My thoughts in no particular order!
As many have mentioned, Sir Paul's energy was indescribable. Our group each realized we were exhausted
just from watching/dancing along, so how he could do this seemingly without a pause was incredible. No breaks, nearly three hours, over 35 songs. And he almost never even stopped for a sip of water!
Highlights for me:
I had the usual set list up, so I was ready in case
this came on. He alternates between this and "We Can Work It Out," so I was thrilled to get my 4th (or better) favorite song.
The first bit of the show was more tending toward newer stuff, so the crowd was less energetic. An exception was "Let Me Roll It," which was a blast.
There was no part of the show more rocking, in my opinion, than "Band on the Run" followed by "Back in the U.S.S.R." Just a ####### jam.
If I had to choose a favorite song, it was, shockingly, "Something."
Paul started it by himself on ukelele, which gave a sweet start. Then it went into the full band but with photos of George or George/Paul together being beamed throughout. It felt intimate and loving and beautiful. Oddly, there weren't any such moments w/r/t John despite many John songs being performed. Anyway, it was a gorgeous tribute to George.
Of the new songs, "Fuh You" was the standout in terms of performance and crowd reaction. Perfect power pop.
"Eleanor Rigby" was performed with the keyboardist as the only accompaniment, joining Paul with the string parts done with effects on that keyboard. It worked really well.
"Dance Tonight" would be a throwaway song but was elevated by the charming dance performance from the terribly-non-Ringo drummer. Super cute.
Paul was amazingly facile with the crowd. Though he told a lot of (great) stories that began with, "I always tell this story," they seemed natural and unrehearsed. But more impressive was his interaction with the crowd. For reasons I can't fathom, people were allowed to bring signs into the venue, but it led to some nice moments where he looked into the crowd and riffed off the signs. One of the best was a woman who had been to over 100 Paul shows!
I picked a bad time to go to a show with
huge pyrotechnics as they had on "Live and Let Die," just having read (based on a recommendation in the book thread here) the book about 100 people dying due to pyro at a Great White show in Rhode Island in the early aughts. I spent the whole song eyeing the nearest emergency exits and evaluating whether we needed to retreat.
His horn section and the rest of the backing band were mostly phenomenal. Only downers were the George Thorogood/Gary Busey mosh-up playing guitar/bass backup, and to a certain extent the drummer. The drummer was technically good, but mashed away rather than having the style and more reserved but compelling technique of a Ringo.
Disappointments(!):
"Helter Skelter" is a favorite (#25) of mine, but a combo of it being late in the set and the terrible acoustics of the venue made it a muddled mess, almost unrecognizable.
There were a few places in the set where Paul had been doing an "either/or/or." I was sooooo lucky to get my #4 over "We Can Work It Out," as mentioned above, as well as getting my #12 of "All My Loving" over "Can't Buy Me Love." A little disappointed, though, to get "Junior's Farm" over "Hi Hi Hi," but
massively disappointed to get "Birthday" over...are you ready for this..."Yesterday" or "I Saw Her Standing There." How does "Birthday" even make the list compared to those two?
Not so much a disappointment to me, for the rest of the crowd, was when Paul announced he was going to do a song from Sgt. Pepper's. Much excitement! Then he launched into "Being for the Benefit of Mr. Kite." Much confusion! It was like no one knew the song at all. Well maybe they do now.
ETA: Don't worry! Those three clips, plus a failed attempt at "All My Loving," were my only videos! I was just watching and enjoying.