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Consensus Top 350 Albums of All-Time: 1. The Dark Side of the Moon – Pink Floyd (149 Viewers)

I saw them at Giants Stadium opening for Aerosmith with Deep Purple in the middle. They hadn’t really broken that big yet but the crowd on the floor went nuts for them.
Holy **** that had to be one hell of a show.
They billed it as “Three Generations of Metal” although arguably none of them are Metal.
I'd argue that two are, but this isn't a Scoresman countdown. :lol:
Maybe deep purple

Aerosmith certainly not. They’re really hit or miss for me. I like older stuff and some of the 90s stuff. They hung on too long. Saw them live once they were ***. Someone barfed I’m a limo

GNR nah - the hardest of rock though
 
224 (tie). Abraxas – Santana (118 points)

@Atomic Punk #29
@Snoopy @48
@Chaos34 #48
@Pip's Invitation #50
@Mister CIA #62

Abraxas is the second studio album by American Latin rock band Santana. It was released on September 23, 1970, by Columbia Records and became the band's first album to top the Billboard 200 in the United States. In 2020, Rolling Stone magazine ranked the album number 334 on its list of the "500 Greatest Albums of All Time"
@Atomic Punk It's your call for a track to go on the playlist. There are no wrong answers as far as I'm concerned.
@Atomic Punk FYI there's still nothing from this on the playlist.
Please add Hope You’re Feeling Better to the list.
 
Another amazing run of albums and own all of them … but didn’t rank many. This is why I found this to be one of the most difficult exercises to complete. Any of those I excluded could easily have made my top 50 given a few tweaks in my thought process or just a different head space than what I’ve been in the last few months.
 
224 (tie). Abraxas – Santana (118 points)

@Atomic Punk #29
@Snoopy @48
@Chaos34 #48
@Pip's Invitation #50
@Mister CIA #62

Abraxas is the second studio album by American Latin rock band Santana. It was released on September 23, 1970, by Columbia Records and became the band's first album to top the Billboard 200 in the United States. In 2020, Rolling Stone magazine ranked the album number 334 on its list of the "500 Greatest Albums of All Time"
@Atomic Punk It's your call for a track to go on the playlist. There are no wrong answers as far as I'm concerned.
@Atomic Punk FYI there's still nothing from this on the playlist.
Please add Hope You’re Feeling Better to the list.
Added.
 
39. Are You Experienced – Jimi Hendrix Experience (437 points)

@ConstruxBoy #11
@Tau837 #15
@Long Ball Larry #17
@New Binky the Doormat #20
@Psychopav #31
@simey #32
@Pip's Invitation #38
@Ilov80s #46
@Scoresman #47
@Dwayne_Castro #48
@Uruk-Hai #51
Jeb #59

Are You Experienced is the debut studio album by the Jimi Hendrix Experience, released in May 1967. The album was an immediate critical and commercial success, and is widely regarded as one of the greatest albums of all time. It features Jimi Hendrix's innovative approach to songwriting and electric guitar playing, which soon established a new direction in psychedelic and rock music as a whole.

One of the rankers identified this album as "Have You Ever Been Experienced"
Well I have …

I’m not saying this was me but I’m also not not saying it was me.
 
Some quicker hits as I catch up a little:

50. Dookie – Green Day (382 points)
I considered putting in Nimrod or (slightly more likely) Warning for Green Day, but decided that Dookie packs more punch. A few huge hits, and a lot of fast-paced songs that are here for a good time, not a long time, in the punk style.

47. 2112 – Rush (398 points)
I’ll have to echo that the title song is the big reason that this album is ranked. Which only makes sense, considering it’s around half of the album’s length. That's not to throw too much shade on "A Passage to Bangkok" or "The Twilight Zone" though.

44. Tapestry – Carole King (416 points)
This album starts with an incredible 1-2-3 punch in “I Feel the Earth Move”, “So Far Away”, and “It’s Too Late”. Side 2 shines equally for King’s talent as a songwriter, including a few versions of songs originally done by other performers. I really like her version of “You’ve Got A Friend”, even if James Taylor’s version surpassed it.

36. Van Halen – Van Halen (489 points)
I put 1984 higher, but there this album is very much packed with great songs. Half the album became big hits (my favorite is “Ain’t Talkin’ ‘bout Love”, if barely above “Runnin’ with the Devil”) after all. I also really like “Ice Cream Man”, “On Fire”, and “Atomic Punk”.

I think that brings me up to The Bends, which is definitely getting its own entry.
 
There were a couple riffs on Life that reminded me a bit of Helmet, and I wondered if BP or others have listened to that at all. Meantime is another '92 album that I was listening to a lot at the time trying to find other heavy stuff as I moved away from more straight metal. Not on my list, and it's been awhile since I listened to the full album so I can't speak to it's consistency overall, but songs like Unsung and Turned Out are still on various playlists I listen to.
I had it on my list
 
Oh i have some concert stories
"I saw a band of Stormtroopers at the local HS gym...."
We skipped it I was too tired

Third eye blind played our city fest for free that night skipped the too

Vanilla ice on labor Day for $8
I think you overpaid. :lol:
I haven’t committed yet. Rival sons same place 2 days before. It’s the bougie hipster suburb art and food truck festival thing

Or in @Ilov80s terms Arts Beats and Eats
 
I saw them at Giants Stadium opening for Aerosmith with Deep Purple in the middle. They hadn’t really broken that big yet but the crowd on the floor went nuts for them.
Holy **** that had to be one hell of a show.
They billed it as “Three Generations of Metal” although arguably none of them are Metal.
I'd argue that two are, but this isn't a Scoresman countdown. :lol:

Watch it buddy. Or I'll do a metal countdown and start a debate on how high Nickleback should be ranked.
 
(Looking up post-metal now)

There’s a Wiki on it. I had no idea, hence the (?) I put there. One article/blurb said nu-metal and one said post-metal. They don’t sound anything like nu metal because I watched Beato on it and he said nu-metal ditched the pentatonic scale. But Betty has blues on it, so that didn’t compute for me so on the fly I went with post over nu.

I never would have been able to do that without Beato, who is a total lightning rod.

eta* the interesting thing is not many people know that change in nu metal and that might be why so many people who like metal don’t like nu metal. It does have more ferocity and different topical choices for the lyrics but it really isn’t too far away from my metalhead friends’ conversations ca. 1991—it just was no longer private. Shared with a broader audience and more emotive, but every art form had turned inward and expressed painful negativity about their station in life. Think of the feminist acoustic singers. Same thing, just masculine, lower class, and white and poor.

¯\_(ツ)_/¯
I think of nu metal as closer to groove metal and helmet verged on that with parts of Betty, but for the most part isn’t quite there. I guess they have a little in common with post metal because a fair number of songs don’t have a typical structure and they play with time signatures a bit, but I think they may still be too conventional for post metal. If I’m going to dabble in semantic masturbation.
 
Is that it for Rush? Asking for a friend. :oldunsure:
I sure hope so
As the old adage goes: "Rush may not be your favorite band, but they are probably your favorite band's favorite band."

I'm way behind as usual, but I suspect someone's pointed out this was a Velvet Underground thing, right?
Good call - I believe it started as a VU reference, but have seen it attributed to Rush as well.
 
If you guys choose "Sweet Child O' Mine," I'm going to be forced to post that McSweeney's bit that I've posted several times here already, but it always seems to find another person or two who hadn't read it before.

Oh, OK, I'll just do it anyway.

SO ****ING HILARIOUS

Heh. Perfect 10/10

The first and last lines are the best, IMO.

“Why equivocate?” lol

“Where do we go now?” LOL

I’d nominate this song contra titus, MAC_32, and others so that would seem an uphill climb. My second choice would be “Rocket Queen” but Idiot Boxer already took me to heart with the Chili Peppers that I didn’t even vote for, so that was generous enough that I’m going to defer to his and other wisdoms even though he generously (again) solicited opinions.

Thanks, IB. Pick a rager or a sentimental one; they’re all pretty good.
 
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Alright, time for FFA After Dark where we ramble about metal music. @Dan Lambskin started it!
I was gonna tell people to listen to Puscifer new greatest hits In Case You Were Sleeping
They’re peaking and about to blow up IMO. Or maybe they’re too niche?

Give that album a listen it’s a wide span of their discography

That band probably the best use of human voice as an instrument. Maynard already the best vocalist in rock history but listen to the close for the hums snd chats and coos and whatever (carina round is so good)

Or maybe you like drums or synth?

Anyway give it shot. You even get a song with Milla Jovovich singing
 
(Looking up post-metal now)

There’s a Wiki on it. I had no idea, hence the (?) I put there. One article/blurb said nu-metal and one said post-metal. They don’t sound anything like nu metal because I watched Beato on it and he said nu-metal ditched the pentatonic scale. But Betty has blues on it, so that didn’t compute for me so on the fly I went with post over nu.

I never would have been able to do that without Beato, who is a total lightning rod.

eta* the interesting thing is not many people know that change in nu metal and that might be why so many people who like metal don’t like nu metal. It does have more ferocity and different topical choices for the lyrics but it really isn’t too far away from my metalhead friends’ conversations ca. 1991—it just was no longer private. Shared with a broader audience and more emotive, but every art form had turned inward and expressed painful negativity about their station in life. Think of the feminist acoustic singers. Same thing, just masculine, lower class, and white and poor.

¯\_(ツ)_/¯
I think of nu metal as closer to groove metal and helmet verged on that with parts of Betty, but for the most part isn’t quite there. I guess they have a little in common with post metal because a fair number of songs don’t have a typical structure and they play with time signatures a bit, but I think they may still be too conventional for post metal. If I’m going to dabble in semantic masturbation.

Nope. No semantics on your end. You’re right. I had looked into it the other night. Nu metal is very concerned with groove and rhythm. Never mind the scale—the big thing I was encouraged to look into was how the guitarists use rhythmic techniques to keep the groove going. AI said:
  • Nu metal favors percussive riffs and groove-based playing.
  • Guitar riffs are often one- or two-note patterns, played rhythmically, like a drumbeat.
That’s only part of it.
 
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My case for Deep Purple and GNR (at least Appetite)

IMO this is very much like the debate about movies like Se7en and Silence of the Lambs being horror or thrillers. A big elephant in the room when talking about 70s acts being metal or not is that Sabbath unleashed hell at the start of the decade. THAT 100% is metal, but I would say just like other stuff there is a scale. Personally, I bristle when people say Led Zeppelin is metal. To me that is the example of a hard rock band. To my ears there is a world of difference between their 1970 albums.

As far as Deep Purple, to me they also flipped a gear dipped into the metal category in the early 70s as well. There are songs and parts of songs on In Rock that wouldn't sound out of place on a Sabbath or Priest album, IMO. For example - Bloodsucker. My other thought is that if you replace Lord's organ with a guitar, there would be 0 argument. Does that mean we are saying metal can't have keyboards in it? No, they don't operate in that zone most of the time as Sabbath or Priest later, but to be there is enough there and they sound different enough from other hard rock bands that I give them the metal seal of approval.

When I was posting about GNR I was specifically listening to and thinking about Appetite. 10 of the 12 songs sound like it's the soundtrack to the night my buddy and I got way too drunk on swamp waters, puked green in the gutter on the corner by the dorms, proceeded to pass out on said corner for a couple hours, and woke up smelling like piss. It's angry, raw, dangerous, and sleazy. I think because of those songs I tip the album into the metal category, but I am less convinced here. If it's not metal, it is the Seven of albums in that maybe it's as hard as you can get without being metal? That's why Paradise City draws my hatred so much - because buried in this awesome album I just described is this dumb song with that chorus "where the grass is green and the girls are pretty". It's dull, repetitive, overly long, and reeks of record company interference (I have 0 idea if that is true, just roll with me). Sweet Child doesn't get the same ire because I think is still has a little more grit. I still love it, but it honestly does stick on that album in a similar way. Does anybody remember that original artwork with the album?

I am not overly familiar with Aerosmith, but I've never heard anything by them that gets to the same zone as Deep Purple or had the dangerous edge as early GNR. I think they are another prototypical hard rock band like Zeppelin. I would be open to arguments otherwise though.

Just one dope's opinion though.
 
It is extremely difficult to sing and play bass at the same time. I’ve tried.

Paul McCartney begs to differ.

Also probably pointed out already. I'm just too lazy to read three pages and then go back to react to stuff in the prior three pages, so I'm sorry-ish.
Sir Paul has earned all the money he’s made, as have Geddy Lee, Sting, and others. They are the best of the best for a reason.
 
Or I can start talking about how amazing Devin Townsend is
I'll piggyback on this.
Everyone should listen to Ziltoid the Omniscient right?

Concept album “ about an extraterrestrial being named Ziltoid from the planet Ziltoidia 9. Ziltoid travels to Earth in search of "your universe's ultimate cup of coffee””

It’s heavy (like imagine an alien invasion ship battle set to a drum and bass assault ) but mostly clean vocals

He also played pretty much every instrument (programmable drum kit), did voices, production, everything

Just a great accomplishment

Or check out one of his 25+ other albums. Very diverse.
 
My case for Deep Purple and GNR (at least Appetite)

IMO this is very much like the debate about movies like Se7en and Silence of the Lambs being horror or thrillers. A big elephant in the room when talking about 70s acts being metal or not is that Sabbath unleashed hell at the start of the decade. THAT 100% is metal, but I would say just like other stuff there is a scale. Personally, I bristle when people say Led Zeppelin is metal. To me that is the example of a hard rock band. To my ears there is a world of difference between their 1970 albums.

As far as Deep Purple, to me they also flipped a gear dipped into the metal category in the early 70s as well. There are songs and parts of songs on In Rock that wouldn't sound out of place on a Sabbath or Priest album, IMO. For example - Bloodsucker. My other thought is that if you replace Lord's organ with a guitar, there would be 0 argument. Does that mean we are saying metal can't have keyboards in it? No, they don't operate in that zone most of the time as Sabbath or Priest later, but to be there is enough there and they sound different enough from other hard rock bands that I give them the metal seal of approval.

When I was posting about GNR I was specifically listening to and thinking about Appetite. 10 of the 12 songs sound like it's the soundtrack to the night my buddy and I got way too drunk on swamp waters, puked green in the gutter on the corner by the dorms, proceeded to pass out on said corner for a couple hours, and woke up smelling like piss. It's angry, raw, dangerous, and sleazy. I think because of those songs I tip the album into the metal category, but I am less convinced here. If it's not metal, it is the Seven of albums in that maybe it's as hard as you can get without being metal? That's why Paradise City draws my hatred so much - because buried in this awesome album I just described is this dumb song with that chorus "where the grass is green and the girls are pretty". It's dull, repetitive, overly long, and reeks of record company interference (I have 0 idea if that is true, just roll with me). Sweet Child doesn't get the same ire because I think is still has a little more grit. I still love it, but it honestly does stick on that album in a similar way. Does anybody remember that original artwork with the album?

I am not overly familiar with Aerosmith, but I've never heard anything by them that gets to the same zone as Deep Purple or had the dangerous edge as early GNR. I think they are another prototypical hard rock band like Zeppelin. I would be open to arguments otherwise though.

Just one dope's opinion though.
Metal is like pornography. I know it when I see it (hear it?)

Zep is not metal

Also I think we’re being set up for a bunch of ****ty corporate poser metal like Sleep Token
 
I considered putting in Nimrod

My favorite Green Day. A little more diversified but still essentially them. They had that one big crossover song (that I didn’t and don’t like and haven’t softened on it) but “Jinx/Haushinka” made me search out and be more receptive to those Who codgers.

They’d done it on Insomniac (that bridge to a Who-sounding song with “86/Panic”), but here it really works like dynamite, IMO. Who knew I just needed to look to England’s mods from ‘64-‘67 to get that?

Back to Green Day, I might be close to being with @MAC_32 here and listing Insomniac as my favorite, but I think Nimrod takes it. Of course it’s all impossible without Dookie, and I have no idea what I’m ramblin’ about, so I will stop.
 
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As far as Deep Purple, to me they also flipped a gear dipped into the metal category in the early 70s as well. There are songs and parts of songs on In Rock that wouldn't sound out of place on a Sabbath or Priest album, IMO. For example - Bloodsucker.
I had In Rock at #31 - that’s how much I regard that album.
Do you agree with my assessment? I am mostly having fun - I don't get nearly worked up about music and genres as I do movies. I just like trying to figure out a mild criteria for banter like this.
 
As far as Deep Purple, to me they also flipped a gear dipped into the metal category in the early 70s as well. There are songs and parts of songs on In Rock that wouldn't sound out of place on a Sabbath or Priest album, IMO. For example - Bloodsucker.
I had In Rock at #31 - that’s how much I regard that album.
Do you agree with my assessment? I am mostly having fun - I don't get nearly worked up about music and genres as I do movies. I just like trying to figure out a mild criteria for banter like this.
Not sure what the assessment is, but if it’s good music regardless of genre, that works for me.
 
What “metal” is depends on when you were coming of age, I think. I’ve got Guns as unquestionably metal. Brit metal was dead in the public consciousness in ‘87. You had Maiden, but the Rush fans liked Maiden in my school. Then you had thrash. Then you had glam or hair metal (calling it hair metal is seeing it from a temporal distance—nobody called it that until probably the later nineties and early aughts).

So thrash was like extreme skateboarding is to those ‘70s longboard riders, and GN' R was like using shorter boards and doing aerials on the half pipe, to use an analogy. Metal is kind of relative in a way.

Once you fuse it with hip hop and change the scale and make it so that you don’t solo and you almost always play rhythm and chugging riffs then GNR sounds like bluesy hard rock. Especially when you add prog and heavy for the sake of heavy added back into the mix which is a really late development (early aughts). I can see GN' R as being hard rock to people that came of age or had their metal listening years in the early aughts.

eta late* I just re-read this and “unquestionably” sounds absolute. It’s unquestionable to me from my experience. The point I was trying to make is that defining metal and categorizing it is very subjective and depends on temporal concerns. It is pretty much entirely a musical judgment rather than a sociopolitical and economic/ethical/size of audience-based judgment, which often determines who is considered punk. All these minefields! MAC would ask who needs genres? This might be why.
 
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24. Appetite For DestructionGuns N' Roses (645 points)

My favorite track is Mr. Brownstone, which, in a rarity for this genre, is as funky as it is ***-kicking.
Definitely in my top 3 for consideration.
My vote is for Welcome to the Jungle - It was the very first thing I saw/heard of theirs (thank you MTV), and I just stared at the screen saying "Wow". I knew I liked it from the very first notes out of Slash's guitar.
 
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Oh i have some concert stories
"I saw a band of Stormtroopers at the local HS gym...."
We skipped it I was too tired

Third eye blind played our city fest for free that night skipped the too

Vanilla ice on labor Day for $8
I think you overpaid. :lol:
I haven’t committed yet. Rival sons same place 2 days before. It’s the bougie hipster suburb art and food truck festival thing

Or in @Ilov80s terms Arts Beats and Eats
Yep, some of my friends went to see 3rd Eye Blind, they were trying to get me to go too. Homecoming isn't really my thing though, I don't want to run into people I knew 20-30 years ago.
 
Oh i have some concert stories
"I saw a band of Stormtroopers at the local HS gym...."
We skipped it I was too tired

Third eye blind played our city fest for free that night skipped the too

Vanilla ice on labor Day for $8
I think you overpaid. :lol:
I haven’t committed yet. Rival sons same place 2 days before. It’s the bougie hipster suburb art and food truck festival thing

Or in @Ilov80s terms Arts Beats and Eats
Yep, some of my friends went to see 3rd Eye Blind, they were trying to get me to go too. Homecoming isn't really my thing though, I don't want to run into people I knew 20-30 years ago.
Yeah I didn’t grow up here so nothing special for me. We took the kids when they were little but we haven’t gone in a few years
 
Very fair point, rock. If you grew up listening to Slipknot and the like, GNR probably sounds more tame and hard rock. I was bombarded with crap like Winger and Bulletboys, so GNR sounded more metal than that stuff.

As we go further down the timeline there are more and more examples of metal bands as well. Like I said in '70 it felt a bit like it was Sabbath, a handful of others that had metal DNA, and the weird underground bands that have about 9k listens on Spotify. A decade later in '80 we could list all sorts of bands. We had Sabbath and solo Ozzy, Motorhead, Maiden, Priest, etc, etc. The genre became more and more definable as we went along. It's just fun to explore some that early 70s stuff besides Sabbath and think about the differences and who the parents of metal were.
 
BTW, I have tried both bands mulitple times and neither Townsend or Puscifer are my thing. A couple songs here and there, but not sustained listening. I also listen to GH albums less than I do covers.


I've been irritating my kid by playing too much Between the Buried and Me lately, so I am definitely not criticizing anybody's metal leans.
 
I thought the whole point of running these things was to get more likes?
If so, it didn't work for me. Maybe it was dark mode that did me in.
:shrug:

If it's dark mode that did you in then I don't want to be right.

Wait. What?

I like dark mode. I've changed all my screens to night reader. I can't look at a white screen anymore and I can't imagine how I did so until around 2022 or so. Argh. No wonder my eyes stink.
 

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