167 (tie). Dummy – Portishead (147 points)
@Long Ball Larry #1
@Nick Vermeil #3
@KarmaPolice #65
The album received critical acclaim and won the 1995 Mercury Music Prize. It is often credited with popularizing the trip hop genre, and is frequently cited in lists of the best albums of the 1990s.
Dummy was certified triple platinum in the UK in February 2019, and had sold 920,000 copies in the United Kingdom as of September 2020. Worldwide, the album had sold 3.6 million copies by 2008.
Portishead ‘s 2011 show in NYC is still a top two concert all time for me. So damn good. I love Gibbons’ voice. And I love that this is
@Long Ball Larry ‘s number 1.
You talking about the roseland one? Cuz I have been watching the various YouTube videos of that like all the time for the last year when it popped back up for me one day. Be back with more commentary later.
Oh right the Hammerstein one, roseland was way before that.
When I was putting together this list, I was mostly going off gut, thinking about albums that I listened to the most (so mostly stuff from age 15-20) and the artists that embody the spirit of music and tap into the creative life force.
To me, Portishead capturing a feeling of now and of timelessness, bridging a gap between analog and digital, fusing acoustic bass, tinny guitar melodies, and crooning jazz vocals with drum loops, samples and DJ scratches that ground us in a more technologically advanced present. And juxtaposing there elements reminds us of the inherent contradictions in life, that the universe evolves, that all that exists is connected and related to something that came before and will come in the future. The haunting feeling of the vocals and many of the melodies create a feeling of disembodiment, existing outside of time, wrenched from the soul of Beth Gibbons and presented through a wormhole that we can never quite touch.
And frankly
Beth gibbons live is about the hottest thing I’ve ever seen. This sultry vixen, singing, smoking, bending those notes are just…I don’t know, maybe I’m a sick ****, but it really does get me juices flowing like few other things.
Anyway, top to bottom, this is their best album and has no skips for me, but even more important is my (overwrought?) love and admiration for everything beautiful in the world that the band manifests.