What's new
Fantasy Football - Footballguys Forums

Welcome to Our Forums. Once you've registered and logged in, you're primed to talk football, among other topics, with the sharpest and most experienced fantasy players on the internet.

The 100 greatest songs of 1971 #1 “When the Levee Breaks” Led Zeppelin (1 Viewer)

84. Neil Diamond  “I Am...I Said” (from Stones

https://youtu.be/sxDyXK93o6g

Neil ponders the differences in lifestyle between New York and LA. Then he reveals he’s a frog. Then he complains that the chair isn’t listening (somebody should have told Clint Eastwood.) 

Cheesy lyrics aside this is one of Neil’s very best, most classic performances. Simply awesome. 

 
84. Neil Diamond  “I Am...I Said” (from Stones

https://youtu.be/sxDyXK93o6g

Neil ponders the differences in lifestyle between New York and LA. Then he reveals he’s a frog. Then he complains that the chair isn’t listening (somebody should have told Clint Eastwood.) 

Cheesy lyrics aside this is one of Neil’s very best, most classic performances. Simply awesome. 
Love this song - top 3 Neil for me.

 
84. Neil Diamond  “I Am...I Said” (from Stones

https://youtu.be/sxDyXK93o6g

Neil ponders the differences in lifestyle between New York and LA. Then he reveals he’s a frog. Then he complains that the chair isn’t listening (somebody should have told Clint Eastwood.) 

Cheesy lyrics aside this is one of Neil’s very best, most classic performances. Simply awesome. 
Was never into him (pretty sure my mom bought this album) but have to give him begrudging respect, he was in The Last Waltz. But he definitely led an interesting life in his formative years.

Diamond was born in Brooklyn, New York, to a Jewish family descended from Russian and Polish immigrants.[4][5][6][7][8] His parents were Rose (née Rapoport) and Akeeba "Kieve" Diamond, a dry-goods merchant.[9][10] He grew up in several homes in Brooklyn, having also spent four years in Cheyenne, Wyoming, where his father was stationed in the army.[11] In Brooklyn he attended Erasmus Hall High School[12] and was a member of the Freshman Chorus and Choral Club, along with classmate Barbra Streisand;[10]:155Diamond recalled they were not close friends at the time: "We were two poor kids in Brooklyn. We hung out in the front of Erasmus High and smoked cigarettes."[13]After his family moved, he then attended Abraham Lincoln High School,[14][15] and was a member of the fencing team.[11] Also on the team was his best friend, future Olympic fencer Herb Cohen.[16][17]

For his 16th birthday, he received his first guitar.[18] When he was 16 and still in high school, Diamond spent a number of weeks at Surprise Lake Camp,[19]:21 a camp for Jewish children in upstate New York, when folk singer Pete Seeger performed a small concert.[20] Seeing the widely recognized singer perform, and watching other children singing songs for Seeger that they wrote themselves, had an immediate effect on Diamond, who then became aware of the possibility of writing his own songs. "And the next thing, I got a guitar when we got back to Brooklyn, started to take lessons and almost immediately began to write songs," he said.[20] He added that his attraction to songwriting was the "first real interest" he had growing up, while also helping him release his youthful "frustrations".[20]

Diamond also used his newly developing skill to write poetry. By writing poems for girls he was attracted to in school, he soon learned it often won their hearts. His male classmates took note and began asking him to write poems for them which they would sing and use with equal success.[10]:10 He spent the summer following his graduation as a waiter in the Catskills resort area. There he first met Jaye Posner, who would years later become his wife.[19]:26

Diamond next attended New York University as a pre-med major on a fencing scholarship, again on the fencing team with Herb Cohen.[21][22] He was a member of the 1960 NCAA men's championship fencing team.[23] Often bored in class, he found writing song lyrics more to his liking. He began cutting classes and taking the train up to Tin Pan Alley, where he tried to get some of his songs heard by local music publishers.[20]In his senior year, when he was just 10 units short of graduation, Sunbeam Music Publishing offered him a 16-week job writing songs for $50 a week (equivalent to about US$423 per week, in 2019 dollars[24]), and he dropped out of college to accept it.[20][c]





Wikipedia bio
 
85. Rod Stewart and the Faces “(I Know) I’m Losing You” (from Every Picture Tells a Story

https://youtu.be/1p-WDv2sLTw

Rod’s version of the Temptation’s classic includes Ron Wood on lead guitar, Ronnie Lane on bass, and Kenney Jones on drums, which was the main lineup for the Faces in 1971. Everyone is terrific here but it’s Stewart’s vocals which give this hard rock/blues song such incredible depth: you feel his pain at losing her. 
Stewart’s vocals always stand out to me.  Has to be one of the top voices of all time.   

 
83. The Doors “Love Her Madly” (From L.A. Woman

https://youtu.be/SLdvnQD_eio

I was never the hugest Jim Morrison fan but I certainly don’t mind him. This last album before his demise is, at least for me, his strongest material. I’ve selected 3 songs from it for this list (and they also happen to be my 3 favorite Doors songs overall. This one, written by Robby Krieger featuring a fantastic bass line by session player Jerry Scheff, is just good old fashioned, hard rocking blues. 

 
83. The Doors “Love Her Madly” (From L.A. Woman

https://youtu.be/SLdvnQD_eio

I was never the hugest Jim Morrison fan but I certainly don’t mind him. This last album before his demise is, at least for me, his strongest material. I’ve selected 3 songs from it for this list (and they also happen to be my 3 favorite Doors songs overall. This one, written by Robby Krieger featuring a fantastic bass line by session player Jerry Scheff, is just good old fashioned, hard rocking blues. 
I’m not a big doors fan but this is my favorite song of theirs.  This list has been pretty stellar lately 

 
83. The Doors “Love Her Madly” (From L.A. Woman

https://youtu.be/SLdvnQD_eio

I was never the hugest Jim Morrison fan but I certainly don’t mind him. This last album before his demise is, at least for me, his strongest material. I’ve selected 3 songs from it for this list (and they also happen to be my 3 favorite Doors songs overall. This one, written by Robby Krieger featuring a fantastic bass line by session player Jerry Scheff, is just good old fashioned, hard rocking blues. 
There are a handful of other songs from the album I would have taken over Madly, but still a good choice:

 
82. Led Zeppelin “The Battle of Evermore” (from Led Zeppelin IV

https://youtu.be/88b0OYxdtyM

Time to break open the Zeppelin album of 1971, shall we? 

The hardest question for me regarding this particular album was not which songs I would include on this list but which ones I would be forced to leave out. I kept running out of room but in the end I couldn’t leave more than one song out. That song, sadly, is “Four Sticks”. And I absolutely love “Four Sticks”. I just...ran out of room. 

Anyhow, to Evermore: somebody can correct me but I think that Sandy Denny (of Fairport Convention and other British folk music) is the only guest vocalist ever to appear on a Zeppelin song? And she’s so good here, and Plant is great with her (which in itself is a bit of a preview of Plant’s future work with American folky Alison Krauss.) The lyrics are fine as long as one doesn’t take them too seriously, and I don’t think the band really did. This ain’t Rush. 

 
83. The Doors “Love Her Madly” (From L.A. Woman

https://youtu.be/SLdvnQD_eio

I was never the hugest Jim Morrison fan but I certainly don’t mind him. This last album before his demise is, at least for me, his strongest material. I’ve selected 3 songs from it for this list (and they also happen to be my 3 favorite Doors songs overall. This one, written by Robby Krieger featuring a fantastic bass line by session player Jerry Scheff, is just good old fashioned, hard rocking blues. 
My favorite album by them as well.

 
83. The Doors “Love Her Madly” (From L.A. Woman

https://youtu.be/SLdvnQD_eio

I was never the hugest Jim Morrison fan but I certainly don’t mind him. This last album before his demise is, at least for me, his strongest material. I’ve selected 3 songs from it for this list (and they also happen to be my 3 favorite Doors songs overall. This one, written by Robby Krieger featuring a fantastic bass line by session player Jerry Scheff, is just good old fashioned, hard rocking blues. 
My favorite album by them as well.
LA Woman is an amazing album and three songs isn't enough, nearly every track is worthy.

82. Led Zeppelin “The Battle of Evermore” (from Led Zeppelin IV

https://youtu.be/88b0OYxdtyM

Time to break open the Zeppelin album of 1971, shall we? 

The hardest question for me regarding this particular album was not which songs I would include on this list but which ones I would be forced to leave out. I kept running out of room but in the end I couldn’t leave more than one song out. That song, sadly, is “Four Sticks”. And I absolutely love “Four Sticks”. I just...ran out of room. 
1971 really was a great year for music.  

Don't worry about leaving any songs out.

AFTER you are done I will do an AFTER list from 71 because their will be plenty of left and we probably have different takes on music.

 
81. Little Feat “Willin’” (from Little Feat

https://youtu.be/CAT3BXzVTME

If this was the classic, well known version of this song it might have made my top 10 on this list- it’s that good. But that version would appear on Little Feat’s second album which came out in 1972. This version from their first album is a little faster, not sung nearly as well, and it’s missing that great keyboard solo. 

That being said, it’s a still a tremendous piece of music by the late Lowell George. 

 
81. Little Feat “Willin’” (from Little Feat

https://youtu.be/CAT3BXzVTME

If this was the classic, well known version of this song it might have made my top 10 on this list- it’s that good. But that version would appear on Little Feat’s second album which came out in 1972. This version from their first album is a little faster, not sung nearly as well, and it’s missing that great keyboard solo. 

That being said, it’s a still a tremendous piece of music by the late Lowell George. 
Good to see Little Feat on the list and apologies but I'm hijacking for one-song that isn't from 71.  This is a live version that isn't on any album and its simply AWESOME.

>>  Little Feat -- Join the Band/Fat Man In the Bathtub (live)

 
timschochet said:
81. Little Feat “Willin’” (from Little Feat

https://youtu.be/CAT3BXzVTME

If this was the classic, well known version of this song it might have made my top 10 on this list- it’s that good. But that version would appear on Little Feat’s second album which came out in 1972. This version from their first album is a little faster, not sung nearly as well, and it’s missing that great keyboard solo. 

That being said, it’s a still a tremendous piece of music by the late Lowell George. 
Had the good fortune to sing this along with him many times. Lowell actually preferred the keep-a-going version because the voice was of someone hurrying home and he was always hurrying home when he was on the road and, even after he would indulge folks by dawdling on the verses, he sang the chorus that way unless they stopped him. Somehow, tho, they always stopped him by joining in for "weeeeeeeed", so he finally just let it be their song instead of his, the actual whole goal of any song

 
Last edited by a moderator:
80. The Who “Bargain” (from Who’s Next

https://youtu.be/Ka_pPf7OqiE

You learn new things every day. I read the wiki page about this song for the first time ever this morning and I discovered that it was a love song to God. Never had a clue about that. 

In any case what defines this album for me is the maturity of the sound: In the 60s The Who was a mod, pop band, even including Tommy. Perhaps because of the synthesizers here they just sound more adult. I especially love the contrast in singing styles between Daltry’s energy and Townshend’s softness. And of course, the drumming and bass are superb: was there ever a better rhythm section? (Actually that’s a difficult question and 1971 is certainly the year to consider it...) 

 
Had the good fortune to sing this along with him many times. Lowell actually preferred the keep-a-going version because the voice was of someone hurrying home and he was always hurrying home when he was on the road and, even after he would indulge folks by dawdling on the verses, he sang the chorus that way unless they stopped him. Somehow, tho, they always stopped him by joining in for "weeeeeeeed", so he finally just let it be their song instead of his, the actual whole goal of any song
Yeah you’ve mentioned before your connection with this band- as a roadie, right? That’s pretty damn awesome. 

 
Yeah you’ve mentioned before your connection with this band- as a roadie, right? That’s pretty damn awesome. 
Never worked for em, never roadied. Part of the mgmt team for acts that opened for the Feat. I was hired because i'd staged a successful outdoor concert for charity and a mgmt/promotion company wanted an outdoor capacity. My new employer sent me out on the road to learn the biz and the first thing i noticed was that most of the drama & expense on the road had to do with procurements. My boss was extraordinarily cheap and my suggestion of centralizing that aspect of touring impressed him and i ended up as his Mr Fixit. I traded my "production company" (mostly, my sound man) for a piece of one of his bands, and used my "mgmt" status to push toward a kind of A&R status. That included going out on the road as much as i was able to justify. Because Lowell George never slept on tour, it was like running away and joining the circus (his company actually had to employ people to keep him amused so he wouldnt make his band jam all night) so, whenever our bands opened for the Feat, i went out. It was all cool til i got too big for my breeches, tried to poach one of my company's expiring clients and got sued out of the biz.

 
Last edited by a moderator:
Who's Next is a very good record, no doubt about it, but I can never get past how it sounds.  Yes, it was an "improvement" on a technical level, but it sounds too refined for a band like The Who who had a raw and relentless fury in the 60's that was captured perfectly with the production values that existed back then.  Who's Next sounds like a band that had its balls cut off, yet still manages to work because of how good the songs were.

 
Who's Next is a very good record, no doubt about it, but I can never get past how it sounds.  Yes, it was an "improvement" on a technical level, but it sounds too refined for a band like The Who who had a raw and relentless fury in the 60's that was captured perfectly with the production values that existed back then.  Who's Next sounds like a band that had its balls cut off, yet still manages to work because of how good the songs were.
Wow. Well, smart people can disagree. For me, this album and Quadrophenia represent the band at their heights. 

 
Wow. Well, smart people can disagree. For me, this album and Quadrophenia represent the band at their heights. 
I prefer Quadrophenia to Who's Next, and will take Tommy over either.  Again, I like Who's Next, and hearing Baba O'Riley for the first time in a buddy's car in the summer of 1990 was life-changing, but I just don't like how the better production cut off the balls of their sound.

 
timschochet said:
82. Led Zeppelin “The Battle of Evermore” (from Led Zeppelin IV

https://youtu.be/88b0OYxdtyM

Time to break open the Zeppelin album of 1971, shall we? 

The hardest question for me regarding this particular album was not which songs I would include on this list but which ones I would be forced to leave out. I kept running out of room but in the end I couldn’t leave more than one song out. That song, sadly, is “Four Sticks”. And I absolutely love “Four Sticks”. I just...ran out of room. 

Anyhow, to Evermore: somebody can correct me but I think that Sandy Denny (of Fairport Convention and other British folk music) is the only guest vocalist ever to appear on a Zeppelin song? And she’s so good here, and Plant is great with her (which in itself is a bit of a preview of Plant’s future work with American folky Alison Krauss.) The lyrics are fine as long as one doesn’t take them too seriously, and I don’t think the band really did. This ain’t Rush. 
This is correct. Unlike virtually every other band of the '60s, Zep was mostly a closed shop. Aside from Sandy Denny and Ian Stewart (of the Rolling Stones), plus the occasional string section, they didn't bring in outside musicians to play on their sessions.

And now, some levity. On their 1977 tour, Zep decided to have a brief acoustic set, and one of the songs they decided to include was "Battle Of Evermore". But then the question came up: what should they do about Sandy Denny's part? Should they have Plant sing it? Should they hire a female singer to join them on the tour? Nahhhhhhh, just have Jonesy do it.

 
79. Funkadelic “Maggot Brain” (from Maggot Brain

https://youtu.be/JOKn33-q4Ao

Mother Earth is pregnant..y’all done knocked her up! 

So begins a short speech by George Clinton, followed by a 10 minute guitar solo by Eddie Hazel. It is one of the greatest guitar solos in history. I don’t do justice to it by describing it here; if you’ve never heard it before, I suggest you do so now. Essential listening. 

 
79. Funkadelic “Maggot Brain” (from Maggot Brain

https://youtu.be/JOKn33-q4Ao

Mother Earth is pregnant..y’all done knocked her up! 

So begins a short speech by George Clinton, followed by a 10 minute guitar solo by Eddie Hazel. It is one of the greatest guitar solos in history. I don’t do justice to it by describing it here; if you’ve never heard it before, I suggest you do so now. Essential listening. 
Haunting, amazing song.

 
And now, some levity. On their 1977 tour, Zep decided to have a brief acoustic set, and one of the songs they decided to include was "Battle Of Evermore". But then the question came up: what should they do about Sandy Denny's part? Should they have Plant sing it? Should they hire a female singer to join them on the tour? Nahhhhhhh, just have Jonesy do it.
Wow that bad.

 
79. Funkadelic “Maggot Brain” (from Maggot Brain

https://youtu.be/JOKn33-q4Ao

Mother Earth is pregnant..y’all done knocked her up! 

So begins a short speech by George Clinton, followed by a 10 minute guitar solo by Eddie Hazel. It is one of the greatest guitar solos in history. I don’t do justice to it by describing it here; if you’ve never heard it before, I suggest you do so now. Essential listening. 
@Maggot Brain

 
78. Ringo Starr “It Don’t Come Easy” (released as a single)

https://youtu.be/bvEexTomE1I

Ringo’s best effort as a solo artist was co-written by George Harrison, and George also plays guitar (Klaus Voormann on bass, and Gary Wright, of future “Dream Weaver” fame, on keyboards.) This is just a delightful song that most everybody likes, much like the guy who sings it. 
as much as i complained earlier - pretty got set of songs since Yes

several real ####ters mind you ...   :)

 
78. Ringo Starr “It Don’t Come Easy” (released as a single)

https://youtu.be/bvEexTomE1I

Ringo’s best effort as a solo artist was co-written by George Harrison, and George also plays guitar (Klaus Voormann on bass, and Gary Wright, of future “Dream Weaver” fame, on keyboards.) This is just a delightful song that most everybody likes, much like the guy who sings it. 
This is sort of the epitome of the state of pop music in 1971. For once, that’s not a bad thing. 

 
78. Three Dog Night “Never Been to Spain” (from Harmony

https://youtu.be/dm6qw_yeo6o

This song was written and recording by country artist Hoyt Axton the same year, but Three Dog Night made it into their own timeless classic, thanks to the range of singer Corey Wells. When by the third verse he is belting out 

Well I’ve never been to heaven, but I’ve been to Oklahoma! 

its impossible not to sing along. 

 
78. Ringo Starr “It Don’t Come Easy” (released as a single)

https://youtu.be/bvEexTomE1I

Ringo’s best effort as a solo artist was co-written by George Harrison, and George also plays guitar (Klaus Voormann on bass, and Gary Wright, of future “Dream Weaver” fame, on keyboards.) This is just a delightful song that most everybody likes, much like the guy who sings it. 
George didn't just co-write "It Don't Come Easy". He wrote most of it, then recorded his own version of the song, then gave the completed song to Ringo and had Ringo copy his vocals.

And George's version is better, IMO: https://www.youtube.com/watch?v=y1mxzTxGMyk

 
76. Led Zeppelin “Misty Mountain Hop” (from Led Zeppelin IV

https://youtu.be/n6fBQRaygeo

A nice vehicle for Robert Plant’s vocals. 

Whaddya think I saw? 

Hard to go wrong here. 
I love this song because I had mistaken this line for decades.

Just then a policeman stepped up to me and asked us said,
"Please, hey, would we care to all get in line,


I always thought it was.

' hey woopie-cat'

I thought, 'how cool to throw in that 'random' line of WOOPIE-CAT into the song.  Lol.  

 
75. Traffic “The Low Spark of High-Heeled Boys” (from The Low Spark of High-Heeled Boys)

https://youtu.be/vDGorIWYz-A

Steve Winwood was certainly in some great bands during this era: Spencer Davis Group, Blind Faith, Traffic. This epic song consists of the usual Traffic lineup (mainly Winwood and Jim Capaldi) along with a special appearance by drummer Jim Gordon, who only a year earlier was part of Dereck and the Dominoes and wrote the famous piano line for “Layla”. A few years later Gordon went insane and decapitated his mother. That has nothing to do with this song but I thought it was interesting. 

 
75. Traffic “The Low Spark of High-Heeled Boys” (from The Low Spark of High-Heeled Boys)

https://youtu.be/vDGorIWYz-A

Steve Winwood was certainly in some great bands during this era: Spencer Davis Group, Blind Faith, Traffic. This epic song consists of the usual Traffic lineup (mainly Winwood and Jim Capaldi) along with a special appearance by drummer Jim Gordon, who only a year earlier was part of Dereck and the Dominoes and wrote the famous piano line for “Layla”. A few years later Gordon went insane and decapitated his mother. That has nothing to do with this song but I thought it was interesting. 
This should be wayyyyy higher IMO even in a monstrous year.

 

Users who are viewing this thread

Top