Listened to Side Three, Disc Two, which has:
- Bob Dylan's Dream
- Oxford Town
- Talkin' World War III Blues
Um, not too much to say about this. It's not very abstract lyrically, and is musically rather simple and stripped down. "Bob Dylan's Dream" is kind of cool. It's about hanging around with friends and growing up and going different places, both geographically and in mind. "Oxford Town" is about southern racism and James Meredith attending Ole Miss, a legacy not forgotten. "Talkin' Word War III Blues" is lyrically driven, almost spoken-word blues, the last track explicitly so. It's never -- none of the songs on this side, which border on talking blues like this one -- have ever been my favorite type of music. Talking blues needs a whole lot of twang and soul in one's voice and a ton of rueful, Roy Rogers-esque one-liners, something Dylan doesn't quite have yet at the young age he cut this album. He's too politically serious and not wizened enough to be uproariously funny. I know much has been made of his humor in this thread, but that seems to come later than this album. I think that
Another side of Bob Dylan is where that begins with the line in "Motorpsycho Nightmare" about "milking the cow," in that case, the farmer's daughter. Talking blues as a genre is also full of laments that border on whining. It's a tricky thing, one that he doesn't pull off as well as some of the older country blues folks. On "Talkin' World War III Blues" he thinks that people thinking he's a communist is the ultimate square put-down. Not really uproarious, that, IMHO. Musically, it's a really basic song without much in the way of do-si-do or square dance breakdowns that make those songs fun for the audience. It's a squonking harmonica.
That all said, it's still an enjoyable slab of music to listen to.
Listened to Side Four, Disc Two, which has:
- Corrina, Corrina
- Honey, Just Allow Me One More Chance
- I Shall Be Free
"Corrina, Corrina" is a cover of the traditional "Corrine, Corrina," but it is arranged differently and with different lyrics, borrowing from Robert Johnson's 1937 version. It's just a simple and beautiful song. This rendition sounds great on this rig, on this system, in glorious mono. The history of the song:
https://en.wikipedia.org/wiki/Corrine,_Corrina
"Honey, Just Allow Me One More Chance" is another cover of an early country/blues song. It sounds like a sukey jump. It's a worthwhile song. Dylan said he was attracted to its plaintive tone. "I Shall Be Free" is more of his personal talkie blues, only this one doesn't try to rely on humor too much and is instead more observational and effective. Humor is subjective, I guess. Making fun of politicians, Dylan talks about a person trying to appeal to different identities. "He's eating bagels. He's eating pizza. He's eating chitlins. Whoooo!" It's funny, IMHO. It's Dylan's humor when he's not trying to be a common man talking about bills to pay, but being pretty directly confrontational and sociopolitical. Dylan's failures are what most people strive for, actually, and the song winds up effective.
Next: Wrap-up thoughts. (The thread can still go on. I also got
The Times They Are A-Changing tonight. )