94. Cry Baby Cry (White Album, 1968)
Beatles version:
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Like "Good Morning Good Morning," this John song might have been inspired in part by an ad, specifically some words he thought he'd caught: "Cry baby cry; make your mother buy." This song has a nice spooky feel to it; John's voice has a slight echo that, along with his dry and straightforward delivery, makes it sound chilling to me. Paul's harmonies near the very end add to the eeriness, George's nifty guitar parts contribute to the tension, and the descending chords on the verses give a nice sense of menace. The lyrics seem like a nursery rhyme and owe a debt to "Sing a Song of Sixpence" along with Lewis Carroll, and when John sings in a nearly childlike fashion in parts, it just increases how weird this song feels. The last ~30 seconds, the "can you take me back" part by Paul, were not originally meant to be part of this song, but were from some improvisations during the recording of "I Will." But that "song" didn't receive any separate mention on the album and by now is just considered part of this one. In any case, my favorite part is when this song leads into that latter one; they actually seem to be meant to go together as the Paul song has a similar ghostly feel to it.
Not-so-fun fact: The song was first rehearsed the same day that "Ob-La-Di" was finished, the tension from all the battles over that song carrying over to the recordings of this one that night, with Geoff Emerick deciding then and there that he wouldn't be finishing this song. The next day, he quit, and the recording of this song was begun anew.
Mr. krista: "It’s a great pop song. There’s a lot of songs called cry baby or baby cry or baby baby cry cry, and I think I like them all. There’s the Janis Joplin song called Cry Baby… and there’s this…"
Suggested cover: I guess I'm going to end up with at least three covers listed from
Steve Earle, since there's another one later that I know I'll be using. Oh well; I can't find any others I like better than this.