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Whatcha readin now? (book, books, reading, read) (3 Viewers)

Ryan Boudinot-Blueprints of the Afterlife

I'm not exactly sure how I feel about this book, so I linked some reviews.

It's a clever, original, thoughtful mess of a book. As a whole, it works, but some parts fall totally flat. There's some genius in it, but there's also an unfinished, unedited quality to some of it that is frustrating to read. 3.5/5

 
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Just finished Sand by Hugh Howey. Well below the Wool trilogy in my opinion. Pretty meh.

Now reading A Conspiracy of Faith by Jussi Adler-Olsen. More Scandinavian mystery. I've read reviews where he's compared to Larrson and Nesbo, so I picked this up at the library.

 
Vrana said:
great price on the the opening book in Abercrombie's First Law series. If you like fantasy, and are looking for something different, drop $2 on this.

The Blade Itself on Amazon
Have you read the spinoff books?

I'm a little over halfway through Best Served Cold and it's pretty good.
yes i have. i really enjoyed best served cold. just some bad, bad people in that book, but i still sort of likes some of them.

 
Red Rising by Pierce Brown. fits in with the rest of today's popular sci fi. young hero taking on the man. easy read, got better as it went on. not bad.
Just finished this as well. I thought it actually was strongest in the beginning/middle, but it was good enough overall that I'm looking forward to the second book.

 
If you're into a light sports read, I highly recommend Instant Replay, Jerry Kramer's diary of his 1967 season with the Packers, as told to **** Schaap. He takes you from before training camp right through their Super Bowl win. Fascinating look into every detail of the life of an NFL player. And it's a page-turner -- surprisingly not dated at all.

 
Just read "The Son," by Philipp Meyer. I liked it - a deconstruction of the Texas origins myth, it jumps between three generations of the same family. The stuff with the family's patriarch, who is abducted by Comanches as a boy is fantastic. The rest of it is o.k. It's kind of like "Blood Meridian" crossed with John Dos Passos, with a shot of the TV show "Dallas."
I picked this up over the holidays, sounds good.
About a 150 pages in to "The Son" - pretty damn good so far.

 
Just read "The Son," by Philipp Meyer. I liked it - a deconstruction of the Texas origins myth, it jumps between three generations of the same family. The stuff with the family's patriarch, who is abducted by Comanches as a boy is fantastic. The rest of it is o.k. It's kind of like "Blood Meridian" crossed with John Dos Passos, with a shot of the TV show "Dallas."
I picked this up over the holidays, sounds good.
About a 150 pages in to "The Son" - pretty damn good so far.
Kinda the same vein - I'm on "The Last Kind Words Saloon" by Larry MacMurtry. It's kind of a minor work from him, IMO, but after "Lonesome Dove" everything would be.

For those that like dumb zombie stories, check out "Mountain Man" by I forget who. It's 3 books so far, but each ended without having to have sequels.

 
I just finished listening to Hater, by David Moody.

Holy cripes, this book is brutal. I did enjoy it, but when you are telling a story about humans who become remorseless killers seemingly at random, and describing these events in every other chapter, it's a lot to take. This book felt very personal. It made me think about things that I didn't like. It made me turn off the CD and listen to some music to lighten the mood. Honestly, I wasn't sure if I was going to make it through. And the end...honest to god, was "to be continued." Like right in the middle of everything, the book just ended. I was thankful for this, though, because the ride was too much for me.

In summary, this is a good book with what I think is an important message about hate and tolerance and love. it was just too much for me.
I had the same reaction you did, but read the two sequels anyway. IIRC, the 2nd book suffers from the middle-itis found in a lot of trilogies.
man, i don't even want to know what happened.what happened?
You'll have to read it, my friend. Or internety lookup. It's been a couple of years and much of it runs together. I do recall the end, but I ain't spoiling here.
I just finished "Hater" and liked it so much I just picked "Dog Blood.

I was more appalled b the

behavior and treatment of this children
then any of the violence in the story. Except maybe for the

eye gouging sequence.
That made me squirm a little.

 
Who's read "The Lies of Locke Lamora"? I'm about 150 pages in and struggling a bit to keep going. There's nothing in particular I don't like about it, but it doesn't seem to be grabbing me. The shift every chapter between present day and back story probably isn't helping either. What's the verdict on this one?

 
Who's read "The Lies of Locke Lamora"? I'm about 150 pages in and struggling a bit to keep going. There's nothing in particular I don't like about it, but it doesn't seem to be grabbing me. The shift every chapter between present day and back story probably isn't helping either. What's the verdict on this one?
I really liked it. Agree that the time shifts can take a bit to get used to, but there is a pay off for it.

 
Who's read "The Lies of Locke Lamora"? I'm about 150 pages in and struggling a bit to keep going. There's nothing in particular I don't like about it, but it doesn't seem to be grabbing me. The shift every chapter between present day and back story probably isn't helping either. What's the verdict on this one?
I really liked it. Agree that the time shifts can take a bit to get used to, but there is a pay off for it.
If its the time shifts that irk you, you'll hate the books imho. I personally liked them filling in the backstory, especially when the present action got great at the end of the first book, you need that structure in place, and it would have been boring if it were tossed up front. The second book was my least favorite of the three because it lacked alot of those elements (which you said was your hindrance.) The third recombined the method and was the best of the three already out.

Plus although Locke is interesting in his own point, the way the gentleman bastards interact is the meat of the tale.

 
KarmaPolice said:
shuke said:
Meh. I used to be a big fan of Lansdale but this didn't do much for me.

Rereading GOT next.
going through the whole series again?

I am about 1/3 the way through book 2 and picking up so much more. I read it too quickly and didn't pay enough attention to the dreams, history, etc. shocking how much I missed.
That happens to me every time I reread a book. You already understand the major plot points so your focus shifts to the finer details.

 
Clifford said:
Reading "Light in August". I had kind of forgotten the overpowering genius of Faulkner.
One of my top 5 favorite novels. Just amazing right from that fantastic, almost hallucinatory description of Lena hitchhiking in the beginning, right through the cutting edge (for the time, and still really) dissection of race in America. Pure genius.

Joe Christmas is right up there with Huck Finn, Jay Gatsby, Holden Caulfield, and Jack Gladney as an archetypal American figure.

 
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Started up City of Light (Will Wight). Very imaginative author, and really looking forward to see how it turns out.

Going on a long trip here and have the audiobook of I am Livia loaded up. Having already read Caesar, Life of a Colossus (which was spectacular) recently I'm really looking forward to another point of view in this era.

 
shuke said:
Rereading GOT next.
I've mentioned this elsewhere (under other *ahem* names) but I finished teaching book one in a literature class. While the plot is labyrinthine enough to keep people jabbering for 60+ pages on the internet, I was surprised to see some greater themes under closer reading. Such as Martin's anti-authoritarianism.

As best noted by Adorno in The Authoritarian Personality, authoritarianism is at heart a hatred of difference. Hard core, right wing authoritarian personalities want everyone to be the same, and go about enforcing this with guns and torture, sure, but if they're good at it, they do it culturally by using propaganda and influence to enforce rigid gender roles, sexual coding (such as heteronormativity), and static class hierarchies, such as kings, nobles, and common folk.

And under closer inspection, Martin wove a staunch anti-authoritarianism in his books, especially GOT (book 1). Look at Joffery. He's medieval Hitler, right? The ultimate authoritarian nightmare ruler. He's brutal, demanding, selfish, wants everything and everyone to conform to his ideas, and hates difference with a passion. Look at how obsessive he is about destroying all opposition. He's the one who orders Ned executed (though influenced by Littlefinger). He's wants all opposition wiped out; there can never be any compromise or meeting of terms. And he furthers this by constantly torturing the tangible object of opposition - Sansa, who isn't even an opposition anymore, just a symbol of a lost opponent already destroyed. But Joffery needs to continue demonstrating his power over difference, hence his gleeful torture of Sansa. He's a sadist, sure, but at heart he's getting off on demonstrating his power over difference - over all forms (symbolic or otherwise) of opposition.

His blood itself is a hatred of difference. Genetically speaking, he's the spawn of sameness. His parents are brother and sister. What's the first law of genetics? Spread the gene pool. Difference is genetic power. And Joffery is born of sameness, raised in a virtual incubation tube by his controlling mother, and unleashed on the world. I'm convinced this is why Martin made him the product of incest. The incest serves a plot device, sure, but on a deeper level, it pins Joffery as the ultimate authoritarian nightmare.

(This is also why I'd bet my left nut that Dany will never marry another Targaryen, despite that family's tradition of incest. Also note that tradition could be said to be partly responsible for the whole effing mess of this series - the Mad King and the rebellion his madness incited. As Ser Barristen notes, madness runs in the Targaryen family. Yea. Because that's what happens when brothers and sisters marry generation after generation.)

Also take a look at all the most sympathetic of Martin characters. John Snow - a *******, unwanted, doesn't fit neat class roles, is discarded to the Wall where all the criminals and freaks end up. Tyrion Lannister, midget hated by his own family. Arya Stark, girl rebels constantly against the gender expectations of being a lady (as exemplified by her sister Sansa). Danerys Targaryen, the girl sold to be a sex slave wife, who instead uses sex and love as her power and spits in the face of all conformity to become a general-queen. Brienne Tarth, the manly woman warrior. Most all of Martin's heroes are outcasts, freaks, and in general people who reject sameness on an almost existential level. They are the anti-authoritarians.

/end tl;dr lit-dork essay.

 
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shuke said:
Rereading GOT next.
Also take a look at all the most sympathetic of Martin characters. John Snow - a *******, unwanted, doesn't fit neat class roles, is discarded to the Wall where all the criminals and freaks end up. Tyrion Lannister, midget hated by his own family. Arya Stark, girl rebels constantly against the gender expectations of being a lady (as exemplified by her sister Sansa). Danerys Targaryen, the girl sold to be a sex slave wife, who instead uses sex and love as her power and spits in the face of all conformity to become a general-queen. Brienne Tarth, the manly woman warrior. Most all of Martin's heroes are outcasts, freaks, and in general people who reject sameness on an almost existential level. They are the anti-authoritarians.

/end tl;dr lit-dork essay.
Interesting. Thanks for posting. As for the bolded...

Where does Ned fit in? He's one of the most tragic characters I've read in the series so far (I'm only about a third of the way through book three and haven't watched the show). He's honorable, loyal, and truthful almost to a fault yet values the traditional system. I'd argue that he has an authoritarian personality yet is still a hero in Martin's story. And Robb is the same way. They're sympathetic because they're trying to do the "most-right" thing in a system that doesn't allow for any type of mercy or forgiveness.

I don't necessarily think that Tyrion or Dany are sympathetic because they are anti-authoritarian. They do use the authoritarian system and its standards and norms against itself. But it is almost always self-serving. They are power hungry. (And Dany is that way because she believes the authoritarian system owes her that power through birthright.) Tyrion and Dany are sympathetic because they had to overcome seemingly insurmountable odds to get to where they are. That trope combined with Martin really fleshing out (no pun intended) their characters is what makes them sympathetic.

I agree that Martin is using Joffrey's reign as a direct reference to a Hitler-like rule; right down to the Aryan-like physical features. As an aside... Joffrey's rule reminds me of when Scar ruled in The Lion King; same bleak atmosphere with two kings who are in so over their heads that they have almost no choice but to rule by fear.

Anyway... Great post. Thanks for making my mind work on my day off.

:thumbup:

 
shuke said:
Rereading GOT next.
Also take a look at all the most sympathetic of Martin characters. John Snow - a *******, unwanted, doesn't fit neat class roles, is discarded to the Wall where all the criminals and freaks end up. Tyrion Lannister, midget hated by his own family. Arya Stark, girl rebels constantly against the gender expectations of being a lady (as exemplified by her sister Sansa). Danerys Targaryen, the girl sold to be a sex slave wife, who instead uses sex and love as her power and spits in the face of all conformity to become a general-queen. Brienne Tarth, the manly woman warrior. Most all of Martin's heroes are outcasts, freaks, and in general people who reject sameness on an almost existential level. They are the anti-authoritarians.

/end tl;dr lit-dork essay.
Interesting. Thanks for posting. As for the bolded...

Where does Ned fit in? He's one of the most tragic characters I've read in the series so far (I'm only about a third of the way through book three and haven't watched the show). He's honorable, loyal, and truthful almost to a fault yet values the traditional system. I'd argue that he has an authoritarian personality yet is still a hero in Martin's story. And Robb is the same way. They're sympathetic because they're trying to do the "most-right" thing in a system that doesn't allow for any type of mercy or forgiveness.

I don't necessarily think that Tyrion or Dany are sympathetic because they are anti-authoritarian. They do use the authoritarian system and its standards and norms against itself. But it is almost always self-serving. They are power hungry. (And Dany is that way because she believes the authoritarian system owes her that power through birthright.) Tyrion and Dany are sympathetic because they had to overcome seemingly insurmountable odds to get to where they are. That trope combined with Martin really fleshing out (no pun intended) their characters is what makes them sympathetic.

I agree that Martin is using Joffrey's reign as a direct reference to a Hitler-like rule; right down to the Aryan-like physical features. As an aside... Joffrey's rule reminds me of when Scar ruled in The Lion King; same bleak atmosphere with two kings who are in so over their heads that they have almost no choice but to rule by fear.

Anyway... Great post. Thanks for making my mind work on my day off.

:thumbup:
Tyrion is set in opposition to Joffery. Tyrion is the only one who openly criticizes Joffery's cruelty over and over. Note also that Tyrion favors knowledge (constant reader & gives Joffery a book for a wedding present) and empathy (the understanding of difference) and compassion. His advice to Jon Snow about owning the mock-title "Lord Snow" is based on empathy, and his pushing Jon to see his fellow Night's Watch recruits as brothers is based on compassion for other people's suffering. This, more than anything else, sends Jon (another Martin hero) on the path of leadership. Those are two examples that came to mind. I'm sure there's others.

As for Dany, she frees slaves - i.e. destroying rigid class roles. Is there any more rigid & cruel class hierarchy than the master/slave dichotomy? She also doesn't just do this to further her own needs for the Iron Throne, at one point she stops in Mareen(sp?) to attempt to govern the people she's freed, seeing this as her responsibility to them. While it's annoying as hell (we want her to get to Westeros already and fry some Lannisters), it speaks of the compassionate & empathetic nature of her character.

As for Ned and Rob, they are noble rulers. Note that it's Ned that supports Arya's boyish ways. He's the one who gets her the fencing instructor when everyone else demands she be more ladylike. He's open to difference, even though, yes, he's a lord through and through. He also feels a responsibility to the common folk where most of King's Landing could care less. One example is his bold move, while still the King's Hand, to send men to kill the Mountain for burning a village of common folk, despite the Mountain have strong political ties to the throne. Ned could care less. What's right is right and Mountain killed innocent people, common or otherwise. Rob is the same way to a fault.

 
Great discussion in these last couple of posts. I've always enjoyed to off-type characters in the series but hadn't put the contrasts between them together. Well done.

 
Natchez Burning by Greg Iles is pretty good for simple commercial fiction. Iles is a good storyteller and captures the Gulf Coast very well.

 
Who's read "The Lies of Locke Lamora"? I'm about 150 pages in and struggling a bit to keep going. There's nothing in particular I don't like about it, but it doesn't seem to be grabbing me. The shift every chapter between present day and back story probably isn't helping either. What's the verdict on this one?
it was ok.

apparently, I liked it.

I'm glad I stuck with this book, because it was a real gem! I admit, I was close to giving up early on. The book smacked of 'Talon of the Silver Hawk' to me, with what seems a possible avalanche of cheese hovering over my head as I tried to make sense of the confusing flashback chapter structure. However, around page 100, I started to see some promise. Things took off from there.

I'm not really sure if I'm a huge fan of Lynch's writing style, but I will stand by his story-telling ability any day. Lamora is a great character. As the story progresses, I found that I liked his friends more and more as well. He's a flawed hero, but it's fun to watch him work with his gifts to move past the mounting obsticles in his way. He's definately not your average dashing hero, unless he's deep in disguise. Each of his friends have their strenghts and weaknesses as well, but their little family of crime plays well. Until bad things happen.

The bad things? I was happy that they weren't typical fantasy cliche. They added interest and a sense of dread, but they were never the "one bad thing" Lamora had to deal with. Everything was intertwined, and I enjoyed that.

The resolution had me unable to put the book down. The last 100 pages flew by. I read the preview for the next book. I was hooked, and remain so.

If you are a battered, war-weary fantasy vet like myself, consider this a full endorsement of the book. Just soldier on if the slogging seems rough; I believe the rewards to be worth the pain

 
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Just getting back into reading again. 200 pages into the night angel trilogy by weeks. I'm sure it was already mentioned here but I'm a few years behind on the thread. Very fun and easy read.

 
Just getting back into reading again. 200 pages into the night angel trilogy by weeks. I'm sure it was already mentioned here but I'm a few years behind on the thread. Very fun and easy read.
It was! I really liked his next series better, and highly recommend them. (The Lightbringer Saga.) In the night angel trilogy Kylar was kinda 'meh' but I loved Durzo and enjoyed every time he was around.

 
I just read Doing Harm. The author, Kelly Parsons, is a friend of mine from high school. He's always been really freaking smart, so I figured his first book, if nothing else, would be extremely well written. It is. It's also quite the page-turner. It's a medical thriller by a urologist who teaches surgery at UCSD med school, so he knows what he's writing about. His next book (already written and sold) is also a medical thriller, but I get the feeling that Kelly could write a riveting book in any genre he chose. He's got a pretty great day job, but he's a natural writer and I'd be a little surprised if he's not a full-time novelist within a few years. In any case, putting aside my bias as best I can, I recommend the book heartily.
"DOING HARM, by Kelly Parsons: best damn medical thriller I've read in 25 years. Terrifying OR scenes, characters with real texture." -- Stephen King
I've always been sceptical about fellow author's book reviews. Couple times I'd picked up a book based on an author's reccomendation and found it meh. Just seems like publisher marketing to me. :shrug:

Just re-finished (audiobook) Child 44 by Tom Rob Smith. Great, great story. I heard it was coming out this year and wanted to relisten.

A couple chapters into The lost spy. An American in Stalin's secret service by Andrew Meier. Pretty good so far. The story is very well researched and the author does a really decent job of dramatizing not blurbing out a ton of useless, dry details. And the reader is quite good at keeping your attention.

 
i started reading the Dresden Files. Pretty cheesy stuff so far...I think I'm going to see the writing improve as the series goes on.

I hope.
Read the first and bailed. Same impression.
Unfortunately Dresden Files is one of those series that takes a couple of books to get going. It's a little much to expect a reader to slog through a couple of books of mediocrity until the series ramps up, but if you have time to kill I for one thinks it gets MUCH better in book 3 and beyond. One of my favorites going.

 
I want to agree with what simsarge wrote about author reviews. Over the years I've been a huge Stephen King fan, and from time to time I've picked up a book because King raved about it on the cover. And just about each and every time I found myself wondering why.

 
Just finished the Sand Omnibus, Howley is a pretty great storyteller.
Did you enjoy this a lot? I was underwhelmed.
I liked it. It wasn't Wool, but still an entertaining story.
Pretty much this. If you picked it up thinking it was going to be similar to Wool, it would be easy to be disappointed. But I liked the story, and loved the setting, the desert where it was, and it left me waiting for more. If I had a complaint, it was that it felt a bit unfinished, like it's only half done. I know there was a confrontation and climax, but didn't seem like enough of a payoff that it was at the end of the story already. But I enjoyed the ride, the idea of the world and the tech in it.

 
i started reading the Dresden Files. Pretty cheesy stuff so far...I think I'm going to see the writing improve as the series goes on.

I hope.
Read the first and bailed. Same impression.
Unfortunately Dresden Files is one of those series that takes a couple of books to get going. It's a little much to expect a reader to slog through a couple of books of mediocrity until the series ramps up, but if you have time to kill I for one thinks it gets MUCH better in book 3 and beyond. One of my favorites going.
Yeah, the first book was a class project and the second one wasn't that much different. The 3rd on are great.

 
Just finished the Sand Omnibus, Howley is a pretty great storyteller.
Did you enjoy this a lot? I was underwhelmed.
I liked it. It wasn't Wool, but still an entertaining story.
Pretty much this. If you picked it up thinking it was going to be similar to Wool, it would be easy to be disappointed. But I liked the story, and loved the setting, the desert where it was, and it left me waiting for more. If I had a complaint, it was that it felt a bit unfinished, like it's only half done. I know there was a confrontation and climax, but didn't seem like enough of a payoff that it was at the end of the story already. But I enjoyed the ride, the idea of the world and the tech in it.
 
I think that's all fair. The basic premise was interesting to me, but the idea of the how behind exploratiom bored me. And even the premise wasn't as interesting to me as the Wool world. Different strokes I guess. I'll read the sequel just to see if it grabs me and because Howey has so much currency with me because of the Wool trilogy.

 

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