Sarnoff said:
Yeah, the issue is that it's treated as a lie. Another deception. '"A chill ran down my spine" that the lies continued to even her gender!' is an offensive attitude to some. The author acted as if this was just one more thing he was being lied to about.
Being trans is not lying. Being trans is not deceiving anyone. Being trans is not perpetrating a fraud on anyone or scheming a con against anyone. You can say Dr. V lied about her employment history. Lied about her education, lied about her background, lied about a lot of things. But Dr. V wasn't lying about being a woman, she just identified her gender as a woman 'trapped in a man's body', and that's not a deceit. It's who she was.
This one's tricky to me... perhaps I'm just behind the times and will look back at myself in horror in a few years.
My current take on this is that I agree transgender isn't lying or deceiving, but burying something in your past is deceptive. The fact that she identified herself as a woman isn't the issue... it's that she was hiding the fact that she used to be a man. Given her pattern of lying and deceiving at every turn, it fits right in with everything else.
Sarnoff, what's your take on this? Is burying the fact that she used to be a man being deceptive? Or does the fact that she is a woman now mean she's justified in pretending she always was? I've never thought about any of this before...
My take is gender identity and sexual orientation is personal and private. Say Dr. V wasn't trans, but the inventor of the magic putter was a gay man in the closet. The author never would have called up an investor to say "Guess what, the inventor is a !"
If anything, Dr V identifying as a woman who's attracted to women, and living openly in that framework for a decade, was the one honest thing about her.
[slight tangent]
Earlier I had mentioned that I'd been going over "story structure" a lot lately, looking at the 3-act structure and how factual narratives are shoe-horned to fit within the construct. Unrelatedly, this issue came up in a podcast in the same area that was recorded months ago but I only listened to this morning... talking about things in movies and TV that only exist in movies and TV, but to the point that we've just become accustomed to thinking that they must be true in real life because we see it so often. Like, if you're arrested, you get one and only one phone call. That's not true, some writer somewhere was writing a script and needed that to be the case for a plot point. But it's not real, you have the right to an attorney and if his phone is busy you don't rot in a cell forever. Similarly, if someone goes missing, don't wait 24 hours to call the police to file a missing person's report. Call them right away. Some screenwriter put that in a movie once because they needed an excuse for the main character to be the cause of the action, not just turn the story over to the cops and have him sitting around while they did all the work. But nowadays, parents whose kids are abducted sometimes wait the 24 hours figuring that's the rule... and when they call the cops the next day, the cops say "Why didn't you call us sooner? We could have put out an Amber Alert, now the trail is cold."
A similar thing exists relating to the trans world. For the last 50 years, the portrayal of trans life has always been framed in the context of a straight man going to a bar, hitting on a woman, taking her home and finding out she's a he. And his friends mock him for it. We've seen it over and over and over again in the media. But it's not true. Trans people don't get dressed up and go to a straight bar and hope to prank guys with their penises. We've been conditioned to beware this scenario so many times it's like the quicksand trope. But if a trans person did that, it'd be incredibly dangerous. They risk assault and worse if they did such a thing. But up until "Orange is the New Black", almost every trans character in the mainstream media was used for just this purpose.
The media has, for decades, framed the trans lifestyle itself as a matter of intentional deception, a scheme to fool the unwitting straight man. I wonder how much that kind of pre-conditioning affects our judgement in stories like this.
[/tangent]
Anyway, like I said, restructuring the story (before her suicide) should have been done here. Leave gender identity out of it entirely. Don't make it a detective story structure with the big, Perry Mason moment at the start of the third act being the outing of Dr. V. Instead, reassure her that it's not going to be printed, it's not relevant, and frame it a different way. "Dr. V invents a magical putter. People go crazy for it. Start winning with it. I use it, my game gets better. Part of the draw is her story, but I found out it wasn't all true. She didn't go to MIT. She didn't have top-secret government status. She wasn't a super-intelligent engineer that built the Stealth Bomber. Instead, she's a lesbian auto mechanic that somehow, without any qualifications, designed a great putter. Did she somehow stumble into a design that's better than anything Ping or Nike or Taylor Made or Calloway came up with? Did she accidentally figure out that the basis for golf club design has been wrong for half a century? Or were all the improvements due to mental effects,
believing this putter was magic made it so, like Dumbo's feather?"
That's an interesting story. After her suicide, of course, you have to frame it another way, and be up front with it from the beginning. Tell the tragic tale.
The piece as presented, though, is really cold and doesn't treat anyone well. It's so inhuman and so tone-deaf to the bigger issues.