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Consensus Top 350 Albums of All-Time: 58. Master of Puppets – Metallica (180 Viewers)

303 (tie). ...And Justice for All – Metallica (91 points)

@Dan Lambskin #21
@MAC_32 #30

...And Justice for All is the fourth studio album by American heavy metal band Metallica, released on August 25, 1988, by Elektra Records. It was Metallica's first full length studio (LP) album to feature bassist Jason Newsted, following the death of their previous bassist Cliff Burton in 1986. Burton received posthumous co-writing credit on "To Live Is to Die" as Newsted followed bass lines Burton had recorded prior to his death.

Would have expected this one to be rated higher, maybe people picked other Metallica albums instead? or we just don’t have a lot of metal fans

Blackened is a great opener

One is arguably their magnum opus, might be my #1 by then depending on my mood. Live performance on this current tour was epic

Dyers Eve is underrated, one of their hardest songs IMO, especially anything after their debut album

Dear Mother
Dear Father
What is this hell you have put me through
Believer
Deceiver
Day in day out live my life through you
Pushed onto me what's wrong or right
Hidden from this thing that they call life
Yes. Yes. Yes. One of the handful of albums I can play through from track 1. Just a masterpiece of thrash metal. Just fabulous. I'm a big older Metallica fan. I also didn't mind the Black Album. After the Black Album thats when the big drop came. justice is my #1 Metallica album. Imo

I think some of their newer stuff is pretty good I really haven’t given it much attention though. Also though if it was some other random band I’d say it was really good but knowing what their peak was like it’s like eh… just ok
 
I thought this had a chance to pick up 3 or 4 lists and crack the top 100.

You were right in thinking that. In my personal top 100 because of its weird accessibility for a time signature concept.
Great point. It's one of the most accessible instrumental jazz albums period. So much so I didn't even really mention the time signature concept because that makes it sound like it is going to be avant-garde or a challenging listen. It's anything but that. Just pure cool jazz.
 
312 (tie). Smash – The Offspring (89 points)

"Smash" is definitely an album that takes me back. In 1994 I was still in college, if on the 10 year plan for a 4-year degree. My music tastes were expanding thanks equally to the college scene and the people I worked with at the time. I'd experienced absolutely no punk before college, but during the 90s I definitely was exposed to a lot, both old school and (at the time) newer stuff. And yeah, I'm putting at least "Smash" into the punk category. After all, this is an album full of fast-paced, hard-hitting, energetic songs that rarely last 3 1/2 minutes.

I'd definitely agree that there aren't any skips here. "Come out and Play" and "Self-Esteem" are the big hits here, and I haven't got close to tired of them. Partially because, at heart, I'm just a sucker with low self-esteem myself. Even if I ended up with a better girl than the person in that soon. Anyway, my point is that past that, I'm a huge fan of "Bad Habit", "Gotta Get Away", and the title track. But there are highlights in every song here for me. Little flashbacks at hearing songs like "Nitro (Youth Energy)", "Something to Believe In", and "Not the One".

As far as the song for the playlist, I'll leave that to Dan Lambskin, since he put it much much higher than I did. The title track's strong and fierce, but despite the song finishing before 3 minutes, the track's over 10. Personally, it's hard to choose, but I'd nominate "Gotta Get Away" here. Or, for a deeper cut, "It'll Be a Long Time".
 
306 (tie). Up to Here – The Tragically Hip (90 points)

@Atomic Punk #20
@Barry2 #32


Up to Here is the debut studio album by Canadian rock band The Tragically Hip, released in September 1989. It is one of the band's most successful albums, achieving diamond status in Canada for sales of over a million copies, earning the band a Juno Award for Most Promising Artist, and also introduced fan-favorite songs such as "Blow at High Dough", "New Orleans Is Sinking", and "Boots or Hearts". The album reached No. 13 on RPM's Canadian Albums Chart, and both "Blow at High Dough" and "New Orleans is Sinking" reached No. 1 on the RPM Canadian Content singles charts.
Nice to see the hip make it. They had quite a run with four consecutive great albums starting with Up to Here. Atomic has some cool songs to choose from.
Stellar selection. A friend drug me to see the Tragically Hip when I lived in Pennsylvania. He told me they were super popular in their native Canada, and put on a good show. We saw them at the 930 club down in DC, in front of maybe 500 people general admission. You could grab a cup of beer and make your way right up to the front by the stage. I saw them in that sort of setting many times, in Pittsburgh, Philly, DC, Towson, all over the region. At least 2/3 of the crowd would be Canadians who drove down because there was no way to see the Hip that up close in Canada. For comparison, I saw two concerts of theirs in Canada, and each was in a sold out NHL arena.

It’s interesting how popular they are in Canada, given that their popularity never really crossed the border, except for appearances at Woodstock and Saturday Night Live. I’m serious, they are huge up north. While you may have a hard time finding anyone who knows them down here in the states, you would equally be hard-pressed to find a Canadian that DOESN’T know them.

One final anecdote, when the Hip’s frontman, lead singer, and songwriter, Gord Downie, announced he had glioblastoma—aggressive brain cancer, in 2015, the band decided to do a final, 13 city farewell tour across Canada the following summer. I actually flew to Ottawa to see their second-to-last performance, probably the only Tennessean in the arena. Their final show, two nights later in Kingston, Ontario, was such a big deal that the CBC preempted the Rio Olympics to broadcast the concert live and drew an audience of 10 million people. That’s in a country with 30 million people. Trudeau was there wearing a tragically hip T-shirt, people gathered in every city across the country to watch the show on big screens. They called it “A National Celebration.”
 
312 (tie). Smash – The Offspring (89 points)

"Smash" is definitely an album that takes me back. In 1994 I was still in college, if on the 10 year plan for a 4-year degree. My music tastes were expanding thanks equally to the college scene and the people I worked with at the time. I'd experienced absolutely no punk before college, but during the 90s I definitely was exposed to a lot, both old school and (at the time) newer stuff. And yeah, I'm putting at least "Smash" into the punk category. After all, this is an album full of fast-paced, hard-hitting, energetic songs that rarely last 3 1/2 minutes.

I'd definitely agree that there aren't any skips here. "Come out and Play" and "Self-Esteem" are the big hits here, and I haven't got close to tired of them. Partially because, at heart, I'm just a sucker with low self-esteem myself. Even if I ended up with a better girl than the person in that soon. Anyway, my point is that past that, I'm a huge fan of "Bad Habit", "Gotta Get Away", and the title track. But there are highlights in every song here for me. Little flashbacks at hearing songs like "Nitro (Youth Energy)", "Something to Believe In", and "Not the One".

As far as the song for the playlist, I'll leave that to Dan Lambskin, since he put it much much higher than I did. The title track's strong and fierce, but despite the song finishing before 3 minutes, the track's over 10. Personally, it's hard to choose, but I'd nominate "Gotta Get Away" here. Or, for a deeper cut, "It'll Be a Long Time".
@Dan Lambskin did you make a final decision on a song? I saw you mentioned Smash which is a good choice but do want to warn you on Spotify it's over 10 mins long most of which is just silence before the "secret song" at the end. Remember when CDs snuck those on? So it might be a little funky on a playlist.
 
306 (tie). Up to Here – The Tragically Hip (90 points)

@Atomic Punk #20
@Barry2 #32


Up to Here is the debut studio album by Canadian rock band The Tragically Hip, released in September 1989. It is one of the band's most successful albums, achieving diamond status in Canada for sales of over a million copies, earning the band a Juno Award for Most Promising Artist, and also introduced fan-favorite songs such as "Blow at High Dough", "New Orleans Is Sinking", and "Boots or Hearts". The album reached No. 13 on RPM's Canadian Albums Chart, and both "Blow at High Dough" and "New Orleans is Sinking" reached No. 1 on the RPM Canadian Content singles charts.
Nice to see the hip make it. They had quite a run with four consecutive great albums starting with Up to Here. Atomic has some cool songs to choose from.
Stellar selection. A friend drug me to see the Tragically Hip when I lived in Pennsylvania. He told me they were super popular in their native Canada, and put on a good show. We saw them at the 930 club down in DC, in front of maybe 500 people general admission. You could grab a cup of beer and make your way right up to the front by the stage. I saw them in that sort of setting many times, in Pittsburgh, Philly, DC, Towson, all over the region. At least 2/3 of the crowd would be Canadians who drove down because there was no way to see the Hip that up close in Canada. For comparison, I saw two concerts of theirs in Canada, and each was in a sold out NHL arena.

It’s interesting how popular they are in Canada, given that their popularity never really crossed the border, except for appearances at Woodstock and Saturday Night Live. I’m serious, they are huge up north. While you may have a hard time finding anyone who knows them down here in the states, you would equally be hard-pressed to find a Canadian that DOESN’T know them.

One final anecdote, when the Hip’s frontman, lead singer, and songwriter, Gord Downie, announced he had glioblastoma—aggressive brain cancer, in 2015, the band decided to do a final, 13 city farewell tour across Canada the following summer. I actually flew to Ottawa to see their second-to-last performance, probably the only Tennessean in the arena. Their final show, two nights later in Kingston, Ontario, was such a big deal that the CBC preempted the Rio Olympics to broadcast the concert live and drew an audience of 10 million people. That’s in a country with 30 million people. Trudeau was there wearing a tragically hip T-shirt, people gathered in every city across the country to watch the show on big screens. They called it “A National Celebration.”
I new them a little bit because 89X in Windsor used to play them
Added all their stuff to my library a few months ago they’re really good kinda give me an REM vibe
And yeah they are loved there
 
312 (tie). Smash – The Offspring (89 points)

"Smash" is definitely an album that takes me back. In 1994 I was still in college, if on the 10 year plan for a 4-year degree. My music tastes were expanding thanks equally to the college scene and the people I worked with at the time. I'd experienced absolutely no punk before college, but during the 90s I definitely was exposed to a lot, both old school and (at the time) newer stuff. And yeah, I'm putting at least "Smash" into the punk category. After all, this is an album full of fast-paced, hard-hitting, energetic songs that rarely last 3 1/2 minutes.

I'd definitely agree that there aren't any skips here. "Come out and Play" and "Self-Esteem" are the big hits here, and I haven't got close to tired of them. Partially because, at heart, I'm just a sucker with low self-esteem myself. Even if I ended up with a better girl than the person in that soon. Anyway, my point is that past that, I'm a huge fan of "Bad Habit", "Gotta Get Away", and the title track. But there are highlights in every song here for me. Little flashbacks at hearing songs like "Nitro (Youth Energy)", "Something to Believe In", and "Not the One".

As far as the song for the playlist, I'll leave that to Dan Lambskin, since he put it much much higher than I did. The title track's strong and fierce, but despite the song finishing before 3 minutes, the track's over 10. Personally, it's hard to choose, but I'd nominate "Gotta Get Away" here. Or, for a deeper cut, "It'll Be a Long Time".
@Dan Lambskin did you make a final decision on a song? I saw you mentioned Smash which is a good choice but do want to warn you on Spotify it's over 10 mins long most of which is just silence before the "secret song" at the end. Remember when CDs snuck those on? So it might be a little funky on a playlist.
Let’s go with Gotta Get Away
 
So that album will skyrocket up tomorrow.
Pay no attention to it now.
Sorry man, Same here with And Justice for All. I think I had it around 31 or so. I don't mean to pile on, but I don't know if we need to chime in to get credit. My bad, and as someone said, you're doing the Lord's work and we're all very appreciative.
 
303 (tie). ...And Justice for All – Metallica (91 points)

@Dan Lambskin #21
@MAC_32 #30

...And Justice for All is the fourth studio album by American heavy metal band Metallica, released on August 25, 1988, by Elektra Records. It was Metallica's first full length studio (LP) album to feature bassist Jason Newsted, following the death of their previous bassist Cliff Burton in 1986. Burton received posthumous co-writing credit on "To Live Is to Die" as Newsted followed bass lines Burton had recorded prior to his death.

Would have expected this one to be rated higher, maybe people picked other Metallica albums instead? or we just don’t have a lot of metal fans

Blackened is a great opener

One is arguably their magnum opus, might be my #1 by then depending on my mood. Live performance on this current tour was epic

Dyers Eve is underrated, one of their hardest songs IMO, especially anything after their debut album

Dear Mother
Dear Father
What is this hell you have put me through
Believer
Deceiver
Day in day out live my life through you
Pushed onto me what's wrong or right
Hidden from this thing that they call life
Given the content that's flowed since, I'll hold back on most of my comments, but I will say that Tenacious D was right.

One is the greatest song in the world.
 
317 (tie). Songbook – Chris Cornell (87 points)

@Long Ball Larry #4 :headbang:
@MAC_32 #51

Songbook is an acoustic live album by American musician and Soundgarden vocalist Chris Cornell, released on November 21, 2011. The live album features songs recorded during Cornell's Songbook Tour, an acoustic solo tour which took place from March to May 2011 in the US and Canada, and is his first live album as a solo artist.
The songs on the tour varied in every show, and the album was recorded during various shows on the tour, and includes songs from Cornell's whole career: solo material, Soundgarden songs, Audioslave songs, Temple of the Dog songs, as well as covers of Led Zeppelin's "Thank You" and John Lennon's "Imagine".
After being sniped for this album in a draft a few years ago by Larry, I had confidence he'd come through big in its ranking. I have a strong preference for the playlist, and will share later, but obviously he gets priority. Curious what direction he goes. So...sooo many worthy candidates.
I do remember that now that you mention it. I really should have just looked at that list to help make this one. This is a tough one because it really depends on the mood I’m in, as there are several different tones to the songs across this album. But I guess the one that i always want to list to is Fell on black days. I like this version so much more than the Soundgarden one.

My next choices would probably be Thank You or Can’t Change Me.
Can't Change Me is the one that does it for me. Not that the others aren't great, they are, it's just I think the Songbook version is THAT much better than the original.
 
Crystal Blue Persuasion and a discussion of Boz Scaggs are the only music I remember from Breaking Bad. I dont know if they did the best job handling the soundtrack of the show. But maybe I’m in the minority on that.

Dude

ETA: I couldn't find the clip where they actually played El Paso during the episode.
 
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306 (tie). Electric – The Cult (90 points)

@Nick Vermeil #6
@Tau837 #46

Electric is the third album by British rock band the Cult, released in 1987. It was the follow-up to their commercial breakthrough Love. The album equaled its predecessor's chart placing by peaking at number four in the UK but exceeded its chart residency, spending a total of 27 weeks on the chart (the most successful run for an album by The Cult).
The album marked a deliberate stylistic change in the band's sound from gothic rock to more traditional hard rock. Rick Rubin, the producer on Electric, had been specifically hired to remake the band's sound in an effort to capitalize on the popularity of hard rock, glam metal and heavy metal in the 1980s. The album was featured in the book 1001 Albums You Must Hear Before You Die.
A little surprised this only got two votes but it’s always been hit or miss for folks. It hit me at the right age when I was ready to listen to music that wasn’t on the local cow radio. I still put it on when I’m cooking or cleaning. So, often.

For me it’s either Wild Flower or Love Removal Machine for the playlist. @Tau837 ?

Love Removal Machine, definitely...
Added
 
Thank dog that I don't have any albums with punctuation marks at the beginning. I bet Zoso comes back to haunt us, though.

Come to think of it, TAFKAP could be funny.
 
Hysteria and And Justice for All were the 3rd and 4th cassette tapes I bought. First was Reckless by Bryan Adams. Second was Whitesnake. These all still hold a place in my heart. Music was so real then. And Justice for All would have been so good if they didn't cut the bass to nothing. Jason Newsted wrote Blackened, and the bass line is great.

The 80's were great musically. Such variety. And everything was fun - even the death metal sounded bright.
 
303 (tie). Time Out – The Dave Brubeck Quartet (91 points)

@Ilov80s #23
@Mookie Gizzy #28

Time Out is a studio album by the American jazz group the Dave Brubeck Quartet, released in 1959 on Columbia Records. Recorded at Columbia's 30th Street Studio in New York City, it is based upon the use of time signatures that were unusual for jazz. The album is a subtle blend of cool and West Coast jazz.

The album peaked at No. 2 on the Billboard pop albums chart, and was the first jazz album to sell a million copies. The single "Take Five" off the album was also the first jazz single to sell one million copies. By 1963, the record had sold 500,000 units, and in 2011 it was certified double platinum by the RIAA, signifying over two million records sold. The album was inducted in the Grammy Hall of Fame in 2009.

Oh FFS forgotten album :doh: number 3.
 
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Those bad submissions should be part of the song reveals. That will add to the excitement.

I mean, really? As the originator of the MAD countdowns, I can tell you that there were always a billion terrible submissions. It's just par for the course. I was mostly able to avoid the issues we're seeing, because I did everything manually, but I'm happy that Dr. O didn't do it that way because it is way, way too time-consuming. In any case, there was never any thought that I'd call someone out, other than our lovingly coining the term "don't Binky it" due to his insistence on sending lists the opposite way most of us would. :lmao:

But really, errors just go with the territory, to say the least. I do get the frustration, but I spent scores of hours (seriously) on each one making sure it all tied and therefore get how awful these lists are. :lol: It's not an exact science here, so all good.

Isn't the idea to discuss albums we love, regardless of whether the ranking is technically "right"?
 
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Those bad submissions should be part of the song reveals. That will add to the excitement.

I mean, really? As the originator of the MAD countdowns, I can tell you that there were always a billion terrible submissions. It's just par for the course. I was mostly able to avoid the issues we're seeing, because I did everything manually, but I'm happy that Dr. O didn't do it that way because it is way, way too time-consuming. In any case, there was never any thought that I'd call someone out, other than our lovingly coining the term "don't Binky it" due to his insistence on sending lists the opposite way most of us would. :lmao:

But really, errors just go with the territory, to say the least. I do get the frustration, but I spent scores of hours (seriously) on each one making sure it all tied and therefore get how awful these lists are. :lol: It's not an exact science here, so all good.

Isn't the idea to discuss albums we love, regardless of whether the ranking is technically "right"?
No bad intent or trying to call anyone out. Sorry if that’s how it came off. We’ve been joking for a while about how hard it must be to consolidate this whole mess and laughing at our own mistakes. I don’t care who did them, just thought it would be funny to hear the various iterations Dr Oc and Kupcho have been talking about.

For instance, this could have been a fun one:
Led Zeppelin IV
Led Zeppelin 4
4
LZ4
Four
The one with the symbols

:shrug:
 
Those bad submissions should be part of the song reveals. That will add to the excitement.

I mean, really? As the originator of the MAD countdowns, I can tell you that there were always a billion terrible submissions. It's just par for the course. I was mostly able to avoid the issues we're seeing, because I did everything manually, but I'm happy that Dr. O didn't do it that way because it is way, way too time-consuming. In any case, there was never any thought that I'd call someone out, other than our lovingly coining the term "don't Binky it" due to his insistence on sending lists the opposite way most of us would. :lmao:

But really, errors just go with the territory, to say the least. I do get the frustration, but I spent scores of hours (seriously) on each one making sure it all tied and therefore get how awful these lists are. :lol: It's not an exact science here, so all good.

Isn't the idea to discuss albums we love, regardless of whether the ranking is technically "right"?
No bad intent or trying to call anyone out. Sorry if that’s how it came off. We’ve been joking for a while about how hard it must be to consolidate this whole mess and laughing at our own mistakes. I don’t care who did them, just thought it would be funny to hear the various iterations Dr Oc and Kupcho have been talking about.

For instance, this could have been a fun one:
Led Zeppelin IV
Led Zeppelin 4
4
LZ4
Four
The one with the symbols

:shrug:
Don't forget "Runes".
 
Dayum I sure hope there aren't too many Peter Gabriel albums on folks' lists. 🤣
He is the George Forman of album people, isn't he?
He didn’t like to title his albums because he saw them as chapters of the same book.

Security was a title imposed by the record company and was only identified that way on the shrink wrap. Once removed, the album just said Peter Gabriel (again, for the fourth time).

After he submitted his fifth album, he was asked if it had a title. He said no. They said it had to have one. He said “So?” And that’s what they went with.

Every studio album after that also has a two-letter title, as minimal as possible.

It would be hilarious if he made a final album with a Fiona Apple-style 100-word title.
 
Time Out is a great call that I totally didn't think of. I really believed I had a pretty thorough system for making sure I didn't overlook anything then totally whiffed there. Still not sure it would have made the final cut, but it would have had a chance. "Blue Rondo à la Turk" is commonly in my rotation playlist that mixes jazz, rock, fusion, and a bunch of other genres (some may recall that I wrote about the ELP version from the Isle of Wight in my artist countdown).

I could wait until it reappears on the list, but I'll just comment on Puppets now to get the controversial comment out of the way. For me, "One" is among the most overrated Metallica songs. Compared to many tracks from other Metallica albums of that era (at least one of which is on my list), I find the guitar work exceptionally boring. I agree, however, that "Blackened" is incredible and I think the title track is epic as well. The album finished around 150 on my extended list.
 
Hysteria and And Justice for All were the 3rd and 4th cassette tapes I bought. First was Reckless by Bryan Adams. Second was Whitesnake. These all still hold a place in my heart. Music was so real then. And Justice for All would have been so good if they didn't cut the bass to nothing. Jason Newsted wrote Blackened, and the bass line is great.
Lars being Lars. I will say looking back now I completely agree with you. But. Back then, I was the greatest air drummer in the Pacific Northwest and those drums popped for me. Ha ha
 
303 (tie). Fear of Music – Talking Heads (91 points)

@KarmaPolice #16
@Dr. Octopus #49
@New Binky the Doormat #57

Fear of Music is the third studio album by the American new wave band Talking Heads, released on August 3, 1979, by Sire Records. It was recorded at locations in New York City during April and May 1979 and was produced by Brian Eno and Talking Heads. The album reached number 21 on the Billboard 200 and number 33 on the UK Albums Chart. It spawned the singles "Life During Wartime", "I Zimbra", and "Cities".
 
298 (tie). Muswell Hillbillies – The Kinks (92 points)

@Mister CIA #18
@Don Quixote #32

Muswell Hillbillies is the tenth studio album by the English rock group the Kinks. Released on 24 November 1971, it was the band's first album released through RCA Records. The album is named after the Muswell Hill area of North London, where band leader Ray Davies and guitarist Dave Davies grew up and the band formed in the early 1960s.
The album introduces a number of working class figures and the stresses with which they must contend. It did not sell well but received critical acclaim and lasting fan appreciation.
 
298 (tie). Live at the Apollo – James Brown and the Fabulous Flames (92 points)

@Ilov80s #7 :headbang:
@Psychopav #43

Live at the Apollo is the first live album by James Brown and the Famous Flames, recorded at the Apollo Theater in Harlem in October 1962 and released in May 1963 by King Records. Capturing Brown's popular stage show for the first time on record, the album was a major commercial and critical success and cemented his status as a leading R&B star.
 
303 (tie). Fear of Music – Talking Heads (91 points)

@KarmaPolice #16
@Dr. Octopus #49
@New Binky the Doormat #57

Fear of Music is the third studio album by the American new wave band Talking Heads, released on August 3, 1979, by Sire Records. It was recorded at locations in New York City during April and May 1979 and was produced by Brian Eno and Talking Heads. The album reached number 21 on the Billboard 200 and number 33 on the UK Albums Chart. It spawned the singles "Life During Wartime", "I Zimbra", and "Cities".

This is a band I just don’t click with, to be fair i probably haven’t heard much outside of their hits. I don’t dislike them but not really something I’d ever willingly put on either.
 
303 (tie). Fear of Music – Talking Heads (91 points)

I thought this one would finish higher but the Talking Heads albums' votes got very split up.
Yeah, once I landed on only 1 album per group it became difficult to choose. Even before then, my rankings of first several TH albums is pretty flat. If one is better, it's not by much.
 
303 (tie). Fear of Music – Talking Heads (91 points)

@KarmaPolice #16
@Dr. Octopus #49
@New Binky the Doormat #57

Fear of Music is the third studio album by the American new wave band Talking Heads, released on August 3, 1979, by Sire Records. It was recorded at locations in New York City during April and May 1979 and was produced by Brian Eno and Talking Heads. The album reached number 21 on the Billboard 200 and number 33 on the UK Albums Chart. It spawned the singles "Life During Wartime", "I Zimbra", and "Cities".
All of the first five TH albums could have been considered for my top 70. Only one made it and obviously it wasn't this one. But this is an incredible record and the story of David Byrne as "world music" advocate begins here.
 
298 (tie). Raising Hell – Run-D.M.C. (92 points)

Jeb #17
@Nick Vermeil #33

Raising Hell is the third studio album by American hip hop group Run-D.M.C., released on May 15, 1986, by Profile Records. The album was produced by Russell Simmons and Rick Rubin. Raising Hell is notable for being the first Platinum and multi-Platinum hip hop record. The album was first certified Platinum on July 15, 1986, before it was certified as 3× Platinum by the Recording Industry Association of America (RIAA) on April 24, 1987. It is widely considered to be one of the greatest and most important albums in the history of hip hop music and culture.
 

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