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5-10-15-20 "Music of Our Lives" Draft - Round 14 (1 Viewer)

Age 45 Album: Black Cadillac - Rosanne Cash

I'm cheating a little, as this was released in 2006. But, in going through a list of 2007 albums, I didn't listen to any that year near as much as I listened to this.

Rosanne lost her step-mom June Carter and her father John within a few months. A year or two later, her mother Vivian passed away. That loss and grief is all over this record. All of the songs were written by her, or in tandem with her husband. 

I think Rosanne Cash is one of the finest, most intelligent, and most soulful singers in the last couple of decades. She's now showy but, when she goes for it (listen to the chorus on the title track of this LP), nobody does "ache" as well as she does.

Not long after this album's release, the biopic about her dad - Walk The Line - was released. In interviews, Rosanne expressed her displeasure of the film's portrayal of her mother - that it made her look like a shrew. I think she was off-base on that view, as I felt nothing but sympathy for Vivian watching that movie. Maybe it was too close and too raw for Rosanne to have a clear take. 


Age 45 album:

With 2 kids in middle school and just 1 left in elementary school, it was becoming more obvious how quickly they were growing, and soon any remnants of them being children would be relegated to the past. Fortunately, while my kids were maturing, I was regressing. This next song really hits that sweet spot where they were still childish enough to want to see kid-related movies, and I was feeling a bit of urgency in wanting to watch these movies with them. As a result, we rented the predictably not good Disney movie The Country Bears. What I could not predict was how much I enjoyed the Bears' "hit" song in the story, Straight to the Heart of Love. Yes, it's from a kids movie, but there is a reasonable amount of talent behind the apparent schlockiness of being made for a Disney film: written by and lead vocals by John Hiatt, and contributing vocalists include Don Henley, @wikkidpissah's girl Bonnie Raitt and Colin Hay of Men At Work fame.

:headbang:
two surprising albums.

- i'd been wanting to find my way back to Roseanne Cash because she was such a bulwark of the Ken Burns Country Music series, but i always found her a little formulaic. but the producers here found just the right way to present one of the truest hearts of the genre. *bookmarked*

- one of the great pleasures of not having raised any kids is having missed the lion's share of children's media. but this is a soundtrack where i could endure juvenile tastes for repetition. Love John Hiatt, Bela Fleck and listening to consummate character actor Stephen Root keep up w Brian Setzer is worth the price of omission

 
What can I say about 2017, it marked the end of the republic as we know it not to mention I coupled up, uprooted myself and moved across the country.  One of those years IIRC!

45yo. song - Kurt Vile and Courtney Barnett - Fear Is Like A Forest

could have gone a lot of ways on this one.  This is a steady tune, my fave on a pretty good record.

45yo.album - IDLES - Brutalism

my clear pref at this point.  Sorry again Marco?

 
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I set a google calendar event for 2 years 363 days from now, I turn 51 that day and if I'm not dead, I'll come back and make my picks for 50!

 
Charlie Steiner said:
Age 45 album:

With 2 kids in middle school and just 1 left in elementary school, it was becoming more obvious how quickly they were growing, and soon any remnants of them being children would be relegated to the past. Fortunately, while my kids were maturing, I was regressing. This next song really hits that sweet spot where they were still childish enough to want to see kid-related movies, and I was feeling a bit of urgency in wanting to watch these movies with them. As a result, we rented the predictably not good Disney movie The Country Bears. What I could not predict was how much I enjoyed the Bears' "hit" song in the story, Straight to the Heart of Love. Yes, it's from a kids movie, but there is a reasonable amount of talent behind the apparent schlockiness of being made for a Disney film: written by and lead vocals by John Hiatt, and contributing vocalists include Don Henley, @wikkidpissah's girl Bonnie Raitt and Colin Hay of Men At Work fame.

:headbang:
That's a cool Hiatt song that I hadn't heard before.  When you have kids, you open a narrow window into childrens' culture that slams shut once they outgrow it.  Mine were too old for The Country Bears movie. 

 
45yo Album - Art of the Fugue, JS Bach, Academy of St Martin in the Field Orchestra

Yeah, i know, there's a problem in the timing. AotF came out in 1751 and i turned 45 in 1750. Whachagonnado?!

My widowerhood was eating me up in Reno cuz i had a mountainous drug prob - had switched from coke to meth cuz hospice-type care took more wakefulness than highfulness - so, after 6 months of post-mortem wallowing, i borrowed my uncle's hunting cabin in NH and spent the winter detoxing. A friend offered me a poker job @ an Indian casino in Tacoma, but the tribe put a hiring freeze on while i was in transit and six months more income was lost. So i returned to the first home i had chosen for myself - Duke City. Yes, children i completed my recovery from meth addiction in Albuquerque. Howzat?! Dealt poker fulltime for a yr while i paid some bills and showed my value to the localyokels and was able to setup what i wanted - dealing a coupla days a wk to pay the bills and write the rest of the time.

I had developed a writing project which i loved but quickly realized was beyond the ken of a highschool dropout, so i took two years and gave myself an ad hoc classics education. Because i needed the right music for reading, i began accumulating a large classical music CD collection. Lots of  piano music - Scarlatti, Chopin, Satie beyond the obvious masters. And anything Bach - aaaah, Bach and his so beautifully ordered universe was best for study.

Except this one. I'm glad i discovered this late because, from the first time i heard it, it has fired my head with creation. If i am thinking (not reading), the fugue always seems to play at precisely the speed and volume of my brain no matter how fevered, frustrated or enfeebled it is. Most extraordinary thing i've ever experienced. If you want to hear how my brain works, listen to this. Now, it turns out i'm not disciplined enough to be a novelist and am not that good a writer in general because i'm all inspiration and no perspiration, but the one thing i can say is that i've never been blocked. No matter the word sitch, or even design or invention sitch, put my headphones on, push play on this and i'll come up w sumn you never imagined within 90 minutes. Never fails.

 
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45.A  Cold Roses  -  Ryan Adams & The Cardinals

I did a bunch of illegal downloading in the early years of the century with Kazaa, Bittorrent, and the dozens of Mediafire/Rapidshare clones that sprang up.  I recollected a lot of music that I had on LP and cassette as well as new releases.  It lacked the romance of digging through crates in a record store.  There are a lot of times from my earlier life where I can remember the exact circumstances of buying an album or hearing if for the first time but my recollections regarding MP3 files and digital streams are much more sparse and foggy.

Ryan Adams was one of my favorite artists during this period but I think I only own a handful of his albums on physical media.    He was extremely prolific with ten official albums between 2000 and 2008 plus EPs and a bunch of unreleased demos and bootlegged live material.  The unofficial stuff was fun to track down on the Internet and sometimes better than his regular albums.  None of Adams' albums are masterpieces but they're always an interesting collection of wheat and chaff.  Some songs probably could have been helped with a little more time and polish but his approach of throwing #### against the wall was what made Adams what he was.  I think the double album Cold Roses is as close as he came to perfection. 

It's kind of difficult to assess Adams fifteen years further down the road.  He was always kind of a #### -- I guess that was part of his appeal.  We expect rock stars to be complex and fascinating.  But there's a difference between storming offstage in a snit and the emotional and sexual abuses he's been accused of.  I still listen to his old stuff but definitely not as much as before.  Fortunately, this draft looks backwards instead of to the present.

 
This is a band, Wilco, that had Wilco (the Song) on Wilco (the Album).
I did not know that. I do have Yankee Hotel Foxtrot. Other than that, I don't listen to much WIlco nor did I listen to much of Uncle Tupelo. I remember Uruk-Hai had us draft Anodyne in a draft we did together.

I liked it.

 
What album best depicts the 90's for me? A question I asked myself from the outset. Some of it aged well...okay, only a few of them aged well. Some of it aged poorly...okay, a lot of it aged poorly. But it was all part of my childhood. and nostalgia matters. The hard part, narrowing it down to one.

With Pearl Jam, Tool, Green Day, Incubus, Jane's Addiction, and The Offspring are already accounted for they're not under consideration. 

So first let's rule out those that I listened to excessively at the time and quite simply don't (or at least shouldn't) anymore - Bush ( :lol: ), Fuel ( :lmao: ), Our Lady Peace (much better than the others, but also not it), Weezer (unlike OLP they have the album to cite but this ain't it either), Oleander (I still like them more than I should), Smashing Pumpkins (#### Billy Corgan), Creed (WTF!!!), Soul Asylum (seriously, you're a moron)... 

...so what's left? Soundgarden (didn't listen to them enough + Cornell solo is better anyway), STP (songs, yes - album - notsomuch), NIN (you're an idiot and listened to Filter and Stabbing Westward instead), Rancid ...and out come the wolves (ooh, that's a good one), Live throwing copper (I may have picked this had Binky not beaten me to it), Alice In Chains jar of flies (feel like I should pick this) Rage self titled (I probably should pick this), Nirvana unplugged (I definitely should pick this)... but it's really between these two:

DMB - and ultimately I ruled them out for a reason out of their control. I listened to Under The Table and Crash (awful title track withstanding) so much I had to replace each CD. In any other catalog Before These Crowded Streets would be a top tier option, but the bar was simply set too high. And those weren't their best albums either - the peak wasn't actually released. I don't know if the unreleased but leaked Lilywhite Sessions really were DMB at their best or if it's just nostalgia because they are now gone forever. But that's how I'll remember it. And not for the remastered garbage that was Busted Stuff. But I'm rambling about my not pick. Why did I rule them out? Because I was into grunge. I was into alternative. Punk. Metal. DMB? They were a unicorn. My pick needed to be under the grunge/alternative/punk/metal umbrellas. So, my actual pick:

Bonus Pick #5, that 90's album: Toadies - Rubberneck

Member when I mentioned probably picking Throwing Copper had Binky not beaten me to it? Well, the reason why was because while they were a flash in the pan they didn't just create a couple of songs that fit at that specific time. They created a piece of work beginning-to-end that's just as listenable today as it was then. And a part of me is happy Binky did what he did because looking at these two albums I needed his snipering to break the tie.

Everyone knows and remembers Possum Kingdom - and while that's why I sought them out in the first place it was never why I kept coming back to that album - and isn't why I still come back to it today...or anytime in between. I usually plug in for the whole 40 minutes, but when I go hunting and pecking it's never for any one particular song. Sometimes it's for Backslider's groove. Sometimes it's to sing along to I Come From The Water. Other times I Burn just brings out my inner smart ###. And other times it's because Mr. Love makes me want to scream. Or because Quitter channels my inner (faux) angst. Or because Velvet just makes me want to lose by damn mind. The point is, it's all of them.

There's probably good reason why they couldn't ever get their second album released. Why they fell off the map as quickly as they were added to it. If you really listen to this album there really isn't much actual talent. They aren't good. But this album. They nailed it. They utilized the few resources they had and put them all together to create one great collection of music. It was 90's alternative rock. Beginning-to-end. And ultimately that's why I find myself seeking it out on a weekly basis. Speaking of which...

 
For my age 35 album, it may have very well this board where I first fully discovered and embraced it. I have always had a curious fascination with the whole CBGB/punk phase going on in the mid-'70s, as I was living in the NYC burbs at the time but, as an elementary school kid, too young to appreciate it. Plus, I was mainly focused on my Kiss army stint.  Once I heard this album around age 35, I was forever hooked. Such a different sound from that era, with a surprisingly unique focus on the musicianship in addition to the lyrical messages.

Age 35 album: Television - Marquee Moon
Heh. Love this. Loved a lot of your picks, just didn't comment that much. 

 
Undoubtedly a play on Harry Nilsson's album Nilsson Schmilsson.
Huh. Could be.The most I know of Harry is The Walkmen covered his entire ##### Cats album and re-released it for some reason. One had to think that The Walkmen, no strangers to tippling, were going through an excessive period of doing so. 

 
JZilla said:
What can I say about 2017, it marked the end of the republic as we know it not to mention I coupled up, uprooted myself and moved across the country.  One of those years IIRC!

45yo. song - Kurt Vile and Courtney Barnett - Fear Is Like A Forest

could have gone a lot of ways on this one.  This is a steady tune, my fave on a pretty good record.

45yo.album - IDLES - Brutalism

my clear pref at this point.  Sorry again Marco?
i think i finally "get" IDLES. right off, i had em just another "this is all we got" band and i hate those. but this youtube link led me to their Tiny Desk concert - one of the best ways for old folk to grok new music - and theyre just sods havin' fun makin' fun. awright then. not actually angry, just hard. i generally feel about punkish & hiphopish stuff how the comic felt about Tourette's Syndrome - "why is it always cusses & slurs they're blurting out, why is it never *twitchtwich* 'you look FABulous!'".probably still wont listen to em cept for the odd painkiller & whiskey days, but...

 
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Age 50 song:

Between the ages of 45-50 my 2 boys became teenagers.  For the second one, it was more notable because of baseball.

Cooperstown Dreams Park is a type of Summer camp for baseball. I created a different thread about the particulars, but the Cliffs Notes version is that it's a week of hanging out with and playing against 1000+ other kids who share an interest/passion for the game, culminating in a two-day, winner take all single elimination tournament.  The age group for the tournament is 12 and under, but many kids will have already turned 13 by the time it begins; nevertheless it definitely marks the end of youth baseball, and for the kids there who love the game, the move to 'real' baseball. My son went when I was 46, but I stumbled across a song that Summer that I couldn't get enough of for the next few years, at least past 50.  My favorite memory of hearing this song is from that trip to Cooperstown, riding through Pennsylvania with one of the other dads. The team itself had been together from age 8 through 12, with this tournament as the end goal of all the previous seasons. It was a time when we were all looking back at the journey we had all shared, so in a way, this song came along at the perfect time: Days Go By - The Offspring.

 
50.S  Crank Resolutions - Meursault

I didn't subscribe to Spotify until I was 51 so it's possible that I never even heard this at age 50.  I think I did but I'm not sure.  But it's undoubtedly the song from 2010 I've listened to more often than any other over the last decade. 

Meursault is dour Scottish folktronica but this song pushes all the buttons for me.  The shouted "haaat" at the end of the verse, the power chords that crash over the looped rhythmic arpeggio and way the song builds and builds before drifting away.

 
Any opportunity for a late comer? It looks like today would be my last pick as I haven't quite hit 45 yet.
Yeah jump in if you like, we're in the finishing stages but I think maybe we'll keep the thread going a bit with "songs of our lives" unless a new draft kicks up. Always good to have a music thread to come hide in.

 
Always good to have a music thread to come hide in.
On this note, today is the day that the politics of covid are really getting to me. So on that note, I'm going to take a song that always makes me happy and seems appropriate for anyone needing a lift in these lockdown times. It's really the soundtrack to a lot of the early years with my wife.

What made me behave that way?
Using words I never say
I can only think it must be love
It's looking like a beautiful day


This song was the first dance at my wedding and we went to a friend in the weeks before in order to learn some moves and had a whole choreographed thing. I'm not a great dancer but it worked really well and listening to it takes me back to that happy day.  

Holy cow, I love your eyes
And only now I see the light
Yeah, lying with you half awake
Oh, anyway, it's looking like a beautiful day


Those memories aside, it's just generally so uplifting, it has a massive chorus, with backing vocals from a choir. It has strings all the way through. It's orchestral, symphonic, baroque - whatever word you want to use as an adjective before the hyphen, but it's still rock. 

And of course the lyrics are right there with the uplifting sound and Guy Garvey has one of the best voices of the past couple decades IMO.

Throw those curtains wide
One day like this a year would see me right


Bonus Pick - Age 25ish Song - One Day Like This - Elbow

 
Very late to the ball game. Not clear on the fine points of the draft; I am assuming favorite song at 5 not my favorite song that came out the year I was 5 years old. Also, I am assuming that if my favorite song of all time came out in say 1987 that it doesn't just fall through to every category. Aside from age 5, I am taking the songs/albums I loved at the specified age a little before.

Favorite song at 5:

This song actually came out a few years before I was five. Generally, I was subject to the musical whims of my parents at this age. Now, I did like the sound of this song, but the reason I absolutely loved it is because I misheard the lyrics. My favorite game at 5 was "The Floor Is Lava" and its many variations. I thought the lyrics of this song said "Stay in the Light". I would try to run from one end of the house to the other without touching any shadows. I recall the hallway being especially difficult to navigate if the doors were closed.

Stayin' Alive - Bee Gees

My favorite album at 5? This is easy. I got this for Christmas and used to blast it on a little hand held tape player all around the house. Macho Duck was my favorite. Don't judge me. I can feel you judging me. It really isn't nice to judge people by music they liked at 5.

Mickey Mouse Disco

This came out not long before I turned 11. I remember playing it all the time, but quietly, in my room, unbeknownst to my mom, because I knew I would get in a ton of trouble if she heard the lyrics. Not to mention, my mom and dad both hated rap.

Favorite song at 10:

Paul Revere - Beastie Boys

Favorite Album at 10

Beastie Boys - Licensed to Ill

Man... 15 is a really difficult year to choose from and I really don't know if I can make a true distinction so I am pretty sure I am going to use a double up since I'm not 45 yet and a triple up since I'm not Passing Go to get to 50 either.

Favorite song(s) at 15: 

What we Hate - Screeching Weasel - mildly ironic given the theme of this draft

Favorite Albums

Screeching Weasel - My Brain Hurts

Age 20. I am glad I turned 20 in 1995. I don't think I could stomach trying to post a song or album I liked during the Lilith Fair era. I wore the following album out.

Song at 20

Alright - Supergrass

Album at 20

Supergrass - I Should Coco

Age 25

Still a pretty weak era of music overall. Looking at my playlists anything I have favorited around this time is really just a greatest hits album from some previous era.

Song at 25. This song just has that same happy, punk, pop-punk sound I loved in high school.

In Too Deep - Sum 41

Choosing an album is rough. I don't really have anything that I like much from 2000-2001. So, I am going to cheat a little and take an album that came out the year I turned 24 because, it still would be my favorite album around the time I turned 25.

Blink - 182 - Enema of the State

Age 30

Guess I am lucky that this album was release otherwise we would just have to pretend I was in a coma or something around this time. I really love this album.

A Pain That I'm Used To - Depeche Mode

Album 30

Depeche Mode - Playing the Angel

Age 35

Not sure if my tastes changed or music finally started to get better but starting around this time I have many more songs that I actually like from the designated time frame. You can probably tell from my high school era pick that the Pixies fell right in my wheelhouse. This next song both brings back nostalgia and IMO, is a beautiful song in and of itself. I can listen to it on repeat for hours.

Song 35

Where is My Mind - Maxence Cyrin

Album 35

Megalithic Symphony - AWOLNATION This album is ####### fantastic. 

Age 40

This one feels out of place but for whatever reason I really enjoyed this song when it came out

Cake By The Ocean - DNCE

I guess another AWOLNATION Album will have to suffice though I prefer Megalithic Symphony

Run - AWOLNATION

Double ups for 15

Knowledge - Operation Ivy

Head On - Pixies

This song has been rattling in my head lately - specifically this:

And the world could die in pain
And I wouldn't feel no shame
And there's nothing holding me to blame

and their corresponding albums

Operation Ivy

Pixies - Tromp le Monde

 
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I like your fifteen year-old taste. Love Ivy, Pixies, Screeching Weasel. That sounds like my early twenties.

 
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I like your fifteen year-old taste. Love Ivy, Pixies, Screeching Weasel. That sounds like my early twenties.
I turned 15 at the end of 1990, so I consider 1990-1991 the proper range for this draft. It is difficult choosing between Pixies, Screeching Weasel, Operation Ivy, Nirvana, Primus, Violent Femmes, and Pegboy with an honorable mention given to Jane's Addiction. I still can't believe how quickly music went downhill in the mid/late 90s and 00s. The chick rock transitioning into emo rock was a horrible time in human history. 

 
50yo Song - Waters of March, Susannah McCorkle

Fifty gives one a choice - regret or acceptance.

Since so many in this thread are amid or approaching that phase, allow me to guar-on-tee that the rest of your will follow the road you choose at the fittyfork. You wont have the energy nor focus for do-overs anymore. These choices will stick, Be careful out there.

My best pal Jeff has kept me up - whether by mixtape, burning discs or playlists - with his musical tastes for decades.  A decent rock bassist, his passion has been jazz for a very long time. Buying records has been how he's rewarded himself each payday since he got sober. As many jazzbos do, he's become a completist of many artists, which is a boon for me when it's Bill Evans, not so much when it's Ornette Coleman (a great, but small-dose, player).

About 20 years ago, Jeff was on a bossa nova kick so i got a ####-ton of discs with words that ended w "ão" on the songlist. I liked it, knew the form from "Getz  ão GãoGão" and enjoyed it very much. I appreciated the wistful nature of the original version "Aguas de Marco" but it didn't really strike me til this McCorkle version covered the titles at the end of the Jerry Seinfeld documentary "Comedian".

Seinfeld & i are the same age and this seemed to be saying, "the things you find at fifty are the product what youve fought for, win or lose, and now it's up to you to realize and accept that". I was just developing many of my theories of human behavior at that time and the "found life" aspects of this wonderful tune gave me many insights into the nature of happiness. Enjoy - you've been warned.

A stick, a stone
It's the end of the road
It's feeling alone
It's the weight of your load

It's a sliver of glass
It's life, it's the sun
It's night, it's death
It's a knife, it's a gun

A flower that blooms
A fox in the brush
A knot in the wood
The song of a thrush

The mystery of life
The steps in the hall
The sound of the wind
And the waterfall

It's the moon floating free
It's the curve of the slope
It's an ant, it's a bee
It's a reason for hope


And the river bank sings
Of the waters of March
It's the promise of spring
It's the joy in your heart


 
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45 Yr Old Album: Liars - Todd Rundgren

Well ...I have tried to not let my Todd albums dominate because we do listen to plenty of other stuff.  But it's typically always been a 60% Todd/40% Other - listening mix.  At the time there wasn't anything else I recall that I was listening to in particular at the time.  The album that would dominate our listening in this general time frame came when I was 46, when he put out "Liars."  Man, we played the hell out of that album for a longggg time.  And of course, still play it plenty.  

Allmusic overview:

It has been so long since Todd Rundgren has seemed to take his recording career seriously that it's easy to assume that his 2004 album, Liars, would fit right alongside such follies as the awkwardly interactive TR-i or the bossa nova tribute With a Twist, or perhaps that it's merely like the endearingly messy collection of tunes One Long Year. After nearly 15 years of these kinds of releases, it seemed like Rundgren had drifted into the wilderness, where he was more concerned with technology than crafting albums, so it's an utter shock that Liars isn't only a carefully considered, carefully constructed record, but that it's his best pop album in over 20 years.

Like any of his best albums, it benefits by having a loose theme or at least an overriding concept that focuses Rundgren. The title makes plain what the theme is, but in case you didn't catch it, Todd spells it out in the liner notes: "All of these songs are about a paucity of truth. At first they may seem to be about other things, but that is just a reflection of how much dishonesty we have accepted in our daily lives." Rundgren is furious about lies, whether they come from the government, religion, family, or entertainment. He's angry that the bright optimistic future he was promised as a kid hasn't arrived, he's angry that all the promises of the '60s have been tattered, he's angry that music he's loved has been cheapened and removed of soul, he's angry and despairing about his country and the world, and that anger has led him to shed some of his musical crutches -- particularly an overindulgence on new technology and a penchant for cuteness -- and deliver a tuneful, visceral, catchy album where even the softer, sweeter songs have heavy themes.

Perhaps he decided that the only way his thoughts could be clearly heard is through pop songs both elaborate and simple, but whatever the case, this is the first time he hasn't seemed embarrassed to be writing pop songs since Tortured Artist, but this album has a gravity and urgency that record lacked. He hasn't sounded this engaged or impassioned since The Hermit of Mink Hollow, giving slow, soulful tunes like "Sweet" and "Past" a touchingly bittersweet feel and harder numbers like "Mammon" and "Liar" a visceral, gut-level impact; few angry protest albums have been this catchy. Rundgren has so much to say he lets Liars run long -- longer than A Wizard, a True Star or Todd, actually -- but it's always absorbing and often quite gripping, proof that he not only still retains the ability to surprise, but that he can make an album as provocative and successful as he did during his '70s peak. And that makes Liars one hell of a comeback.

 
Age 50 song: Something Beautiful - Nathaniel Rateliff

Nathaniel Rateliff burst into the spotlight in 2015 with his band the Night Sweats with the blues/rock throwback S.O.B. 

He's released three beautiful solo albums since 2017 that are more mellow and introspective. I've listened to all of them heavily during the last few years and I'm just so impressed with him as an artist - as it would have been easy to write him off after what was almost a novelty hit. 

 
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Age 50 album:

Like many people here, I enjoy the movie The Big Lebowski, and like some of you, part of that enjoyment is in the soundtrack. The song "I Just Dropped In..." was new to me, as were most of the songs used. I liked one of them so much it I made it my ring tone: Traffic Boom by Piero Piccioni. As wonderfully as it was used in the film, I don't think it did justice to the full version.

***Even though I'm not 55 yet, I will make 2 more picks and switch to spectator mode.

 

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