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The 100 Greatest Classic Rock Albums of All Time: #1. Sticky Fingers (2 Viewers)

I never did learn why Jennings & Colter didn't end up using "Leather and Lace".

Going by these interviews, it looks like it was a case of bad timing.

Despite working on the Leather and Lace album together, Jennings and Colter were at an on-again-off-again period of their marriage while Jennings was battling cocaine addiction. Nicks doesn't come right out and say so, but reading between the lines ... it seems like Nicks' composition "Leather and Lace" was too personal and too much of a gut punch for Jennings at the time he was presented with the demo.
 
Just like the right-wing dove that puts the calm into the sit-in
I said Oooh baby oooh ooooh
I had always thought it was "one winged dove" - which is why he's spinning around chirping "ooh ooh ooh".
Me too!
Some doozies here if you scroll down

ETA: Just like a wild dingo. 🐺
Just like a one-winged dove
Sings a song sans actually singing.

:laugh:

Just like a wide Ringo
Sings a song sounds like he's singin'

:laugh: :laugh:
 
I think I am going to have to wait until the whole list is revealed before commenting on individual sections. At least in terms of what is included or excluded or how high or low an album is ranked.
I was thinking the same thing...but can't resist commenting that from the choices so far (and other OP lists) it appears there's a preference for the "smoother"/mainstream side of the rock genre.

Not going to hold my breath that edgier classics like In-A-Gadda-Da-Vida make an appearance anytime soon...
 
I think I am going to have to wait until the whole list is revealed before commenting on individual selections. At least in terms of what is included or excluded or how high or low an album is ranked.
I understand this. But maybe you could offer thoughts on the individual albums selected while avoiding comment on where they should be ranked? The rankings are really secondary anyhow to discussion of the music (hopefully)
 
Stop Draggin’ My Heart Around

The only song on the album not composed by Stevie. Even without Tom Petty’s vocals, his writing style is pretty clearly recognizable. Mike Campbell’s guitar work is similar to “Refugee”. For my money this is one of the best rock team-ups of all time.
Didn’t realize that TP had originally planned on this being a Heartbreakers song:


Stevie definitely brought it to a new level. Also didn’t know that the great bass work in the Stevie version was done by Duck Dunn.
 
I think I am going to have to wait until the whole list is revealed before commenting on individual selections. At least in terms of what is included or excluded or how high or low an album is ranked.
I understand this. But maybe you could offer thoughts on the individual albums selected while avoiding comment on where they should be ranked? The rankings are really secondary anyhow to discussion of the music (hopefully)
I will provide thoughts on artists / albums / memories regarding the individual posts. Just not right this minute. On vacation.
 
My favorite part of these threads, besides the wonderful commentary, are the rabbit holes I go down with Spotify during the workday.

At some point late yesterday, I was listening to the Flash Gordon soundtrack from beginning to end, and was able to explain to a confused coworker how amazingly cheesy the movie was and the soundtrack was better than the movie deserved. Which just makes the whole package that much better. DIVE!!!!
 
100. Bachman-Turner Overdrive II- Bachman-Turner Overdrive

My review.

Like I thought about the band, I see this album as pretty lightweight. It's solid, but very unspectacular imo. I did not dislike it, but I have no desire to play it again.


Blown - the racecar sound effects immediately threw me off a bit, and the vocals didn't help much. Not bad (i like the light guitar riffs) but not something I need to revisit. Not that Mick Jagger is a great vocalist, but I'm not hearing him, like tim mentioned. I find the vocals rather weak.

Welcome Home - A semi-calypso throw away song (it was better done by Harry Nilsson). I was not impressed with the guitar solo, that seemed like soul-less wankery to me.

Stonegates - my favorite song so far, but still filler. It almost breaks-through half-way through the song turning into a Southern Rock style romp, but doesn't quite get there. I don't want to repeat myself but this music is just soul-less imo - its technically proficient, but just there. The vocals are much better on this song.

Let It Ride - received a lot of air-play so I was familiar with this song, and can easily call it the best song on the album. The lead vocals are spot on (with the right mix of menace), the riff is catchy, some great harmonies on the chorus, and an overall rockin' feel. This is the one song, I could find myself turning back to some day.

Give It Time - This song has no melody at all (sounds like a washing machine) and the vocals are trying too hard. Decent guitar riff makes it listenable, but there's so much great music out there, "listenable" isn't enough to make me play it again down the road.

Tramp - The sound is very muffled on this song - could have been engineered/mixed better. Completely forgettable generic rock.

I Don't Have to Hide - loved the opening guitar riff, but it quickly went off the rails with some terrible vocals and no melody. It's a shame because the riff throughout the song is really quite good and is wasted here.

Takin' Care of Business - this song is a classic and a lot of fun, but it's also kind of silly. It does have a killer riff and some nice honky tonk piano - but the lyrics are just so bland and the "message" so lame. Still it's a very good song that I would turn up when it comes on the radio.


I surely get music is subjective, and "time and place" (maybe if I listened when I was younger) play a big role - but this album wouldn't make my top 300, if I was running this. I'm not of course, and tim is welcome to his opinions. I'm glad it's opening me up to some music I am unfamiliar with though. This is surely the first time I've ever listened to a BTO album cover to cover.
 
I’ve still never heard this whole Stevie record, but the hits are all pretty good. Interest in Fleetwood Mac and its members is usually confined for me to FM material, not the solo material. Definitely a band where they were all much better together than apart.
 
97. Stevie Nicks- Bella Donna (1981)

...

Edge of Seventeen

Stevie’s signature song is close to equal to her best work in Fleetwood Mac, though it definitely has a more 80s sound to it. That might be due to Waddy Wachtel’s excellent lead guitar which set the tone for a lot of music to come in the next decade. (Beginning with Survivor’s “Eye of the Tiger” a couple of years later.)

....

:<_<:

The "excellent lead guitar" riff was stolen from The Police - Bring On The Night. In interviews Wachtel had the gall to slag Andy Summers for not playing every single sixteenth note, which Wachtel did, making it better than Summers' playing in Wachtel's estimation. Wachtel totally didn't get what Andy was trying to do with the riff. The space is the thing - that was one of the tent poles of the early Police sound.

Also, I'm dubious that this album is really in the top 100 of the possible albums within the parameters of this exercise - I think similarly about a few of the previous selections.
 
My favorite part of these threads, besides the wonderful commentary, are the rabbit holes I go down with Spotify during the workday.

At some point late yesterday, I was listening to the Flash Gordon soundtrack from beginning to end, and was able to explain to a confused coworker how amazingly cheesy the movie was and the soundtrack was better than the movie deserved. Which just makes the whole package that much better.
If you want a really cheesy movie, you need to check out Flesh Gordon … now that’s a classic!
 
96. Billy Joel 52nd Street (1978)

Classic Rock Radio Hits: Big Shot, My Life


The sequel to The Stranger: Billy Joel has the usual hits (he’s one of the greatest hit makers of all time) but also explores new musical landscapes with some of the best jazz musicians of the era. The result is one of his very best albums.

Big Shot

As hard a rocker as you’re ever going to hear from Billy Joel. And one of his best songs IMO.

Honesty

Joel is one of a few performers on this list to bridge classic rock and easy listening. This fine ballad has been a staple for years on the easy listening stations (as well as a fan favorite at his concerts). But you’re unlikely to hear it on a classic rock station.

My Life

So many people adore this song. I don’t dislike it but it’s not something I seek out either and it wouldn’t be very high on my ranking of great Billy Joel songs. It would, however, make that list.

Zanzibar

If a Broadway show tune married a Steely Dan song, this might be the offspring. Strange but very listenable.
 
Baby you could never look me in the eye
Yeah, you buckle with the weight of the world
Stop draggin' my
Stop draggin' my
Stop draggin' my heart around


I could listen to that all day over any Led Zep schlock one shoved my way.
 
96. Billy Joel 52nd Street (1978)

Classic Rock Radio Hits: Big Shot, My Life


The sequel to The Stranger: Billy Joel has the usual hits (he’s one of the greatest hit makers of all time) but also explores new musical landscapes with some of the best jazz musicians of the era. The result is one of his very best albums.

Big Shot

As hard a rocker as you’re ever going to hear from Billy Joel. And one of his best songs IMO.

Honesty

Joel is one of a few performers on this list to bridge classic rock and easy listening. This fine ballad has been a staple for years on the easy listening stations (as well as a fan favorite at his concerts). But you’re unlikely to hear it on a classic rock station.

My Life

So many people adore this song. I don’t dislike it but it’s not something I seek out either and it wouldn’t be very high on my ranking of great Billy Joel songs. It would, however, make that list.

Zanzibar

If a Broadway show tune married a Steely Dan song, this might be the offspring. Strange but very listenable.
I'm not the biggest Billy fan (countdown to Uruk's own views), but I do like "Big Shot" and "Honesty" quite a bit.

If I want to listen to "My Life", I'd rather watch Bosom Buddies reruns.
 
Stiletto

Some really good piano work here, otherwise there’s nothing much interesting to me about this tune.

Rosalinda’s Eyes

This jazzy ballad is quite melodic and probably my favorite deep cut on the album.

Half A Mile Away

A joyful song that is also one of the better deep cuts.

Until The Night

Has that classic early 60s Four Seasons sound that Billy Joel has always loved.

52nd Street

The title song is interesting but I can’t stand that scream he makes.
 
Stiletto

Some really good piano work here, otherwise there’s nothing much interesting to me about this tune.

Rosalinda’s Eyes

This jazzy ballad is quite melodic and probably my favorite deep cut on the album.

Half A Mile Away

A joyful song that is also one of the better deep cuts.

Until The Night

Has that classic early 60s Four Seasons sound that Billy Joel has always loved.

52nd Street

The title song is interesting but I can’t stand that scream he makes.

first album listed that i can "see" on a top 100 platter countdown.

L.I. Strong 💪

goodt pickins'
 
I was kidding about the cursing, by the way. I wasn't kidding about self-destructing with dynamite if this is going to be an easy listening list.
 
I was kidding about the cursing, by the way. I wasn't kidding about self-destructing with dynamite if this is going to be an easy listening list.
When I wrote that Billy Joel was one of the FEW artists who bridged that gap, you might have missed the quantifier?
 
I know that's totally irrelevant as hell and doesn't account for the battle of the back pages in NY, but as a Red Sox fan I feel obligated to point out our glorious century so far.
 
I couldn't see putting two Billy Joel albums in the top 100 and 52nd Street wouldn't be my personal top choice. Some songs sound like he's trying too hard to be an angry rocker.

Much prefer the authenticity and soulful storytelling on Piano Man. Some great songs on there and flows much better as an album IMO.
 
Buncha cheaters if you ask me

Yankees were reprimanded for something awfully similar or the same as the Sox were in the same year. Teams were rank and file cheating to beat the band in the AL.

That's not to excuse it. Baseball might have gotten the biggest break that any sport has ever received in the form of COVID, because they swept the issue under the rug before it got ugly. If things had proceeded normally, baseball would have been in a heck of a lot of trouble.

Those titles won by Houston and Boston will forever be tainted in my mind, but they're still titles. Just like the Yankees and the Mitchell report of all the steroid guys during their dynasty (namely Pettite and Clemens) taints their titles from the late '90s/'00s. (Steroids were illegal but not tested for.)
 
Buncha cheaters if you ask me

Yankees were reprimanded for something awfully similar or the same as the Sox were in the same year. Teams were rank and file cheating to beat the band in the AL.

That's not to excuse it. Baseball might have gotten the biggest break that any sport has ever received in the form of COVID, because they swept the issue under the rug before it got ugly. If things had proceeded normally, baseball would have been in a heck of a lot of trouble.

Those titles won by Houston and Boston will forever be tainted in my mind, but they're still titles. Just like the Yankees and the Mitchell report of all the steroid guys during their dynasty (namely Pettite and Clemens) taints their titles from the late '90s/'00s. (Steroids were illegal but not tested for.)
Don’t care about the Yankees. I’m a Dodger fan, so those Houston/Boston cheating years hit extra hard.

Thanks for Mookie though. He’s seems like he’s pretty good.
 

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