we just had a good example of that with the Elvis album.I include both on my picks, but think the release date makes more sense.What was the final determination on how to handle live album dates? It seems to me that if the recording date and the release date are close together, it doesn't matter. But if they are decades apart, are we going with the recording date?
Check the Google Sheet linked in the OP.Long stretch of vacancies. Is this more current somewhere?
. 11 El Floppo - -
7 . 12 Abrantes - -
7 . 13 Long Ball Larry - -
7 . 14 Charlie Steiner - -
7 . 15 Chaos Commish - -
7 . 16 The Dreaded Marco - -
7 . 17 shuke - skip may 17 -
7 . 18 mphtrilogy - -
7 . 19 Yo Mama - -
7 . 20 Doug B - -
7 . 21 Binky the Doormat - -
7 . 22 otb lifer -
7 . 23 Eephus -
7 . 24 Oliver Humanzee - skip
7 . 25 Krista 4 - skip
7 . 26 landrys hat -
7 . 27 JZilla -
7 . 28 Mrs Rannous -
7 . 29 Mr Ected -
7 . 30 rcam -
7 . 31 Hov34 -
7 . 32 Ilov80s -
7 . 33 Dr Octopus -
7 . 34 MAC 32 -
7 . 35 RedmondLonghorn -
7 . 36 Bonzai -
7 . 37 Mister CIA -
7 38 rockaction -
7 . 39 simey - Ian Noe - Between the Country
7 . 40 cosjobs
try refreshing your sheet ...it's fairly up to dateLong stretch of vacancies. Is this more current somewhere?
. 11 El Floppo - -
7 . 12 Abrantes - -
7 . 13 Long Ball Larry - -
7 . 14 Charlie Steiner - -
7 . 15 Chaos Commish - -
7 . 16 The Dreaded Marco - -
7 . 17 shuke - skip may 17 -
7 . 18 mphtrilogy - -
7 . 19 Yo Mama - -
7 . 20 Doug B - -
7 . 21 Binky the Doormat - -
7 . 22 otb lifer -
7 . 23 Eephus -
7 . 24 Oliver Humanzee - skip
7 . 25 Krista 4 - skip
7 . 26 landrys hat -
7 . 27 JZilla -
7 . 28 Mrs Rannous -
7 . 29 Mr Ected -
7 . 30 rcam -
7 . 31 Hov34 -
7 . 32 Ilov80s -
7 . 33 Dr Octopus -
7 . 34 MAC 32 -
7 . 35 RedmondLonghorn -
7 . 36 Bonzai -
7 . 37 Mister CIA -
7 38 rockaction -
7 . 39 simey - Ian Noe - Between the Country
7 . 40 cosjobs
This is the way I look at it.we just had a good example of that with the Elvis album.
recorded in '69 but released many years later
ask NV, but it seems like the intent of tracking the dates is to see what period of music is getting the most love. Tieing that Elvis album to the '00s (or whenever) would skew results
So killer. They popularized a sound with this, still quite popular, that underlying organMy cousins (and aunt and uncle) moved to Gainesville, Florida when they were youngsters, because my aunt got a job working at the University of Florida, and then my uncle attended the school (cause he got kicked out of the University of Tennessee). My cousins are a bit older than me and my siblings. During a visit, my cousin Wendy turned us on to Tom Petty and the Heartbreakers' debut album. I thought they were great. Fast forward three years and this album came out. I loved it. It reminds me a lot of my high school years.
Round 9
Damn The Torpedoes - Tom Petty and the Heartbreakers (1979)
Louisiana Rain
Here Comes My Girl
I defer to both of you, but my last pick spanned two decades.This is the way I look at it.
For instance, the live Pogues album that features Joe Strummer was released 12 years after Joe died and about 25-30 years after most of the music was originally released.
I've probably posted about this in the past but it's been a long time and the pandemic is disrupting new content. The first two Petty albums on Shelter have great songs and a great band but the sound is murky. I know most albums are recorded with a sheet of glass separating the musicians from the producer and engineer but S/T and You're Gonna Get It sound like the glass is especially thick.Damn The Torpedoes - Tom Petty and the Heartbreakers (1979)
The VH1 Classic Albums episode on this is as worth watching as anyI've probably posted about this in the past but it's been a long time and the pandemic is disrupting new content. The first two Petty albums on Shelter have great songs and a great band but the sound is murky. I know most albums are recorded with a sheet of glass separating the musicians from the producer and engineer but S/T and You're Gonna Get It sound like the glass is especially thick.
The sound Jimmy Iovine and crew achieved on Damn the Torpedoes is like removing the earmuffs when compared to Denny Cordell's production of the earlier albums. The vocals and drums are pristine but in a way that accentuates the music. It was released in 1979 but it has an 80s sound compared to the early 70s sounding mix that Cordell got.
I'm not always a fan of squeaky clean recordings but in the case of TP and the Heartbreakers, the way the songs of Damn the Torpedoes jumped out of the speakers reenergized his career.
TP fought some wars with his labels in the early days.The VH1 Classic Albums episode on this is as worth watching as any
(Rumours, Songs in the Key of Life too)
good point - though you know you have created your own quandary here with this boundary-pushing selectionI defer to both of you, but my last pick spanned two decades.
78 @ the Roxy is heavily featured.good point - though you know you have created your own quandary here with this boundary-pushing selection
...what year do you think best represents the music on this album (knowing it gets shoved in one or the other decade)
we'll put that in the spreadsheet!78 @ the Roxy is heavily featured.
The first time I heard DTT, I was at Myrtle Beach with my family, and we were at an amusement park called the Pavilion, and I was standing beside the Swiss Bobs I think waiting for my sister. I couldn't ride it, because that ride made me motion sick. Anyway, Refugee came blaring out of the speakers, and I was like . A new TP and the Heartbreakers song! It sounded so good. They played the whole album at the park that night.I'm not always a fan of squeaky clean recordings but in the case of TP and the Heartbreakers, the way the songs of Damn the Torpedoes jumped out of the speakers reenergized his career.
Cos - for right or wrong ...this what we have in the spreadsheet for you thus far:
I went back and forth on either taking his debut album or DTT - I love both (and a bunch of his others).The first time I heard DTT, I was at Myrtle Beach with my family, and we were at an amusement park called the Pavilion, and I was standing beside the Swiss Bobs I think waiting for my sister. I couldn't ride it, because that ride made me motion sick. Anyway, Refugee came blaring out of the speakers, and I was like . A new TP and the Heartbreakers song! It sounded so good. They played the whole album at the park that night.
Was Pharrell in this band?
looks right.Cos - for right or wrong ...this what we have in the spreadsheet for you thus far:
1.40cosjobs-The Rolling Stones-Exile on Main Street
2.1cosjobs-Allman Brothers-At Fillmore East
3.40cosjobs-O Brother Where Art Thou?-Soundtrack
4.1cosjobs-The Band-The Last Waltz
5.40cosjobs-Various Artists-Monterey International Pop Festival
6.1cosjobs-Little Feat-Waiting for Columbus
7.40cosjobs-Repo Man-Soundtrack
8.1cosjobs-Elvis Costello-My Aim is True
9.40cosjobs--
10.1cosjobs--
The Wild One, Forever was my first favorite song by them, and that was on the album you took. It is still a top 2 favorite.I went back and forth on either taking his debut album or DTT - I love both (and a bunch of his others).
so black pumas for rd 9 and still have your rd 10 to makelooks right.
I should have known. I've had it queued up for the last three rounds, thinking it would just lay out there. That's what I get for thinking.
Clipse is two rappers (Pusha T and some other guy). Pharrell was in the Neptunes who did the production for that album which means Pharrell is surely their singing on several of their songs. So, sort of he was.Was Pharrell in this band?
What ilov80s said, to the letter. Except he was light on the singing, heavy on the introduction of who was producing, as it were. The "some other guy" rapping changed his name from "Malice" to "No Malice" and became born again sometime after Hell Hath No Fury. While Pusha T was always considered the better rapper, the loss of No Malice and Clipse has sort of hurt his commercial viability. Not to mention that he raps an awful lot about cocaine, which will only get you so much truck in crossover circumstances.Clipse is two rappers (Pusha T and some other guy). Pharrell was in the Neptunes who did the production for that album which means Pharrell is surely their singing on several of their songs. So, sort of he was.
you can always send me your pickIf it gets to me tonight, skip me and I'll catch up tomorrow.
Appreciate it, my friend, but I'm too far out and am not sure what I want to do yet.you can always send me your pick
Was very close to taking this in Eephus' 5 year thing. I wore it out but I don't go back muchTime for some piano. I met Ben once a long time ago at a party. The bass player in the band, Bobby, is the brother of my friend Martin, who was roommates with my friend Charlie at ECU, who I also knew from high school. Martin was in a band at ECU called The Stegmonds. Charlie was a student and salesman (of illegal substances).
Round 10
Whatever and Ever Amen - Ben Folds Five
One Angry Dwarf and 200 Solemn Faces
Evaporated
Forgot about this one - niceRound 9.03 - Camp Lo - Uptown Saturday Night (1997)
Sonny Cheeba and Geechi Suede rhyme over Ski's beats and produce another underground classic. Another one lost in the shuffle at the label Profile, which swept up many a band in its day. Promising everything and then holding the bands to a tight contract, Camp Lo was unable to release their second album proper, and amidst street whispers of homosexuality and label backtracking, were never able to follow-up their much beloved underground hit until five years later. Re-imagined as urban cowboys (and simply destroying any rumor of homesexuality thenceforth - hwarf), their second effort failed aesthetically and conceptually, leaving Camp Lo to the dustbin of something that could have been and right onto my desert island.
Luchini AKA This Is It
Black Connection
I am always positive about these things.How are we doing on your goal of getting to my picks tonight, @Binky The Doormat ?