timschochet
Footballguy
For a top 100 list of New Wave songs it is. Sorry.
To people who listen to top 40 and nothing else, sure. But that's not who these lists are for.
For a top 100 list of New Wave songs it is. Sorry.
To people who listen to top 40 and nothing else, sure. But that's not who these lists are for.
I have questions for the Really old geezers that were in their 20s or 30s during peak Toto.
were they universally loved? Primarily liked by young people? What was their demographic?
I was a toddler during peak Toto so I don’t know much about them except they made these bangers that stand the test of time 40 years later.
also, is Toto yacht rock? I need a ruling.
Agreed.AOR is a stupid made up non-genre anyway. It's basically a subgenre made up about bands who were good enough to get deep cuts played on the radio, but it is usually used an insult.
But none of those songs were really made for an AOR format, same with .38 Special with Second Chance. . The Boston song did get some airplay on AOR at the beginning. These formats evolve, look at Green Day. - they are basically mainstream rock now, and alternative is nothing that I remember.Well, relevance can be subjective, but what rock bands that made their bones in the 70s (or 60s) were relevant after 1984-1985? Some, for sure, but a lot less were not.
Boston, who is often called AOR, had a number 1 in 1986 (Amanda).
Foreigner, also usually called AOR, had a top 5 hit in 1987 (I Don't Want to Live Without You).
Styx had a top 3 hit in 1990 (Show Me the Way).
Even a band like Toto, being called AOR here, had a hit go to number 11 in 1986 (I'll Be Over You).
I doubt many bands wrote songs thinking, "Hey, let's hope AOR plays it!" So that seems rather pointless to debate, with all due respect. Most bands just wrote the music they wanted, and of course some wrote with the idea of appealing more to the masses, but I have never really thought that was the crime of the century like some (high and mighty) fans did.But none of those songs were really made for an AOR format, same with .38 Special with Second Chance. . The Boston song did get some airplay on AOR at the beginning. These formats evolve, look at Green Day. - they are basically mainstream rock now, and alternative is nothing that I remember.
I agree with you. You can thank the record companies for steering bands in different ways though thru marketing . That is why Prince, the Beatles, Zeppelin and others created their own labels - to control their content.I doubt many bands wrote songs thinking, "Hey, let's hope AOR plays it!" So that seems rather pointless to debate, with all due respect. Most bands just wrote the music they wanted, and of course some wrote with the idea of appealing more to the masses, but I have never really thought that was the crime of the century like some (high and mighty) fans did.
That is a whole other conversation, haha. I get why record companies do what they do, as they are in business to make money, and steering their artists in a direction that think appeals more to the masses is always the goal, but the problem there is that the idiots making those calls often know jack squat about what is good when it comes to music. Take those jugheads at Atlantic in the later 80s who wanted INXS to throw Kick in the trash and offered them a million dollars to do so and then write and record a whole new albumI agree with you. You can thank the record companies for steering bands in different ways though thru marketing . That is why Prince, the Beatles, Zeppelin and others created their own labels - to control their content.
I like the last one better than this one.88. Bob Seger “Still the Same” (from A Stranger In Town)
https://youtu.be/PtZbk_5pbf0
Hopefully folks will like this Seger selection better than the last one.
would be much higher on my list.88. Bob Seger “Still the Same” (from A Stranger In Town)
https://youtu.be/PtZbk_5pbf0
Hopefully folks will like this Seger selection better than the last one. I know I do; it’s much more of the traditional Seger rock ballad that defined most of his career. He wrote some great melodies over the years.
1978 featured a number of brilliant alternative artists, who received little attention at the time but are now regarded as legendary. We will get to some of them.Is there some parallel 1978 universe that I missed? 77-83 is the peak of music for me.
This 1978 is bollocks.
I don't care for some of the list so far but you can't please everyone.1978 featured a number of brilliant alternative artists, who received little attention at the time but are now regarded as legendary. We will get to some of them.
But at the same time I’m not going to ignore music that WAS popular at the time.
This is a squillion times better than the Tom Cruise jawn. But so is minor dental work.88. Bob Seger “Still the Same” (from A Stranger In Town)
https://youtu.be/PtZbk_5pbf0
Hopefully folks will like this Seger selection better than the last one. I know I do; it’s much more of the traditional Seger rock ballad that defined most of his career. He wrote some great melodies over the years.
My opinion of this song depends on how intoxicated I am (less sober = more like).87. Rod Stewart “Do Ya Think I’m Sexy” (from Blondes Have More Fun)
I understand how exposed you are writing these lists. Part of the fun I guess. That said I looked at the top 100 singles and albums in the UK, US and Australian Charts for 1978. I then looked at the top 300 singles and 300 albums on RYM.1978 featured a number of brilliant alternative artists, who received little attention at the time but are now regarded as legendary. We will get to some of them.
But at the same time I’m not going to ignore music that WAS popular at the time.
87. Rod Stewart “Do Ya Think I’m Sexy” (from Blondes Have More Fun)
https://youtu.be/Hphwfq1wLJs
Rolling Stone magazine 1st narrative (1978- 2000): Rod Stewart sold out his blues roots making this schlocky disco song. It was a huge hit and he’s never been the same since, making tons of money performing even worse hits (“Young Turks”, etc). Early Rod (prior to 1975 or so) is the only Rod worth listening to.
Rolling Stone magazine 2nd narrative (2000- now): You know what? “Do Ya Think I’m Sexy” is a brilliant song. Rod didn’t sell out at all; like any great artist, he branched out and showed a tremendous versatility. In fact, we’re going to put this song on our list of the 500 greatest, that’s how much we love it.
Quite the 180. Personally, I am somewhere in the middle: I adore Rod’s early stuff, and “Sexy” IS a sellout. However it’s a pretty great sellout.
timschochet said:1978 featured a number of brilliant alternative artists, who received little attention at the time but are now regarded as legendary. We will get to some of them.
But at the same time I’m not going to ignore music that WAS popular at the time.
7 or 8. I have to personally really like a song or it’s not making the list.Can't wait to see the top end of this list. We are giving you crap like we give a coach of a bad football team crap. Sometimes the players stink.
Almost every tune you've posted is an instant station changer for me. But to your point, they were popular at the time.
I know these lists are your opinion, but on a scale of 1-10 where are you weighting your opinion of year's music history vs. what you personally believe are the best tunes? 1 being you trying to chronicle the year and 10 being your personal opinion of the best tunes of the year.
Number one pet peeve of mine. Fans like that suck the fun out of music.Ghost Rider said:I doubt many bands wrote songs thinking, "Hey, let's hope AOR plays it!" So that seems rather pointless to debate, with all due respect. Most bands just wrote the music they wanted, and of course some wrote with the idea of appealing more to the masses, but I have never really thought that was the crime of the century like some (high and mighty) fans did.
Big fan of this song, but wish you had included the non-neutered longer version of it.94. Sweet “Love Is Like Oxygen” (from Level Headed)
https://youtu.be/zRgWvvkSvfk
Throughout the 1970s, Sweet had one great single after another, including this one, but none of their albums are anything special. I’ve tried. Since I’m a fan of their singles I figured that surely there are some hidden gems out there, forgotten catchy tunes that I would enjoy as well and could add to one of my playlists: There aren’t. At least I haven’t heard it: Each of the albums I’ve sampled, including this one, contains that one memorable song- and then blah.
Steve Lukather appearance #1. Killer solo here.92. Toto “Hold the Line” (from Toto)
https://youtu.be/htgr3pvBr-I
Toto is one of those bands made up of musicians that other musicians revere, or so I’ve been told. I personally don’t know that much about them- what I DO know is that this is the song they were best known for prior to “Africa”. And it’s a pretty good song; I like it.
Never heard the song and don’t care if I do again.86. Gerry Rafferty “Right Down the Line” (from City to City)
https://youtu.be/NSfOB8ANdWU
True Scotsman and former Stealers Wheel member Gerry Rafferty had a breakthrough album in 1978 with.City to City which featured two hit songs. “Right Down the Line” is one; the other is coming up a little later: This is a slick and enjoyable pop song which still sounds pretty good.
This is a really good tune IMO.86. Gerry Rafferty “Right Down the Line” (from City to City)
https://youtu.be/NSfOB8ANdWU
True Scotsman and former Stealers Wheel member Gerry Rafferty had a breakthrough album in 1978 with.City to City which featured two hit songs. “Right Down the Line” is one; the other is coming up a little later: This is a slick and enjoyable pop song which still sounds pretty good.
Never heard the song and don’t care if I do again.
Definite “you had to be there” type song unlike a Seger classic.
I personally would heavily penalize this song because nobody under 40 wants to listen to it.
That cover is way better.Not true if the band Badflower is any indication, they are almost all under 30 and did a reverential cover of it during the lockdown last year:
And unlike some of other sappy pop on this list so far, I've always liked this song.
Badflower - Right down the line (Gerry Rafferty cover)
https://www.youtube.com/watch?v=awElLnLD2sc
This was only a hit because it was made by a Beatle. It's otherwise unremarkable.85. Wings “With a Little Luck” (from London Town)
https://youtu.be/KzH-2NgtaZk
Not the best McCartney solo, not the worst either. Middle of the road, pleasant and catchy. The title song on the album, a bit of a “Penny Lane” ripoff, is also worth a listen. This is all fluff of course, but it’s Paul McCartney, so…
Zeppelin said:I don't care for some of the list so far but you can't please everyone.
Mad props for doing these lists.![]()
First time I’ve heard this. Too long for my taste but I liked it.84. Bruce Springsteen “Prove It All Night” (from Darkness on the Edge of Town)
https://youtu.be/_Xab-th4ltU
Youtube features several live versions of this classic Springsteen song, going all the way back to 1978. Some of these are over ten minutes long. This is one of his staples in concert and he loves to play it.
Not a Springsteen fan, but this is one of his best songs, doesn’t get much play anymore.84. Bruce Springsteen “Prove It All Night” (from Darkness on the Edge of Town)
https://youtu.be/_Xab-th4ltU
Youtube features several live versions of this classic Springsteen song, going all the way back to 1978. Some of these are over ten minutes long. This is one of his staples in concert and he loves to play it.
It’s all about the opening instrumental part, which isn’t part of the clip.83. Johnny Cougar “I Need a Lover” (from John. Cougar)
https://youtu.be/sdl5_3HX8bU
I suppose John Mellencamp thought it was really cool to go by the name of Johnny Cougar. Seems really silly now. But this was his first hit single and it’s still one of his best songs IMO.
Which is pretty damn great.It’s all about the opening instrumental part.
83. Johnny Cougar “I Need a Lover” (from John. Cougar)
https://youtu.be/sdl5_3HX8bU
I suppose John Mellencamp thought it was really cool to go by the name of Johnny Cougar. Seems really silly now. But this was his first hit single and it’s still one of his best songs IMO.
Thanks. Didn’t know that.No. No. No.
He didn't come up with the name, it was his manager Tony DeFries who dubbed him Johnny Cougar out of his belief that nobody would buy a record by anybody named Mellencamp. DeFries had renamed Bowie from David Jones (or Davie Jones) so Mellencamp reluctantly went along with it.
This was only a hit because it was made by a Beatle. It's otherwise unremarkable.85. Wings “With a Little Luck” (from London Town)
https://youtu.be/KzH-2NgtaZk
Not the best McCartney solo, not the worst either. Middle of the road, pleasant and catchy. The title song on the album, a bit of a “Penny Lane” ripoff, is also worth a listen. This is all fluff of course, but it’s Paul McCartney, so…
83. Johnny Cougar “I Need a Lover” (from John. Cougar)
https://youtu.be/sdl5_3HX8bU
I suppose John Mellencamp thought it was really cool to go by the name of Johnny Cougar. Seems really silly now. But this was his first hit single and it’s still one of his best songs IMO.
I disagree here. I think the keys get a little too bright during the bridge, but otherwise I find the synth line nice and smooth. The big draw for me, though, it when Paul brings it home vocally over the last minute or so -- love the energy he brings.This was only a hit because it was made by a Beatle. It's otherwise unremarkable.
I’ll take “backhanded compliments” for $600, Alex.Love the intro to this song. For my money it's his best song, though that's a bit like being the tallest midget.
Yep. And at best my sixth favorite song from the album London Town, which was itself pretty unremarkable. I wonder if the other "hit" from this record will make the list.
For a list of songs from 1978 ... whether thirty-somethings want to listen to it today ... that has got to be one of the least prioritized criteria.I personally would heavily penalize this song because nobody under 40 wants to listen to it.