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Best Documentaries You've Seen ----> (1 Viewer)

Officer Pete Malloy said:
Is that the "Aunt Diane is ####ed Up" or whatever?
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Yeah, it's awful.  Quick synopsis:

Diane and her family are camping for a weekend in New York.  They break camp, she takes her daughter, three nieces and a nephew in her minivan and head home for Long Island.  Her husband takes another posse home with them.  By all accounts, she was sober as a judge when she departed.  She stopped at McDonalds and then went to a gas station for Tylenol and nobody there reported her being intoxicated.  

Somewhere along the way, she started driving erratically and one of her nieces called her dad to say something was wrong with Aunt Diane, who was now weaving all over the road, tailgating motorists, flashing her high beams and finally going the wrong way on an expressway and crashing head on with an SUV, killing three in that car and five in her car.  The little boy survived.  

Toxicology comes back and she was loaded on alcohol and THC.  Her husband fought that tooth and nail, trying to clear his wife's name, but a bottle of vodka was found near the crash and as news emerges, she apparently hid her drug and alcohol addictions from her family.  Awful.  Can't imagine what those kids went through before dying.  Just...awful.

 
General Malaise said:
Yeah, it's awful.  Quick synopsis:

Diane and her family are camping for a weekend in New York.  They break camp, she takes her daughter, three nieces and a nephew in her minivan and head home for Long Island.  Her husband takes another posse home with them.  By all accounts, she was sober as a judge when she departed.  She stopped at McDonalds and then went to a gas station for Tylenol and nobody there reported her being intoxicated.  

Somewhere along the way, she started driving erratically and one of her nieces called her dad to say something was wrong with Aunt Diane, who was now weaving all over the road, tailgating motorists, flashing her high beams and finally going the wrong way on an expressway and crashing head on with an SUV, killing three in that car and five in her car.  The little boy survived.  

Toxicology comes back and she was loaded on alcohol and THC.  Her husband fought that tooth and nail, trying to clear his wife's name, but a bottle of vodka was found near the crash and as news emerges, she apparently hid her drug and alcohol addictions from her family.  Awful.  Can't imagine what those kids went through before dying.  Just...awful.
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Yeah I watched it a couple of years ago.  Her husband was in denial like crazy.

 
RedmondLonghorn said:
I haven't seen it, but Amy has gotten very strong reviews. 
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:no:

it's a 45 min VH1 behind the band show that goes for 2 1/2 hours.

does have some interesting things- the first manager was filming a lot of quiet moments on the way to things that are worthwhile. also does the job telling a story about who she is- ####ed up bulimic daddy's girl looking for approval from daddy-types. amazing how autobiographical all the songs are. also amazing what an all-time voice she had. but story could have been told in half the time.

can we merge this with the other documentary thread?

 
There have been a couple of Errol Morris mentions but none specifically about "Mr. Death: The Rise and Fall of Fred A. Leuchter Jr".  It starts off as a straightforward biography about Leuchter, an unassuming nerd who happens to be an electric chair technician.  But then it gets weird.

 
The 3 different USA vs Russia docs.    The last one from teh Russian perspective.

A Gam of Honor - Army vs Navy

 
yeah- Mr Death got weird indeed. not his best, IMO, but still worth the watch.

Man on Wire is amazing.

I know Michael Moore is hard to take for most people- but Roger and Me is pretty great, IMO.

Agree with the Ali rumble in the jungle When We Were Kings

Burden of Dreams, about Herzog's fitzcaraldo is also incredible- whether you like Fitzcaraldo or not.

speaking of Herzog, Grizzly Man and especially Little Dieter Needs to Fly are pretty great too.

 
El Floppo said:
:no:

it's a 45 min VH1 behind the band show that goes for 2 1/2 hours.

does have some interesting things- the first manager was filming a lot of quiet moments on the way to things that are worthwhile. also does the job telling a story about who she is- ####ed up bulimic daddy's girl looking for approval from daddy-types. amazing how autobiographical all the songs are. also amazing what an all-time voice she had. but story could have been told in half the time.

can we merge this with the other documentary thread?
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Winehouse's father is a piece of work.

I liked it but I was watching it on a plane.

 
Once in a Lifetime is a pretty crazy look at the NY Cosmos during NASL's heyday in the 70s. More fun to watch if you're a soccer guy, probably.

 
I think it's called the story of us. Its about 16 hours long and deals with a handful of families/ survivors from World War 2. 

If you like WW2 stuff, you get the technical military campaign/what was going on stuff and if you like the personal documentary stuff, it's kind of neat to see a person being interviewed talking about how they fought in the war, where they were.  What they did before the war...and then you see their wife talk about how life was for them when they were home and he was off fighting, etc.  good stuff.

 
El Floppo said:
Once in a Lifetime is a pretty crazy look at the NY Cosmos during NASL's heyday in the 70s. More fun to watch if you're a soccer guy, probably.
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General Malaise said:
Reading up, the husband sued his BIL (the guy who lost 3 kids because of his boozed up wife) for a faulty minivan and sued the state of New York saying the highway she was on was unsafe.  
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Didn't know that.  What a gross person the husband is.  It was so obvious she was hammered after all the evidence came out.  

denial is one thing but the husband is a straight up psychopath.  Suing the BIL whose kids his wife killed is beyond bizarre.

 
Unless I missed it mentioned, Making a Murderer is amazing to watch.

Exit Through the Gift Shop is also fantastic.

 
180 South


Chris Malloy's film strikes so deeply into the heart of Patagonia's wilderness we come to feel at home there. 180° South: Conquerors of the Useless follows Jeff Johnson as he retraces the epic 1968 journey of his heroes Yvon Chouinard (founder of Patagonia) and Doug Tompkins (founder of The North Face) to Patagonia. Along the way he gets shipwrecked off Easter Island, surfs the longest wave of his life — and prepares himself for a rare ascent of Cerro Corcovado. Jeff's life turns when he meets up in a rainy hut with Chouinard and Tompkins who, once driven purely by a love of climbing and surfing, now value above all the experience of raw nature — and have come to Patagonia to spend their fortunes to protect it.

 
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Anyone mention "The Imposter" on Netflix?  It was pretty interesting - whole lot of crazy and shady in that one.

 
A few more that I recall:

The Fog of War-- about Robert McNamara and the Vietnam war

Little Dieter needs to fly-- mentioned earlier, a good watch

Harlan County USA-- this is an amazing doc about labor tensions in the coal mining industry.  I want to say it was from the 70's maybe.  A very good watch.

Hearts and Minds-- anti Vietnam war doc-- excellent

Inconvenient Truth-- even if you dont believe in global warming it's still well done.

Citizenfour-- doc on Edward Snowden

There are also some very good docs on the 2008 financial crisis.  I have watched several of them.

 
Some of my favorites that I think are on Netflix right now are 

Hiro dreams of sushi - This is a story about a sushi master and how he has been practicing his trade his whole life. It may sound boring but it is a really fascinating look into another culture

Auschwitz the nazis and the final solution - I thought this was really good because you always think that Hitler was like "hey lets exterminate all the Jews" but it is a series that illustrates all the little steps and circumstances that led to the culmination of the final solution. 

Freakonomics -puts out some interesting economic theories on why some social issues happen pretty funny too. 

 
Ken Burns and Errol Morris are probably my favorite American documentarians.

The Civil War was great. Jazz is 10 episodes (about 2 hours each?), and was enough of an investment in time that I put it off for a long time, but once I started, found it riveting, and have watched like 3-4 X. Not everybody loves it, but I know of no doc on the subject with comparable scope. Probably my favorite doc, period, but I admittedly like jazz a lot. Haven't seen his baseball doc, completing the American Experience trio.

Thin Blue Line came immediately to mind. It kind of blurred the lines between doc and dramatization/re-enactment, and was I think influential in terms of structure. The interrotron was another innovation, which allowed Morris to carry on a conversation with the subject through the camera lens. Gates Of Heaven may be his greatest work. Ostensibly about a pet cemetery, something else emerged in his interviews with the family that owned it (sometimes what a movie ends up being is something different than what the director originally envisioned). Ebert championed it as one of his 10 favorite movies in any genre. Interestingly, one documentary led to another (see below). I also like his doc on Stephen Hawking titled A Brief History Of Time (same as the physicist's best selling non-fiction book).   

Werner Herzog Eats His Shoe was an extra on both the Criterion editions of Les Blank's Burden Of Dreams as well as Gates Of Heaven by Morris

https://en.wikipedia.org/wiki/Werner_Herzog_Eats_His_Shoe    

Conversation between Herzog and Morris

http://www.believermag.com/issues/200803/?read=interview_herzog

Ebert was a big fan of both Herzog and Morris. As noted above, Burden Of Dreams* is a fascinating look at the making of Fitzcarraldo in the Amazon jungle - the highlight is moving an actual ship over a hill/mountain to get it to the Amazon River (fraught with problems, somewhat parallel to harsh, remote location shoots by Coppola with Apocalypse Now [[leading to yet another doc]], Friedkin with Sorcerer and Herzog a decade earlier with the film Aguirre, The Wrath Of God '72 - the latter had some hilarious anecdotes, such as when fellow nut job Klaus Kinski threatened to walk because he couldn't take it any more, and Herzog allegedly pulled a gun on him and threatened to straight up murder him if he did, which I found completely believable, given the principals  :)  ). Grizzly Man, also noted above, was compelling, sad and tragic. Hopefully not too much of a spoiler (somewhat like a Columbo episode, you quickly find out how things will end, that isn't in question, but it is about how they get there), but Herzog urged a close friend of the deceased to never listen to the tape that contained the final moments of the couple. IMO it gave a rounded view of the subject, and seemed to sympathize without glamorizing him, and noted how unfortunate it was the girlfriend had to go down with him.

For All Mankind* - On the Apollo lunar missions, great, at times spooky and ethereal score evoking the vastness, emptiness and weightlessness of space by Brian Eno, all the living astronauts that set foot on the moon or were involved in those missions (as far as I can recall) in their own words, but IMO in a great artistic and editorial choice with no talking heads-type interviews that would break the mood, all spoken over NASA film, reportedly cut down from over SIX MILLION FEET (!!!) of raw film footage, and 80 hours of interviews. One of the best docs I've ever seen, very highly recommended.     

List of Top 100 Docs from Rotten Tomatoes

http://www.rottentomatoes.com/top/bestofrt/top_100_documentary_movies/ 

Without commenting on the sequence/rankings, Man On Wire was indeed excellent. So was Jodorowsky's Dune. Fascinating how influential this aborted mid-70s project was on future sci fi films, such as Ridley Scott's Alien (visionary bio/mech hybrid artist Giger, who famously did ELPs Brain Salad Surgery cover, collaborated first here before Alien in '79), partly because the incredibly thorough visual document and mapped out story board "book" made the rounds to virtually every studio in Hollywood. Lynch didn't complete his version until '84. When original source material author Frank Herbert visited Chilean/French director Jodorowsky in '76 (avant garde and underground/cult film pioneer earlier made "acid western" El Topo '70, which led to fan John Lennon partly financing The Holy Mountain '73), the telephone book-sized script projected to a 14 hour film, after talking to Tangerine Dream and Gong for scoring he settled on Pink Floyd and Magma and it was to star an international and multi-media cast including Dali, Orson Welles, David Carradine and Mick Jagger. :)  Arguably the GMNM (Greatest Movie Never Made). Again, very highly recommended.

https://en.wikipedia.org/wiki/Jodorowsky%27s_Dune

Music-related

Gimme Shelter (arguably the greatest music doc ever?), on the Stones and the Altamont tragedy - the Stones In Exile was also interesting, as that was close to the epicenter of my favorite era, albeit a short doc, about 60 minutes, not counting extra interviews

Pink Floyd: Live At Pompeii (also A Technicolor Dream about the foundational Syd Barrett years and "Swinging London" psychedelic backdrop)

Monterey Pop Festival (by Pennebaker, who also did Don't Look Back by Dylan which I haven't seen, and Ziggy Stardust, which I have and liked a lot, though the visuals are flawed, but great music by Bowie, in his historic last concert with the Spiders From Mars), great footage of Hendrix and Otis Redding, among others

Woodstock

Beatles Anthology (another candidate for my all time favorite doc in any genre, along with the Jazz doc 10 part series by Ken Burns), The First U.S. Visit AND Let It Be, middle doc by the Maysles bros, who also did Gimme Shelter

George Harrison: Living In The Material World (nearly 3 & 1/2 hours, Scorcese took about a half decade meticulously researching and assembling based on countless interviews, video/film/audio elements with full access granted to his official archives by his widow Olivia, finishing in parallel while shooting Shutter Island, won several Emmys, including best director)

Lennon NYC (from the PBS American Masters series), also Gimme Some Truth: The Making Of John Lennon's Imagine album and Imagine: John Lennon, a separate doc/bio   

Jimi Hendrix ('73), the recent Hear My Train A Comin (also from the PBS American Masters series, and an Emmy winner), Band Of Gypsies: Live At The Fillmore East (won a Grammy), Jimi Plays Berkeley and Jimi Hendrix: Electric Church 

The Song Remains The Same 

Stop Making Sense* (on Talking Heads, by Silence Of The Lambs Jonathan Demme)

Standing In The Shadows Of Motown (on the largely anonymous but brilliant musical aggregation dubbed the Funk Brothers, including legendary bassist James Jamerson) 

David Bowie: Five Years 

The Wrecking Crew (secret weapon on hundreds of hits from mid-60s to early 70s, perhaps most notably on The Beach Boys Pet Sounds, but Sinatra and everybody)

Blue Note: A Story Of Modern Jazz*

Respect Yourself: The Stax Records Story*

Wattstax

The Last Of The Blue Devils* (on the intersection of Kansas City blues and jazz best exemplified by Count Basie, some great background, interviews and live performances)

Thelonious Monk: Straight No Chaser on the seminal bebop piano architect (with Bud Powell) and maybe the most important composer in the history of jazz after Duke Ellington, who had like 2,000 compositions over more than a half century. Exec produced by jazz buff Clint Eastwood, directed by Charlotte Zwerin, who co-directed Gimme Shelter with the Maysles bros. 

Satchmo and Celebrating Bird, on the lives and music of legendary, iconic, historically pivotal jazz artists Louis Armstrong and Chalie Parker, respectively (written and co-directed companion to two books by possibly the greatest living jazz critic, Gary Giddins - his breadth/depth of more wide ranging general knowledge evident on his commentary track for Kubrick's Paths Of Glory, as well as many Criterion essays, entrusted with some of the most important classics in world cinema, such as Bergman's The Seventh Seal and Fellini's La Dolce Vita)

Ornette Coleman: Made In America (the most important and influential avant garde jazz artist in the 20th century?)

Sun Ra: A Joyful Noise (George Clinton's whole P-Funk Afronaut vibe and elaborate cosmology/ethos was basically a career long homage)  

Stranger: Bernie Worrell On Earth (just found out he is battling a late stage liver/lung cancer diagnosis and is forgoing chemo - thought and prayers extended out in all directions with maximum velocity throughout the Woo-niverse), about the Herbie Hancock-like childhood classical prodigy, secret weapon, X-factor, neglected genius and key architect of P-Funk's enduring success, who as Mos Def trenchantly noted, not only made cutting edge, state of the art sounds as a synthesizer pioneer, as others have done that before and since, but created entirely new syntaxes and SOUND WORLDS for funk - see Flashlight)             

Rush: Beyond The Lighted Stage  

Genesis - Sum Of The Parts

Muscle Shoals

The Last Waltz

Different Kind Of Blue (on Miles Davis fusion period)

Year Of The Horse (on Neil Young, I think directed by Jim Jarmusch?)

Buena Vista Social Club (Cuban music scene, with Ry Cooder, directed by the great Wim Wenders)

Finding Fela (about Afrobeat creator)

Making of Dark Side Of The Moon, Wish You Were Here AND The Pink Floyd And Syd Barrett Story

Several titles in the VH1 Classic Albums series (some favorites include Floyd's DSOM above, Rush - 2112/Moving Pictures, Steely Dan - Aja, The Jimi Hendrix Experience - Electric Ladyland, John Lennon/Plastic Ono Band, Peter Gabriel - So, Grateful Dead - Anthem Of The Sun and American Beauty, Frank Zappa - Apostrophe/Over-nite Sensation, The Doors on their eponymous debut, etc., etc., etc.) 

https://en.wikipedia.org/wiki/Classic_Albums

40 Greatest Rock Docs by Rolling Stone

http://www.rollingstone.com/movies/lists/40-greatest-rock-documentaries-20140815/the-last-waltz-1978-20140815

* For All Mankind (in eight parts)



 
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