http://www.slate.com/articles/life/culturebox/2014/02/woody_allen_s_biggest_defender_robert_weide_s_attack_on_mia_farrow_and_her.single.html
On Jan. 27 in the Daily Beast, Robert Weide, director of the two-part PBS special Woody Allen: A Documentary, wrote a 5,600-word defense of Allen against allegations that he molested his 7-year-old daughter Dylan Farrow in 1992. A few days later, Dylan, now 28, published her own account of the alleged molestation in the New York Times. Dylans open letter convulsed the Internet, forcing Allens defenders to confront the public statements of an adult woman who says, with no caveats, that she was sexually assaulted by her father.
In the aftermath of Dylans essay, Weides Allen apologia seemed, at best, embarrassingly timed. At least, thats what I assumed everyone who had read the Daily Beast piece would think. But very many people did not agree.
New York Times reporter Steven Greenhouse, sharing Weides article on Feb. 2, said that it raises serious questions about Dylans allegations of sexual abuse. The following day, no less than the Times public editor, Margaret Sullivan, linked to Weides piece and wrote, I urge those who have not yet done so to read Mr. Weides illuminating article. It provides essential context. Also on Feb. 3, tech-journalism superstar Kara Swisher tweeted Weides article to her 930,000 followers, calling it the counter to Dylans letter. And on that same day, Michael Wolff praised Weides piece as detailed and powerful in an unhinged Guardian column that hypothesized that the rehashed scandal was being revived in the public memory to raise the public profile of Allens ex-partner Mia Farrow and her son, Ronan, both of whom made public statements in support of Dylan after Allen was honored at last months Golden Globes ceremony. (Weide worked on the celebratory montage of Allens films for the broadcast.)
Given all the accolades, is Weides Daily Beast piece actually detailed and powerful? It is certainly detailed. And yes, its powerful, in its own way. Weides long essay is full of sleazy innuendo, bad-faith posturing, and passive-aggressive self-promotion. Like the recent Grantland piece Dr. Vs Magical Putter, one wondersone hopes, actuallythat smart people have been sharing the article approvingly because it was long and seemed interesting, not because theyd actually read it.
The first thing you need to know is that this is what Robert Weides Twitter profile looks like:
http://www.slate.com/content/dam/slate/articles/arts/culturebox/2014/02/140204_CBOX_WeideAllenTwitterBio.jpg.CROP.original-original.jpg
How can we possibly trust a young womans firsthand account when weve got this fellow to patiently explain the situation to us?
Now lets turn to the article itself, which promises a closer examination of charges that Allen molested his daughter. Here are some highlights from its first 1,800 words:
Weide uses Dylans current name, though she prefers to keep it private. Later, when called out for this on Twitter, Weide justified the choice by digging up a 1 ½-year-old tweet from Mia Farrow that referred to Dylan by her current name.
Weide clarifies that Farrows daughter Soon-Yi Previn, whose affair with Allen when she was 19 pulverized the Allen-Farrow household, was in no way like a family member to Allen, despite the fact that she was his childrens sister and his longtime partners daughter.
Weide quotes Ronan Farrows famous condemnation of Allen: "He's my father married to my sister. That makes me his son and his brother-in-law. That is such a moral transgression" and then adds: However, this particular dilemma might be resolved by Mias recent revelations that Ronans biological father may possibly be Frank Sinatra, whom Farrow married in 1966, when she was 21 and the crooner was 50. This passage doesnt trackits not clear if the particular dilemma is the Woody/Soon-Yi relationship or Ronans feelings toward it. But the upshot is that if Farrow did indeed sleep around, then thats a lucky break for Ronan, who can rest easy about the whole Soon-Yi situation.
Weide then spends two more paragraphs auditing Mia Farrows sexual history. Alleged victims of sexual assault are commonly subjected to such scrutiny, but when were dealing with a 7-year-old, it seems her mother will serve just fine by proxy.
All of that is just an appetizer. Its when Weide finally arrives at his ostensible subjectunpacking the child-molestation accusationsthat the piece becomes most noxious.
Here is Dylan Farrows account of the events of Aug. 4, 1992, in her mothers Connecticut home, called Frog Hollow, as it appeared in the Times:
When I was seven years old, Woody Allen took me by the hand and led me into a dim, closet-like attic on the second floor of our house. He told me to lay on my stomach and play with my brothers electric train set. Then he sexually assaulted me.
And here is Weides:
During an unsupervised moment, Woody allegedly took Dylan into the attic and, shall we say, touched her inappropriately.
The shall we say is the worst rhetorical crime in a piece brimming with them, glibly framing an unconscionable act as a bit of innuendo. Its the skeleton key to the entire articles sneering cluelessness.
Whats most galling about Weides writing is its preening faux-gentility. He adopts the pose of a gentleman who is above the fray. He is not here to slam Mia, who is an exceptional actress. He is not blaming the victim, Weide insists. He is merely floating scenarios to consider.
The scenarios that he floats are thinly veiled smears, not-quite accusations that Weide shovels in at regular intervals. Im not saying that Mia and Dylan Farrow are liars, he insists throughout the piece, but if you come to that conclusion then I wouldnt disagree.
Here is a representative passage:
Much is made by Mias supporters over the fact that the investigative team destroyed their collective notes prior to their submission of the report. Also, the three doctors who made up the team did not testify in court, other than through the sworn deposition of team leader Leventhal. I have no idea if this is common practice or highly unusual. I wont wager a guess as to what was behind the destruction of the notes any more than Ill claim to know why Mia stopped and started her video camera while filming her daughters recollections over a few days, or who was alleged to have leaked the tape of Dylan to others, or why Mia wouldn't take a lie detector test. (Woody took one and passed.)
Given one data point that points to Allens guilt, Weide will offer up three more that imply his innocence. He doesnt follow through on these insinuations, and constantly pleads ignorance on their significance, and thats fine by him. His rhetorical aim is to cast doubt.
Weide spends the middle section of the essay cherry-picking the strikes in Allens favor: a Farrow household nannys doubts that Allen did anything wrong without any reference to the other childcare providers who had deep suspicions; the YaleNew Haven Hospital investigative teams conclusion that Dylan likely had not been molested; an early inconsistency in the 7-year-olds testimony; the Connecticut state attorneys offices decision not to press charges against Allen.
This accounting of evidence will not be unfamiliar to those who have followed the case. The one bit of new information is this bizarre bury-the-lede aside about Dylans older brother, Moses.
Moses Farrow, now 36, and an accomplished photographer, has been estranged from Mia for several years. During a recent conversation, he spoke of finally seeing the reality of Frog Hollow and used the term brainwashing without hesitation. He recently reestablished contact with Allen and is currently enjoying a renewed relationship with him and Soon-Yi.
Its not clear that the recent conversation is with Weide or someone else, but if Weide did conduct an interview with Moses, thats huge. Allen and Farrows oldest child, Moses has been conspicuous in his absence from the renewed controversy; he was a central figure in Allen and Farrows epic 1990s custody battle, when the teenager refused to see his father. In a 1994 decision, the Appellate Division of the Supreme Court of the State of New York, discussing Allens continued relationship with Soon-Yi, cited the obvious ill effects it has had on all of the children and the especially profound effects it has had on Moses.
If Moses has indeed cut off contact with his mother, reconciled with his father and sister/stepmother, and is talking to Weide about it, then its extremely puzzling that Weide chooses to quote Moses using a grand total of five words worth of sentence fragments. Its one of many moments in the Daily Beast piece where the lack of editorial judgment is glaring.
The last third of the piece is in keeping with the first third: not a closer examination of the molestation accusations but a grab bag of tendentiousness and disingenuity masquerading as context. Weides got cutesy anecdotes about Allens teenage daughters, the ones he adopted with Soon-Yi Previn. He reminds us yet again that Ronan Farrow may not be Allens biological son, which for Weide is a twofer: a proof of his mothers licentiousness and, bizarrely, a pretext for excusing his fathers sexual relationship with Ronans sister.
In fact, the real subject of Weides piece isnt Dylan Farrow or even his main man Woody Allen. Its what Weide sees as Mia Farrows hypocrisy. Shes a hypocrite because shes friends with convicted rapist Roman Polanski. Shes a hypocrite because her brother is a convicted child molestera more mischievous part of me, Weide writes, wanted to tweet about Mias brothers abuse of children during the Golden Globes. Shes a hypocrite because she approved a clip from The Purple Rose of Cairo for Allens Golden Globes tribute, and then publicly complained about the tribute. This woman needs to get over herself, Weide writes of Mia Farrow.
And isn't that the wish of all of Woody Allens defenders, that these women would just get over themselves? (Stephen King, for one, tweeted that Dylans letter smacked of palpable #####ery.) Weides piece performs a neat substitution of Mia for Dylan, performing a greasy character assassination of the mother as if it could dismantle the daughters claims. That Dylan has now spoken for herselfin her own words, standing 100 percent behind the story she told over and over and over again to a team of investigators 21 years agoshould grind Weides piece to dust.
Thats not how Weide sees it. In an editors note appended to the bottom of his piece, he writes:
This continues to be a very sad story from every angle. I can only say I found nothing in Dylans letter that hasnt previously been alleged in the two previous Vanity Fair articles, which Ive already addressed. I also see nothing that contradicts what I wrote for The Daily Beast. If I wrote it today, it would be exactly the same piece. As Ive already stated in my article, I hope she finds closure, and I sincerely wish her all the happiness and peace shes been looking for.
Its not surprising that Woody Allens No. 1 fanboy continues to go to the mat for his hero. It is surprising that so many respected journalists continue to line up behind Robert Weide, insisting that his voice should be at least as loud as Dylan Farrows. Thats exactly what Weide wants: When their voices are equal, they cancel each other out, and theres nothing left to hear.