Andy Dufresne
Footballguy
Finishing out the day. Was busy painting the walls with my wife. No, not the fun, euphemistic, double entendre kind. The actual kind. Upside is that the basement looks nice and updated now.
70. You Can't Hurry Love - Phil Collins - November
First recorded (of course) by The Supreme, Collins's version reached number-one on the UK Singles Chart (becoming his first number-one solo hit in the UK Singles Chart, and peaking two positions higher than the original song did in that country), and reached number 10 in the United States.
"You Can't Hurry Love" was inspired by and partially based upon "(You Can't Hurry God) He's Right on Time" ("You can't hurry God/you just have to wait/Trust and give him time/no matter how long it takes"), a 1950s gospel song written by Dorothy Love Coates of The Original Gospel Harmonettes.
Collins explained:
The idea of doing 'Can't Hurry Love' was to see if Hugh Padgham and I could duplicate that Sixties sound. It's very difficult today because most recording facilities are so much more sophisticated than they were back then. It's therefore hard to make the drums sound as rough as they did on the original. That's what we were going after, a remake, not an interpretation, but a remake."
70. You Can't Hurry Love - Phil Collins - November
First recorded (of course) by The Supreme, Collins's version reached number-one on the UK Singles Chart (becoming his first number-one solo hit in the UK Singles Chart, and peaking two positions higher than the original song did in that country), and reached number 10 in the United States.
"You Can't Hurry Love" was inspired by and partially based upon "(You Can't Hurry God) He's Right on Time" ("You can't hurry God/you just have to wait/Trust and give him time/no matter how long it takes"), a 1950s gospel song written by Dorothy Love Coates of The Original Gospel Harmonettes.
Collins explained:
The idea of doing 'Can't Hurry Love' was to see if Hugh Padgham and I could duplicate that Sixties sound. It's very difficult today because most recording facilities are so much more sophisticated than they were back then. It's therefore hard to make the drums sound as rough as they did on the original. That's what we were going after, a remake, not an interpretation, but a remake."