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Genrepalooza Presents: FG Radio - Tons of Lithium but very little Chill (2 Viewers)

Bumping this to the new page. 

Google Doc: https://docs.google.com/spreadsheets/d/1I_5j7lqQuKcV8yMuyipeC_MkgL3j1zc-RahK-ixFGb4/edit#gid=199888566

Spotify Playlists:

50s on 5: https://open.spotify.com/playlist/5eD8va8avZW1Li4FyeK8vt?si=liDm48zSTgO5tj2QZt0f5A

60s on 6: https://open.spotify.com/playlist/4eArnxPM3G5P9iqSfyL213

70s on 7: https://open.spotify.com/playlist/0pX6JREySI0AQpEqUNOe5H

80s on 8: https://open.spotify.com/playlist/36apEcAyeFIhAixZ09lBP1

90s on 9: https://open.spotify.com/playlist/1tiPx7JGXT7xVK6QPp45sg?si=YeEvI2jgSc21xYk29aazYw

150 Seconds with Matt Pinfield: https://open.spotify.com/playlist/0Bc76TtsvQOXrc6grP6Ua8

1800s on 18: https://open.spotify.com/playlist/50TZFkfyqhXfQhMzsgUMgF?si=JhU5eBvqT4SufzRkMLhxcw

1900s on 19: https://open.spotify.com/playlist/76UrRaJ92j1ePbBdcXW6ma?si=hERYYifYQyeZQCaJSnA4hg

All About That Bass: https://open.spotify.com/playlist/3KJAEDQx6VPJhbuE4RsACB?si=cm8tLk7kTYan7ao7x9EwXw&utm_source=copy-link

Aretha and Otis Show: https://open.spotify.com/playlist/5VvkyD2m55TULkXoGH27nn?si=0b03fdbeb0dc413b

Beat It: https://open.spotify.com/playlist/45uybWajpZ3VVqFAuTbTmR

Beatles Channel: https://open.spotify.com/playlist/2fK6zW6FYh0j6VASbBHDcn?si=WKTbev8hT76Vgv1F-fRLmA

Bluegrass Junction: https://open.spotify.com/playlist/5Z1y22Bcq1Lh2c4oImbrwC

Bluesville: https://open.spotify.com/playlist/7AnB7fxxDJ7Dte1QNaZ2Pv?si=0GduweAWRqaIuwYqQviwyA

Bob Dylan Radio: https://open.spotify.com/playlist/1Eez0dECJgdrtMMRfNZ7rE

BPM: https://open.spotify.com/playlist/7pJfazF8Pge9I5TZM2uwsO?si=MRydLDh0RzW1ujK8Z7Me-A

Breakin' Up Is Hard to Do: https://open.spotify.com/playlist/3nXXWZAgGf8MtP86RG3FHw?si=RVf9vkr6SACZprfi6Fo9MQ

Bright Lights Big City: https://open.spotify.com/playlist/715c3RizsQQL05wdqWZ3m7

Chill: https://open.spotify.com/playlist/5T7dwsvmMWb7OLwDz2201s?si=vdE-7NEhRq2dzsT9gZjwXg

Classic Rewind: https://open.spotify.com/playlist/3icgwqXZfoDHsIuRnxy1U6?si=jdr-jB2aQEaLK-ojo0V6Yg

Classic Vinyl: https://open.spotify.com/playlist/6eWp0wB7n50ySyyZtVo2i6?si=twDRYqWCTwOTgoCF0aLmSA

Coffee House: https://open.spotify.com/playlist/5V91BJKwYTNb7oTyw1IaVr

Comes Alive: https://open.spotify.com/playlist/3maat8U9bo89R6h3tQTBDA?si=DDnBuEh1S3e93fw_faYJJg

Concept Concept: https://open.spotify.com/playlist/05GJFusEOaM83kr83QYJyY?si=qLQOPfKWTZy6Csi6zD-u6Q

Country Rock: https://open.spotify.com/playlist/1Fz6WpqmExCogkspGMY6PK

Covers: https://open.spotify.com/playlist/2mPBlIJGq6mgHHmo4Za42y?si=W9lSpkVbSAKtLyJXcFp_Lg

David Bowie: https://open.spotify.com/playlist/3Cw2lpcWptUXhBLaLv4Idm

Deep Tracks: https://open.spotify.com/playlist/5Jw3DRjYoKkylJPOQTAO1A?si=QyQkHyOFQQCHovu7mu_FjA

Don't Worry Be Happy: https://open.spotify.com/playlist/4giHwZjuQeV1VJfax1XKcr?si=AbWNvab2TkOkLJkKkcwTfQ

Eel Pie Preservation Society: https://open.spotify.com/playlist/5FD2IbBtr8jJdRya4nIPYv

Elvis Channel: https://open.spotify.com/playlist/3YkM27YSmalc1HkYCIG3VD?si=B0W8k1y7SUirPfuQF1RtSQ

Faction: PUNK: https://open.spotify.com/playlist/3hXc9c16X634V0PISSyrxZ

Falling Leaves: https://open.spotify.com/playlist/49Lj9nLM0g4zuZo6kLheKK?si=m5x9h2mLQX65-ss-6rwh2g

Featuring...: https://open.spotify.com/playlist/0D00ZE8ypkWfev4FG1JAFt

FFA-1 Storytellers: https://open.spotify.com/playlist/0FiBBV9rBsQ5AKHuJhr0nF?si=5c8d8c0c8f4d4060

First Wave: https://open.spotify.com/playlist/3SepTA96QiZXlF6A7iBs0E?si=SupoyJzwTqOQCSkE3WY2IA

Fly/The Heat/Shade45: https://open.spotify.com/playlist/4BhIKCidciUzuvXf3iTsHt?si=aUXnxlqUTyCBhCK-6LIBkA

Free Stylin': https://open.spotify.com/playlist/3n2etPpnUj4AqhyWHuCF7y?si=1YUE809FRemEGqrCxrdmrw

Geology 101: https://open.spotify.com/playlist/0BetDNM7Ny3s4cU7EuoRHN

Globalization: https://open.spotify.com/playlist/7tc49N4fZ7OayXyUKOw5gA?si=WdSom8d4SgCXmgabqE2fMg

Grrrls Grrrls Grrrls: https://open.spotify.com/playlist/3dowecD30p2NuuRGt2WOD8?si=773687af3a734933

Guitar Hero: https://open.spotify.com/playlist/6rAj5ZXIVkwlrUGke0lQ0w?si=WWCDb7H8RsqQmlZfnYbl0w&utm_=

Hair Nation: https://open.spotify.com/playlist/3pn45NdHZ0Il9F244ss2BW?si=o-5hHF1CTFOk7jgCtrcKPQ

Hall of Very Good: https://open.spotify.com/playlist/4l1C4jFvtGxtvuW8JcGsqn

Hits 1: https://open.spotify.com/playlist/4Q9mekEcUHI3eEMZmV9OZv?si=u3z59FcCS9CCVJYJ1YeehQ

Holly: https://open.spotify.com/playlist/0pgWKrGxmgUMPutCfnWXHl?si=ErZX8dJeRjSzfANGIPwEDw

How Bizarre: https://open.spotify.com/playlist/5il3Gunuq50qvsZmZcSBDi?si=9e8328d7e5db4547

I Heart Prog: https://open.spotify.com/playlist/5ESofkgu1n9r7ITOqPsLeH

In My Room: https://open.spotify.com/playlist/6eiiCyBIHQ5UEckBTOeDgb?si=YhToM9PoRI26nRevV0IuFA

International 2: No Boogaloo: https://open.spotify.com/playlist/3usR1j5uYFjkdpRdxH268H?si=50045235be034624&nd=1

Jack and Dave: https://open.spotify.com/playlist/5jj74LCE0VWb1Q7v4qemhV?si=KshHOJZfTdGzhLgGQmxrIQ

Jam On: https://open.spotify.com/playlist/0p133WFKX4NDom8LXllvhV?si=aatKEsKVT8u-kfMJkhT96A

Jazz-Rock Fusion: https://open.spotify.com/playlist/4KN29wuG3LgOZGXwCtMaG9

KP's Boneyard: https://open.spotify.com/playlist/21DHE7ewOovEfxgMqLB2fk

Lighters Up: https://open.spotify.com/playlist/1NoHAyniBOWpU9mOy8PqzA?si=zXfmiutpQjy-hkHfTdCdpA&nd=1

Lilith Fair: https://open.spotify.com/playlist/78ixzW4Kf3J7TZ4hN7tjc1?si=GCfJnSzFQEuFfpFJ-y8_ww

Lithium: https://open.spotify.com/playlist/6fxhdjJhohpYKNkHlISRyv?si=N5bHwQCcSWO-BPfzOTUShA

Margaritaville: https://open.spotify.com/playlist/1aouKTcAEgIFEcFk5zTVNX

Morning Zoo: https://open.spotify.com/playlist/4YWOr8po3BkygkwUX7p61l

Octane/Turbo: https://open.spotify.com/playlist/6dY797sxPR1erjfrYX1Z3H?si=JM6wicleQVarRwMRv5XP2Q

Oh Canada: https://open.spotify.com/playlist/0E6F0tulY937cNWhvv29QD

On Broadway: https://open.spotify.com/playlist/1Mmv2UG9dEzP0Jc4JksfwM?si=4V2TCyWZQLiWvl0_AnXcZg

Outlaw Country: https://open.spotify.com/playlist/2Xz7fbrlyVx79ukWtgIbGd

Pearl Jam: https://open.spotify.com/playlist/7gpv8pHIbKJwyvTtzrlIhu

Politico: https://open.spotify.com/playlist/5ZoIB3l842CUotmzWWm128

Pop 2K: https://open.spotify.com/playlist/2dez6HrI4TjOt6NTn7RQFY

PopRocks: https://open.spotify.com/playlist/1N71mLqmT8hgrlfMIyxdIw?si=rIqB-vatT362VPpj3G0z_w

Poptopia: https://open.spotify.com/playlist/5OWpq9psBRexnvbuIMOGy4

Prime Country: https://open.spotify.com/playlist/7fiMYsxbItJV8Jj2fJg7hp?si=IVXMqZ4LSK6Pj4AryQC2Sw

Prince: https://open.spotify.com/playlist/0dNzERwLdQcgdmaKEO2A4f

Radio Free Bird: https://open.spotify.com/playlist/11GKw9zt8VFrdzR454jSQH?si=DowB9vACSdWSZEZun3wDqQ

Radio Omega: https://open.spotify.com/playlist/7KA51U0tMG5XZgfgiVavki?si=TH-x010QT0aURFq7Y8yfOA&utm

Real Jazz: https://open.spotify.com/playlist/6rmKIrYylhk5C3ujizkGwK

Road Trip Radio: https://open.spotify.com/playlist/5YlOXBOOjZRykCkhZa1sXc?si=uAftdZzsR8iv8M0SC53msQ

Rock & Roll HOF: https://open.spotify.com/playlist/0dRhQ7TLvuYH8ZDAh8RACd

Rolling Stones: https://open.spotify.com/playlist/33FiZkDdeDkpNF65llOWMB?si=PU7pdjM9TTeveJB5RNZWrA

Rude Youth: https://open.spotify.com/playlist/0SLnOIY1vThpeQMfb3Ic1N?si=FURzGnp4ScOwp2gUOTP8wA

Saxy Time: https://open.spotify.com/playlist/3DYDwKfzuW2gptWXHA9MA4?si=Kig7N7ejTsegX1eDGczs3A

Second Wave: https://open.spotify.com/playlist/0DBnBdL1LiT64fvOdPIBSu?si=Y1XKcn6JST2bNk-gddY8rA&nd=1

Shut Up 'N Play Yer Guitar: https://open.spotify.com/playlist/3308HnErErxxiSvyVH7Dn0

Simey's Reading Glasses: https://open.spotify.com/playlist/5ULa8Crm0y42U3WN6UsgXv

Sinatra (standards): https://open.spotify.com/playlist/411gUpKBylsAcw702GGMtW?si=RMsP1ENXRkaQtKWMSbhE6Q

Sleet: https://open.spotify.com/playlist/5SCTKEuxGmBizIOrIm4ERI?si=2169c285d7504624

Slow Jams: https://open.spotify.com/playlist/4kBingRxvM6zVWtlZajsT0?si=a5c0dd140e054a64

SoulCycle: https://open.spotify.com/playlist/07XWbFzOdQp7COlHGcmkwm?si=PXL4krNzQU6H3dwt76-7Pw

Soul Town: https://open.spotify.com/playlist/0YuuZ7x10HIY1pZYrKPYAZ?si=WWzv2RdAQGuSnbe0Cel2cg

Spring Forward: https://open.spotify.com/playlist/0TUOVgj7PwLtw5bsStakUo

Springsteen: https://open.spotify.com/playlist/7rl1v6BKxm0ScaZ5jEIB0k?si=ztiISXllSxWyXL3g0WppaQ

Stevie Wonder: https://open.spotify.com/playlist/6ebGNUvLyK5ISYjJabkhKQ

Stonehenge: https://open.spotify.com/playlist/17G0kQMgelTMDKuiK3Wk8A

Strings and Things: https://open.spotify.com/playlist/2ubjEgH2uba3ERbGWLRMlk

Studio 54: https://open.spotify.com/playlist/7s4OT93NR8W6LOtuBES0Ei

Summerpalooza: https://open.spotify.com/playlist/2TjQff4cC1wZhmfNObELJq

Symphony Hall: https://open.spotify.com/playlist/3LZh7QvWSjSKEHjdzZnjMQ?si=dg8mOHyYTt2GKqQ_yt2JYg

Synthesizer Smorgasbord: https://open.spotify.com/playlist/6mlyxI0R70dbEb5EqwlE3d?si=Zy142Hl5QlKJ_9uyeB7zHQ

Tom Petty: https://open.spotify.com/playlist/30Qmw9bO46xNWblt5VJsG0

The Antipodes: https://open.spotify.com/playlist/5g8P6H5ukwmdbL9mCe3kCZ?si=u7d8m3nrSlW6T9KiMZA4PA

The Beeb: https://open.spotify.com/playlist/3VOfQOgyqlE1OdXd5tRikb

The Bridge: https://open.spotify.com/playlist/4QMRZHKfBFJx6Mz2h2jywJ

The Ego Meets the Dove (CSNY): https://open.spotify.com/playlist/5T97CHaSGDlBXQwpempMSD

The Good Time Gospel Hour: https://open.spotify.com/playlist/2smaQXsyeOOHg5NXjy2Xqr

The Groove: https://open.spotify.com/playlist/3kRDff2gQXUCGS3zULBr0q

The Highway: https://open.spotify.com/playlist/40XFA156DPgHAuoKC6Wqic

The Joint: https://open.spotify.com/playlist/2OewK3EqSSpK9ENLZq60P3?si=ufqyPDkcRkueOH1Ku5AiVw

The Man in Black: https://open.spotify.com/playlist/4l9qi17ZBTMhSDaZNwvb5M?si=WXECDywPQXS-0WtYUWUKtg

The Noble Eightfold Path (Classic Punk): https://open.spotify.com/playlist/5olx1RMiFCwv0cyxkCrs3U?si=RnVjQaHYSRq_d6PqZYSscA&nd=1

Turn Down the Lights: https://open.spotify.com/playlist/4iSKLHZBSQosNu4pZ6iUb7?si=IJHSHtxxQyqcVRwArcYEEw

Underground Garage: https://open.spotify.com/playlist/49Mtr8qTBeU2dIYV8BuwKm?si=IiuGeHywSJyHuyiS98kmPQ

Velvet: https://open.spotify.com/playlist/6P8AV0DeLQn9RAahaT0C7N?si=E7M6Yl6VSFO9mbVOccVeVA

Willie's Roadhouse: https://open.spotify.com/playlist/3xH9suethQOHs7oy9lIRmL

XMU: https://open.spotify.com/playlist/4yyDdUPsEDkvCrnzaG7HFe?si=veIq66X4TPaAUIo3eL05mg

XMU Rocks: https://open.spotify.com/playlist/5eJYqSOUg8aDeBkHIt2FBu?si=0cc84e2bbf5649e2

Yacht Rock: https://open.spotify.com/playlist/1xAemrK8S3qJsuiOwUH6r

 
Last edited by a moderator:
Bumping this to the new page for retirement tracking. 

Retired: Holly, First Wave, Underground Garage, Classic Rewind, Road Trip Radio, The Joint, Symphony Hall, The Groove, Covers, R&R HOF, Hair Nation, XMU, Pearl Jam, Studio 54, Comes Alive, 80s on 8, Octane/Turbo, Coffee House, Prince, Chill, Lithium, Hits 1, Sinatra (Standards), 70s on 7, Pop2K, Yacht Rock, Real Jazz, The Beatles, On Broadway, Jam On, BPM, Prime Country, Tom Petty, The Bridge, 90s on 9, 60s on 6, Bluesville, Elvis, Margaritaville, SoulCycle, Deep Tracks, Bluegrass Junction, Soul Town, Fly/The Heat/Shade45, Faction, PopRocks, Globalization, Outlaw Country, Willie's Roadhouse, 50s on 5, Springsteen, Synth Smorg, FFA-1 Storytellers, Turn Down the Lights, Oh Canada, I Heart Prog, Classic Vinyl, Concept Concept, International 2: No Boogaloo, Stevie Wonder Radio, Don't Worry Be Happy, All About That Bass, Are You Sure Hank Done It This Way? (after today), Eel Pie Preservation Society (after tomorrow)

Playlists with 50+ songs and/or 3+ hours are in bold. Their categories are eligible for retirement, as are any that have been rolled at least five times. 

XMU Rocks!!! (21st century non-twangy Alt/Indie) -- 54 songs, 3 hours and TBD minutes

Shut Up 'N Play Yer Guitar (Rock Instrumentals) -- 53 songs, 3 hours and 29 minutes

Summerpalooza (Not the League) -- 41 songs, 2 hours and 28 minutes

Guitar Hero -- 39 songs, 3 hours and 20 minutes

Grrrls Grrrls Grrrls (Women Who Rock) -- 38 songs, 2 hours and 16 minutes

The Noble Eightfold Path (Classic Punk before Nirvana) -- 38 songs, 1 hour and 51 minutes

Rolling Stones Radio -- 36 songs, 2 hours and 29 minutes

In My Room -- 36 songs, 2 hours and 21 minutes

Radio Free Bird (Southern Rock) -- 33 songs, 2 hours and 33 minutes

Second Wave (90s Alternative) -- 33 songs, 2 hours and 6 minutes

Help Simey find her reading glasses (Songs recorded by artists older than 50) -- 31 songs, 2 hours and 14 minutes

Sleet (A Wintery Mix) -- 30 songs, 2 hours and 6 minutes

Breakin' Up Is Hard to Do (Breakup Songs) -- 30 songs, 2 hours and 1 minute

Saxy Time (Non-jazz songs featuring saxophone) -- 28 songs, 2 hours and 20 minutes

Bob Dylan Radio -- 28 songs, 2 hours and 15 minutes

Featuring... (Songs with Guest Shots) -- 28 songs, 2 hours and 0 minutes

Morning Zoo (Songs about animals) -- 28 songs, 1 hour and 41 minutes

Poptopia -- 28 songs, 1 hour and 36 minutes

Falling Leaves (Songs about Autumn) -- 27 songs, 1 hour and 51 minutes

Velvet -- 27 songs, 1 hour and 44 minutes

Geology 101 (Songs with Rock in the title or lyrics) -- 27 songs, 1 hour and 38 minutes

Beat It (Great drums and/or percussion parts) -- 25 songs, 2 hours and 2 minutes

Free Stylin' (Pre-90 Hip Hop) -- 24 songs, 1 hour and 49 minutes

How Bizarre (Weird and wonderful tracks) -- 23 songs, 1 hour and 37 minutes

Radio Omega (Songs off final/most recent albums) -- 23 songs, 1 hour and 36 minutes

The Untitled Jack and Dave Early Afternoon Show (White, Grohl & their gang) -- 23 songs, 1 hour and 30 minutes

Hall of Very Good (RRHOF Omissions) -- 23 songs, 1 hour and 25 minutes

1900s on 19 (Music from 1900-1949) -- 23 songs, 1 hour and 10 minutes

KP's Boneyard (Metal 1980-95) -- 21 songs, 1 hour and 35 minutes

Politico (Songs about politics and stories from the news) -- 21 songs, 1 hour and 33 minutes

The Good Time Gospel Hour -- 20 songs, 1 hour and 17 minutes

Lighters Up: Power Ballads -- 19 songs, 1 hour and 25 minutes

Lilith Fair (Coffee House welcoming women of all ages) -- 19 songs, 1 hour and 18 minutes

The Stonehenge Channel -- 17 songs, 1 hour and 25 minutes

David Bowie Channel -- 17 songs, 1 hour and 10 minutes

The Highway (21st Century Country/Americana) -- 17 songs, 1 hour and TBD minutes

The Antipodes (Music from Australia & New Zealand) -- 16 songs, 1 hour and 7 minutes

The Man in Black (Johnny Cash) -- 16 songs, 54 minutes

WLUV & KSEX-FM (Slow Jams) -- 16 songs, TBD minutes

Strings and Things (Songs with string sections or orchestral backing) -- 15 songs, 1 hour and 10 minutes

Aretha and Otis Show -- 15 songs, 52 minutes

Bright Lights Big City (Songs about the urban life) -- 14 songs, 1 hour and 3 minutes

Spring Forward (Songs about Spring) -- 14 songs, 58 minutes

Rude Youth (Ska) -- 14 songs, 40 minutes

150 Seconds with Matt Pinfield (Songs shorter than 2 min 30 sec) -- 14 songs, 27 minutes

Jazz-Rock Fusion -- 13 songs, 1 hour and 32 minutes

The Beeb (Strictly UK artists) -- 9 songs, 33 minutes

1800s on 18 (19th Century Music) -- 8 songs, 55 minutes

The Ego Meets the Dove (CSNY and one degree of separation) -- 8 songs, 44 minutes

Not yet rolled:

Beat This -- songs with Beat(s) in the title or lyrics

Folk Yeah (Folk music)

Goin' Solo (Songs from solo artists better known for being in a band)

Illiterature (Songs about books, authors and literary characters)

NASA Mission Control (Songs about space, being spacey or taking up space)

Radio Alpha (Songs off debut albums)

The Taylor Swift Channel

Tripping Balls (Psychedelic tunes)

Not yet in the category rotation: 

This is the End -- songs with great endings

Chemistry 101 (Songs about drugs)

Moar Cowbell

Surf & Skate Shop (Surf music and songs about skateboards)

Songs from Movies (non-instrumental except for Shaft)

Harmonicalooza (songs featuring the harmonica)

Shake Rattle & Roll (songs with those three words in the lyrics/title)

Not yet in the "not yet in the category rotation" (aka Dayton play-in round):

Vocal Chords (Songs with great harmony vocals)

Keyboard Warriors (Uber piano, organ, synth, celeste, harpsichord, accordian, etc.)

Horny Time (Songs with Brass Sections)

Stripped -- acoustic songs from electric/electronic artists

META-static radio - songs referencing other artists/songs/albums

The Jose, Jim & Johnnie Show: Songs about alcohol and drinking

This is the Beginning - songs with great intros

The Velvet Underground and bands who bought their album

Art Rock, Post Rock, Kraut Rock and Radiohead

Piano Men (Billy, Joel, Elton and John)

Microphone #2 (songs where someone who is not usually the lead singer takes the lead)

Wee Small Hours (songs about the nighttime)

Songs to Play at the End of the World

Vegas Playlist

Mantra (music with a political/philosophical/spiritual/life message)

Sports Ticker (Songs about sports and athletes)

 
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I'm trying to make it through Mank and Nomadland by Sunday.

I'm an hour into Mank and my spirit is wavering.  Or would rather listen to music.

 
Celebrating 4/20 with The Happening.  how was this not up for an Oscar?? 
From Wikipedia: Joseph J. Foy, professor of politics and popular culture, describes Shyamalan's film as an expression of "post-environmentalism" in which traditional paradigmatic politics are replaced with a call for the world to "embrace a revolutionary reevaluation of wealth and prosperity not in terms of monetary net worth or material possessions, but in terms of overall well-being". Foy praises the highly complex narrative in which Shyamalan weaves contemporary environmental challenges with hard science and social theory to create a "nightmarish future that... may advance the type of dialogue that can truly change the cultural conversation"

Indeed, Joseph. Indeed.

 
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From Wikipedia: Joseph J. Foy, professor of politics and popular culture, describes Shyamalan's film as an expression of "post-environmentalism" in which traditional paradigmatic politics are replaced with a call for the world to "embrace a revolutionary reevaluation of wealth and prosperity not in terms of monetary net worth or material possessions, but in terms of overall well-being". Foy praises the highly complex narrative in which Shyamalan weaves contemporary environmental challenges with hard science and social theory to create a "nightmarish future that... may advance the type of dialogue that can truly change the cultural conversation"

Indeed, Joseph. Indeed.
Lol.  Mr. Foy definitely didn't watch the same film I did last night.  

 
@otb_liferper a discussion we had, and just in general...

Listening to Damned Damned Damned right now. I did not know that guitarist Brian James wrote most of the songs. No wonder they changed so fundamentally when he left after that album.
James actually hung around for their loooong forgotten second album "Music For Pleasure" ... it is the great Damed artifact, lesser known than any in their now vast catalog. 

think much of that has to do with the curiously facacta cover, which is as polar opposite of their debut as one could get. 

chalk it up to folks fingering past it in the bins ... dunno, i just recall that my first exposure to it was by happenstance, as i tossed it over and actually saw the artist/song titles  :shrug:

nonetheless, it really is the perfect bridge between the remarkable debut and the brilliance of MGE - coupla songs here Stretcher Case & Problem Child (opting for this vid with the wrong album cover over the live version) are better than just about everything on Dx3 - matter of fact, they coulda just nuked "Feel the Pain" and replaced the time alotted with these 2 ... would've made Dx3 best of the class of '76. 

more oddity of MFP - it was produced by Nick Mason (yes, the Floyd drummer) ... can you imagine? here's a chap from a band most notorious for being the key noodlers the punx were setting alight (Rotten's infamous "I HATE Pink Floyd" t-shirt) - strange bedfellows, indeed. gotta wonder how ol' Nick first reacted to being presented with a 1:52 length song as finished product ... hell, there are Floyd songs that take that long just to warm up, so to speak. 

the 2 tracks i posted are the absolute apex of the James era, the rest of the platter is uneven and spotty - they added a 2nd guitarist, and some saxy forays ... maybe it wasn't all just the nondescript (albeit busy) cover after all ...

(btw, Rotten/Lydon has long since abandoned that stance, and counts Gilmour amongst his circle of acquaintances).

Cause what an act they were. They must have blown minds in the seventies with their original lineup. Somehow, someway, even though I've heard it thousands of times, "Neat Neat Neat" and this album hold up better to me than even The Ramones. That's a tall order. It still scorches.
yep, it's perfect ... matter of fact, all 3 eponymous debuts (Dx3 & "The Clash" & "Ramones") hold up remarkably well on the sonic level, though all 3 lacking the slick polish of "Bollocks" ... interestingly enough, both the Damed & the Clash had 2nd releases that were met with some dubious reception ("Give 'em Enough Rope" mirrors "Music for Pleasure" in the long forgotten/overlooked category) ... then they both blew the doors off it all with their '79 releases (MGE, "London Calling").

i much preferred the route the Damned took as opposed to the Clash ... their Goff/Pop period was a highlight of the 80s for me ... songs like "Eloise" and "Shadow of Love" are so bombastic and over the top - campy as ####!  hell, you'll even spy Scabies in a puffy shirt (predating Seinfeld by some 7 or so years).

and unapologetically British ... if the Cramps & the Misfits were the embodiment of 50s/60s sci-fi/horror B movie schlock, then the Damned were Hammer Horror to the Nth ... Christopher Lee, baby! 

Vanian even went so far as to recruit his wife, Patricia Morrison (Big Sister Patti), as bassist for a spell ... she was late of the Andrew Eldritch version of Sisters of Mercy - which ties into the recently topical Jim Steinman, as he produced their ridiculously ostentatious opus This Corrosion <---- (80s masterwork of song/vid/style).

the Damed are a treasure. period. 

conversely, i grew weary of Joe and Mick's constant need to bombard us with masturbatory sludge (i'm looking right at YOU "Sandinista"!) - i mean, i dug quite a bit of their forays into World and Dub and Reggae ... but they seemed to have an incessant need to prove just how wordly and revolutionary they were (in their own eyes and egos, for the most part).  

one has to weed through too much filler to find the killer on their later efforts ... i'll always love them because their best is as good as any of the genre, but, man ... it got rough. 

btw, have you heard of the Jam? 😁 ("Setting Sons" might be the best of '79).

 
Lol.  Mr. Foy definitely didn't watch the same film I did last night.  
Yeah, the movie was just terrible. You know what's strange about that, though? Amidst how terrible the film was, I remember being really damn creeped out by it later, which, if you're judging a B-movie horror film, is about as good as it can get. I just remember allowing myself to think, "What if?"

If you allow yourself a huge amount of suspension of disbelief, you can come away with that, I guess.

 Another instance where I LOL at myself. Such a stupid movie. The trees whispering in the breeze. Argy bargy.

 
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James actually hung around for their loooong forgotten second album "Music For Pleasure" ... it is the great Damed artifact, lesser known than any in their now vast catalog. 

think much of that has to do with the curiously facacta cover, which is as polar opposite of their debut as one could get. 

chalk it up to folks fingering past it in the bins ... dunno, i just recall that my first exposure to it was by happenstance, as i tossed it over and actually saw the artist/song titles  :shrug:

nonetheless, it really is the perfect bridge between the remarkable debut and the brilliance of MGE - coupla songs here Stretcher Case & Problem Child (opting for this vid with the wrong album cover over the live version) are better than just about everything on Dx3 - matter of fact, they coulda just nuked "Feel the Pain" and replaced the time alotted with these 2 ... would've made Dx3 best of the class of '76. 

more oddity of MFP - it was produced by Nick Mason (yes, the Floyd drummer) ... can you imagine? here's a chap from a band most notorious for being the key noodlers the punx were setting alight (Rotten's infamous "I HATE Pink Floyd" t-shirt) - strange bedfellows, indeed. gotta wonder how ol' Nick first reacted to being presented with a 1:52 length song as finished product ... hell, there are Floyd songs that take that long just to warm up, so to speak. 

the 2 tracks i posted are the absolute apex of the James era, the rest of the platter is uneven and spotty - they added a 2nd guitarist, and some saxy forays ... maybe it wasn't all just the nondescript (albeit busy) cover after all ...

(btw, Rotten/Lydon has long since abandoned that stance, and counts Gilmour amongst his circle of acquaintances).

yep, it's perfect ... matter of fact, all 3 eponymous debuts (Dx3 & "The Clash" & "Ramones") hold up remarkably well on the sonic level, though all 3 lacking the slick polish of "Bollocks" ... interestingly enough, both the Damed & the Clash had 2nd releases that were met with some dubious reception ("Give 'em Enough Rope" mirrors "Music for Pleasure" in the long forgotten/overlooked category) ... then they both blew the doors off it all with their '79 releases (MGE, "London Calling").

i much preferred the route the Damned took as opposed to the Clash ... their Goff/Pop period was a highlight of the 80s for me ... songs like "Eloise" and "Shadow of Love" are so bombastic and over the top - campy as ####!  hell, you'll even spy Scabies in a puffy shirt (predating Seinfeld by some 7 or so years).

and unapologetically British ... if the Cramps & the Misfits were the embodiment of 50s/60s sci-fi/horror B movie schlock, then the Damned were Hammer Horror to the Nth ... Christopher Lee, baby! 

Vanian even went so far as to recruit his wife, Patricia Morrison (Big Sister Patti), as bassist for a spell ... she was late of the Andrew Eldritch version of Sisters of Mercy - which ties into the recently topical Jim Steinman, as he produced their ridiculously ostentatious opus This Corrosion <---- (80s masterwork of song/vid/style).

the Damed are a treasure. period. 

conversely, i grew weary of Joe and Mick's constant need to bombard us with masturbatory sludge (i'm looking right at YOU "Sandinista"!) - i mean, i dug quite a bit of their forays into World and Dub and Reggae ... but they seemed to have an incessant need to prove just how wordly and revolutionary they were (in their own eyes and egos, for the most part).  

one has to weed through too much filler to find the killer on their later efforts ... i'll always love them because their best is as good as any of the genre, but, man ... it got rough. 

btw, have you heard of the Jam? 😁 ("Setting Sons" might be the best of '79).
Oh yeah, knew of Music For Pleasure. I think I'm on the board here as calling MGE their third somewhere. I've never heard the second album, though. Just sort of missed it. Interesting. I wonder why it's not ever pumped as the true second Damned album. I guess sometimes that happens, but that is especially strange given the strength of their first. Probably should have watched the documentary Eephus recommended. Might have known James stuck around for that album. At least he wasn't conscripted for the Captain's "Wot." That might have broken him.

After listening, I think you're right about "Problem Child" and "Don't Cry Wolf" fitting in with the Damned Damned Damned album. They'd need to speed it up about by half, though. Sounds slowed down, but with the bar chords and bombast intact. Very similar song structures. The almost slide guitar of "One Way Love" marks a bit of a departure, but the ones that follow it are pretty Damned Damned Damned sounding. Sped up (again) they would have fit on that album, if but for the cliche-sounding titled lyrics that take "aim" at hardly outre subjects, like "Idiot Box." Criticizing television? How radical! Johnny pissed off the Queen, don't you know? The album is probably not so well-known because the Sex Pistols had so thoroughly captured England at the time and were more on the lips of everyone. That's what I'd guess.

As far as the Jam goes, I had a compilation back in the day and hated it. I'd purchased it after hearing them on the Rhino compilations. I much more liked their "In The City" record as a record after you pushed back on that assessment than their greatest "hits" that were compiled on the best of. That's about it. I love the Who-sounding embellishments of that album. As they move on from punk towards poppier (?), more involved stuff, they lose me. But that's only after one comp and all I listened to was sped-up punk at the time, so throw any nuance or wrench into it, and you lost me, so who knows? Maybe a second listen would do it justice, though I tried to go back through their catalog after "In The City" and didn't dig it. But I don't dig a lot of the English punk bands circa 1978, so there's that.

Listened to almost the whole of Music For Pleasure since I began typing. It's a worthy successor, but lacks the energy and the freshness of the first. Perhaps because they were cutting an album so damn close to the sun? That's a tough thing to replicate, the utter speed and bombast of the first, just a year later (or that same year, really). Anyway, enough on my end. Glad you got me to check it out. It's a good album, all things considered.

 
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Yeah, the movie was just terrible. You know what's strange about that, though? Amidst how terrible the film was, I remember being really damn creeped out by it later, which, if you're judging a B-movie horror film, is about as good as it can get. I just remember allowing myself to think, "What if?"

If you allow yourself a huge amount of suspension of disbelief, you can come away with that, I guess.

 Another instance where I LOL at myself. Such a stupid movie. The trees whispering in the breeze. Argy bargy.
Well, just about when I didn't think movies could be worse, I watched Money Train as part 2 of my 4/20 double feature.  :lmao:   Holy ####.  

 
Round 323:

A. XMU Rocks!!!

We're so far into this that I'm just gonna take my friends' bands when I feel like it.  :lol:

Like a Secret -- Sam Champion

Not the NYC weatherman, but named after him. The drummer was in RANA, whom I took for Underground Garage, and the frontman was RANA's tour manager for a time. The guy on microphone #2 later became a reggae artist and duetted with Norah Jones

B. The Highway

Gunpowder & Lead -- Miranda Lambert

I took it for the jukebox draft and I'm taking it again here. 

I will serve my last slices of Eel Pie tonight. 

 
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Round 323.xx

Category: Guitar Hero

Song: Revolution

Artist: Spacemen 3

Perhaps this would have fit better in the riff or political category, but I love the layers of guitar in the intro, the drone that continues, and the staccato of the lead guitar breaking the drone, even if they don't really ever wank into a true solo. The abrasiveness of the treble from the staccato guitar certainly cuts the attempt at drone that happens within the song.

It's really an immersive song and a challenging one, but it's worth it. I dig it. Love the sort of drone and lead freak out at the end.

I see a change coming round the bend
And I suggest to you
That it takes just five seconds
Just five seconds...
Of decision
To realize that the time is right

To start thinking about a little...
Revolution


 
Round 323 XMURocks

Came across this song during an episode of Queen of the South the other day. I liked it and finally got around to looking it up today. Turns out Steven Tyler's other daughter, Chelsea,is the singer.

KANEHOLLER- Breathe You Out

 
Dude: "So what do they do?"

Other Dude: "The natural thing anybody would do if they suspected terrorists were attacking"

Dude: "They go to a crowded train station and get on a crowded train?"

Other Dude: "They go to a crowded train station and get on a crowded train"

:lmao: Had me lol'ing

 
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Round 324.xx

Category: Guitar Hero

Song: 1 Of The 2

Artist: The Damned

Because why not, given my earlier discussion with otb? Brian James destroying here. From the opening intro to the solo (?!) James uses almost a contrapuntal guitar attack in what must be an overdub, as he's the only guy credited on the track. Maybe I'm ahead of my pay grade with the whole counterpoint identification, but regardless, when punk met guys who could play you got stuff like the Dead Boys' Cheetah Chrome and The Sex Pistols' Steve Jones. Here's another.

For the bonus tonight (yeah, I've got one) I'll pick a pre-punk guitar fest. Totes rockin'.

 
Round 324.xx

Category: Guitar Hero

Song: 1 Of The 2

Artist: The Damned

Because why not, given my earlier discussion with otb? Brian James destroying here. From the opening intro to the solo (?!) James uses almost a contrapuntal guitar attack in what must be an overdub, as he's the only guy credited on the track. Maybe I'm ahead of my pay grade with the whole counterpoint identification, but regardless, when punk met guys who could play you got stuff like the Dead Boys' Cheetah Chrome and The Sex Pistols' Steve Jones. Here's another.

For the bonus tonight (yeah, I've got one) I'll pick a pre-punk guitar fest. Totes rockin'.
... as ginormous as James was on those early platters, i am always drawn more to Scabies on this track - living up to his "Punk Keef Moon" moniker here, and then some. 

 
It occurred to me that I didn't remember seeing this one, so I did a search 16 times and it didn't come up.  Is that possible?  Is it just so obvious that no one touched it?

323.k4  The Kinks - The Village Green Preservation Society  (Eel Pie)
Does everyone but me hate this album or something?  I just noticed that almost no songs from it have been selected.  So here's another:

324.k4  The Kinks - Do You Remember Walter?  (Eel Pie)

 
Here's a 1932 recipe for eel pie in case the channel has whet your appetite

Ingredients

    Puff pastry
    Thames eels 2
    hard-boiled eggs
    shallots 2 small ones
    butter ½ oz.
    parsley a small ###### chopped
    nutmeg
    pepper
    salt
    and sherry 2 glasses
    water.

For the sauce

    butter 2 oz.
    flour 2 oz.
    lemon the juice of a whole one.

Method

  1.     Skin, cleanse and bone two Thames eels.
  2.     Cut these in pieces.
  3.     Chop the shallots; pass them in butter for 5 or 6 minutes and then add to them a small ###### of parsley chopped, with nutmeg, pepper, salt, and two glasses of sherry.
  4.     In the midst of this place the eels, add enough water to cover them, and set them on the fire to boil.
  5.     When they have boiled up, take out the pieces of eel and keep them hot.
  6.     Strain the stock in which they were cooked.
  7.     Melt the butter and add the flour in the usual way for a foundation sauce.
  8.     Add the strained stock, beat quite smooth, boil up and finish with the juice of a whole lemon.
  9.     Arrange the pieces of eel, and quarters of hard-boiled eggs in a piedish.
  10.     Pour the sauce over it, and when cold, roof the pie with puff pastry.
  11.     Bake in a hot oven at first, to raise the pastry and then in a cooler one, one hour all told.
 
Last chance roll

  1. Velvet (pop vocalists) 2
  2. Summerpalooza (Not the League)
  3. XMU Rocks!!! (21st century Alt/Indie but not too quiet/twangy for KP) - 5th Roll
  4. Guitar Hero
  5. Sleet (A Wintery Mix)
  6. Shut Up N Play Yer Guitar (Rock Instrumentals)
Roll set 1
Die rolls: 1
Roll subtotal: 1
Roll total: 1
Velvet (pop vocalists)  - LAST CHANCE

After seven months, Velvet has left the building

 
No guitar hero bonus tonight. I wasn't aware that we weren't retiring it. So...how about some Eel Pie stuff

Round 324.Bonus

The Who - Circles

The Kinks - Nothin' In The World Can Stop Me Worryin' 'Bout That Girl

The Who cut a slice of pre-psychedelia from the My Generation outtakes. The Kinks one is straight out of the movie Rushmore. I think I spend my twenty-fifth year completely stoned all year, watching that and The Big Lebowski on a loop with friends. Every damn Friday and Saturday night. Our apartment. Their apartment. Back again to ours. We're out of weed. How do we get some? (It was very illegal then.)

I matured late. Heh.

 

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