White kids raised on Black music
Rd 26 Be My Lover by Alice Cooper (1971)
He was born in Detroit and I guess it must have rubbed off on him a bit. He moved to Phoenix before he was a teen and he formed in band down there but he eventually recognized that the West Coast music scene wasn't the best fit for him. He moved the band back to Detroit and used Pontiac as their home base for touring the Midwest. It was only a couple of years before he was had hit it big and headed back to L.A. Shock rock is a thing and he's a key figure in it, but it's not my thing.
Rd 27 Gimme Danger by Iggy Pop and The Stooges (1973)
The Godfather of Punk grew up in Muskegon, but by time he was in middle school, he found himself in Ann Arbor. As you can imagine, mid-60's Ann Arbor was radical but it was also a wealthy suburban city. Iggy didn't come from money though. When he wanted his first drum set, the only place it would fit in their trailer was the master bedroom. His parents allowed him to use their bedroom for his drum practice. Soon he was drumming for an Ann Arbor band known as The Iguanas while attending U of M. James Newell Osterberg Jr.dropped out the University of Michigan to learn about blues music in Chicago. He returned with a band, "The Stooges" and a new name, "Iggy Pop" (gotten from the name of his old band). Their first concert was a Halloween house party with the MC5 in attendance. Before they had even played one show, there was already hype around the group.
It was '68 when The Doors played Ann Arbor that Iggy developed the idea for his energetic, physical and antagonistic stage presence. He and The Stooges would hone the music and menace as regular performers at The Grande Ballroom. Iggy said "it was rock school for me – a big sweatbox with one little window. You'd come out of there feeling like you'd really been through something." The Grande Ballroom was the spot for rock music fans in Detroit. From the suburbs came the white kids who's parents had fled the city the decade prior. Poet and activist John Sinclair said of the suburban teens, "They kind of thought the shopping malls were kind of lame, you know? They wanted to do something more interesting, so they started coming into the city. … Just as their parents feared, it rubbed off."
Rd 28 Ramblin' Gamblin' Man by Bob Seger and The Silver Bullet Band (1976)
Seger lived a very typical SE Michigan life. He was born at Henry Ford Hospital in Detroit, raised in Dearborn, his dad worked for Ford Motor Company, they moved to Ann Arbor living a comfortable middle class life. Then his dad left. There's been million kids with that same story around here. The only thing that made Seger special was he just happened to have a knack for music and absorbed influences from Little Richard, James Brown and the 60's pop rock scene. Bob spent a lot of years with a lot of different bands playing Ann Arbor, Detroit, Dearborn High's Homecoming Dance and dances at St. Aquinas. He and good friend Glenn Frey both knew the key to really making it in music was getting on the radio.
Bob would find himself all over the radio. I feel like his radio friendly sound led to a period of backlash against him. There seemed to be this belief among music critics who considered themselves "serious" that Seger's music wasn't. There is also some general bias against the Midwest and bias against lots of the AM music of the 70's, "yacht rock" of the 80's. To all of that, I say suck on it. Seger got on the radio because he made fun music and he made music that was easy to understand, not in the simple sense but in the relatable sense.