FUBAR
Footballguy
Pretty sure I need a punk song and wildcard song.
I'll take the wildcard now. I would have liked to take the album but oh well. ..
The Star Wars theme song, John Williams
Few songs immediately bring back as good memories of childhood, we all loved the original trilogy. I spent a LOT of time watching the movies, playing with the action figures, pretending to be Luke or Han, and my kids did the same. While a movie franchise, it is so much more. The theme is brilliant, although we probably underestimate the impact the theme itself had on movies for the past 40 years. Mr. Williams is as talented as anyone taken in this draft and has had at least an equal impact.
Star Wars often is credited as heralding the beginning of a revival of grand symphonic scores in the late 1970s. One technique in particular is an influence: Williams's revival of a technique called leitmotif, which is most famously associated with the operas ofRichard Wagner and, in film scores, with Steiner. A leitmotif is a phrase or melodic cell that signifies a character, place, plot element, mood, idea, relationship or other specific part of the film. It is commonly used in modern film scoring as a device for mentally anchoring certain parts of a film to the soundtrack. Of chief importance for a leitmotif is that it must be strong enough for a listener to latch onto while being flexible enough to undergo variation and development.
"Main Theme/Overture" (all episodes) – Easily the most recognizable melody of the saga, the main theme is variously associated with Luke Skywalker, heroism, and adventure. It is heard over the opening crawl at the beginning of all the films and forms the basis of the end-title as well. The theme is most prominent in the first film, Star Wars, in which strong brass treat it as a fanfare for Luke; throughout subsequent films, it is relied upon less frequently, though this restraint lends it a greater impact. The opening bars of this theme bear a striking resemblance to Erich Wolfgang Korngold's opening theme for the 1941 film Kings Row. Also, the much recognized seven note sequence of the theme is seemingly taken directly from Giacomo Puccini's opera Manon Lescaut where it is featured prominently in the fourth act.
I'll take the wildcard now. I would have liked to take the album but oh well. ..
The Star Wars theme song, John Williams
Few songs immediately bring back as good memories of childhood, we all loved the original trilogy. I spent a LOT of time watching the movies, playing with the action figures, pretending to be Luke or Han, and my kids did the same. While a movie franchise, it is so much more. The theme is brilliant, although we probably underestimate the impact the theme itself had on movies for the past 40 years. Mr. Williams is as talented as anyone taken in this draft and has had at least an equal impact.
Star Wars often is credited as heralding the beginning of a revival of grand symphonic scores in the late 1970s. One technique in particular is an influence: Williams's revival of a technique called leitmotif, which is most famously associated with the operas ofRichard Wagner and, in film scores, with Steiner. A leitmotif is a phrase or melodic cell that signifies a character, place, plot element, mood, idea, relationship or other specific part of the film. It is commonly used in modern film scoring as a device for mentally anchoring certain parts of a film to the soundtrack. Of chief importance for a leitmotif is that it must be strong enough for a listener to latch onto while being flexible enough to undergo variation and development.
"Main Theme/Overture" (all episodes) – Easily the most recognizable melody of the saga, the main theme is variously associated with Luke Skywalker, heroism, and adventure. It is heard over the opening crawl at the beginning of all the films and forms the basis of the end-title as well. The theme is most prominent in the first film, Star Wars, in which strong brass treat it as a fanfare for Luke; throughout subsequent films, it is relied upon less frequently, though this restraint lends it a greater impact. The opening bars of this theme bear a striking resemblance to Erich Wolfgang Korngold's opening theme for the 1941 film Kings Row. Also, the much recognized seven note sequence of the theme is seemingly taken directly from Giacomo Puccini's opera Manon Lescaut where it is featured prominently in the fourth act.
looks like the only guy who's having anything resembling a good time 
. Everyone else, especially the drummer is 
Nope. Older I think, and it was definitely a studio album.
