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***OFFICIAL*** Guitar Guys Thread -- all axes, all the time (2 Viewers)

Without humbuckers, you'd probably need a decent EQ or a tone-shaping pedal. THIS thread has a few suggestions. If you find something that does the job and your son's happy with, please report back here. Actually, report back here regardless--I'd like to learn your findings.
Thanks, K. I'll get him the Danelectro fish & chips to see if that helps get him close.

 
Christmas present - my first foray into the smaller form factor. This is a Taylor GS Mini, which is 7/8 scale. I know O has been doing the parlor guitar thing for a while. I have to admit, it's nice to have a guitar that is small and easy to grab for quick noodling while relaxing on the couch. And it should make for a convenient travel guitar. I picked up the Koa version, which is beautiful.

http://i.imgur.com/SSItp6U.jpg

 
Christmas present - my first foray into the smaller form factor. This is a Taylor GS Mini, which is 7/8 scale. I know O has been doing the parlor guitar thing for a while. I have to admit, it's nice to have a guitar that is small and easy to grab for quick noodling while relaxing on the couch. And it should make for a convenient travel guitar. I picked up the Koa version, which is beautiful.

http://i.imgur.com/SSItp6U.jpg
Awesome choice. :thumbup:

 
Christmas present - my first foray into the smaller form factor. This is a Taylor GS Mini, which is 7/8 scale. I know O has been doing the parlor guitar thing for a while. I have to admit, it's nice to have a guitar that is small and easy to grab for quick noodling while relaxing on the couch. And it should make for a convenient travel guitar. I picked up the Koa version, which is beautiful.

http://i.imgur.com/SSItp6U.jpg
:thumbup: I've heard a lot of good things about the mini. Let us know what you think.
Nice action and good intonation. The bottom end isn't as pronounced given the reduced size, but it's decent and likely due to the slightly curved back. The koa gives it a nice mid-range, and I'd say the tone is fairly well-compressed across the spectrum. A little brighter than the mahogany version, but not as bright as the spruce top. No pickguard on the koa, so I'll need to be a little more careful with heavy strumming, but all in all, I'm happy with it. Haven't really tested out the electronics enough to have an opinion, but Taylor usually does electronics right. For the price, it's a fantastic value, IMO.

 
Good bump, bb.

I'm in the market for a new acoustic and am slowly trying to play most everything I can get my hands on. Primarily have been looking in the $1000 - $2000 range. Thought for a while I was learning toward Taylor, but I think my ear gravitates away from that shimmery, sparkling sound of the modern Taylors. Looking for something at the dreadnought or slightly smaller (Taylor GA-like) size...not an OM or smaller. Doesn't have to have electronics, though I would add them, no cutaway, will handle heavy strumming.

For my ear, the best I've played in that range so far is a Gibson J45 and a Larrivee D-03. I really like the consistency and build quality of Larrivee...a lot of guitar for the $$$. I really have an interest in their L body style.

But that J45. :wub:

 
A friend recently gave me a Fender 12-string. I have been playing it fairly regularly for the past six weeks, but 2-3 weeks ago I began noticing pain in my left (fretting/barre) thumb. Minor pain, never really goes away, I can feel it when I flex/move my thumb. I am wondering if this could be related to the wider fretboard. Any 12-string players out there ever that have dealt with this?

I am going to switch back to a 6-string for awhile and see if the pain goes away.
 
Thinking of buying a GS Mini as a small travel/practice guitar. Anyone played one?
I bought a Holden Village GS-Mini last year and absolutely love it! It has become my favorite guitar, I like it even better than my other, more expensive, Taylor. It has a very loud voice, for such a small guitar. No electronics on mine, but I can get an ES-Go or something if I ever need to amplify it, but right now it's my go-to practice guitar. Could not be happier with it, beautiful tone & beautiful wood (figured maple veneer/ Engelmann Spruce top).

 
Good bump, bb.

I'm in the market for a new acoustic and am slowly trying to play most everything I can get my hands on. Primarily have been looking in the $1000 - $2000 range. Thought for a while I was learning toward Taylor, but I think my ear gravitates away from that shimmery, sparkling sound of the modern Taylors. Looking for something at the dreadnought or slightly smaller (Taylor GA-like) size...not an OM or smaller. Doesn't have to have electronics, though I would add them, no cutaway, will handle heavy strumming.

For my ear, the best I've played in that range so far is a Gibson J45 and a Larrivee D-03. I really like the consistency and build quality of Larrivee...a lot of guitar for the $$$. I really have an interest in their L body style.

But that J45. :wub:
Look at the Martins. Particularly the rosewood varieties like the D28 and HD28. I always gravitated towards that warmer, bassier sound than the shimmery/trebley Taylors.

 
Good bump, bb.

I'm in the market for a new acoustic and am slowly trying to play most everything I can get my hands on. Primarily have been looking in the $1000 - $2000 range. Thought for a while I was learning toward Taylor, but I think my ear gravitates away from that shimmery, sparkling sound of the modern Taylors. Looking for something at the dreadnought or slightly smaller (Taylor GA-like) size...not an OM or smaller. Doesn't have to have electronics, though I would add them, no cutaway, will handle heavy strumming.

For my ear, the best I've played in that range so far is a Gibson J45 and a Larrivee D-03. I really like the consistency and build quality of Larrivee...a lot of guitar for the $$$. I really have an interest in their L body style.

But that J45. :wub:
Have you tried a Martin? This seems to be along the lines of what you are looking for. Also, instead of trying new Taylors, try out one that is 5-10 years old. They tone grows warmer over time. I bought a 2001-ish Taylor in 2012 or so and the tone blew away any of the new Taylors I had tried.

On the Gibson, I've come close to buying one multiple times, but always get talked out of it by guys who have been professional guitar techs who just hate the tone when amplified - they say it's way too muddy.

 
Good bump, bb.

I'm in the market for a new acoustic and am slowly trying to play most everything I can get my hands on. Primarily have been looking in the $1000 - $2000 range. Thought for a while I was learning toward Taylor, but I think my ear gravitates away from that shimmery, sparkling sound of the modern Taylors. Looking for something at the dreadnought or slightly smaller (Taylor GA-like) size...not an OM or smaller. Doesn't have to have electronics, though I would add them, no cutaway, will handle heavy strumming.

For my ear, the best I've played in that range so far is a Gibson J45 and a Larrivee D-03. I really like the consistency and build quality of Larrivee...a lot of guitar for the $$$. I really have an interest in their L body style.

But that J45. :wub:
Have you tried a Martin? This seems to be along the lines of what you are looking for. Also, instead of trying new Taylors, try out one that is 5-10 years old. They tone grows warmer over time. I bought a 2001-ish Taylor in 2012 or so and the tone blew away any of the new Taylors I had tried.

On the Gibson, I've come close to buying one multiple times, but always get talked out of it by guys who have been professional guitar techs who just hate the tone when amplified - they say it's way too muddy.
I have played several Martins but haven't found anything that wows me yet. Granted, I've primarily played the mid-range offerings that GC has in stock - which has not included a D-18 or D-28. I'm not in a hurry, though, so I'll make sure I exhaust that option before ruling it out.

Good to know on the amplified J45 issues. I do plan to play it amplified, at least some, so that is a consideration.

 
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Ray Karpis said:
bigbottom said:
Good bump, bb.

I'm in the market for a new acoustic and am slowly trying to play most everything I can get my hands on. Primarily have been looking in the $1000 - $2000 range. Thought for a while I was learning toward Taylor, but I think my ear gravitates away from that shimmery, sparkling sound of the modern Taylors. Looking for something at the dreadnought or slightly smaller (Taylor GA-like) size...not an OM or smaller. Doesn't have to have electronics, though I would add them, no cutaway, will handle heavy strumming.

For my ear, the best I've played in that range so far is a Gibson J45 and a Larrivee D-03. I really like the consistency and build quality of Larrivee...a lot of guitar for the $$$. I really have an interest in their L body style.

But that J45. :wub:
Have you tried a Martin? This seems to be along the lines of what you are looking for. Also, instead of trying new Taylors, try out one that is 5-10 years old. They tone grows warmer over time. I bought a 2001-ish Taylor in 2012 or so and the tone blew away any of the new Taylors I had tried.

On the Gibson, I've come close to buying one multiple times, but always get talked out of it by guys who have been professional guitar techs who just hate the tone when amplified - they say it's way too muddy.
I have played several Martins but haven't found anything that wows me yet. Granted, I've primarily played the mid-range offerings that GC has in stock - which has not included a D-18 or D-28. I'm not in a hurry, though, so I'll make sure I exhaust that option before ruling it out.

Good to know on the amplified J45 issues. I do plan to play it amplified, at least some, so that is a consideration.
The HD-28 I used to own was the most beautiful sounding guitar I ever owned. It sounded like a grand piano. The Taylors I owned were all more playable -- the action and the like are just tougher on a Martin -- but the payoff was worth it IMO.

 
Ray Karpis said:
Good bump, bb.

I'm in the market for a new acoustic and am slowly trying to play most everything I can get my hands on. Primarily have been looking in the $1000 - $2000 range. Thought for a while I was learning toward Taylor, but I think my ear gravitates away from that shimmery, sparkling sound of the modern Taylors. Looking for something at the dreadnought or slightly smaller (Taylor GA-like) size...not an OM or smaller. Doesn't have to have electronics, though I would add them, no cutaway, will handle heavy strumming.

For my ear, the best I've played in that range so far is a Gibson J45 and a Larrivee D-03. I really like the consistency and build quality of Larrivee...a lot of guitar for the $$$. I really have an interest in their L body style.

But that J45. :wub:
Have you tried a Martin? This seems to be along the lines of what you are looking for. Also, instead of trying new Taylors, try out one that is 5-10 years old. They tone grows warmer over time. I bought a 2001-ish Taylor in 2012 or so and the tone blew away any of the new Taylors I had tried.On the Gibson, I've come close to buying one multiple times, but always get talked out of it by guys who have been professional guitar techs who just hate the tone when amplified - they say it's way too muddy.
I have played several Martins but haven't found anything that wows me yet. Granted, I've primarily played the mid-range offerings that GC has in stock - which has not included a D-18 or D-28. I'm not in a hurry, though, so I'll make sure I exhaust that option before ruling it out.

Good to know on the amplified J45 issues. I do plan to play it amplified, at least some, so that is a consideration.
The HD-28 I used to own was the most beautiful sounding guitar I ever owned. It sounded like a grand piano. The Taylors I owned were all more playable -- the action and the like are just tougher on a Martin -- but the payoff was worth it IMO.
Why on earth don't you still own that guitar?!? I assume you had to feed a major coke habit or something.

 
Ray Karpis said:
Good bump, bb.

I'm in the market for a new acoustic and am slowly trying to play most everything I can get my hands on. Primarily have been looking in the $1000 - $2000 range. Thought for a while I was learning toward Taylor, but I think my ear gravitates away from that shimmery, sparkling sound of the modern Taylors. Looking for something at the dreadnought or slightly smaller (Taylor GA-like) size...not an OM or smaller. Doesn't have to have electronics, though I would add them, no cutaway, will handle heavy strumming.

For my ear, the best I've played in that range so far is a Gibson J45 and a Larrivee D-03. I really like the consistency and build quality of Larrivee...a lot of guitar for the $$$. I really have an interest in their L body style.

But that J45. :wub:
Have you tried a Martin? This seems to be along the lines of what you are looking for. Also, instead of trying new Taylors, try out one that is 5-10 years old. They tone grows warmer over time. I bought a 2001-ish Taylor in 2012 or so and the tone blew away any of the new Taylors I had tried.On the Gibson, I've come close to buying one multiple times, but always get talked out of it by guys who have been professional guitar techs who just hate the tone when amplified - they say it's way too muddy.
I have played several Martins but haven't found anything that wows me yet. Granted, I've primarily played the mid-range offerings that GC has in stock - which has not included a D-18 or D-28. I'm not in a hurry, though, so I'll make sure I exhaust that option before ruling it out.

Good to know on the amplified J45 issues. I do plan to play it amplified, at least some, so that is a consideration.
The HD-28 I used to own was the most beautiful sounding guitar I ever owned. It sounded like a grand piano. The Taylors I owned were all more playable -- the action and the like are just tougher on a Martin -- but the payoff was worth it IMO.
Why on earth don't you still own that guitar?!? I assume you had to feed a major coke habit or something.
He probably had to buy diapers and pay for his lawn care.

 
Ray Karpis said:
Good bump, bb.

I'm in the market for a new acoustic and am slowly trying to play most everything I can get my hands on. Primarily have been looking in the $1000 - $2000 range. Thought for a while I was learning toward Taylor, but I think my ear gravitates away from that shimmery, sparkling sound of the modern Taylors. Looking for something at the dreadnought or slightly smaller (Taylor GA-like) size...not an OM or smaller. Doesn't have to have electronics, though I would add them, no cutaway, will handle heavy strumming.

For my ear, the best I've played in that range so far is a Gibson J45 and a Larrivee D-03. I really like the consistency and build quality of Larrivee...a lot of guitar for the $$$. I really have an interest in their L body style.

But that J45. :wub:
Have you tried a Martin? This seems to be along the lines of what you are looking for. Also, instead of trying new Taylors, try out one that is 5-10 years old. They tone grows warmer over time. I bought a 2001-ish Taylor in 2012 or so and the tone blew away any of the new Taylors I had tried.On the Gibson, I've come close to buying one multiple times, but always get talked out of it by guys who have been professional guitar techs who just hate the tone when amplified - they say it's way too muddy.
I have played several Martins but haven't found anything that wows me yet. Granted, I've primarily played the mid-range offerings that GC has in stock - which has not included a D-18 or D-28. I'm not in a hurry, though, so I'll make sure I exhaust that option before ruling it out.

Good to know on the amplified J45 issues. I do plan to play it amplified, at least some, so that is a consideration.
The HD-28 I used to own was the most beautiful sounding guitar I ever owned. It sounded like a grand piano. The Taylors I owned were all more playable -- the action and the like are just tougher on a Martin -- but the payoff was worth it IMO.
Why on earth don't you still own that guitar?!? I assume you had to feed a major coke habit or something.
:bag:

 
Good bump, bb.

I'm in the market for a new acoustic and am slowly trying to play most everything I can get my hands on. Primarily have been looking in the $1000 - $2000 range. Thought for a while I was learning toward Taylor, but I think my ear gravitates away from that shimmery, sparkling sound of the modern Taylors. Looking for something at the dreadnought or slightly smaller (Taylor GA-like) size...not an OM or smaller. Doesn't have to have electronics, though I would add them, no cutaway, will handle heavy strumming.

For my ear, the best I've played in that range so far is a Gibson J45 and a Larrivee D-03. I really like the consistency and build quality of Larrivee...a lot of guitar for the $$$. I really have an interest in their L body style.

But that J45. :wub:
Have you tried a Martin? This seems to be along the lines of what you are looking for. Also, instead of trying new Taylors, try out one that is 5-10 years old. They tone grows warmer over time. I bought a 2001-ish Taylor in 2012 or so and the tone blew away any of the new Taylors I had tried.

On the Gibson, I've come close to buying one multiple times, but always get talked out of it by guys who have been professional guitar techs who just hate the tone when amplified - they say it's way too muddy.
I have played several Martins but haven't found anything that wows me yet. Granted, I've primarily played the mid-range offerings that GC has in stock - which has not included a D-18 or D-28. I'm not in a hurry, though, so I'll make sure I exhaust that option before ruling it out.

Good to know on the amplified J45 issues. I do plan to play it amplified, at least some, so that is a consideration.
Ultimately, though, trust your own ear. If you sit down and play an acoustic, and it blows you away in terms of tone and playability, that's the one you should buy. But yeah, if you plan to play amplified, it's worth plugging it in to get a sense of the amplified tone characteristics.

 
Found it. It's a Line 6 JTV 69 Variax. Here's a video. The latter part of the video shows some of the acoustic modeling and alternate tuning. Pretty cool technology.
Thanks! Checking it out.
I went to the NAMM show this week and saw that Line 6 is promoting their new line of Variax guitars that are now made by Yamaha. I didn't get to play them, but I'd bet the craftsmanship is pretty decent. I did see the demo of the guitar with some of the other new Line 6 gear though and the guitar is a pretty fantastic piece of technology. Obviously, it's not the guitar for total tone purists, but is still a really great device for guys wanting more diversity while still being on a budget. I'd think it would be great for live playing too, particularly if you're doing a bunch of covers.

http://line6.com/variax-standard/

 
Found it. It's a Line 6 JTV 69 Variax. Here's a

Cool, thanks for the update! A guy I know is in a regularly gigging cover band. Incredible player. He uses a Variax along with one of theLine 6 pedal effects processors straight into the PA. No guitar amp at all. Works extremely well for what he does.

Any other cool things to note from NAMM?

 
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Found it. It's a Line 6 JTV 69 Variax. Here's a

The list of amazing stuff from NAMM is endless. I don't even play that much anymore, but love seeing all of the cool new gear. There were dozens and dozens of boutique guitar, amp and effects makers. I really love walking around the downstairs booths as that's where you find a lot of the small, start-up and innovative companies. Some randoms things that caught my eye (obviously very subjective):

  • Relish Guitars. Small swiss maker featuring gorgeous wood-aluminum hybrid guitars. They feel and sound great too. Really cool touch pickup selector as well. I have no idea how much they cost, but would love one if I had Chet money.
  • Gibson Min-ETune guitar tuner. I'm not sure if this is new or not, but it's the first time I saw it. Basically, it's an auto-tuner that connects to the back of your headstock and will automatically keep you in tune. Pretty awesome idea. I didn't see it in use, but a friend saw it and was really impressed.
  • Ozz Tosh aluminum guitars. I love the concept behind these... none of the hum from wood, bright, clear sound with tons of sustain. They look gorgeous too and are indestructible. The owner/maker is a retired metalworker for one of the aerospace companies and makes them out of his kitchen. Hefty price tag though (I think around $6k).
  • Rock & Roll High guitars for kids. These are designed specifically for kids (6-10 range, I think) and feature a smaller scale and, most importantly, a lighter weight (distinguishes them from other kid guitar makers). Color coded frets make it easier for the kids to learn the neck. Quality is pretty decent... not Gibson Les Paul craftsmanship, but definitely better than what you'd find at Target. They sell for around $350 straight from the factory. I'm interested in getting one for my daughter next year or so.
 
I'm in my annual post-NAMM guitar rejuvenation period... feels good to have sore fingers again.

I have to say that it's never been easier to learn how to play or practice... just get on the internet and pop up scale charts or youtube song lessons within seconds. Just need to stick with it...

 
I'm in my annual post-NAMM guitar rejuvenation period... feels good to have sore fingers again.

I have to say that it's never been easier to learn how to play or practice... just get on the internet and pop up scale charts or youtube song lessons within seconds. Just need to stick with it...
It's true. Back in the day I had to learn those licks by ear.

 
Ok, now that Gibson tuner is very cool. I don't mind tuning by hand but for someone who plays lots of variety (cover band) and uses multiple tunings on stage, this would be awesome.

 
Restringing 101...... Ok, maybe remedial

Is it bad for the guitar itself to take all of the old strings off at once?

 
Restringing 101...... Ok, maybe remedial

Is it bad for the guitar itself to take all of the old strings off at once?
I don't know that it's bad per se, but that much change in tension may result in needing to adjust the truss rod after restringing. I'm not sure that it's necessary, but I always do one string at a time to maintain tension.

 
Restringing 101...... Ok, maybe remedial

Is it bad for the guitar itself to take all of the old strings off at once?
I don't know that it's bad per se, but that much change in tension may result in needing to adjust the truss rod after restringing. I'm not sure that it's necessary, but I always do one string at a time to maintain tension.
I've always done one string at a time for that reason, but I've read that it really doesn't matter, the string tension is nothing compared to the truss rod.

 
Restringing 101...... Ok, maybe remedial

Is it bad for the guitar itself to take all of the old strings off at once?
I don't know that it's bad per se, but that much change in tension may result in needing to adjust the truss rod after restringing. I'm not sure that it's necessary, but I always do one string at a time to maintain tension.
I've always done one string at a time for that reason, but I've read that it really doesn't matter, the string tension is nothing compared to the truss rod.
Thanks guys.

I've done it both ways in past.

Broke my D yesterday, pulled out a new pack of strings and said 'f it, I'll change them all' and started pulling off strings.

1/2 way through, for some reason, I started wonderng if that was a good idea.

 
Very cool. Do you have to be in the music business to get into NAMM?
No, but you basically need to know someone in the business to get a pass. If you're friends with any instrument dealers or any guys working at your favorite guitar shop, they should be able to get you the guest pass.

 
Seems like a good place to ask about acoustic guitars.

My son is 11, and has been taking lessons for over 1 year. He's made some progress, but isn't always taking his practice time at home seriously enough.

I discussed quitting lessons with him, but he is dead set against it. Says he loves going to lessons.

I'm hoping to give him a kick start with a new guitar.

He's playing a low end Johnson acoustic, and I'd like to get him something a little nicer. Any suggestions?

Thanks.

 
Seems like a good place to ask about acoustic guitars.

My son is 11, and has been taking lessons for over 1 year. He's made some progress, but isn't always taking his practice time at home seriously enough.

I discussed quitting lessons with him, but he is dead set against it. Says he loves going to lessons.

I'm hoping to give him a kick start with a new guitar.

He's playing a low end Johnson acoustic, and I'd like to get him something a little nicer. Any suggestions?

Thanks.
What kind of music does he like listening to? And does he get to play those kinds of songs in his lessons? If not, then it's pretty easy for a kid to love motivation to practice throughout the week. Maybe changing teachers would be a good way to get him excited again.

 
Seems like a good place to ask about acoustic guitars.

My son is 11, and has been taking lessons for over 1 year. He's made some progress, but isn't always taking his practice time at home seriously enough.

I discussed quitting lessons with him, but he is dead set against it. Says he loves going to lessons.

I'm hoping to give him a kick start with a new guitar.

He's playing a low end Johnson acoustic, and I'd like to get him something a little nicer. Any suggestions?

Thanks.
What kind of music does he like listening to? And does he get to play those kinds of songs in his lessons? If not, then it's pretty easy for a kid to love motivation to practice throughout the week. Maybe changing teachers would be a good way to get him excited again.
I agree. A change is coming. Last year, he picked out a few songs including Imagine Dragons and Bastille and had to learn them for his first ever performance. He played with his teacher at a coffee shop. He took that work leading up to it a lot more seriously.

His current teacher is done with lessons (for good) in March and we're looking to move to a different school then.

 
Any of you guys do home recordings? [biggy]

I bought a version of Sony Acid some time ago, but i have a crappy stock on-board sound card and cannot get a nice consistent volume level with the 1/4 inch to 3.5m adapter

Any recommendations on an external USB sound-card that's reasonably priced.

Maybe something like this http://www.sweetwater.com/store/detail/XPortGuitarUSB?adpos=1o1&creative=55225946401&device=c&matchtype=&network=g&gclid=CL_-s8DZl8cCFcQUHwodfzAPOQ

or this

http://www.fullcompass.com/prod/089774-Lexicon-Lambda?utm_source=googleps&utm_medium=shopping&utm_campaign=googleps&gclid=CNu0v5bal8cCFUUUHwodAhAI5Q

 
Any of you guys do home recordings? [biggy]

I bought a version of Sony Acid some time ago, but i have a crappy stock on-board sound card and cannot get a nice consistent volume level with the 1/4 inch to 3.5m adapter

Any recommendations on an external USB sound-card that's reasonably priced.

Maybe something like this http://www.sweetwater.com/store/detail/XPortGuitarUSB?adpos=1o1&creative=55225946401&device=c&matchtype=&network=g&gclid=CL_-s8DZl8cCFcQUHwodfzAPOQ

or this

http://www.fullcompass.com/prod/089774-Lexicon-Lambda?utm_source=googleps&utm_medium=shopping&utm_campaign=googleps&gclid=CNu0v5bal8cCFUUUHwodAhAI5Q
No idea unfortunately. I use super-old technology (circa 1999) for my home recording.

 
I recently came into ownership of a 60s Harmony by Heathkit guitar. I know next to nothing about these other than they are made of plywood. It's in bad condition, but I think I can repair it. It's low on my extensive list of projects, but thought I would throw a placeholder in here in case anyone knew anything about these things.

I'm definitely going to need a couple parts for it. Bridge and nut in particular.

 
My father recently passed away and left me his two guitars and all his music related stuff.

One is a 1965 or 1968 (based on serial number) Gibson Dove acoustic with original case. Beautiful instrument and sounds great.

The other is a National acoustic. I've never heard of National but see they make resinators. This is a square shoulder acoustic. I have no idea how to date this, but was told it was given to him by my grandmother when he was younger. Possibly in the late 1940s or early 50s. This guitar is old but it sounds really good.

I'd be obliged if anyone could possibly help date these. Based on what I've read, the only difference in the 65 and 68 dove is the dove inlay of the pickguard. 65 was mother of pearl, and from 66 on it wasn't mother of pearl. At least that is what one website said. Not totally sure. I can't post pics from work but should be able to when I'm at home.

 
I tried to play guitar 20 years ago on a cheap acoustic and it didn't stick as I didn't put in the time and effort. Pulled it out of the closet and came to the conclusion that part of the reason is it just seems too cumbersome size wise. I think i'm going to get a ukulele and see if that inspires me too learn. After some research I think I'm going with a Kala KA-T tenor uke. Any ukulele guys here with tips or pointers, websites, books, learning methods etc to share?

 
If you get a tenor uke, I would strongly recommend that you use the standard soprano uke tuning (GCEA). The only difference in tuning will be that the G string will be an octave lower than the G on a soprano uke. Although there are other tunings for a tenor uke, most of the music you'll find on line or in books will be for standard soprano uke, which is why you want to go that route tuning-wise.

 
I tried to play guitar 20 years ago on a cheap acoustic and it didn't stick as I didn't put in the time and effort. Pulled it out of the closet and came to the conclusion that part of the reason is it just seems too cumbersome size wise. I think i'm going to get a ukulele and see if that inspires me too learn. After some research I think I'm going with a Kala KA-T tenor uke. Any ukulele guys here with tips or pointers, websites, books, learning methods etc to share?
You might also look at one of the travel guitars. I have the Taylor Baby guitar and love it for the price (dirt cheap) and portability and playability. It's tiny, but sounds like it would solve your issue and could be a decent learner instrument.

 
If you get a tenor uke, I would strongly recommend that you use the standard soprano uke tuning (GCEA). The only difference in tuning will be that the G string will be an octave lower than the G on a soprano uke. Although there are other tunings for a tenor uke, most of the music you'll find on line or in books will be for standard soprano uke, which is why you want to go that route tuning-wise.
Good to know. Thanks.

 
I tried to play guitar 20 years ago on a cheap acoustic and it didn't stick as I didn't put in the time and effort. Pulled it out of the closet and came to the conclusion that part of the reason is it just seems too cumbersome size wise. I think i'm going to get a ukulele and see if that inspires me too learn. After some research I think I'm going with a Kala KA-T tenor uke. Any ukulele guys here with tips or pointers, websites, books, learning methods etc to share?
You might also look at one of the travel guitars. I have the Taylor Baby guitar and love it for the price (dirt cheap) and portability and playability. It's tiny, but sounds like it would solve your issue and could be a decent learner instrument.
That looks like a nice guitar. Another option to think about.

 
I absolutely love my Taylor GS mini for what it's worth. Learning to play the uke is pretty cool though. Not many people know how to play and the learning curve is lower.

 
For my fellow guitar guys, here's a video of one of our gigs this year. Caveats:

1) Sound was from a crappy hand-held camera side stage - lots of wind noise

2) Crowd was very light as there was a tropical storm on its way. Rain started shortly after our set, the headliner was delayed a couple hours and ended up performing in the rain, and the next two days of the festival were canceled due to the storm and flooding.

3) We are old and not very pretty on stage. One of the reasons there aren't a lot of videos of us.

https://www.youtube.com/watch?v=sFROU-4EOE0

 
For my fellow guitar guys, here's a video of one of our gigs this year. Caveats:

1) Sound was from a crappy hand-held camera side stage - lots of wind noise

2) Crowd was very light as there was a tropical storm on its way. Rain started shortly after our set, the headliner was delayed a couple hours and ended up performing in the rain, and the next two days of the festival were canceled due to the storm and flooding.

3) We are old and not very pretty on stage. One of the reasons there aren't a lot of videos of us.

https://www.youtube.com/watch?v=sFROU-4EOE0
:headbang:

 
jdoggydogg said:
bigbottom said:
For my fellow guitar guys, here's a video of one of our gigs this year. Caveats:

1) Sound was from a crappy hand-held camera side stage - lots of wind noise

2) Crowd was very light as there was a tropical storm on its way. Rain started shortly after our set, the headliner was delayed a couple hours and ended up performing in the rain, and the next two days of the festival were canceled due to the storm and flooding.

3) We are old and not very pretty on stage. One of the reasons there aren't a lot of videos of us.

https://www.youtube.com/watch?v=sFROU-4EOE0
:headbang:
Awesome. So rules.

A few observations:

- that's like a REAL STAGE. Like the paradise city video. Legit. Seriously impressive.

-BB easily the coolest looking/rockingest old guy out there

-lol at the bass player ALWAYS being kind of tall and gorky. It's like a rule.

-those other guitar players need better shtick; put on some cool rocking cowboy hats or top hats or something, anything to looks slightly more like rock stars and slightly less than middle aged dads on the soccer field sidelines on a Saturday.

 
:lmao:

Thanks for the review. We were openers on the bill, hence the big festival stage. It's a pretty sweet gig. As for our appearance, no doubt we need some fashion consultants. And a personal trainer.

 
:lmao:

Thanks for the review. We were openers on the bill, hence the big festival stage. It's a pretty sweet gig. As for our appearance, no doubt we need some fashion consultants. And a personal trainer.
Honestly, you pull it off. Seriously impressive for a middle aged lawyer dude. It's that rag-tag bunch around you that needs the fashion help.

Then again as lead singer it's sort of your obligation to be the coolest guy out there. So, well done GB

 

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