Ahhhh, as I was looking to see where I'd had the song ranked, I came across my write-up on the album. In case anyone cares!
Imagine was released to extensive (though not unanimous) critical acclaim and public acceptance, reaching #1 on the US charts and selling over two million copies in the US alone. Its single, “Imagine,” reached “only” #3 in the US, which might be surprising given that it seems now to be John’s most beloved song. While generally very well received by critics, one of the mediocre reviews came from
Rolling Stone, although the magazine later named this as the 80th best album of all time. That’s all you need to know about
Rolling Stone.
As with
Plastic Ono Band, John enlisted Phil Spector to co-produce this record along with him and Yoko, with this one sounding much more like a Spector album versus the very sparse sound of the prior effort. John also created a bigger sound to this album by including a huge band, as compared to the three-person affair of
Plastic Ono Band. In addition to the usual (Keltner, Voormann, Hopkins), this record also features George on guitar, Alan White on drums, King Curtis on sax, two of the members of Badfinger on acoustic guitars, a string section, and a wide variety of other guitarists, percussionists, etc. The expansion of the sound into a more “traditional” direction undoubtedly made it more commercially appealing, as did the range of styles from guitar-driven rock to lovely ballads, as opposed to the range in
Plastic Ono Band from stark screaming to starker screamier.
Another factor in its commercial success was likely the toning down of some of the political statements he had made in songs such as “Power To The People” and would later enhance in
Some Time In New York City. The lyrical content of these songs still touches on the political, though in a gentler way, and likewise the songs working through his emotional scarring were tied up in prettier pop packages, such as “Jealous Guy” and “Oh My Love.” Unlike
Plastic Ono Band, where finding a “single” was a near-impossibility (“Love” might have worked, but John inexplicably chose “Mother,” which predictably bombed), many of these songs have radio friendliness. Much of this might have been attributed to a desire to be more commercial (as much as John loved Ringo, Ringo’s much greater solo success was nagging at him), as well as the fact that he was just in a better place; Voormann described the recording sessions as having been happy and relaxed, in stark contrast to pure anguish John had been exhibiting during the
Plastic Ono Band sessions. Along with the anti-Nixon rant on “Gimme Some Truth,” one significant exception to this gentler feel is “How Do You Sleep?”, the scathing, vicious attack on Paul in response to Paul’s more subtle John attacks on his album,
Ram. Whatever the reason for the change, John later expressed regret at having made a record that was more accessible, ranting, for example, that “Imagine” itself was "an anti-religious, anti-nationalistic, anti-conventional, anti-capitalistic song, but because it's sugar-coated, it's accepted." This could reflect John’s usual derision at his own work more than genuine regret over the commercial direction he took.
The
cover art is a Polaroid photo of John long rumored to be taken by Andy Warhol, but actually by Yoko, overlaid with cloud images that are a theme within John and Yoko’s imagery and lyrics. Also included in the original album packaging was a postcard of
John holding a pig, meant as another dig at Paul and the cover of the
Ram album, though in later versions this postcard was replaced by something neutral.