What's new
Fantasy Football - Footballguys Forums

This is a sample guest message. Register a free account today to become a member! Once signed in, you'll be able to participate on this site by adding your own topics and posts, as well as connect with other members through your own private inbox!

Best albums of 2014 (1 Viewer)

Orwells was last year.
Wrong

Spotify is often a year off, esp with newer stuff

On March 24, 2014 the band announced their new studio album Disgraceland through social media outlets as well to their email subscribers. The album was released on June 3, 2014 and includes singles such as “Who Needs You?” and “Dirty Sheets.”
 
It has been a crazy good year for music. A lot of worthwhile releases, but my favorites thus far are:

Helms Alee—Sleepwalking Sailors

Shellac—Dude Incredible

Dead Rider—Chills on Glass

Parquet Courts—Sunbathing Animal

Myriam Gendron—Not So Deep as a Well

Sun Kil Moon—Benji

Sleaford Mods—Divide and Exit

The Gotobeds—Poor People are Revolting

Dama/Libra--Claw

 
Last edited by a moderator:
Here are some off my long list that I don't think have been mentioned lately:

Bahamas

Rival Sons

Total Control

Curtis Harding

MONEY

Slow Club

Sturgill Simpson

Jenny Lewis

Blake Mills

Woman's Hour

Drowners

Paolo Nutini

Sam Amidon

Trio 3 with Vijay Iyer

Francois and the Atlas Mountains
literally not one band I recognize... and I thought I was trying to keep up.

gives me lots of :blackdot: to look forward to
Don't get your hopes up too high. Usually I have a few albums contending to give 30 points/1 vote so it appears on the bottom of NV's year end poll. I can't think of any obvious choices right now but where there's time, there's hope.

I liked all of these records in parts and I'm glad I listened to them but maybe the industry is right and the album is dead.
The album isn't anywhere close to dead. With any luck, the music "industry" will be soon.

The only record on that list that I've heard is Total Control, who I once saw on a bill with Parquet Courts and New Race. It was a pretty incredible show.

 
Here are some off my long list that I don't think have been mentioned lately:

Bahamas

Rival Sons

Total Control

Curtis Harding

MONEY

Slow Club

Sturgill Simpson

Jenny Lewis

Blake Mills

Woman's Hour

Drowners

Paolo Nutini

Sam Amidon

Trio 3 with Vijay Iyer

Francois and the Atlas Mountains
literally not one band I recognize... and I thought I was trying to keep up.

gives me lots of :blackdot: to look forward to
Don't get your hopes up too high. Usually I have a few albums contending to give 30 points/1 vote so it appears on the bottom of NV's year end poll. I can't think of any obvious choices right now but where there's time, there's hope.

I liked all of these records in parts and I'm glad I listened to them but maybe the industry is right and the album is dead.
The album isn't anywhere close to dead. With any luck, the music "industry" will be soon.

The only record on that list that I've heard is Total Control, who I once saw on a bill with Parquet Courts and New Race. It was a pretty incredible show.
Hopefully I will die before the album does.

 
My top 5 as of today:

1. The Orwells – Disgraceland

2. Spoon – They Want My Soul

3. The Hold Steady – Teeth Dreams

4. The War on Drugs – Lost in the Dream

5. Death From Above 1979 – The Physical World

This could change by year end, but I don't see much movement at the top of the list.
:blackdot:

haven't listened to the Orwells album.

Landlady, Upright Behavior is pretty fun, Spoonish stuff. Spotify is telling me thery are similar to White Reaper, Axxa/Abraxas, Beverly... but I don't know them off the top of my head. Oh- and EX Hex....

eta: Disgraceland is from last year according to the Spootify.
Spotify is good at the music; not so good at the underlying information:

http://www.supajam.com/review/show/The-Orwells-Announce-Album-Disgraceland

Release Date 24 Mar 2014
Listening to Upright Behavior now. Diggin' it...

ETA: Note to NV, when you post the Orwells in the countdown, be sure to use "I’m not that old but I’m getting pretty wise” as the entry lyric. TIA GB

 
Last edited by a moderator:
Happy to see that Sleaford Mods get mentioned... fun mush-mouthed brit lo-fi crossover like a dumbed and stripped down Jamie T. I can't take more than a song or two at a time, so it probably won't make my final album list. But fun anyways.

And good to see Shellac with a new one. Will be checking that out today

 
Here are some off my long list that I don't think have been mentioned lately:

Bahamas

Rival Sons

Total Control

Curtis Harding

MONEY

Slow Club

Sturgill Simpson

Jenny Lewis

Blake Mills

Woman's Hour

Drowners

Paolo Nutini

Sam Amidon

Trio 3 with Vijay Iyer

Francois and the Atlas Mountains
literally not one band I recognize... and I thought I was trying to keep up.gives me lots of :blackdot: to look forward to
Don't get your hopes up too high. Usually I have a few albums contending to give 30 points/1 vote so it appears on the bottom of NV's year end poll. I can't think of any obvious choices right now but where there's time, there's hope.

I liked all of these records in parts and I'm glad I listened to them but maybe the industry is right and the album is dead.
The album isn't anywhere close to dead. With any luck, the music "industry" will be soon.

The only record on that list that I've heard is Total Control, who I once saw on a bill with Parquet Courts and New Race. It was a pretty incredible show.
That Total Control album is one of my favourites this year.

 
El Floppo said:
Happy to see that Sleaford Mods get mentioned... fun mush-mouthed brit lo-fi crossover like a dumbed and stripped down Jamie T. I can't take more than a song or two at a time, so it probably won't make my final album list. But fun anyways.

And good to see Shellac with a new one. Will be checking that out today
Shellac not on the Spot.

 
Northern Voice said:
Here are some off my long list that I don't think have been mentioned lately:

Bahamas

Rival Sons

Total Control

Curtis Harding

MONEY

Slow Club

Sturgill Simpson

Jenny Lewis

Blake Mills

Woman's Hour

Drowners

Paolo Nutini

Sam Amidon

Trio 3 with Vijay Iyer

Francois and the Atlas Mountains
literally not one band I recognize... and I thought I was trying to keep up.gives me lots of :blackdot: to look forward to
Don't get your hopes up too high. Usually I have a few albums contending to give 30 points/1 vote so it appears on the bottom of NV's year end poll. I can't think of any obvious choices right now but where there's time, there's hope.

I liked all of these records in parts and I'm glad I listened to them but maybe the industry is right and the album is dead.
The album isn't anywhere close to dead. With any luck, the music "industry" will be soon.

The only record on that list that I've heard is Total Control, who I once saw on a bill with Parquet Courts and New Race. It was a pretty incredible show.
That Total Control album is one of my favourites this year.
Oh- I guess I do know that a little- Expensive Dog is one of my favorite tracks of the year.

Going in on the rest...

 
I'm sure you're all asking yourselves, how's the latest ..And You Will Know Us By The Trail Of Dead record? Surprisingly great? Embarrassingly horrible? My verdict this time around: A resounding Meh.

 
El Floppo said:
Happy to see that Sleaford Mods get mentioned... fun mush-mouthed brit lo-fi crossover like a dumbed and stripped down Jamie T. I can't take more than a song or two at a time, so it probably won't make my final album list. But fun anyways.

And good to see Shellac with a new one. Will be checking that out today
I don't think that the Mods are any dumber than Mark E. Smith. I love that the "DJ's" schtick is to press play on laptop, then stand around vaping and vibing on his own music while the other guy works himself into a Notty lather innit. Can't get enough of these guys.

 
It has been a crazy good year for music. A lot of worthwhile releases, but my favorites thus far are:

Helms Alee—Sleepwalking Sailors

Shellac—Dude Incredible

Dead Rider—Chills on Glass

Parquet Courts—Sunbathing Animal

Myriam Gendron—Not So Deep as a Well

Sun Kil Moon—Benji

Sleaford Mods—Divide and Exit

The Gotobeds—Poor People are Revolting

Dama/Libra--Claw
Checking the ones I havent heard out and seeing the gotobeds are from pittsburgh and 2 members were in kim phuc

thinking that was the rob henry band you played me ahrn?

 
I'm sure you're all asking yourselves, how's the latest ..And You Will Know Us By The Trail Of Dead record? Surprisingly great? Embarrassingly horrible? My verdict this time around: A resounding Meh.
Heard a track off source tags and codes on my local college radio station. still a great album.

 
Happy to see that Sleaford Mods get mentioned... fun mush-mouthed brit lo-fi crossover like a dumbed and stripped down Jamie T. I can't take more than a song or two at a time, so it probably won't make my final album list. But fun anyways.

And good to see Shellac with a new one. Will be checking that out today
I don't think that the Mods are any dumber than Mark E. Smith. I love that the "DJ's" schtick is to press play on laptop, then stand around vaping and vibing on his own music while the other guy works himself into a Notty lather innit. Can't get enough of these guys.
Because of this brief back and forth, I've gone back in and listened to that album again... ####### :wub:

I must've just been in the wrong head-space when I first heard them- threw a couple of tunes on my main spotify list and walked away. I didn't think it was varied enough at the time, and maybe it isn't- but today, it doesn't matter.

 
El Floppo said:
Happy to see that Sleaford Mods get mentioned... fun mush-mouthed brit lo-fi crossover like a dumbed and stripped down Jamie T. I can't take more than a song or two at a time, so it probably won't make my final album list. But fun anyways.

And good to see Shellac with a new one. Will be checking that out today
I don't think that the Mods are any dumber than Mark E. Smith. I love that the "DJ's" schtick is to press play on laptop, then stand around vaping and vibing on his own music while the other guy works himself into a Notty lather innit. Can't get enough of these guys.
Because of this brief back and forth, I've gone back in and listened to that album again... ####### :wub:

I must've just been in the wrong head-space when I first heard them- threw a couple of tunes on my main spotify list and walked away. I didn't think it was varied enough at the time, and maybe it isn't- but today, it doesn't matter.
Oh, no. Not varied at. Each song is like one-bar loops of 16th notes with accents on the one every single time. PAP pap pap pap PAP pap pap pap. Like a guy shouting over a sledgehammer. Nothing subtle or varied about it. It is total agitprop and 100% "punk", whatever that means. Can't fault anybody for "not being in the right headspace" for this kind of music--it isn't easy to listen to.

 
Last edited by a moderator:
I'm sure you're all asking yourselves, how's the latest ..And You Will Know Us By The Trail Of Dead record? Surprisingly great? Embarrassingly horrible? My verdict this time around: A resounding Meh.
Zilla, can you look at my other account over there? I tried to change my email address and things went poorly. :(
 
The following errors were found

The member Nigel Tufnel cannot receive any new messages

This personal message has not been sent

Try now..

 
So the one sided "feud" finally got some legs:

Throughout the entire sordid one-sided beef that was Mark Kozelek’s tongue-in-cheek campaign against the War On Drugs — the one that culminated with “War On Drugs: Suck My ####” and made our own Koz superfan Michael Nelson very sad — War On Drugs frontman Adam Granduciel remained silent. Not anymore. Speaking to the Swedish music blog Songs For Whoever, Granduciel called the Sun Kil Moon frontman many things including an “idiot,” a “#####,” a “#####,” an “#######,” a “####### child,” and a “####### #####” for good measure. He also says Kozelek issued his public challenge to the War On Drugs — when Kozelek asked them to let him come on stage in San Francisco and perform “War On Drugs: Suck My ####” with the War On Drugs as his backing band — after he had already offered in private and then reneged. If so, that’s extremely ####ty. As much as I wish Granduciel would have remained quiet on this until people stopped asking him about it, it’s kind of cathartic to hear him unload. Here goes:



Speaking of rivalry. Mark Kozelek. What happened there…?

− Never heard of him.


No? Okay. Then I think that’s my last…

− I mean, to be fair to that idiot, what he said in that song… I didn’t really have a problem with any of it until I heard the song. First of all, he never met us, and yet said all these things. He’s such a
#####. I asked somebody if I could get his e-mail, because I wasn’t trying to start this stupid Twitter thing, I was just bummed. I went to a mutual friend who explained that he wouldn’t give out his e-mail address. So I just got an e-mail through this friend that said “Mark wants to come to the Fillmore, he will write a song called ’War On Drugs Suck My
####,’ you back him up on it and he gets to play ’Beer Commercial Guitar,’ then you back him up on one of his songs, ’Dogs,’ from his new album. And then he plays ’Beer Commercial Guitar’ on one of your songs.”
− We were on tour and I thought “this is actually a pretty cool idea, I don’t have anything against this guy, this is cool.” So I was really excited and was gonna write him back in a couple of days, ’cause I was busy at the time. Then two days later I get an e-mail back from him, saying “the offer has expired, maybe when I get home from tour I’ll go to Starbucks and buy your record.” I was like “you’re such a
#######
#####, dude.” He was such an
#######, I didn’t even say anything. Then he goes to the internet and he “challenges” us to this thing, but I was like “you
#######
#####, you already said ’No’!” He’s such a
#######child. And then the song is just idiotic, he’s just a
#######idiot. I don’t have time for idiots. I’m just pissed that he tried to make it come out like he was challenging us. I had already essentially agreed to it, and then the Starbucks comment… what the ####, dude. Get over your
#######self.
Well, I guess that settles that. Here’s hoping that’s the last volley in this particular exchange. Lest we forget, the War On Drugs’ Lost In The Dream and Sun Kil Moon’s Benji were both really good. Read our War On Drugs cover story here.

http://www.stereogum.com/1714863/adam-granduciel-mark-kozelek-is-such-a-#####/franchises/wheres-the-beef/

 
JerseyToughGuys said:
So the one sided "feud" finally got some legs:

Throughout the entire sordid one-sided beef that was Mark Kozelek’s tongue-in-cheek campaign against the War On Drugs — the one that culminated with “War On Drugs: Suck My ####” and made our own Koz superfan Michael Nelson very sad — War On Drugs frontman Adam Granduciel remained silent. Not anymore. Speaking to the Swedish music blog Songs For Whoever, Granduciel called the Sun Kil Moon frontman many things including an “idiot,” a “#####,” a “#####,” an “#######,” a “####### child,” and a “####### #####” for good measure. He also says Kozelek issued his public challenge to the War On Drugs — when Kozelek asked them to let him come on stage in San Francisco and perform “War On Drugs: Suck My ####” with the War On Drugs as his backing band — after he had already offered in private and then reneged. If so, that’s extremely ####ty. As much as I wish Granduciel would have remained quiet on this until people stopped asking him about it, it’s kind of cathartic to hear him unload. Here goes:



Speaking of rivalry. Mark Kozelek. What happened there…?

− Never heard of him.


No? Okay. Then I think that’s my last…

− I mean, to be fair to that idiot, what he said in that song… I didn’t really have a problem with any of it until I heard the song. First of all, he never met us, and yet said all these things. He’s such a #####. I asked somebody if I could get his e-mail, because I wasn’t trying to start this stupid Twitter thing, I was just bummed. I went to a mutual friend who explained that he wouldn’t give out his e-mail address. So I just got an e-mail through this friend that said “Mark wants to come to the Fillmore, he will write a song called ’War On Drugs Suck My ####,’ you back him up on it and he gets to play ’Beer Commercial Guitar,’ then you back him up on one of his songs, ’Dogs,’ from his new album. And then he plays ’Beer Commercial Guitar’ on one of your songs.”
− We were on tour and I thought “this is actually a pretty cool idea, I don’t have anything against this guy, this is cool.” So I was really excited and was gonna write him back in a couple of days, ’cause I was busy at the time. Then two days later I get an e-mail back from him, saying “the offer has expired, maybe when I get home from tour I’ll go to Starbucks and buy your record.” I was like “you’re such a ####### #####, dude.” He was such an #######, I didn’t even say anything. Then he goes to the internet and he “challenges” us to this thing, but I was like “you ####### #####, you already said ’No’!” He’s such a ####### child. And then the song is just idiotic, he’s just a ####### idiot. I don’t have time for idiots. I’m just pissed that he tried to make it come out like he was challenging us. I had already essentially agreed to it, and then the Starbucks comment… what the ####, dude. Get over your ####### self.
Well, I guess that settles that. Here’s hoping that’s the last volley in this particular exchange. Lest we forget, the War On Drugs’ Lost In The Dream and Sun Kil Moon’s Benji were both really good. Read our War On Drugs cover story here.

http://www.stereogum.com/1714863/adam-granduciel-mark-kozelek-is-such-a-#####/franchises/wheres-the-beef/
Mark K sounds like a total doosh. He certainly has written more than a few great songs, I've tried to get into whole albums by him, but honestly, they are pretty bland, which is actually indicative of a pretentious pri$k. Lost in the Dream kills anything he has ever done, so I guess he might be a little mad.

 
Red House Painters were pretty great.
:goodposting:

I like Kozelek but I think he releases too much marginal material these days. There were five years between Ghosts and April with only a covers album in between. Last year, he put out a solo album, a couple of live albums and collaborations with Jimmy Lafave and Desertshore. This February, he released Benji under the SKM name and another couple of solo live albums. Plus there always are the oddities like "War on Drugs: Suck My ####" and a Christmas album :rolleyes: coming out on Nov 10th.

Every album of his I've ever heard has at least a few songs that make the listen worthwhile but there's a lot of stuff that doesn't stand out to me. He could stand to be a little more selective IMO and plug the guitars back in every once in a while.

 
I think--and you guys are much better at judging modern music than I--that Sun Kil Moon is boring. His "War on Drugs" song was funny, only because the new War on Drugs album? Well, it sucks ####. It does. It sucks ####. I watched them play in Boston. That was the most boring ####### overblown Ray Ban-wearing #### set I'd ever seen. Boring. ####### boring. Sex is boring.

Ignore this if you're serious about lyrics. Because Sun Kil Moon, or whatever the heck Benji's name is (yeah, I know his name now), and War on Drugs deserve each other. In a way you can't believe. It's ####### boring.

Boring. And serious.

Love and peace to those that enjoy it.

-RA

 
Last edited by a moderator:
Been really loving Triumph, Reign by These Estates. Much leaner and harder rocking than their first record. Reminds me of the post-punkier aspects of Silkworms, but still clearly their own thing.

Also, Memphis oddballs The Family Ghost will be releasing a new record any minute now. Unlike every other band in Memphis they don't have anything to do with white-guy tone-attorney blues or Gonerfest garage. They owe a lot more to Swans, Eno, New Order, Suicide . . . they are really, really weird and their new songs are totally great.

 
New Ben Howard is pretty good. Not album of year, but a solid album.

Really like sun kil moon's album of modest mouse songs. That was their peak for me. Been a gradual downhill since then. Red house painters stuff was also very hit/miss but the highs were great.

 
I like Merchandise's "After the End". It has a big late 80s retro sound without resorting to slavish imitation. Unlike a lot of albums I've heard this year, it's pretty consistent front to back and doesn't rehash itself.

YMMV

 

Users who are viewing this thread

Back
Top