In the years since I’ve started this thread I’ve come to appreciate drumming a lot more but I still know nothing about it, other than what I like. Here are a couple of old time drummers that I really like:
Simon Kirke (Free, Bad Company)
Frank Beard (ZZ Top)
I don’t know why I like them. I like the sound they make but can tell you nothing about the skills that go into making that sound, other than I really like it (with both of these guys especially on the albums from the early 70s).
And I still miss my brother.
Also
@drummer- despite your rather bizarre attacks against me a while back I’ve actually enjoyed your posts in this thread. I especially appreciated the one about Gadd and the “50 Ways” Paul Simon tune- I always loved that drumming but didn’t realize it.
Well Tim, it's not like in the entire history of the FFA that I was the only one who ever attacked you lol
BTW, Rush hired a new drummer:
Drummer Anika Nilles has shared her first proper statement since joining forces with Rush for their 2026 reunion tour.
ultimateclassicrock.com
Here she is in 2020, which is better to inform anyone who isn't familiar of her (and her touring with the late great Jeff Beck got her the Rush gig) to understand her ideas and approach.
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Her drumkit setup is like Sput Searight's and Larnell Lewis', using a 14" snare detuned where at 14" floor tom is. Now, you can play Rush tunes on a smaller kit. I've done it many times. Peart's kit outside of the concert tom array in the early years of Rush was really only four double headed toms and two bass drums.
This style and sound of drumming that she displays here had taken over YouTube, which is the platform for drummers. The style she plays is what I call "Meinl Cymbal Drummers", because she and drummers such as Searight and many others who are endorsed by that cymbal manufacturer generally all play this style. Now there is nothing wrong with it, but it's kind of over saturated IMO to where it's drummers demonstrating a product, using drum and cymbal sounds in the modern era, whereas Peart went from a more focused dead sound on his ole Slingerland kit, to a more vibrant higher tuned open sound later. While incorporating electronics that were the contrast to that higher tuning. Prog rock drummers like Bill Bruford and Phil Collins used higher tunings, the new prog rock goes the other way, as Niles demonstrates here.
It's an interesting choice Geddy Lee has made. I think Aaron Their would had been a great choice:
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Or Wim De Vries:
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.
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Or Todd Sucherman, who IMO would had been a great choice for them:
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.
youtu.be
But, I applaud Rush for choosing Niles. This is where drummers are now. Until it gets old, which IMO is already is, but an even bolder outside the box move would had been to hire Chris "Daddy" Dave. But as I said years ago: Rush is the whitest rock band ever lol. It's a band for nerds.
"To stand withing the pleasure dome, decreed by Kubla Khan" answered with a roundhouse fill on the drums is also peak 70's jazz fusion lol. Like Scientolgy lyrics from Stanley Clarke.
Anyway, this is why when you have a monster kit, you tune those drums high to where they crack, speak, and roar. From the greatest rock drummer ever, Billy Cobham:
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.
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Edit: gotta add two more drummers Rush could had hired:
Gergo Borlai:
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.
youtu.be
Alexandr Murenko:
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.
youtu.be