152 (tie). Band on the Run – Paul McCartney/Wings (159 points)
@Mookie Gizzy #11
@krista4 #14
@Snoopy #36
@Mister CIA #64
Band on the Run is the third studio album by the British–American rock band Paul McCartney and Wings, released on 30 November 1973. It was McCartney's fifth album after leaving the Beatles in April 1970 and his final album on Apple Records. Although sales were modest initially, its commercial performance was aided by two hit singles – "Jet" and "Band on the Run" – such that it became the top-selling studio album of 1974 in the United Kingdom and Australia, in addition to revitalising McCartney's critical standing. It remains McCartney's most successful album and the most celebrated of his post-Beatles works.
And my write-up for this one. If anyone doesn't know the story of the recording of this album, you really should.
After the disappointments of
Wild Life and
Red Rose Speedway, a wary public didn’t immediately warm to this album. The initial response was somewhat tepid, with the album stalling out in the bottom rungs of the US top 10. Then, nearly two months after the release, “Jet” was put out as its first single, hitting #7 on the US charts and spurring new interest in the album, which then reached #1. After the album had sunk again a couple of months later, the “Band On The Run” single was released, which hit #1, selling over a million copies, and shot the album to the top spot once again. Critical response to the record was generally very good from the beginning, with my favorite being as follows: “
Band On The Run is a great album. If anybody ever puts down McCartney in your presence, bust him in the snoot and play him this. He will thank you for it afterwards.” Of course, the critical consensus now is that this is one of Paul’s best post-Beatles works, and it continues to be his highest-selling post-Beatles record, having sold over six million copies.
As previously mentioned in another ---INTERLUDE---, Paul wanted an exotic locale for this recording, in order to soak in another culture that might contribute favorably to the feel of the songs and recording. After garnering a list of all of EMI’s international recording studios, he chose Lagos, Nigeria. Also as previously mentioned, Denny Seiwell and Henry McCullough quit Wings just before the band was to leave for Lagos, leaving Wings as a trio. As a result, Paul picked up the drums – unsurprisingly since he not only handled drums during Ringo’s temporary resignation during the White Album sessions but was always trying to take them over when Ringo would merely step out of the room - in addition to many of the lead guitar parts.
To say that the experience in Nigeria was not the glamorous one Paul had envisioned – “lie on the beach all day, doing nothing…breeze in the studios and record” - would be a huge understatement, and the story of the trip has become legendary in its retelling. On the “not so bad” side, the studio and equipment were not exactly of the usual standard, containing only one eight-track machine and a broken control desk. On the “a bit worse side,” Nigeria had been torn by civil war and wracked by disease, including cholera, an outbreak of which caused EMI to send a letter to Paul suggesting he should not go; he received the letter upon his return. Still worse was an incident while recording in which, while overdubbing a vocal, Paul felt like his lung had collapsed as he couldn’t catch his breath. When he went outside for air, he fainted in what everyone thought was a heart attack, convinced he had just dropped dead before their eyes. Later it was diagnosed as a bronchial spasm from too much smoking.
Continuing to make our way down the list, we also have Fela Kuti publicly accusing Paul of having come to Africa “to steal the black man’s music.” Paul invited Kuti to the studio to listen to the songs and prove that it was not their intention, a meeting that went so well that Ginger Baker, who was recording with Kuti at the time, invited the Wings gang to record at his much more modern studio (which they did, recording “Picasso’s Last Words” there). It also went well in another respect for Paul. Let’s hear him tell it: “"[Fela] came over with his 30 wives and a studio full of ganja. He was one wild cat, he used to have a bottle of whiskey in which was marinating a pound of pot... in the whiskey. We turned out to be real good friends, he got it, he said 'no you're not doing that.’ Ginger Baker was there, he was his big friend. So, Fela invites us to his club which was outside Lagos, the Afrika Shrine. This was a few of us, little white people, me and a couple of friends. So we go out there and I say, '"let's not smoke any pot." Cause it's pretty crazy, we're out in the jungle and it's pitch black. So we're sitting there with Fela [at The Shrine] and one of Fela's guys comes up, he's crouching and he's got a packet of Rothmans cigarettes. They're all joints. He goes, '"You want one of these?" I say, "no thanks," so he carries around and gets to Ginger Baker who says "Yeah man! Sure!'" Then Fela shouts, "Ginger Baker! The only man I know never refuse a smoke!" So I go, "A-ha! Ok, I'll have one of those." Man. I tripped out. It was so strong. It was stronger than anything I've ever had, I don't know if there was something in it. But in the end it was a good night.”
The
coup de grace of the visit to Nigeria, with no happy weed-laden positive twist, was Paul and Linda being robbed at knifepoint one night, losing not just money and valuables, but a bag that contained a notebook with unfinished songs and demos of songs still to be recorded. Gah! Those have never turned up again. To top it all off, when they finally were able to try to return home, their flight was delayed a day due to a brake failure. I’m taking “brake failure” in a tie for #1 with “pilot is bombed” and “pilot has bomb” on my list of “reasons I will just wait a day for a new plane.”
Despite all the issues, or maybe because of them (see my working theory that Paul works best under stress), the recording sessions were productive, with almost all of the songs from this album having been primarily recorded in Nigeria (with the notable exception of “Jet”), and overdubs and orchestral bits being added after the group’s return to London. Since this is a MINI-LUDE about a record everyone knows, I’m not going to talk a lot about the structure and contents of the album, leaving that to the discussion of the individual songs that will be coming forthwith, except to point out the common theme of freedom running through the songs and acknowledge the excellent sequencing on this album. Holy hell, I just typed up the track listing, though, and have to say that the five songs comprising side one of this album is one of the best sides of any record in this countdown.
Cover art is a photo that includes six moderate-ish celebrities in addition to Paul, Linda, and Laine, appearing to have their prison escape thwarted. I’d suggest a connection to the “liberation” theme of the album, except it looks like they’re getting caught. Hmmm.
Track listing:
- Band On The Run
- Jet
- Bluebird
- Mrs. Vandebilt
- Let Me Roll It
- Mamunia
- No Words
- Helen Wheels
- Picasso’s Last Words (Drink To Me)
- Nineteen Hundred Eighty Five