Maybe for some, but it definitely leaves questions. I have a few questions...

1. What was the reason for creating a delay in Meadow getting to the restaurant?

2. When Tony entered the restaurant, did he see himself sitting there? What does that represent?

3. What was the symbolism/meaning of the Sopranos eating at a meager restaurant that was a far cry from their usual?

At the very end, the last words sung before the blackout were "Don't Stop"

Don't stop what? Your thoughts?
:cry: I'm glad I wasn't the only one who noticed that. I thought I was seeing things. WTF was that all about?
seemed like it was going to be dream sequence
 
Wheelhouse said:
We're all talking about an ending where there is no clear-cut answer. That alone makes it interesting. Unstatisfying? Maybe for some, but it definitely leaves questions. I have a few questions...

1. What was the reason for creating a delay in Meadow getting to the restaurant?

2. When Tony entered the restaurant, did he see himself sitting there? What does that represent?

3. What was the symbolism/meaning of the Sopranos eating at a meager restaurant that was a far cry from their usual?

At the very end, the last words sung before the blackout were "Don't Stop"

Don't stop what? Your thoughts?
:shrug: I'm glad I wasn't the only one who noticed that. I thought I was seeing things. WTF was that all about?
seemed like it was going to be dream sequence
It was a dream sequence. The whole damn show. Kevin woke up at the end and the screen went black.
 
Wheelhouse said:
We're all talking about an ending where there is no clear-cut answer. That alone makes it interesting. Unstatisfying? Maybe for some, but it definitely leaves questions. I have a few questions...

1. What was the reason for creating a delay in Meadow getting to the restaurant?

2. When Tony entered the restaurant, did he see himself sitting there? What does that represent?

3. What was the symbolism/meaning of the Sopranos eating at a meager restaurant that was a far cry from their usual?

At the very end, the last words sung before the blackout were "Don't Stop"

Don't stop what? Your thoughts?
:shrug: I'm glad I wasn't the only one who noticed that. I thought I was seeing things. WTF was that all about?
He didn't see himself sitting in the restaurant. They show Tony walk in and look around the restaurant and they cut back to a shot of Tony at the entrance. The next shot shows Tony sitting at the table. I'd buy this theory if they never cut back to Tony before they show him sitting at the table by himself.
Tony entering and Tony sitting down had on different shirts. Tony entering had a black leather jacket with a red or maroon shirt. Tony sitting had a black and white shirt with no jacket.
 
Wheelhouse said:
We're all talking about an ending where there is no clear-cut answer. That alone makes it interesting. Unstatisfying? Maybe for some, but it definitely leaves questions. I have a few questions...

1. What was the reason for creating a delay in Meadow getting to the restaurant?

2. When Tony entered the restaurant, did he see himself sitting there? What does that represent?

3. What was the symbolism/meaning of the Sopranos eating at a meager restaurant that was a far cry from their usual?

At the very end, the last words sung before the blackout were "Don't Stop"

Don't stop what? Your thoughts?
:shrug: I'm glad I wasn't the only one who noticed that. I thought I was seeing things. WTF was that all about?
seemed like it was going to be dream sequence
It was a dream sequence. The whole damn show. Kevin woke up at the end and the screen went black.
That is actually funny. This is what I thought was going to happen when i was watching and checked the TIVO time and it was on the last minute, I thought Chase was going to pull a Dallas and have Tony wake up as Kevin and that be the end.
 
Some people think Tony was shot at the end and that's why the screen went to black?

:shrug:

That's nuts.

Why would "Members Only" guy need to go into the bathroom to get a gun? Forget the nod to The Godfather, there was no reason for him to do so.

BTW, I liked how the screen went to black just as Steve Perry was in the middle of the song "Don't stop"

[cut]

Don't stop - :D

But Chase did stop. The series.

 
Some people think Tony was shot at the end and that's why the screen went to black?

:popcorn:

That's nuts.

Why would "Members Only" guy need to go into the bathroom to get a gun? Forget the nod to The Godfather, there was no reason for him to do so.

BTW, I liked how the screen went to black just as Steve Perry was in the middle of the song "Don't stop"

[cut]

Don't stop - :lmao:

But Chase did stop. The series.
You should post more in this thread. :popcorn:
 
Wheelhouse said:
2. When Tony entered the restaurant, did he see himself sitting there? What does that represent?
:popcorn: I'm glad I wasn't the only one who noticed that. I thought I was seeing things. WTF was that all about?
I re-watched it last night, and that final scene in particular a few times. I don't think he "saw himself", as much as the camera cut from him looking in to him sitting there.
 
Wheelhouse said:
We're all talking about an ending where there is no clear-cut answer. That alone makes it interesting. Unstatisfying? Maybe for some, but it definitely leaves questions. I have a few questions...

1. What was the reason for creating a delay in Meadow getting to the restaurant?

2. When Tony entered the restaurant, did he see himself sitting there? What does that represent?

3. What was the symbolism/meaning of the Sopranos eating at a meager restaurant that was a far cry from their usual?

At the very end, the last words sung before the blackout were "Don't Stop"

Don't stop what? Your thoughts?
:goodposting: I'm glad I wasn't the only one who noticed that. I thought I was seeing things. WTF was that all about?
He didn't see himself sitting in the restaurant. They show Tony walk in and look around the restaurant and they cut back to a shot of Tony at the entrance. The next shot shows Tony sitting at the table. I'd buy this theory if they never cut back to Tony before they show him sitting at the table by himself.
Tony entering and Tony sitting down had on different shirts. Tony entering had a black leather jacket with a red or maroon shirt. Tony sitting had a black and white shirt with no jacket.
:confused: It was a little awkward viewing it because the leather jacket was zipped up, leaving only a little bit of Tony's patterned shirt visible--making it appear to be a solid color shirt. In fact, it was the same shirt throughout the end sequence.

Tony leaves Junior

Tony walking to the Diner

Tony enters thru the door

Tony sits alone, wide shot

Tony sits alone, medium closeup

 
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Wheelhouse said:
2. When Tony entered the restaurant, did he see himself sitting there? What does that represent?
:goodposting: I'm glad I wasn't the only one who noticed that. I thought I was seeing things. WTF was that all about?
I re-watched it last night, and that final scene in particular a few times. I don't think he "saw himself", as much as the camera cut from him looking in to him sitting there.
Agreed.Plus, he took off the jacket he was wearing when he entered the restaurant. When he was seated, the fact that the shirt he had on had different colored sleeves led me to believe there was a continuity error (or something) so I rewound and watched him enter the restaurant again. (I may look at this again tonight to be sure, but I'm fairly certain he didn't "see himself sitting there.")

 
Some people think Tony was shot at the end and that's why the screen went to black?

:lmao:

That's nuts.

Why would "Members Only" guy need to go into the bathroom to get a gun? Forget the nod to The Godfather, there was no reason for him to do so.

BTW, I liked how the screen went to black just as Steve Perry was in the middle of the song "Don't stop"

[cut]

Don't stop - :lmao:

But Chase did stop. The series.
You should post more in this thread.
:goodposting:
 
Wheelhouse said:
We're all talking about an ending where there is no clear-cut answer. That alone makes it interesting. Unstatisfying? Maybe for some, but it definitely leaves questions. I have a few questions...

1. What was the reason for creating a delay in Meadow getting to the restaurant?

2. When Tony entered the restaurant, did he see himself sitting there? What does that represent?

3. What was the symbolism/meaning of the Sopranos eating at a meager restaurant that was a far cry from their usual?

At the very end, the last words sung before the blackout were "Don't Stop"

Don't stop what? Your thoughts?
:goodposting: I'm glad I wasn't the only one who noticed that. I thought I was seeing things. WTF was that all about?
He didn't see himself sitting in the restaurant. They show Tony walk in and look around the restaurant and they cut back to a shot of Tony at the entrance. The next shot shows Tony sitting at the table. I'd buy this theory if they never cut back to Tony before they show him sitting at the table by himself.
Tony entering and Tony sitting down had on different shirts. Tony entering had a black leather jacket with a red or maroon shirt. Tony sitting had a black and white shirt with no jacket.
Tony did not have different shirts on. I went back to check from where he was with Junior, and it was the same shirt until the end. When he wore the leather, you only saw the gray panel down the front of the shirt. In the diner, with the jacket off, you saw the print on either side of the gray panel. He didn't see himself sitting there.. He came in and looked around, because again, Tony still looks over his shoulder at all times. Maybe also looking to see if his family had arrived yet.

 
Wheelhouse said:
We're all talking about an ending where there is no clear-cut answer. That alone makes it interesting. Unstatisfying? Maybe for some, but it definitely leaves questions. I have a few questions...

1. What was the reason for creating a delay in Meadow getting to the restaurant?

2. When Tony entered the restaurant, did he see himself sitting there? What does that represent?

3. What was the symbolism/meaning of the Sopranos eating at a meager restaurant that was a far cry from their usual?

At the very end, the last words sung before the blackout were "Don't Stop"

Don't stop what? Your thoughts?
:goodposting: I'm glad I wasn't the only one who noticed that. I thought I was seeing things. WTF was that all about?
He didn't see himself sitting in the restaurant. They show Tony walk in and look around the restaurant and they cut back to a shot of Tony at the entrance. The next shot shows Tony sitting at the table. I'd buy this theory if they never cut back to Tony before they show him sitting at the table by himself.
Tony entering and Tony sitting down had on different shirts. Tony entering had a black leather jacket with a red or maroon shirt. Tony sitting had a black and white shirt with no jacket.
Tony did not have different shirts on. I went back to check from where he was with Junior, and it was the same shirt until the end. When he wore the leather, you only saw the gray panel down the front of the shirt. In the diner, with the jacket off, you saw the print on either side of the gray panel. He didn't see himself sitting there.. He came in and looked around, because again, Tony still looks over his shoulder at all times. Maybe also looking to see if his family had arrived yet.
You're right, I was wrong. It sure seemed like different shirts though.
 

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