I agree for the most part, McGarnicle. The last season was very dark, not just in storylines, but in cinematography. Watch Season 1 and then watch Season 6B and the difference in color in the way the show was filmed is more than obvious. The darkness of the characters and stories of 6B is reflected in the directing and the filming. As for Meadow, if the ending really was what many of us think it was (Tony getting killed), then her walking in and witnessing his death likely changed the trajectory of her life. So, despite being a successful college graduate and seemingly have her life on the right track, the ripple effect of the family she was born into was still unavoidable. And let's not forget she was more like Tony that even she realized. Just think of her telling Tony and Carmela what Coco said to her. She is not stupid; she knew her father would react in a certain way. And her dating the son of one of Tony's mob associates? Meadow was pretty much on tract to have a life similar to Carmela in many ways - a manipulative wife that is connected and knows how and when to flaunt her power. But Meadow would have a career, something Carmela never really had until later, which could make her more dangerous.
I thought Meadow being late to the restaurant, having issues parking the car but ultimately getting it right and crossing the street but almost getting hit were all metaphorical. She's a late bloomer. Possibly marries the Parisi kid, it doesn't work out, they divorce. Grows the career in the meantime, as you stated. She learns and grows, has some close calls, but is ultimately successful and fulfilled. But when you think about it, yeah, Chase could have meant for the engagement to signal the Carmela-Tony cycle repeating. Pretty interesting.Sidebar -- Italianissimo, the place that in real life is very close to the Soprano house and is part of the stolen credit-card scam, was actually
busted for that in real life in 2009 and is now closed. Life imitating art, pretty crazy.